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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ally
Non classifié
5 728
Piano & claviers
Piano seul
3 919
Piano Facile
1 993
Piano, Voix
1 275
Piano, Voix et Guitare
1 246
Orgue
248
Instruments en Do
204
Accordéon
89
1 Piano, 4 mains
84
Piano Trio: piano, violon, violoncelle
83
2 Pianos, 4 mains
71
Accompagnement Piano
48
Piano (partie séparée)
28
Piano grosses notes
27
Piano Quatuor: piano, violon, alto, violoncelle
16
Orgue, Piano (duo)
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
9
Orgue, Trompette (duo)
9
Clavecin
7
Piano Quatuor: piano, 2 violons, violoncelle
6
2 Pianos, 8 mains
5
Ensemble d'Accordéons
1
Fake Book
1
2 Accordéons
1
Ligne De Mélodie, Piano
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
703
Basse electrique
370
Guitare
341
Ligne De Mélodie, (Paroles) et Accords
147
Paroles et Accords
82
Ukulele
80
Guitare (partie séparée)
61
2 Guitares (duo)
38
Banjo
20
4 Guitares (Quatuor)
18
Mandoline
18
Dulcimer
17
3 Guitares (trio)
16
Piano, Guitare (duo)
13
Ensemble de guitares
11
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
Ukulele Baryton
3
Cithare
1
2 Ukuleles
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Mandoline, Piano (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 722
Chorale 3 parties
661
Chorale 2 parties
485
Chorale TTBB
417
Chorale
291
Chorale SSAA
192
Chorale Unison
162
Voix haute
112
Voix Soprano, Piano
74
Voix duo, Piano
64
Voix Alto, Piano
50
Pack Instrumental pour Chorale
33
Voix duo
30
Voix moyenne, Piano
29
Voix seule
20
Voix Tenor, Piano
13
Voix Baryton, Piano
10
Chorale SSATTB
9
Chorale SSAATTBB
9
Voix Tenor
9
Voix basse
5
Chorale SSATB
4
Voix Soprano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Chorale SSAB a cappella
1
Chorale SSAATB
1
Voix, Guitare
1
Chorale SAATB A Cappella
1
Chorale SATTBB A Cappella
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
387
Quatuor de Saxophones: 4 saxophones
369
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
323
Flûte, Hautbois, Clarinette, Basson
278
Clarinette et Piano
264
2 Saxophones (duo)
253
Hautbois, Piano (duo)
235
Quatuor de Clarinettes: 4 clarinettes
225
Saxophone (partie séparée)
219
Saxophone Alto et Piano
212
2 Flûtes traversières (duo)
205
2 Clarinettes (duo)
195
Clarinette
188
Flûte traversière
181
Saxophone Alto
157
Saxophone Tenor et Piano
141
Saxophone Soprano et Piano
121
Quintette de Saxophone: 5 saxophones
118
3 Clarinettes (trio)
108
Quatuor de Flûtes : 4 flûtes
106
Ensemble de saxophones
91
Saxophone Tenor
90
Ensemble de Clarinettes
78
Hautbois (partie séparée)
71
Saxophone Baryton, Piano
70
3 Saxophones (trio)
63
Saxophone
62
Flûte, Clarinette (duo)
61
Quintette de Clarinettes: 5 clarinettes
57
2 Hautbois (duo)
54
Trio de Flûtes: 3 flûtes
52
Flûte et Guitare
44
Ensemble de Flûtes
43
Quintette de Flûte : 5 flûtes
40
Clarinette (partie séparée)
40
Flute (partie séparée)
40
Clarinette Basse, Piano
39
Flûte à bec Alto
38
Saxophone, Clarinette (duo)
37
Hautbois
35
Cor anglais, Piano
34
Clarinette, Violon (duo)
29
Flûte à bec Soprano
26
Flûte, Violon
24
Saxophone Soprano
21
Flûte, Violon, Piano
21
Flûte, Clarinette et Basson
21
Hautbois, Clarinette (duo)
19
Clarinette, Guitare (duo)
18
Hautbois, Flûte
18
Clarinette, Trompette (duo)
18
Flûte, Hautbois, Basson
18
Flûte, Hautbois, Clarinette (trio)
17
Hautbois, Basson (duo)
17
2 Flûte à bec (duo)
16
Flûte, Saxophone (duo)
16
Hautbois, Violoncelle
15
Saxophone Baryton
15
Harmonica
15
Flûte à Bec, Piano
15
Quatuor de Flûtes à bec
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Clarinette et Alto
13
Clarinette, Basson (duo)
13
3 Hautbois
12
Flûte, Trombone (duo)
11
5 Flûtes à bec
10
4 Hautbois
10
Flûte, Trompette (duo)
9
Flûte à bec Tenor
9
Instruments en Mib
8
Flute, harpe et violon
8
Flûte à Bec
8
Flûte, Violoncelle
7
Clarinette, Harpe (duo)
7
Flûte, Clarinette, Piano (trio)
7
Flûte à bec Alto, Piano
7
Flûte irlandaise
7
Flûte, Alto (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Hautbois (duo)
6
2 Flûtes traversières, Piano
6
Cor Anglais
6
