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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All My Dreams
Non classifié
63
Piano & claviers
Piano seul
33
Piano Facile
24
Piano, Voix et Guitare
23
Piano, Voix
19
Instruments en Do
7
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 3 instrumentations
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Guitares
Guitare
26
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Guitare (partie séparée)
1
Voix
Chorale SATB
18
Pack Instrumental pour Chorale
16
Chorale 3 parties
13
Chorale 2 parties
5
Chorale
4
Chorale TTBB
4
Voix Alto, Piano
2
Chorale SSAA
2
Voix duo, Piano
2
Voix Soprano, Piano
1
+ 5 instrumentations
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Vents
Hautbois, Piano (duo)
3
Saxophone (partie séparée)
3
Flûte traversière et Piano
2
Clarinette
2
Quatuor de Flûtes : 4 flûtes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte traversière
1
Clarinette et Alto
1
Saxophone Alto
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor
1
Flûte, Violon et Violoncelle
1
Clarinette, Guitare (duo)
1
+ 8 instrumentations
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Cuivres
Trompette (partie séparée)
3
Trompette
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
2
Trombone
1
Trombone (partie séparée)
1
+ 1 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Trio à Cordes: violon, alto, violoncelle
14
Violon, Violoncelle (duo)
10
Violon
7
Violon et Piano
4
Harpe
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
3
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Alto seul
2
Contrebasse (partie séparée)
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
+ 11 instrumentations
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Orchestre
7
Orchestre de chambre
5
Ensemble Jazz
4
Orchestre à Cordes
2
Cloches
2
Jazz combo
1
Ensemble de cuivres
1
Marimba
1
Ensemble de Percussions
1
Orchestre d'harmonie
1
Batterie (partie séparée)
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
All My Dreams
Orchestre
Partitions à imprimer
7 partitions trouvées
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Dreams Don't End (Orchestra)
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Orchestre
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Cody Weinmann- CJW Music
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Dreams Don't End
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Cody Weinmann
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SheetMusicPlus
Full Orchestra - SKU: A0.835181 Composed by Cody Weinmann- CJW Music. 20th Century,Contemporary. Score and parts. 7 pages. Cody Weinmann #6363277. Publi...
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Full Orchestra - SKU: A0.835181 Composed by Cody Weinmann- CJW Music. 20th Century,Contemporary. Score and parts. 7 pages. Cody Weinmann #6363277. Published by Cody Weinmann (A0.835181). This is my piece Dreams Don't End that was originallycomposed for piano, orchestrated for symphony orchestra.This is printable on 11 x 17 and 12x 16 paper, or you coulduse your devices to view and play the score. It is in C Major.Enjoy! What do you think?Need me to score something for you, email codybusiness78@gmail.com Youtube: Channel Links: Cody Weinmann, Composer: https://www.youtube.com/channel/UCXq0u6NR-2FKeowdNzcJbng? CJW Music Tutorials: https://www.youtube.com/channel/UCeQjG3LlwSFprkTFvoJNqNA? Sheet Music is available at the links below: http://www.codyweinmann.musicneo.com. https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308
$20.00
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
Truck Drive - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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Ost
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Chris Siddall
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Truck Drive - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 1...
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Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 10 pages. Chris Siddall Music Publishing #688907. Published by Chris Siddall Music Publishing (A0.1084739). “My most completely satisfying participation in filmâ€. That was how composer Michael Kamen described his collaboration with director Terry Gilliam on his dystopian black comedy film Brazil. Brazil is a wonderful dreamscape of music. Kamen manages to successfully blend a dizzying array of styles ranging from symphonic to jazz to thirties pop, weave in allusions to everything from Maurice Ravel to Woody Woodpecker and make the result as gloriously romantic as it is heart-breaking. This cue, titled “Kicked Out†on the manuscript but known as “Truck Drive†on the OST takes place as our hero Sam (Jonathan Pryce) and the woman from his dreams Jill (Kim Greist) flee from government agents. During the frantic chase, we hear hints of Ary Barroso’s “Aquarela do Brasil†which, known simply as “Brazil†to British audiences, is a recurring theme throughout and gives its name to the title of the film. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Symphony No 1 for Large Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Symphony No 1 for Large Orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.927974 Composed by Malcolm D Robertson. Contemporary. Score and parts. 115 pages. Mr Malcolm D Robertson #4756833. Pu...
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Full Orchestra - Level 5 - SKU: A0.927974 Composed by Malcolm D Robertson. Contemporary. Score and parts. 115 pages. Mr Malcolm D Robertson #4756833. Published by Mr Malcolm D Robertson (A0.927974). The Symphony No 1, my first large scale work in symphonic form was composed directly into full score May-July 2019. It is in three movements: The Symphony is broadly tonal though modern in style.I Hymn - a broad expansive opening movementII Nocturne - a dark disturbed movement that inhabits the world of dreamsIII Passacaglia - which gradually drives itself towards an affirmative conclusion, only to sidestep to end in peaceful unease. The Symphony is a challenging work for the performers. Parts are available upon request.
$20.99
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...
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Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
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All My Dreams
