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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ale Pun
Non classifié
48
Piano & claviers
Piano seul
54
Orgue
20
Piano, Voix et Guitare
15
Instruments en Do
7
Piano, Voix
5
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Facile
1
Orgue, Trompette (duo)
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
13
Paroles et Accords
7
Basse electrique
3
Guitare (partie séparée)
2
Ukulele
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale SATB
147
Chorale 3 parties
45
Chorale TTBB
36
Chorale SSAA
15
Chorale 2 parties
12
Chorale Unison
6
Pack Instrumental pour Chorale
5
Chorale SSATB
3
Chorale
2
Voix Alto, Piano
2
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
Voix, Guitare
1
Voix seule
1
Chorale SSATTB
1
+ 11 instrumentations
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Vents
Clarinette
6
Saxophone (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Clarinettes: 4 clarinettes
3
Flûte traversière et Piano
2
Flute (partie séparée)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Clarinettes
1
Saxophone Tenor
1
Saxophone Alto
1
Ensemble de saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte et Guitare
1
Saxophone Alto et Piano
1
2 Clarinettes (duo)
1
Ocarina
1
Flûte à bec Alto, Basse continue
1
Flûte traversière
1
2 Saxophones (duo)
1
+ 15 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone (partie séparée)
5
Trombone
4
Trompette (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
2
Euphonium, Tuba (duo)
1
Trompette
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon et Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Violoncelle
1
Violon
1
2 Violoncelles (duo)
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Ensemble Jazz
9
Orchestre
8
Batterie
6
Orchestre à Cordes
4
Orchestre de chambre
4
Fanfare
3
Ensemble de cuivres
3
Cloches
2
Batterie (partie séparée)
1
Jazz combo
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Ale Pun
Orchestre
Partitions à imprimer
8 partitions trouvées
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Sergei Lyapunov - "Humoreske", Op. 34. Orchestrated by Arkady Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sergei Lyapunov
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Arkady Leytush
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Sergei Lyapunov - "Humore
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytush #990829. Publ...
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Full Orchestra - Level 4 - SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytush #990829. Published by Arkady Leytush (A0.1408248). Sergei Lyapunov, the centenary of his death, which we celebrate this year, was a brilliant pianist, gifted composer and teacher. His scherzo, modestly titled “Humoresque,†​​is a brilliant virtuoso piece in which, thanks to symphonic development, I heard a potential orchestra. Working on the orchestral transcription of this work was an absolute pleasure for me, since the soloists and groups of the future orchestra reproduced exclusively in accordance with their nature, character and mobility. In other words, to put it in theatrical language, the casting turned out to be very successful. In a regular score, the overall sound takes on a different scale and can delight listeners and musicians with excellent virtuosic compositions, updating the standard repertoire.
$40.00
S. Lyapunov - Orchestra Suite, Op. 11 Orchestrated by A. Leytush - Score Only
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Orchestre
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AVANCÉ
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S
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A
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Lesghinka
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S. Lyapunov - Orchestra Suite,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430086 Composed by S. Lyapunov. Arranged by A. Leytush. 19th Century. 134 pages. Arkady Leytush #1010761. Published ...
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Full Orchestra - Level 5 - SKU: A0.1430086 Composed by S. Lyapunov. Arranged by A. Leytush. 19th Century. 134 pages. Arkady Leytush #1010761. Published by Arkady Leytush (A0.1430086). This orchestral suite was composed by me from three numbers of Transcendental Etudes, op. 11 S. Lyapunov - Berceuse, Rondo des Sylphes & Lesghinka. These three different plays combine perfectly due to their contrasts and different artistic images. Translating these virtuoso opuses to a full orchestra, I had to deal with many technical difficulties purely for the piano, which had to be adapted for the orchestra, while I had to create new lines and voices and even compose something. This work completely captivated me with the talent, ingenuity and delightful imagination of its author. I am sure that this composition could decorate many orchestral programs, giving them freshness and great emotional intensity.
$75.00
Dies Passioni Domini
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Orchestre
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INTERMÉDIAIRE
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Marc Douyon
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Dies Passioni Domini
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Marc Douyon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1128053 By Marc Douyon. By Marc Douyon. Christian,Classical,Contest,Easter,Festival,Sacred. Score and parts. 150 page...
