Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All That We Are
Non classifié
1 033
Piano & claviers
Piano seul
445
Piano, Voix
288
Piano, Voix et Guitare
205
Piano Facile
108
Orgue
48
Instruments en Do
40
2 Pianos, 4 mains
25
1 Piano, 4 mains
19
Accompagnement Piano
11
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
1
Accordéon
1
Orgue, Piano (duo)
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
52
Guitare
42
Guitare (partie séparée)
14
Piano, Guitare (duo)
8
Basse electrique
7
Ukulele
5
Mandoline, Guitare (duo)
4
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
Banjo
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
321
Chorale 3 parties
71
Chorale 2 parties
52
Chorale Unison
37
Voix duo, Piano
24
Chorale TTBB
23
Chorale SSAA
17
Voix Alto, Piano
11
Voix duo
8
Voix Soprano, Piano
5
Voix haute
4
Voix Tenor
3
Voix seule
3
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix moyenne, Piano
1
Voix Soprano
1
Chorale SSATTB
1
Voix basse
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Quintette de Saxophone: 5 saxophones
82
Quatuor de Saxophones: 4 saxophones
72
2 Saxophones (duo)
56
Flûte traversière et Piano
52
Hautbois, Piano (duo)
45
Clarinette et Piano
45
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
37
Saxophone Alto et Piano
36
Saxophone Soprano et Piano
35
Saxophone Alto
35
Clarinette
35
Quatuor de Clarinettes: 4 clarinettes
33
Saxophone Tenor et Piano
33
Hautbois (partie séparée)
29
Saxophone Tenor
28
Quintette de Flûte : 5 flûtes
28
Saxophone Baryton, Piano
27
Saxophone (partie séparée)
25
2 Flûtes traversières (duo)
22
Quintette de Clarinettes: 5 clarinettes
21
3 Saxophones (trio)
21
Quatuor de Flûtes : 4 flûtes
19
2 Clarinettes (duo)
16
Saxophone Soprano
12
Saxophone Baryton
12
Hautbois
12
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Ensemble de saxophones
10
Saxophone, Clarinette (duo)
8
Ensemble de Flûtes
8
Clarinette, Violon (duo)
8
Flûte à bec Soprano
7
Flûte, Clarinette (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Ocarina
4
Flûte, Clarinette et Basson
4
Flûte, Violon
3
Clarinette (partie séparée)
3
Hautbois, Clarinette (duo)
3
Clarinette Basse, Piano
3
Flûte, Alto (duo)
3
Clarinette, Trompette (duo)
3
Clarinette et Alto
3
Trio de Flûtes: 3 flûtes
2
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Basson (duo)
2
5 Flûtes à bec
2
Flute (partie séparée)
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Flûte à Bec
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
2
Harmonica
2
2 Cors Anglais Et Pianoforte
1
Hautbois, violon (duo)
1
Cor Anglais
1
Flûte, Violoncelle, Guitare
1
Flûte, trombone et piano
1
Flûte irlandaise
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Piano (trio)
1
Instruments en Mib
1
Flûte à bec Alto
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Piano
1
Flute, harpe et violon
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Tenor
1
Clarinette, Harpe (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
3 Clarinettes (trio)
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
+ 84 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette, Piano
39
Trombone et Piano
36
Trompette
35
Trombone
35
Tuba
35
Cor et Piano
34
Cor
33
Tuba et Piano
31
Quatuor de cuivres: 4 trombones
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
2 Trompettes (duo)
22
Ensemble de Trombones
22
2 Trombones (duo)
14
2 Cors (duo)
10
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
7
Trompette (partie séparée)
6
2 Tubas (duo)
6
Trompette, Saxophone (duo)
6
Trio de Cuivres
5
Quatuor de Cuivres
5
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
Ensemble de Trompettes
4
Trombone (partie séparée)
3
Cor, Tuba (duo)
2
Cor anglais, Piano
2
Cor (partie séparée)
2
Bass Clef Instruments
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
Ensemble de Cors
1
Trompette, Euphonium (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Instruments en Fa
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon
56
Violon et Piano
55
Violoncelle, Piano
48
Violoncelle
46
Alto, Piano
45
Violon, Violoncelle (duo)
37
Alto seul
34
Harpe
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Contrebasse, Piano (duo)
27
