Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was - Piano Accompaniment
Non classifié
272
Piano & claviers
Instruments en Do
5
Orgue
5
Clavecin
1
Guitares
Guitare
16
Guitare notes et tablatures
9
Ukulele
7
2 Guitares (duo)
4
Dulcimer
2
Mandoline
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 3 parties
9
Chorale Unison
7
Chorale TTBB
7
Chorale SSAA
7
Chorale 2 parties
3
Chorale SSAATTBB
1
Voix duo
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
37
Quintette de Saxophone: 5 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Ensemble de saxophones
24
Saxophone, Clarinette (duo)
17
2 Clarinettes (duo)
17
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
16
Clarinette, Violon (duo)
12
Ensemble de Clarinettes
12
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
9
Flûte traversière
7
Clarinette et Alto
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Ensemble de Flûtes
6
Flûte, Trompette (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
5
Saxophone Alto
4
Hautbois (partie séparée)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Alto (duo)
3
Flûte et Guitare
3
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Flute (partie séparée)
2
Clarinette
2
3 Clarinettes (trio)
2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Trio de Flûtes: 3 flûtes
1
Flute, harpe et violon
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quatuor de Cuivres
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Saxophone (duo)
12
Ensemble de Trombones
9
2 Trombones (duo)
8
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
Cor
7
Trompette
6
Ensemble de Trompettes
5
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
Trompette (partie séparée)
2
Ensemble de Cors
1
Trombone, Orgue
1
Trombone basse
1
Cor et Orgue
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon
10
Violoncelle
10
2 Violoncelles (duo)
9
2 Violons (duo)
9
Violon, Violoncelle (duo)
8
Violon, Alto (duo)
7
2 Altos (duo)
7
Harpe
6
Trio à Cordes: violon, alto, violoncelle
5
Ensemble de Violons
5
Ensemble d'Altos
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Alto seul
2
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Basse continue
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
18
Ensemble de cuivres
16
Orchestre à Cordes
11
Orchestre de chambre
7
Ensemble de Percussions
4
Ensemble Jazz
4
Cloches
4
Jazz combo
2
Batterie
2
Vibraphone
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
4
Partitions Numériques
18
Librairie Musicale
30
Matériel de Musique
15
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
As It Was - Piano Accompaniment
Orchestre
Partitions à imprimer
18 partitions trouvées
<
1
The Crown Main Theme
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Hans Zimmer, Lorne Balfe, and
#
The Crown Main Theme
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestr...
(+)
Full Orchestra - Level 4 - SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestrations. Classical,Film/TV,Historic,Patriotic. 41 pages. Www.studio-orchestrations.com #1011096. Published by www.studio-orchestrations.com (A0.1430569). The ground breaking Netflix epic TV biopic series was indeed a huge sea change in home streaming content output, bringing together some of Britain's biggest names in theatre, film and TV to portray the history of Queen Elizabeth II's 70 years as the UK monarch. Controversial at times, it had many critics but it was hugely popular with no less than 4 actresses taking on her portrayal.The respect, sensitivity and gravitas we would expect for a histirical drama production like this was self evident from the opening credits and the accompanying music. The theme that Balfe, Gregson Williams and Zimmer created perfectly framed and set up each episode beautifully. A little known fact is that it is based on a song written 400 years before it by Henry Purcell in his 'semi-opera' KING ARTHUR. The harmonies Purcell wrote in his 'Cold song' were very progressive for the time it was written but provides a wonderful bed for the modern writing team to use as their inspiration.This orchestration follows the original TV soundtrack as closely as possible for standard concert orchestra instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets1 Bass Clarinet2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion[Taiko Drum/Large Bass Drum]StringsCheckout some of the growing list of other titles now available on this website scored by Studio Orchestrations.
$90.00
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
George Frideric Handel
#
Flavio Regis Cunha
#
Sarabande -
#
Flavio Regis Cunha
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,F...
(+)
Full Orchestra - Level 3 - SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
Yellow Submarine
#
Orchestre
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Javier MartÃnez Maya
#
Yellow Submarine
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742587 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Rock. Score and parts....