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Full Orchestra - Level 3 - SKU: A0.1128053 By Marc Douyon. By Marc Douyon. Christian,Classical,Contest,Easter,Festival,Sacred. Score and parts. 150 pages. Marc Douyon #728662. Published by Marc Douyon (A0.1128053). “Dies Passioni Domini†is the first movement of a composition about the apostle, Maria Magdalena. In that work, the day that Christ has been crucified, Maria Magdalena is lamenting over the verdict and punishment administered to her Lord. The orchestra and the chorus play an active role in the story.
$204.80
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Immer Wieder Geht Die Sonne Auf
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Udo Jurgens
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Felix Linsmeier
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Immer Wieder Geht Die Sonne Au
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463512 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Broadway,Classical,Film/TV,Musical/Show,Pop. 50 ...
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Full Orchestra - Level 4 - SKU: A0.1463512 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Broadway,Classical,Film/TV,Musical/Show,Pop. 50 pages. Felix Linsmeier #1042238. Published by Felix Linsmeier (A0.1463512). Immer wieder geht die Sonne auf ist ein Lied des österreichischen Sängers Udo Jürgens aus dem Jahr 1967 zu einem Text von Thomas Hörbiger.Der Schlager, der häufig gecovert wurde, handelt davon, dass egal, was passiert, das Leben weitergeht (symbolisch „immer wieder die Sonne aufgeht“). Der Liedtitel entwickelte sich zu einem geflügelten Wort.Der Song wurde 1967 als Singleauskopplung seines Albums Was ich dir sagen will veröffentlicht. Das Lied ist 3:04 Minuten lang, in Deutschland platzierte sich das Lied auf Platz 15 und war insgesamt 12 Wochen in den Charts vertreten.Das Arrangement für großes Sinfonieorchester und Gesangssolist ist ein Höhepunkt bei Galakonzerten, mit allen Facetten von sanften Strophen bis zum Monumentalen Sonnenaufgang im Refrain und dem berühmten Trompetensolo!Die Partitur verstärkt das Orchester durch eine Band aus E-Gitarre, Bass und Background-Vocals, wobei diese aber alle optional sind. Lediglich Klavier und Drumset sind unverzichtbar für den echten Jürgens-Sound!Das Produkt sind alle Einzelstimmen (pdf), die partitur kann hier erworben werden:.
$49.99
Immer Wieder Geht Die Sonne Auf - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Udo Jurgens
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Felix Linsmeier
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Immer Wieder Geht Die Sonne Au
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463509 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Classical,Film/TV,Pop,Singer/Songwriter,Wedding....
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Full Orchestra - Level 4 - SKU: A0.1463509 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Classical,Film/TV,Pop,Singer/Songwriter,Wedding. 14 pages. Felix Linsmeier #1042234. Published by Felix Linsmeier (A0.1463509). Immer wieder geht die Sonne auf ist ein Lied des österreichischen Sängers Udo Jürgens aus dem Jahr 1967 zu einem Text von Thomas Hörbiger.Der Schlager, der häufig gecovert wurde, handelt davon, dass egal, was passiert, das Leben weitergeht (symbolisch „immer wieder die Sonne aufgeht“). Der Liedtitel entwickelte sich zu einem geflügelten Wort.Der Song wurde 1967 als Singleauskopplung seines Albums Was ich dir sagen will veröffentlicht. Das dreiminütige Lied war insgesamt 12 Wochen in den deutschen Charts vertreten.Das Arrangement für großes Sinfonieorchester und Gesangssolist ist ein Höhepunkt bei Galakonzerten, mit allen Facetten von sanften Strophen bis zum Monumentalen Sonnenaufgang im Refrain und dem berühmten Trompetensolo!Die Partitur verstärkt das Orchester durch eine Band aus E-Gitarre, Bass und Background-Vocals, wobei diese aber alle optional sind. Lediglich Klavier und Drumset sind unverzichtbar für den echten Jürgens-Sound!Das Produkt ist lediglich die Partitur (pdf), die Einzelstimmen können hier erworben werden:.
$29.99
Cyclone Galveston (orchestra)
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Orchestre
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INTERMÉDIAIRE
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and part...
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Full Orchestra - Level 3 - SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 104 pages. Wesley Besancon #747317. Published by Wesley Besancon (A0.1147112). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$59.99
Cyclone Galveston (orchestra) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and part...
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Full Orchestra - Level 3 - SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 12 pages. Wesley Besancon #750529. Published by Wesley Besancon (A0.1150350). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$24.99
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Ale Pun