Contre Basse
25
Trio à Cordes: violon, alto, violoncelle
25
2 Violons (duo)
17
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violon, Alto (duo)
11
Alto (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
5
Harpe, Voix
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
3
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Violon (partie séparée)
2
4 Contrebasses
2
Alto, Violoncelle (duo)
2
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre
74
Orchestre à Cordes
54
Ensemble de cuivres
36
Fanfare
26
Cloches
23
Ensemble de Percussions
13
Ensemble Jazz
13
Orchestre de chambre
11
Jazz combo
5
Marimba
3
Orchestre, Violon
2
Percussion (partie séparée)
2
Vibraphone
1
Batterie
1
Instrumentation Flexible
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
FR
FR
EN
Se connecter
Partitions Gratuites
17
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
74
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
222
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique
2 773
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
CUIVRE / VENT
|
NOËL
|
CORDES/TRAD.
|
R.AVANCÉE
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
All That We Are
Orchestre
Partitions à imprimer
74 partitions trouvées
<
1
26
51
We're Off To See The Wizard
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
E
#
Patrick Sheehan
#
rock selections
#
We're Off To See The Wizard
#
Patrick Sheehan
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1505858 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Patrick Sheehan. Film/TV. 53 pages. Patrick Sheeha...
(+)
Full Orchestra - Level 4 - SKU: A0.1505858 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Patrick Sheehan. Film/TV. 53 pages. Patrick Sheehan #1081255. Published by Patrick Sheehan (A0.1505858). Transcribed as recorded on the soundtrack to the 1939 MGM motion picture ‘The Wizard of Oz’.INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, PERCUSSION I (Snare Drum), PERCUSSION II (Bass Drum), Mallet Percussion, DOROTHY, SCARECROW, Harp, Piano, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
#
Orchestre
#
INTERMÉDIAIRE
#
Caleb Liu
#
Main Titles of America - Orche
#
Caleb Liu
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu...
(+)
Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
The Valley of the Dry Bones
#
Orchestre
#
AVANCÉ
#
Zsigmond Rosarion
#
and it was full of bones
#
The Valley of the Dry Bones
#
Zsigmond Rosarion
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
(+)
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
#
Orchestre
#
INTERMÉDIAIRE
#
James Nathaniel Holland
#
Waltz of the Roses, for Orches
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by...
(+)
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
Sunrise Calls. First Movement of Orchestral Suite 'Heliodorus'.
#
Orchestre
#
INTERMÉDIAIRE
#
Marcus Mota
#
Sunrise Calls. First Movement
#
Marcus Mota
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1028487 Composed by Marcus Mota. 20th Century,Contemporary,World. Score and parts. 13 pages. Marcus Mota #3539039. Pu...
(+)
Full Orchestra - Level 3 - SKU: A0.1028487 Composed by Marcus Mota. 20th Century,Contemporary,World. Score and parts. 13 pages. Marcus Mota #3539039. Published by Marcus Mota (A0.1028487). Orchestral Suite in seven movements. Here the first movement.The Suite was composed based on Heliodorus'Aithiopika. Aithiopika is an ancient greek novel that mixes love and adventure. This novel was so influent in Post-Renascence: Cervantes, Shakespeare, Racine loved it. Verdi's Aida argument is in part based on Aithiopika. In this first movement, we follow the first scenario of the novel: we are presented to the natural setting that opens the novel: we are facing on preliminary doubts and omens after the impact of the sunrise upon the creatures on stage. .
$5.00
We Give You This Place
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Doug Eltzroth
#
Greg Rice
#
We Give You This Place
#
Evensong Productions
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1220533 Composed by Doug Eltzroth. Arranged by Greg Rice. Christian,Praise & Worship,Religious. Score and Parts. 44 p...