Ocarina
5
Cor anglais, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Saxophone et Guitare
5
2 Clarinettes, Basson
5
Clarinette, Violoncelle (duo)
5
Saxophone et Orgue
4
Piccolo, Piano
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Guitare (duo)
4
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
3
2 Saxophones, Piano
3
Flûte, Violon et Violoncelle
3
Flûte, Alto et Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Harpe
2
Flûte, Basson et Piano
2
Saxophone et Harpe
2
Hautbois, Violon, Piano
2
Flûte, alto et harpe
2
Flûte et Trio à cordes
2
Cor anglais et Harpe (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte à bec, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson, Piano (trio)
1
Hautbois et Orchestre
1
Cornemuse
1
Flûte de Pan
1
Flute, Cor (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Violon
1
Ensemble à vent
1
Saxophone, Tuba (duo)
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
357
Trompette
232
Quatuor de Cuivres : 2 trompettes, trombone, tuba
205
Trombone (partie séparée)
203
Trompette, Piano
164
Trombone et Piano
160
Trompette (partie séparée)
160
Cor et Piano
153
Trombone
112
Cor
92
2 Trombones (duo)
86
Tuba et Piano
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
2 Trompettes (duo)
66
Tuba
60
Ensemble de Trombones
54
Quatuor de Cuivres
53
Ensemble de Trompettes
51
Euphonium, Piano (duo)
51
Cor (partie séparée)
49
2 Cors (duo)
42
Quatuor de cuivres: 4 trombones
40
Tuba (partie séparée)
35
Trompette, Saxophone (duo)
34
Cor anglais, Piano
34
Trompette, Trombone (duo)
29
2 Tubas (duo)
25
4 Tubas
20
Euphonium
16
2 Euphoniums et 2 Tubas
15
Quatuor de cuivres: 4 cors
13
2 Euphoniums (duo)
11
Instruments en Sib
10
Trompette, Cor (duo)
10
Trio de Cuivres
8
3 Trombones (trio)
8
Quatuor de cuivres: 4 trompettes
8
Ensemble de Cors
7
Cor Anglais
6
Cor anglais, Guitare (duo)
5
Trompette, Basson (duo)
5
Tuba et Orgue
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone, Orgue
4
Trombone basse
3
Trompette, Violoncelle (duo)
3
Cor, Violoncelle (duo)
3
Trombone basse et Piano
3
3 Trompettes (trio)
3
Bass Clef Instruments
3
Euphonium, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trompette, Violoncelle et Piano
2
Clarinette, Cor (duo)
2
Cor et Orgue
2
Trompette, Harpe
1
3 Euphoniums
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
Trombone, Cor (duo)
1
Cor et Basson (duo)
1
Cor et Harpe
1
2 Cors, Piano
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 191
Harpe
465
Violon et Piano
445
Violon
368
Violon, Violoncelle (duo)
300
Trio à Cordes: violon, alto, violoncelle
282
Alto, Piano
262
Violoncelle, Piano
254
Violoncelle
226
2 Harpes (duo)
196
2 Violons (duo)
155
2 Violoncelles (duo)
102
Alto seul
97
2 Altos (duo)
88
Trio à Cordes: 2 violons, violoncelle
84
Contrebasse (partie séparée)
63
Violon, Alto (duo)
61
Contrebasse, Piano (duo)
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Contre Basse
49
Violon (partie séparée)
47
Alto (partie séparée)
43
Violon, Guitare (duo)
30
Alto, Violoncelle (duo)
23
2 Contrebasses (duo)
22
Trio à cordes: 3 violins
21
4 Violoncelles
21
Harpe, Flûte (duo)
20
Harpe, Violon (duo)
18
Trio à Cordes: 3 violoncelles
11
Violoncelle , Guitare (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Piano Trio: Violon, Alto, Piano
10
Violoncelle (partie séparée)
10
Trio à cordes: 3 altos
9
Ensemble de Violons
8
Harpe, Voix
7
Trio à Cordes: 2 violons, alto
7
Ensemble d'Altos
7
Quatuor à cordes: 4 violons
7
Violoncelle, Contrebasse (duo)
6
Violon, Clarinette, Piano (trio)
5
Alto, Guitare (duo)
5
2 Violons, Piano
4
Violoncelle, Orgue
3
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
Violon, Orgue
2
Alto et Basson
2
Violoncelle, Orchestre
2
2 Violoncelles, Piano
2
Ensemble de Violoncelles
2
Harpe et Piano
2
4 Contrebasses
2
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Violon, Trompette et Piano
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
3 Contrebasses
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et orchestre
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 232
Orchestre
531
