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Against the Wind
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Against the Wind
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1
The Prince of Denmark's March (Trumpet Voluntary)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jeremiah Clarke
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Jim Hopson
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The Prince of Denmark's March
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Phonos Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1164156 Composed by Jeremiah Clarke. Arranged by Jim Hopson. Baroque,Classical,Historic,March,Wedding. Score and Part...
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Full Orchestra - Level 4 - SKU: A0.1164156 Composed by Jeremiah Clarke. Arranged by Jim Hopson. Baroque,Classical,Historic,March,Wedding. Score and Parts. 43 pages. Phonos Music #764501. Published by Phonos Music (A0.1164156). Commonly known as ‘Trumpet Voluntary’, ‘The Prince of Denmark’s March’ is English baroque composer Jeremiah Clarke’s most celebrated work. Commonly played and wedding and commencement ceremonies, this iconic piece has been featured in countless movies, television programmes, and popular music releases. It is arranged here for full symphony orchestra (2222-4231, timp, perc, harp, piano, strings), featuring two trumpets in D (commonly played on A piccolo trumpet) set against a lush and regal backdrop of strings and winds. We believe this arrangement to be the definitive modern orchestration of this piece, using the full tonal palette of the modern symphony orchestra to create an air of majesty and excitement.
$60.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Psalm 145 (Downloadable Choral Score)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Michael John Trotta
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Psalm 145
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Children's choir, descant, SATB choir divisi, and keyboard or full orchestra - Medium - SKU: MQ.50-7086-E Composed by Michael John Trotta. Instrument pa...
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Children's choir, descant, SATB choir divisi, and keyboard or full orchestra - Medium - SKU: MQ.50-7086-E Composed by Michael John Trotta. Instrument part. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-7086-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7086-E). English. Psalms 145.A big, fun festival piece. The children's choir part is prominent and often sings with or against the adults, so it's essential. The SATB writing varies from full chords to quick imitative passages to a quiet chorale-like section. The accompaniment is flashy and could be effectively done on either piano or organ. In fact, a full orchestra accompaniment is available, with winds in pairs, two percussionists, harp, and strings. Duration: 4:00.
$2.85
Feeling Fine - Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Duration = 3:45 mins.
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Feeling Fine - Orchestra Score
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750820 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 29 pages. BJE Music #3681937. Published b...
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Full Orchestra - Level 3 - SKU: A0.750820 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 29 pages. BJE Music #3681937. Published by BJE Music (A0.750820). Feeling Fine is an original composition for Orchestra which initially started out as a Violin Solo against a string background continuo. (Hence the repetitive nature of most of the string parts and some woodwind parts.) Now expanded to a full orchestral arrangement. On each repeat, there is a different combination of melodies and counter-melodies with an expanded instrumentation. The optimistic nature of the music is reflected in the title.The Viola part is also available as an optional Violin 3 part in the PDF.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 3:45 mins.
$20.00
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