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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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POP ROCK - ROCK CLAS…
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expert
avec audio
avec vidéo
avec play-along
Non classifié
705
PIANO & CLAVIERS
Piano seul
465
Piano, Voix et Guitare
162
Piano, Voix
117
Piano Facile
90
Orgue
63
Instruments en Do
20
Piano grosses notes
17
1 Piano, 4 mains
11
Accordéon
7
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
62
Guitare
57
Ligne De Mélodie, (Paroles) et Accords
51
Ukulele
28
Paroles et Accords
16
Basse electrique
11
4 Guitares (Quatuor)
6
2 Guitares (duo)
6
Guitare (partie séparée)
3
Dulcimer
2
Piano, Guitare (duo)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Mandoline
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
202
Chorale 3 parties
60
Chorale TTBB
43
Chorale 2 parties
33
Chorale SSAA
31
Chorale Unison
13
Voix duo, Piano
11
Voix Soprano, Piano
8
Chorale SSAATTBB
6
Voix haute
4
Chorale
2
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
59
Quatuor de Saxophones: 4 saxophones
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte, Hautbois, Clarinette, Basson
36
Quatuor de Clarinettes: 4 clarinettes
32
Quintette de Saxophone: 5 saxophones
29
Ensemble de saxophones
27
Hautbois, Piano (duo)
27
Clarinette et Piano
26
Saxophone (partie séparée)
23
Saxophone Alto et Piano
23
Quatuor de Flûtes : 4 flûtes
21
2 Clarinettes (duo)
20
Ensemble de Clarinettes
19
Ensemble de Flûtes
18
Saxophone Alto
17
Saxophone Tenor
16
Flûte traversière
16
Saxophone Soprano et Piano
14
Clarinette
14
2 Flûtes traversières (duo)
14
Saxophone Tenor et Piano
10
2 Saxophones (duo)
10
Hautbois (partie séparée)
7
Flûte et Guitare
6
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Clarinette (duo)
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois, Basson (duo)
4
Ocarina
4
Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto
3
Quatuor de Flûtes à bec
3
3 Saxophones (trio)
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
2
Flûte, Basson et Piano
2
Ensemble De Flûte à bec
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Hautbois, Harpe
2
Hautbois, Violoncelle
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Flûte, Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte à bec Soprano
2
Instruments en Mib
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto, Basse continue
1
Hautbois, Guitare (duo)
1
Hautbois
1
Flûte, trombone et piano
1
2 Hautbois (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Flute (partie séparée)
1
Flûte irlandaise
1
Piccolo, Piano
1
Clarinette, trompette et piano
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Alto (duo)
1
Harmonica
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Basson et Piano
1
Ensemble à vent
1
Flûte, Violon
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette
20
Trombone et Piano
17
Trompette, Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
13
Trombone (partie séparée)
11
Ensemble de Trombones
10
Trombone
10
Trompette (partie séparée)
10
Quatuor de cuivres: 4 trombones
7
Cor
7
Tuba et Piano
7
Ensemble de Trompettes
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
Tuba
4
2 Trompettes (duo)
4
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
2 Trombones (duo)
2
Trio de Cuivres
2
Trombone, Orgue
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone (duo)
1
Instruments en Sib
1
Bass Clef Instruments
1
Euphonium
1
2 Cors (duo)
1
Trombone et orchestre
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Saxophone (duo)
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
125
2 Harpes (duo)
116
Harpe
65
Violon et Piano
56
Violoncelle, Piano
35
Violon
34
Alto, Piano
31
Violon, Violoncelle (duo)
22
2 Violons (duo)
18
Trio à Cordes: 2 violons, violoncelle
17
Violoncelle
16
2 Violoncelles (duo)
14
Trio à Cordes: violon, alto, violoncelle
13
Alto, Violoncelle (duo)
13
Violon, Alto (duo)
11
Alto seul
9
Violon (partie séparée)
9
4 Violoncelles
6
Contrebasse (partie séparée)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Alto (partie séparée)
4
Ensemble de Violons
3
Harpe, Flûte (duo)
3
Violoncelle, Orchestre
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Alto et orchestre
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
208
Orchestre à Cordes
88
Orchestre
72
Ensemble de cuivres
61
Ensemble Jazz
25
Orchestre de chambre
24
Cloches
18
Batterie
7
Jazz combo
6
Ensemble d'École
5
Percussion (partie séparée)
5
Ensemble de Percussions
4
Batterie (partie séparée)
3
Fanfare
2
Bongos
1
Piano et Orchestre
1
3 Marimbas
1
Xylophone, Piano
1
Marimba
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Almost
Orchestre
Partitions à imprimer
72 partitions trouvées
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Almost Like Being In Love
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1414223 By David Brooks And Mar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1414223 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 79 pages. Matt Amy Music #995997. Published by Matt Amy Music (A0.1414223). Key: E - A majorBPM: 172Style: Colla Voce - SwingDuration: 2:23“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Almost Like Being in Love (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Drums- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
68.22 €
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Orchestre
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David Brooks And Marion Bell
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Matt Amy
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Almost Like Being In Love
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Matt Amy Music
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SheetMusicPlus
Almost There
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1355344 Composed by Randy Newma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1355344 Composed by Randy Newman. Arranged by Isaiah Castro. Blues,Classical,Film/TV,Jazz,Ragtime. 64 pages. Maestro Castro Publishing #940064. Published by Maestro Castro Publishing (A0.1355344). ALMOST THERE from Disney's The Princess and The Frog.Composed by Randy NewmanArranged by Isaiah CastroThis tune has been adapted from its original version to be performed by a standard full sized orchestra and mezzo-soprano soloist.Instrumentation:Piccolo2 FlutesOboe2 Clarinets in B-flatBass ClarinetAlto SaxBassoon4 Horns in F3 Trumpets in B-flat3 TrombonesTubaPercussion: Suspended Cymbal, Bell Tree, Snare Drum (1 player)Drum SetGuitar (optional)HarpPianoMezzo-sopranoStringsPage size: 9 x12.