Orchestre à Cordes
529
Ensemble Jazz
329
Ensemble de cuivres
266
Cloches
214
Orchestre de chambre
210
Fanfare
201
Batterie
108
Ensemble de Percussions
81
Jazz combo
64
Percussion (partie séparée)
46
Batterie (partie séparée)
35
Marimba
25
Timbales (partie séparée)
14
Percussion
8
Vibraphone
7
3 Marimbas
4
2 Xylophones
4
Xylophone
4
Xylophone, Piano
3
Quintette de Cuivres: autres combinaisons
2
Big band
2
Instrumentation Flexible
2
Caisse Claire
2
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Batterie-Fanfare
1
Ensemble d'École
1
+ 28 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Ally
Orchestre
Partitions à imprimer
531 partitions trouvées
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526
Legally Blonde - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1388728 Composed by Laurence O'…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1388728 Composed by Laurence O'Keefe and Nell Benjamin. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Pop,Rock. 748 pages. Julius Marx #972237. Published by Julius Marx (A0.1388728). The full Orchestra score of the Broadway Musical Legally Blonde.
$49.99
46.09 €
#
Orchestre
#
Laurence O'Keefe and Nell Benjamin
#
Julius Marx
#
Legally Blonde - Score Only
#
Julius Marx
#
SheetMusicPlus
Legally Blonde
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1372294 Composed by Laurence O'…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1372294 Composed by Laurence O'Keefe and Nell Benjamin. Arranged by Julius Marx. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 1710 pages. Julius Marx #956578. Published by Julius Marx (A0.1372294). The full orchestra score with all orchestra parts of the Broadway musical Legally Blonde.
$199.99
184.37 €
#
Orchestre
#
Laurence O'Keefe and Nell Benjamin
#
Julius Marx
#
Legally Blonde
#
Julius Marx
#
SheetMusicPlus
Legally Blonde
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1372177 Composed by Laurence O'…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1372177 Composed by Laurence O'Keefe and Nell Benjamin. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 4 pages. Julius Marx #956341. Published by Julius Marx (A0.1372177). Legally Blonde Ouverture.
$49.99
46.09 €
#
Orchestre
#
Laurence O'Keefe and Nell Benjamin
#
Julius Marx
#
Legally Blonde
#
Julius Marx
#
SheetMusicPlus
Sally's Song
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1503431 Composed by Danny Elfma…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/Show. 47 pages. Victor Pesavento #1078880. Published by Victor Pesavento (A0.1503431). Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.Includes optional Accordion and Alto Saxophone parts.Score & Parts (in the original key)FLUTE 1-2ALTO FLUTEOBOEENGLISH HORNBb CLARINET 1-2BASS CLARINETBASSOON 1-2ALTO SAXOPHONE (optional)F HORNS 1-4Bb TRUMPET 1-3TROMBONE 1-2BASS TROMBONETUBAPERCUSSION 1: GlockenspielPERCUSSION 2: Vibraphone, Finger CymbalsHARPCELESTAACCORDION (optional)SOLO VOICEVIOLIN IVIOLIN IIVIOLACELLOCONTRABASSAbout the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$49.99
46.09 €
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Orchestre
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Danny Elfman
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Victor Pesavento
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Sally's Song
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Victor Pesavento
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SheetMusicPlus
Sally's Song
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1295483 Composed by Danny Elfma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1295483 Composed by Danny Elfman. Arranged by Bryson Merkley. Film/TV,Halloween. Score and Parts. 80 pages. Voices of the Valley #885772. Published by Voices of the Valley (A0.1295483). Nostalgic and beautiful, this modern arrangement of Sally's Song from The Nightmare Before Christmas for Choir and Orchestra will leave your audiences and musicians breathless! The stunning finale of the piece is a perfect way to round out your fall programs.
