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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Violon et Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
10
Alto, Piano
5
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
2 Altos (duo)
3
Contrebasse (partie séparée)
3
Violoncelle, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Harpe
2
Harpe, Flûte (duo)
1
Contre Basse
1
4 Violoncelles
1
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2 Violoncelles (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38
Ensemble Jazz
14
Orchestre
10
Batterie (partie séparée)
7
Orchestre à Cordes
5
Fanfare
4
Ensemble de cuivres
2
Ensemble de Percussions
2
Cloches
2
Percussion (partie séparée)
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Jazz combo
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Orchestre de chambre
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As Time Goes By
SheetMusicPlus
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In Bleak Midwinter's Moonlight - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Cana…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
32.23 €
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Orchestre
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French Canadian Carol and Gustav Holst
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Mark R Lewis
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In Bleak Midwinter's Moonlight - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
Doctor Who Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murray Gold. Arranged by Kevin Riley. 20th Century,Film/TV,Thriller. 54 pages. Kevin Riley #941199. Published by Kevin Riley (A0.1356528). Doctor Who follows the adventures of the title character, a rogue Time Lord with somewhat unknown origins who goes by the name the Doctor. The Doctor fled Gallifrey, the planet of the Time Lords, in a stolen TARDIS (Time and Relative Dimension(s) in Space), a time machine that travels by materialising into, and dematerialising out of, the time vortex. The TARDIS has a vast interior but appears smaller on the outside, and is equipped with a chameleon circuit intended to make the machine take on the appearance of local objects as a disguise. Due to a malfunction, the Doctor's TARDIS remains fixed as a blue British police box. The main theme was originally composed by Ron Grainer but this version is based on what Murray Gold wrote.
$70.00
64.49 €
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Orchestre
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Murray Gold
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Kevin Riley
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Doctor Who Theme
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Kevin Riley
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.73 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Life On Mars
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By Davi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081). Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.
$70.00
64.49 €
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Orchestre
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David Bowie
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Kevin Riley
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Life On Mars
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Kevin Riley
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.46 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.46 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Concerto for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
33.16 €
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
39.6 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
12.3 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Ikons
Orchestre
Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre…
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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
82.91 €
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Orchestre
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
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