$100.00
90.96 €
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Orchestre
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Randy Newman
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Isaiah Castro
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Almost There
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Maestro Castro Publishing
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SheetMusicPlus
Ceremonial Suite No. 1 Music and Marches for Weddings, Graduations or Almost Any Occassion for Orche
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730259 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730259 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic,Wedding. Score and parts. 150 pages. James Nathaniel Holland #1795625. Published by James Nathaniel Holland (A0.730259). Give your special day a Hollywood glimmer with this new ceremonial music for weddings, graduation or almost any occasion New and original but written in a very traditional Style arranged for orchestra and in 5 Movements. Movements include: Prelude, Pre-Processional March (Song of the Robin), Processional Wedding March, Solemn Music and a rousing Exit March. American contemporary composer. Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube video page: https://www.youtube.com/watch?v=1hwE8zMg6u4 Full Score and Parts Included!
$13.95
12.69 €
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Orchestre
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James Nathaniel Holland
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Ceremonial Suite No. 1 Music and Marches for Weddings, Graduations or Almost Any Occassion for Orche
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James Nathaniel Holland
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SheetMusicPlus
Almost Like Being In Love
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1460119 By Gene Kelly. By Alan …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1460119 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by David Itkin. Broadway,Musical/Show,Pop. 50 pages. DCI Music #1039059. Published by DCI Music (A0.1460119). Vocal DUET (f/m) with full orchestra.
$49.99
45.47 €
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Orchestre
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Gene Kelly
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David Itkin
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Almost Like Being In Love
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DCI Music
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SheetMusicPlus
Almost Home (for solo trumpet, jazz quartet, and orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018246 Composed by Timothy Lee…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018246 Composed by Timothy Lee Miller. Classical,Contemporary,Jazz. Score and parts. 160 pages. TLM Music Publishing #623844. Published by TLM Music Publishing (A0.1018246). This is a work that combines classical and jazz elements for featured solo trumpet, jazz quartet (guitar, piano, bass, drums) and full orchestra (2-2-3-2, 4-2-2-1, Timp.+3, Harp, Strings).
$79.99
72.76 €
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Orchestre
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Timothy Lee Miller
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Almost Home
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TLM Music Publishing
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.41 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Too Early For Christmas
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Do…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
45.48 €
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Orchestre
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.74 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.74 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.74 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.01 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
A Summer Tale
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1012911 Composed by Fredrik Lun…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1012911 Composed by Fredrik Lundquist. Arranged by Fredrik Lundquist. Contemporary,World. Score and parts. 24 pages. Fredrik Lundquist #5868615. Published by Fredrik Lundquist (A0.1012911). Easy play entertainment music, suitable for almost every ocassion, A waltz written and inspired by the sweet season of summer landscape, green meadows , blue skies etc.The instrumentation in this version futures an almost full orchestra, if the ensemble should have more instruments than feautured in the score, they can double on other parts suitable. The piano part is optional.
$20.00
18.19 €
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Orchestre
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Fredrik Lundquist
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Fredrik Lundquist
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A Summer Tale
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Fredrik Lundquist
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.01 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Double Concerto for Flute and Guitar (SCORE ONLY)
Orchestre
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. …
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
31.84 €
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and Guitar
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Silver Sickle Publications
#
SheetMusicPlus
The Fallen Heroes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1474987 Composed by Kevin Riley…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1474987 Composed by Kevin Riley. 21st Century,Patriotic. 53 pages. Kevin Riley #1052578. Published by Kevin Riley (A0.1474987). On the first day of the Battle of the Somme (1 July 1916) almost 20,000 men under British command died. By the time the battle was over, 141 days later, more than a million people on all sides were killed, wounded, or went missing.