(+)
Full Orchestra - Level 3 - SKU: A0.742587 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Rock. Score and parts. 53 pages. Arte Nova Music Lab #6431887. Published by Arte Nova Music Lab (A0.742587). Yellow Submarine is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Eleanor Rigby. Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart.The Beatles recorded Yellow Submarine during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As a novelty song coupled with Eleanor Rigby, a track devoid of any rock instrumentation, the single marked a radical departure for the group. It was also the first time they had issued a single in the UK consisting of album tracks. The song inspired the 1968 animated film Yellow Submarine and appeared as the opening track on the accompanying soundtrack album.
$60.00
Live And Let Die
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Wings
#
Kevin Riley
#
Live And Let Die
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and...
(+)
Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
Reflection
#
Orchestre
#
INTERMÉDIAIRE
#
Christina Aguilera
#
Kevin Riley
#
Reflection
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.575288 By Christina Aguilera. By David Zippel and Matthew Wilder. Arranged by Kevin Riley. 20th Century,Broadway,Film...
(+)
Full Orchestra - Level 3 - SKU: A0.575288 By Christina Aguilera. By David Zippel and Matthew Wilder. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 39 pages. Kevin Riley #184647. Published by Kevin Riley (A0.575288). Reflection is a song written and produced by Matthew Wilder and David Zippel for the soundtrack of Disney's 1998 animated film Mulan. In the film, the song is performed by Tony Award winner, Filipina singer and actress Lea Salonga as Fa Mulan. An accompanying music video for Reflection was included as a bonus to the Disney Gold Classic Collection DVD release of the film in February 2000. Reflection has received highly positive reviews, with critics highlighting its emotional writing and Salonga's vocals. A single version of the song was recorded by American singer Christina Aguilera and became her debut single. She was 17 at the time it was released. The single's commercial success funded Aguilera's debut album from RCA, in addition to gaining her credibility amongst established writers and producers. Releases of the single were limited, which resulted in the track charting only on the Billboard Adult Contemporary chart. An accompanying music video for the song was included on the DVD release of Mulan. Aguilera has performed the track on four televised performances, including at the CBS This Morning show, which saw her gain the attention of songwriter Diane Warren. A later, the remix by Eric Kupper was released. In 2020, Aguilera re-recorded the song for the live adaption of Mulan.
$70.00
You've Got To Hide Your Love Away
#
Orchestre
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Javier MartÃnez Maya
#
You've Got To Hide Your Love A
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
(+)
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Concert Piece for 4 instruments and orchestra (Robert Schumann)
#
Orchestre
#
Contemporain
#
Robert Schumann
#
Brock Lupton
#
Concert Piece for 4 instrument
#
Brock Lupton
#
SheetMusicPlus
Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupto...
(+)
Full Orchestra - SKU: A0.942412 Composed by Robert Schumann (1810-1856). Arranged by Brock Lupton. Contemporary. Score and parts. 189 pages. Brock Lupton #4616367. Published by Brock Lupton (A0.942412). This is one of the lesser-known works of composer Robert Schumann. It was composed in 1849 and introduced in Leipzig on February 25, 1850. There are several possible reasons for the comparative unfamiliarity of this work which, despite its modest title, is a full-fledged 3-movement concerto for four very accomplished French horn players with orchestra. In its original configuration, the work exploits the newly-invented valved French horn. (The horn and trumpet were natural instruments – like today’s bugles, with no valves – until about 1835.) The concerto establishes a festive character at the outset, and becomes almost feverish as the excitement expands. The slow movement (Romanze) typifies another side of the composer, expansive and tender. It leads directly into the third (final) movement which brings together the various elements in an outburst of sheer joy.The title to which this note is attached is my re-orchestration of the accompaniment (score and all orchestral parts). Three different ensemble versions are also available from SMP. Any of these is compatible with the orchestral score and parts.
$15.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Arizona Centennial Overture - Orchestra Version
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
Arizona Centennial Overture -
#
Sy Brandon
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #338457...
