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--INSTRUMENTS--
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And Then We See
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45
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18
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11
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4
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3
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Orgue
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45
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4
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4
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4
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2
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1
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1
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1
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1
+ 5 instrumentations
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2 Flûtes traversières (duo)
2
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2
Clarinette et Piano
2
Flûte traversière et Piano
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2
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1
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1
Clarinette, Guitare (duo)
1
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1
Clarinette
1
2 Saxophones (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Clarinette Basse
1
Saxophone Tenor et Piano
1
Flûte et Guitare
1
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1
Hautbois, Guitare (duo)
1
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1
Saxophone Tenor
1
Cor Anglais
1
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3
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2
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2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Tubas (duo)
2
Cor et Piano
2
Trompette
2
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
Tuba et Orgue
1
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1
Cor
1
Trombone et Piano
1
Cor Anglais
1
+ 11 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle, Piano
4
Violon et Piano
4
Alto, Piano
3
Violoncelle
2
Violon, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Violon
2
Harpe
1
Alto seul
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
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7
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
And Then We See
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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Angels We Have Heard on High (Gloria in Excelsis Deo)- Andrea Bocelli- Voice, Choir and Pops Orch
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Andrea Bocelli
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Daryl McKenzie
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Angels We Have Heard on High
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.733964 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Sacred. 9...
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Full Orchestra - Level 4 - SKU: A0.733964 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Sacred. 96 pages. Daryl McKenzie #3865165. Published by Daryl McKenzie (A0.733964). Angels We Have Heard on High (Gloria in Excelsis Deo) as recorded by Andrea Bocelli. Tenor Voice, Choir and Pops Orchestra (Fl1, Fl2/Picc, 2 Ob, 2Cl, BCl, 2Bsn, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Tympani, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, CB) or Big Band (Fl1, Fl2/Picc, 2Cl, BCl, 4 Trumpets, 4 Trombones, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Percussion) Can combine Big Band with any Orchestra instruments e.g.. Big Band and Strings. Start in Key of G then modulates to Eb (choir chorus) then B (solo voice and choir) to fine. Great arrangement for Christmas concerts.NOTE; Can also be sung by Female (see https://youtu.be/18Y1mzoV3dg)Same arrangement also available for Big Band , same arrangement for Orchestra a minor 3rd lower: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$99.99
Angels We Have Heard on High (Gloria in Excelsis Deo)- Andrea Bocelli- Voice, Choir and Pops Orch
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Andrea Bocelli
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Daryl McKenzie
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Angels We Have Heard on High
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1312685 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christian,Christmas,Holiday,Praise & Worshi...
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Full Orchestra - Level 4 - SKU: A0.1312685 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christian,Christmas,Holiday,Praise & Worship,Religious. 108 pages. Daryl McKenzie #901533. Published by Daryl McKenzie (A0.1312685). Angels We Have Heard on High (Gloria in Excelsis Deo) as recorded by Andrea Bocelli. Tenor Voice, Choir and Pops Orchestra (Fl1, Fl2/Picc, 2 Ob, 2Cl, BCl, 2Bsn, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Tympani, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, CB) or Big Band (Fl1, Fl2/Picc, 2Cl, BCl, 4 Trumpets, 4 Trombones, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Percussion) Can combine Big Band with any Orchestra instruments e.g.. Big Band and Strings. Start in Key of E then modulates to C (choir chorus) then G# (solo voice and choir) to fine. Great arrangement for Christmas concerts.NOTE; Can also be sung by Female (see https://youtu.be/18Y1mzoV3dg)Same arrangement also available for Big Band , same arrangement for Orchestra a minor 3rd higher: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Handel Hallelujah Chorus From Messiah
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Orchestre
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FACILE
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Classique
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Artyfile
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Paul Lorenz
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Handel Hallelujah Chorus From
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worsh...
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Full Orchestra - Level 2 - SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #969195. Published by Paul Lorenz (A0.1385189). Elevate Your Performance with Handel's Hallelujah Chorus Sheet Music A Timeless Masterpiece Awaits Dive into the magnificence of George Frideric Handel's most celebrated work, the Hallelujah Chorus from Messiah. At Paul Lorenz Music, we offer an unparalleled selection of the Hallelujah Chorus choral sheet music, crafted for choirs and musicians who aim for excellence. Our meticulously prepared editions ensure that every crescendo and every harmony of this baroque masterpiece resonates with audiences and performers alike. Accessible Excellence for Every Musician Whether you're a solo artist looking for Hallelujah Chorus from Messiah sheet music or an ensemble seeking to captivate with Handel's baroque splendor, our collection spans from Hallelujah chorus piano sheet music to full orchestral scores. Discover our Hallelujah Handel PDF and Hallelujah Chorus Handel PDF editions, offering crystal-clear notations for a seamless performance experience. Immerse in the Baroque Brilliance For organists, the Hallelujah Chorus organ PDF provides the foundation for a powerful and moving rendition, bringing Handel's vision to life with every note. Choirs can elevate their performance with our Hallelujah Chorus SATB sheet music, designed for soprano, alto, tenor, and bass voices to blend harmoniously in this epic chorus. Full Scores for Complete Mastery Achieve a deeper understanding and a more impactful performance with the Hallelujah Chorus full score PDF. This comprehensive resource is perfect for conductors and music directors aiming to explore Handel's intricate musical architecture, ensuring a performance that is both authentic and profound.
$99.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Too Early For Christmas
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Orchestre
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INTERMÉDIAIRE
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Noël
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
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Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
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And Then We See