(+)
Full Orchestra - Level 4 - SKU: A0.1220533 Composed by Doug Eltzroth. Arranged by Greg Rice. Christian,Praise & Worship,Religious. Score and Parts. 44 pages. Evensong Productions #806074. Published by Evensong Productions (A0.1220533). Orchestration - Composed by Doug Eltzroth. Arranged by Greg Rice. General Worship, Sacred. Orchestratral Accompaniment. 46 pages. Published by Evensong Productions.Praise song was written by Doug Eltzroth and recorded by Bill & Gloria Gaither and Friends on the 1989 recording, A Praise Gathering. This arrangement is for Alto and Tenor Solo and Duet, piano, and SATB choir. The prayerful message reminds us to praise God with open hearts as we look to the future. As we prepare for tomorrow, remember that even in our darkest hour, His light will guide us through our darkest times. Let us be thankful for all He has provided and be mindful of His grace and mercy throughout our lives.SATB/Piano is available separately. The accompaniment track is available from Evensong Productions.
$60.00
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
#
Orchestre
#
INTERMÉDIAIRE
#
James Nathaniel Holland
#
Waltz of the Roses, for Orches
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Natha...
(+)
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Jeremy Goh, Daniel Cheng
#
Theme and Variations on a Chin
#
Jeremy Goh
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published b...
(+)
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
CONJUNCTION: The Christmas Star of 2020
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Robert Myers
#
He will show His favor again
#
CONJUNCTION: The Christmas Sta
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
(+)
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Merry-go-round Of Life
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Kumiko
#
Tom Maher
#
Merry-go-round Of Life
#
Tom Maher
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages....
(+)
Full Orchestra - Level 4 - SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
with their absences we mourn
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Nathan Grocholski
#
with their absences we mourn
#
Nathan Grocholski
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248....
(+)
Full Orchestra - Level 3 - SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening section’s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.
$5.00
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Various
#
Randy Calistri-Yeh
#
American Patriotic Music for A
#
Custom Chamber Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 ...
(+)
Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
What Child We Sing?
#
Orchestre
#
INTERMÉDIAIRE
#
Robert Myers
#
What Child We Sing?
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. Whe...
(+)
Full Orchestra - Level 3 - SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
We Need A Little Christmas
#
Orchestre
#
AVANCÉ
#
Noël
#
Kimberley Locke
#
Bryan Kidd
#
We Need A Little Christmas
#
BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 10...
(+)
Full Orchestra - Level 5 - SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
Pirates All Are We
#
Orchestre
#
INTERMÉDIAIRE
#
John Jacobson and Roger Emerso
#
Kevin Fancher
#
Pirates All Are We
#
Kevin R Fancher
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1367278 Composed by John Jacobson and Roger Emerson. Arranged by Kevin Fancher. Broadway,Folk,March,Musical/Show. 43 ...
(+)
Full Orchestra - Level 3 - SKU: A0.1367278 Composed by John Jacobson and Roger Emerson. Arranged by Kevin Fancher. Broadway,Folk,March,Musical/Show. 43 pages. Kevin R Fancher #951635. Published by Kevin R Fancher (A0.1367278). Discover the vibrant rendition of Pirates All Are We from the captivating Pirates! the Musical, skillfully composed by John Jacobson and Roger Emerson. Tailored for upper elementary and middle school performers, this arrangement is designed to involve the entire music department, offering an exhilarating performance opportunity for both unison and optional harmony vocals.Perfect for enlisting the talents of band and orchestra students, this arrangement guarantees a spirited showcase that vividly brings the swashbuckling spirit of pirates to life. Elevate your school's musical repertoire with this exciting and versatile piece, immersing audiences in the thrilling essence of adventure on the high seas.
$49.99
We Are The Champions - Queen for Orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Queen
#
Javier Martínez Maya
#
We Are The Champions - Queen f
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published b...