$90.00
82.97 €
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Orchestre
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Danny Elfman
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Bryson Merkley
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Sally's Song
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Voices of the Valley
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SheetMusicPlus
Finally
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1411260 By Cece Peniston. By Ce…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1411260 By Cece Peniston. By Cece Peniston, E.L. Linnear, Felipe Delgado, and Rodney K. Jackson. Arranged by Matt Amy. Contemporary,Pop. 61 pages. Matt Amy Music #993594. Published by Matt Amy Music (A0.1411260). Key: B minorBPM: 120Style: Dance PopDuration: 3:02“ Ensemble type: Pops OrchestraFull Recording (MIDI): Finally (MIDI)Instrumentation- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bassoon 1, 2- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3- Trombone 1, 2, 3- Tuba- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
69.14 €
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Orchestre
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Cece Peniston
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Matt Amy
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Finally
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Matt Amy Music
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SheetMusicPlus
You Really Know How To Hurt A Guy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
46.09 €
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Orchestre
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Jan Berry, Jill Gibson, and Roger Christian
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Jan Berry and George Tipton
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You Really Know How To Hurt A Guy
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Fiji Printing
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.88 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Alice In Wonderland
Orchestre
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia…
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Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
64.53 €
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Orchestre
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
It's Finally Christmas
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.932137 By Casting Crowns. By Ma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.932137 By Casting Crowns. By Mark Hall and Matthew West. Arranged by C. Foster Payne. Christmas,Holiday,Praise & Worship. Score and parts. 81 pages. FossPayneMusic #6434533. Published by FossPayneMusic (A0.932137). A great introduction to the Christmas season, this arrangement for orchestra is high-energy with a touch of nostalgia. Includes lead sheet for your rhythm section.
$49.99
46.09 €
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Orchestre
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Casting Crowns
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C
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It's Finally Christmas
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FossPayneMusic
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SheetMusicPlus
Solomons/Roberts: Scallywag's Kickwalk for orchestra : score only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.534577 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.534577 Composed by David Warin Solomons. Arranged by Mike Roberts. Contemporary. Score and parts. 11 pages. Musik Fabrik Music Publishing #4345611. Published by Musik Fabrik Music Publishing (A0.534577). An amusing number for intermediate-level orchestra. Score for Pic2222/4221/timp/1perc/strings. This item is the score only. The score and complete parts are available for sale as a seperate item on this site.
$19.95
18.39 €
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Orchestre
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David Warin Solomons
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Mike Roberts
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Solomons/Roberts: Scallywag's Kickwalk for orchestra : score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Solomons/Roberts: Scallywag's Kickwalk for orchestra : score and complete parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.534578 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.534578 Composed by David Warin Solomons. Arranged by Mike Roberts. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #4345613. Published by Musik Fabrik Music Publishing (A0.534578). An amusing number for intermediate-level orchestra. Score for Pic2222/4221/timp/1perc/strings. This item is the score and complete parts. The score alone is also available for sale as a seperate item on this site.
$77.95
71.86 €
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Orchestre
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David Warin Solomons
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Mike Roberts
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Solomons/Roberts: Scallywag's Kickwalk for orchestra : score and complete parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
DIDYOUREALLYJUSTWANNABOMBTHEBASS
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1017540 Composed by Klaudio Tub…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1017540 Composed by Klaudio Tubin. Contemporary,Film/TV,Musical/Show,Rock. Score and parts. 20 pages. Klaudio Tubin #6198925. Published by Klaudio Tubin (A0.1017540). Duration ca 5 min. ,from Megablast - Soundtracks for Your Life by KT, https://www.youtube.com/playlist?list=OLAK5uy_mVgZw7D7nX_SC546plklLxSlTGDeAZhrIsections chord note separation recommended .