(+)
Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
Bramshill Concert Rondo
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Stephen Lines
#
Bramshill Concert Rondo
#
Stephen Lines
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
(+)
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
Adagio "A Silent Tear" for Intermediate Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Robin M
#
Adagio "A Silent Tear&quo
#
Robin Butler
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1335304 Composed by Robin M. Butler. 20th Century,Classical,Film/TV,Romantic Period,Traditional. 22 pages. Robin Butl...
(+)
Full Orchestra - Level 3 - SKU: A0.1335304 Composed by Robin M. Butler. 20th Century,Classical,Film/TV,Romantic Period,Traditional. 22 pages. Robin Butler #921134. Published by Robin Butler (A0.1335304). Adagio A Silent Tear is a somber piece I wrote to capture the emotions and struggle felt through the loss of those closest to us. The use of sentimental melodies accompanied with emerging harmonies was inspired by music of the early 20th century, with orchestration inspired by a variety of composers from Tchaikovsky to Samuel Barber. I wrote the piece in ternary form to tell a sort of story, one of tears, struggle, and sorrow. However, at the end, struggle falls away as hope breaks through, imagined in the piece through the final climax.It was premired by the UMSL Symphony Orchestra in the fall of 2018.
$29.99
In Bleak Midwinter's Moonlight - Full Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
French Canadian Carol and Gust
#
Mark R Lewis
#
In Bleak Midwinter's Moonlight
#
Mark R Lewis
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sac...
(+)
Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
(+)
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
(+)
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Carol, (Villagers All This Frosty Morn) - SATB Chorus and Orchestra from The Wind in the
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
James Nathaniel Holland
#
Carol,
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pages. James Nathan...
(+)
Full Orchestra - Level 4 - SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pages. James Nathaniel Holland #2890667. Published by James Nathaniel Holland (A0.730316). NEW CHRISTMAS MUSIC!! Carol (Villagers All This Frosty Morn) from Kenneth Grahame's classic novel The Wind in the Willows and arranged from the ballet, The Wind in the Willows by American composer James Nathaniel Holland. Here in complete anthem form with orchestral accompaniment. Perfect for a children's Christmas concert.Instrumentation: Fl12, Ob12, EH, ClBb 12, BCl, Bsn 12, Cbsn, HrnF 1234, Trmp Bb12, Trmb, Tba, Timp, Perc (hand cym, sus. cym w/mallet, tri), glock, pno, stringsFull score in concert pitch and parts Included.Scene Synopsis: The scene opens as Rat has succumbed to winter hibernation in front of his cozy fire. Mole takes the opportunity to return to his home, once neat tidy this past spring, now abandoned and neglected due to his adventures with Mr. Toad and with Rat over the summer and autumn. Mole hears singing outside his window and opens the door to carolers. It's a winter wonderland and he dances to music of this carol, announcing the joy all the animals felt when the baby Jesus was born on Christmas day.
$21.95
Main Titles
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Alan Menken
#
Harry Walker
#
Main Titles
#
SCORE EDITIONS
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1384208 Composed by Alan Menken. Arranged by Harry Walker. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer...
(+)
Full Orchestra - Level 4 - SKU: A0.1384208 Composed by Alan Menken. Arranged by Harry Walker. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. 41 pages. SCORE EDITIONS #968554. Published by SCORE EDITIONS (A0.1384208). Alan Menken teamed up with Howard Ashman to work on the score for the 1989 Disney film, The Little Mermaid. It remains one of the most decorated albums in Menkenâ??s wheelhouse, with it receiving multi-platinum sales and two Grammys, two Academy Awards and a Golden Globe. The Main Titles to The Little Mermaid accompanies the audienceâ??s first glimpse at underwater life. Menkenâ??s sensitive score is full of wonder and allows the imagination to run wild. As per many opening credits or an overture, parts of melody used in famous songs in the film feature â?? namely â??Part of Your Worldâ?. In this version, the composition was arranged for Symphonic Orchestra and Choir by Harry Walker.
$49.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
As It Was - Piano Accompaniment