$80.00
72.77 €
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Orchestre
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the time the battle was over, 141 days later, more than a million people on all sides were killed, wounded, or went missing
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Kevin Riley
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The Fallen Heroes
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Kevin Riley
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SheetMusicPlus
Family Fugue
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
72.76 €
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Orchestre
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Spartacus - Love Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1453541 By Alex North Alex. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1453541 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 77 pages. Chris Siddall Music Publishing #1032766. Published by Chris Siddall Music Publishing (A0.1453541). The score for Spartacus is a musical masterpiece - monumental, ground-breaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to perform film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$49.99
45.47 €
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Orchestre
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Alex North Alex
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Chris Siddall
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Spartacus - Love Theme
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Chris Siddall Music Publishing
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SheetMusicPlus
Symphonie in C, 1. Allegro Vivo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Biz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
45.47 €
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Orchestre
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Vivo
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Donald Jay Smith Music
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SheetMusicPlus
Uefa Champions League Team
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Chr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Christopher Britten. Arranged by Kevin Riley. 21st Century,Film/TV. 60 pages. Kevin Riley #966278. Published by Kevin Riley (A0.1381585). The UEFA Champions League Anthem, officially titled simply Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem. The complete anthem is about three minutes long, and has two short verses and the chorus. The lyrics are in UEFA's three official languages: English, French, and German. The chorus is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.This arrangement does not require a choir. Those parts are taken by the brass section.
$80.00
72.77 €
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Orchestre
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Anthony Christopher Britten
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Kevin Riley
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Uefa Champions League Team
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Kevin Riley
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SheetMusicPlus
Spartacus - Love Theme - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1381520 By Alex North Alex. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1381520 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 8 pages. Chris Siddall Music Publishing #966237. Published by Chris Siddall Music Publishing (A0.1381520). The score for Spartacus is a musical masterpiece - monumental, groundbreaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
4.54 €
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Orchestre
#
Alex North Alex
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Chris Siddall
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Spartacus - Love Theme - Score Only
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Chris Siddall Music Publishing
#
SheetMusicPlus
Symphony No. 2 B minor
Orchestre
Orchestra - Digital Download SKU: S9.Q40349 Composed by Alexander Borodin. This edi…
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Orchestra - Digital Download SKU: S9.Q40349 Composed by Alexander Borodin. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q40349. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40349). Key: B minor. German • English • French.It took Borodin almost five years to write his first symphony, and the composition of 'Symphony No. 2' was to take just as much time. One should not forget, however, that music was mainly a leisure activity for the professor of organic chemistry in St. Petersburg. His work on 'Prince Igor' begun after the world premiere of Symphony No. 1 finished in favour of the second symphony, but part of the musical material found its way into the new composition, and even the extant programme testifies to the critical analysis of the music theatre: the gathering of Russian warriors in the first movement, the Old Slavonic bard in the andante, and the party scene to the sounds of the gusli in the finale.
$17.99
16.36 €
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Orchestre
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Alexander Borodin
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Symphony No. 2 B minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Tyre And Sidon
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1363708 By Various. By Joseph P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1363708 By Various. By Joseph Pugh. Classical,March. 36 pages. Joseph Pugh #948104. Published by Joseph Pugh (A0.1363708). This Big arrangement for symphony orchestra exploits the percussion section and keeps them busy'Almost a march feel but, with melodic passages. Download it today for your group and spice up your repertoire.
$30.00
27.29 €
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Orchestre
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Various
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Tyre And Sidon
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Joseph Pugh
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SheetMusicPlus
Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra (score)
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Edu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Eduard Goltermann. Arranged by Michele Galvagno. Instructional,Romantic Period,Standards. Score and parts. 52 pages. Artistic Score Engraving di Galvagno Michele #6136077. Published by Artistic Score Engraving di Galvagno Michele (A0.841365). Finally, after almost two years of work, we can present to the world the reconstructed score of Goltermann's Fourth Cello Concerto, a pillar, a fundamental milestone in the repertoire of every growing cellist. This arrangement allows students to get the feeling of playing this concerto with a full orchestra while using only strings. No orchestral part has been forgotten or misplaced. It requires at least 2 double basses but for the rest, an ordinary music school should be able to handle this with ease.This Critical Edition corrects every clear mistake and adds editorial markings where needed. A comprehensive 12-page comments section details all the notes found by our musicologists in the creation process. A solo cello part, both marked and unmarked, is available separately, along with performing material for this version and the original version as well.
$19.95
18.15 €
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Orchestre
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Georg Eduard Goltermann
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Michele Galvagno
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Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
CH141ORC - Chansonnette 141 - The ballad of the king's cook
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Pevenage #4325959. Published by Carl Van Pevenage (A0.921201). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 141 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.This song is variation on the old song Pastime with good company (almost identical but not minor), known also as The ballad of the king as it was written King Henry V. So this is about pastime with a good cake in the kitchen.
$19.95
18.15 €
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Orchestre
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Carl Van Pevenage
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CH141ORC - Chansonnette 141 - The ballad of the king's cook
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Carl Van Pevenage
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SheetMusicPlus
Sagrada Familia
Orchestre
Full Orchestra - Digital Download SKU: A0.1021584 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021584 Composed by Lowell Schwalbe. 20th Century. Score and parts. 24 pages. Lowell Schwalbe #6190871. Published by Lowell Schwalbe (A0.1021584). Suite of a Dodecahedran (12 sided figure)Suite was still being constructedAlmost completedComposers impressions as he visited the site.
$3.00
2.73 €
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Orchestre
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Lowell Schwalbe
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Sagrada Familia
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Lowell Schwalbe
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SheetMusicPlus
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