$7.77
7.16 €
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Orchestre
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Klaudio Tubin
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DIDYOUREALLYJUSTWANNABOMBTHEBASS
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Klaudio Tubin
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SheetMusicPlus
Love Really Hurts Without You
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.718602 By Billy Ocean. By Ben F…
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Full Orchestra - Level 4 - Digital Download SKU: A0.718602 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Daryl McKenzie. Contemporary. Score and parts. 77 pages. Daryl McKenzie #6473323. Published by Daryl McKenzie (A0.718602). As performed by Billy Ocean and the Auckland Philharmonia Orchestra. Male Vocal, Vocal Group, Pops Orchestra (2 Fl, 2 Ob, 2 Cl, 2 Bsn, 4 F Hn, 3 Trpt, 3 Trb, Timp, Perc, Drums, Piano, 2 Guitars, Bass Guitar, Harp, Vln1, Vln2, Vla, Vcl, CB) Key of D major with Key change to E major.More arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfen
$79.99
73.74 €
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Orchestre
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Billy Ocean
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Daryl McKenzie
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Love Really Hurts Without You
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Daryl McKenzie
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SheetMusicPlus
General's Suite Macarthur Patton - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K G…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K Goldsmith. Arranged by Chris Siddall. Film/TV. 39 pages. Chris Siddall Music Publishing #1030115. Published by Chris Siddall Music Publishing (A0.1450384). When composer Jerry Goldsmith was asked to write the score for MacArthur, people were surprised that he accepted the project because they wondered what he would have left to say, musically, after Patton. Jerry‘s feeling was that MacArthur was a totally different person, and it would be a real challenge to write about another military figure but do it in a different manner. He said “it‘s much more flamboyant in a different sort of way, and it was an interesting task“. Patton enjoyed resounding critical praise and has since been elevated to the designation of a classic. The film won Academy Awards for nearly all of its major players, with composer Jerry Goldsmith being an unfortunate exception. Goldsmith had already written many scores for World War II topics in his short mainstream career, but none would prove as memorable in any part as the march from Patton, a concert hall staple for the composer throughout his career. Despite the dominance of this theme and the fact that only roughly thirty minutes of music was employed in such a long picture, the effect of his score on the film is far more complicated than many people may realize. While the famous march, with all its bravado from brass, flutes, and snare, easily represents the identity of the character and war, Goldsmith’s work for the film actually spends more time dwelling on the deeper meanings of life that the general himself explored.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$19.99
18.43 €
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Orchestre
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Jerrald K Goldsmith
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Chris Siddall
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General's Suite Macarthur Patton - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
Orchestre
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th …
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Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
9.21 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Angels
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No.3
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.855280 Composed by Joseph Pugh.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.855280 Composed by Joseph Pugh. 20th Century,Contemporary,Wedding. Score and parts. 36 pages. Joseph Pugh #6525523. Published by Joseph Pugh (A0.855280). This is the 1st movement of Symphony No. 3 ,In Your Stillness, By Joseph Pugh This familiar form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to be written under the specific title were by the Irish composer John Field, generally viewed as the father of the Romantic nocturne that characteristically features a cantabile melody over an arpeggiated, even guitar-like accompaniment. However, the most famous exponent of the form was Frédéric Chopin, who wrote 21 of them. Your Symphony will enjoy playing this Melancholy Nocturne by, Joseph Pugh. Download it today at a reduced price.
$35.00
32.27 €
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Orchestre
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Joseph Pugh This familiar form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century
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Joseph Pugh
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Symphony No.3
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Joseph Pugh
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
To The Moon, Op. 48
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.
$49.99
46.09 €
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Orchestre
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Chris Knapp
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To The Moon, Op. 48
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Chris Knapp
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
55.31 €
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
Eleanor Rigby
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1041526 By David Cook. By John …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1041526 By David Cook. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and parts. 43 pages. Kevin Riley #646280. Published by Kevin Riley (A0.1041526). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. This version has parts for Saxophones but any important phrases have been cued in other instruments.
$65.00
59.92 €
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Orchestre
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David Cook
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Kevin Riley
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Eleanor Rigby
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Kevin Riley
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SheetMusicPlus
Without You
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter …
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Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter Ham and Thomas Evans. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 42 pages. Kevin Riley #126331. Published by Kevin Riley (A0.515586). Without You Song by Badfinger from the album No Dice Released 9 November 1970 Recorded 15 & 29 July 1970 Studio Abbey Road, London Length 4:43 Label Apple Songwriter(s) Pete Ham, Tom Evans Producer(s) Geoff Emerick Without You is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983) and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone'}s 500 Greatest Songs of All Time.Paul McCartney once described the ballad as the killer song of all time. In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically.
$60.00
55.31 €
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Orchestre
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Air Supply
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Kevin Riley
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Without You
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Kevin Riley
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SheetMusicPlus
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