(+)
Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"We Are the Champions" is a song by the British rock band Queen, first released on their 1977 album News of the World. Written by lead singer Freddie Mercury, it is considered one of rock's most recognisable anthems. The song was a worldwide success, reaching number two in the UK Singles Chart, number four on the Billboard Hot 100 in the United States, number three in Canada and the top ten in many other countries. In 2009, "We Are the Champions" was inducted into the Grammy Hall of Fame and was voted the world's favourite song in a 2005 Sony Ericsson world music poll. In 2011, a team of scientific researchers concluded that the song was the catchiest in the history of popular music.
"We Are the Champions" has become an anthem for victories at sporting events, including as an official theme song for the 1994 FIFA World Cup, and has been often used or referenced in popular culture. The song has also been covered by many artists.
On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It was made from previously unheard vocal and instrumental takes from the original multi-track tapes. It also presents for the first time the original recorded length of the track, which is two choruses more than the 1977 edited single.
$60.00
Elegy Sentimentale for Orchestra
#
Orchestre
#
Keith Terrett
#
Elegy Sentimentale for Orchest
#
Keith Terrett
#
SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
(+)
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Noir et Blanc
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Darian Stavans
#
Noir et Blanc
#
Music Studio
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321...
(+)
Full Orchestra - Level 4 - SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321783. Published by Music Studio (A0.994719). Noir et Blanc.Noir et Blanc - Orchestral Score / Album Noir et Blanc by Darian Stavans.Noir et Blanc is a work that was totally conceived for orchestra. As we listen to the album we are intrigued, for the only element lacking is the contrast suggested by the title. Why? The answer is that contrasts do not exist. They are simply the furthermost points in a grayscale that when displayed like a fan shows these extremes and therefore their contrasts. The deeds and acts that flow inside our mask of power come and go in nostalgic melancholy through pain and glory trickling like the water in a brook, where tenderness meets madness. Sometimes everything seems the same even though each element acts differently. This album speaks about that intriguing grayscale and the powerful force that lets it plunge into the depths of human essence and the soul. In the face of facts, seemingly distinct and at the same time so alike, only courage will prove out their differences and make us dare call out the Noir et Blanc, the Black and White, but until that moment comes things will appear to flow in a grayscale. Orchestral work.64 pages.Duration: 39:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$29.99
Yetzer Hara, for orchestra - Score Only
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Despins
#
Yetzer Hara, for orchestra - S
#
Daniel Despins
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Pu...
(+)
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
Yetzer Hara, for orchestra - Full Score and Parts
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Daniel Despins
#
Yetzer Hara, for orchestra - F
#
Daniel Despins
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Pu...
(+)
Full Orchestra - Level 4 - SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Published by Daniel Despins (A0.1454803). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$80.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
(+)
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
(+)
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Too Early For Christmas
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Jimmy Fallon With Dolly Parton
#
Marek Czekala
#
Too Early For Christmas
#
Marek Czekala
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
(+)
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
Offer Them Christ! - Orchestral Score with Printable Parts
#
Orchestre
#
Musique Sacrée
#
Mary McDonald
#
Offer Them Christ! - Orchestra
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: LX.30-3636L Composed by Mary McDonald. Sacred Anthem. Orchestral Score with Printable Parts. 115 pages. Lorenz Publishing - Digita...
(+)
Full Orchestra - SKU: LX.30-3636L Composed by Mary McDonald. Sacred Anthem. Orchestral Score with Printable Parts. 115 pages. Lorenz Publishing - Digital Sheet Music #e30/3636L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3636L). Orchestral Score with Printable Parts for 10/5231L Mary McDonald and Rose Aspinall combine their God-given talents to deliver a mighty anthem well-suited for missions and outreach emphases. Use either the solid piano accompaniment or dramatic Michael Lawrence orchestration to present the grand statement that we are to be a tangible expression of Godâ??s love and grace to the world.
$69.95
<
1
26
51