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PIANO & CLAVIERS
Piano seul
355
Piano, Voix
79
Piano, Voix et Guitare
67
Piano Facile
53
Orgue
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1 Piano, 4 mains
11
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9
Instruments en Do
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1
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1
2 Pianos, 8 mains
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Basse electrique
14
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13
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9
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7
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58
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9
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1
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1
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1
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75
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37
Flûte traversière et Piano
35
2 Clarinettes (duo)
34
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33
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30
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25
2 Flûtes traversières (duo)
25
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21
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19
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
17
Saxophone Soprano et Piano
16
Saxophone
15
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14
Quatuor de Saxophones: 4 saxophones
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2 Hautbois (duo)
13
Clarinette, Trompette (duo)
12
Flûte, Clarinette (duo)
12
Clarinette
10
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9
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Basson (duo)
9
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8
Quintette de Saxophone: 5 saxophones
8
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8
Clarinette et Alto
8
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7
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6
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6
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6
Clarinette Basse, Piano
5
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4
3 Saxophones (trio)
4
Saxophone (partie séparée)
4
Clarinette (partie séparée)
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Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
2
Ensemble de saxophones
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2
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2
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2
Hautbois (partie séparée)
2
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1
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1
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1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Saxophone et Orgue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Alto
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Ensemble de Clarinettes
1
Saxophone et Piano
1
Ensemble de Hautbois
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trombone et Piano
30
Trompette, Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Saxophone (duo)
20
2 Trombones (duo)
14
2 Trompettes (duo)
14
Cor et Piano
13
Quatuor de cuivres: 4 trombones
11
Tuba et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
8
Trompette, Trombone (duo)
7
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Ensemble de Trombones
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
3
Trompette (partie séparée)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
1
Trombone (partie séparée)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Tuba
1
Cor (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor
1
Quatuor de Cuivres
1
Trombone
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
105
Alto, Piano
36
Violoncelle, Piano
25
Violon et Piano
20
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
16
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
2 Altos (duo)
14
Violon, Alto (duo)
14
Violon
8
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
5
4 Violoncelles
4
Violon (partie séparée)
3
Violoncelle
3
Trio à cordes
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Contre Basse
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
81
Orchestre
76
Orchestre à Cordes
44
Ensemble de cuivres
35
Ensemble Jazz
33
Orchestre de chambre
16
Cloches
12
Ensemble de Percussions
11
Jazz combo
5
Batterie
5
Fanfare
2
Piano et Orchestre
1
Marimba
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Big band
1
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AUTRES
Vous avez sélectionné:
At Last: Score
Orchestre
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At Last
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.734133 By Etta James. By Harry …
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Full Orchestra - Level 3 - Digital Download SKU: A0.734133 By Etta James. By Harry Warren. Arranged by Daryl McKenzie. Jazz,Soul,Standards. Score and Parts. 64 pages. Daryl McKenzie #6473311. Published by Daryl McKenzie (A0.734133). Female vocal and Pops Orchestra based on the Etta James version but extended to include an instrumental solo. Voice, 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 4 FHn, 3 Trpt, 3 Trb, Tba, Timp, 2 Perc, Drums, Bass, Piano, Harp, Vln 1, Vln 2, Vla, Vcl, CB.Full audio demo: https://bit.ly/32Y3kq6Big Band (with optional strings) version also available: Search HereAudio demo: https://soundcloud.com/user-99505314/at-last More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$79.99
73.45 €
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Orchestre
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Etta James
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Daryl McKenzie
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At Last
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Daryl McKenzie
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SheetMusicPlus
At the Ninth Hour
Orchestre
Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter …
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Composed by Allen Pote. Musicals for Adults. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Score. 72 pages. Duration 72 minutes. Hope Publishing - Digital #8411DP. Published by Hope Publishing - Digital
Lent & Easter Musical<br> <br> Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem "On the Third Day. " The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the "Hosanna" on Palm Sunday, then on Good Friday the bulk of the work, saving "On the Third Day" your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ "At the Ninth Hour. " The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
$12.95
11.89 €
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Orchestre
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Allen Pote
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Easter Musicals
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At the Ninth Hour
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Hope Publishing - Digital
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.77 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Parkway
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Thomas Oboe Lee
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
78.96 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
The Magic of Harry Potter: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004280 Score. Arranged by M…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004280 Score. Arranged by Michael Story. Instructional. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0004280. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004280). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$11.00
10.1 €
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Orchestre
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Michael Story
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The Magic of Harry Potter: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
22.91 €
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Orchestre
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Warriors' Last Stand (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda. Contemporary. Score and parts. 79 pages. Visionary Quest Records #6697403. Published by Visionary Quest Records (A0.984566). The enemies have attacked on two fronts. The fight to overcome the adversity appear futile. The warriors' consolidate their energy and position to defend their honor and their families. The odds do not look favorable. But they will not give up for it is the Warriors' Last Stand.Warriors' Last Standwas composed by Tito Abeleda (1964 - ) for orchestra and is available for immediate digital download. Warriors' Last Stand is an exciting cinematic orchestral piece with a duration of 3 minutes 11 seconds. Digital download includes score plus parts (79 pages).Instrumentation: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Timpani, Snare Drum, Tenor Drum, Bass Drum, Cymbals, Violin I, Violin II, Viola, Violoncello, Contrabass© 2022 Tito AbeledaOriginal sheet music cover photo by Alessandro GuerreiroSheet Music Artwork by Tito AbeledaContact Tito Abeleda at tito@visionaryquestrecords.comVisionary Quest Recordshttps://www.visionaryquestrecords.comhttps://bit.ly/3bIKHHv
$25.00
22.96 €
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Orchestre
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Tito Abeleda
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Warriors' Last Stand
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Visionary Quest Records
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SheetMusicPlus
Santiago in the Stream - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00
45.91 €
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Orchestre
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Apostolos Paraskevas
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Santiago in the Stream - Score Only
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Silver Sickle Publications
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SheetMusicPlus
The Sum Of All Fears - Score - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1400367 Composed by Jerry Golds…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1400367 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 9 pages. Chris Siddall Music Publishing #983553. Published by Chris Siddall Music Publishing (A0.1400367). Director Phillip Noyce, who had helmed the previous two entries in the Jack Ryan franchise (with scores by James Horner), was replaced at the last minute on 2002’s The Sum of All Fears by Phil Alden Robinson. Despite his prior collaborations with Robinson, Horner stepped aside and thus the scoring assignment went to Jerry Goldsmith.  In the years following his magnificent stretch of production in 1998 and 1999,  Goldsmith’s output had slowed to a crawl and The Sum of All Fears proved to be a welcome return to form. Featuring a song which was later revealed to be an extension of his tribute to the victims of the 9/11 attacks, Goldsmith created an outstanding score with moments of solemn beauty contrasted with robust action music.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
4.58 €
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Orchestre
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Jerry Goldsmith
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Chris Siddall
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The Sum Of All Fears - Score - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
for Ed - score and parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.872615 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872615 Composed by Philip Orem. Contemporary. Score and parts. 247 pages. Philip Orem #3531771. Published by Philip Orem (A0.872615). for Ed is a flute/piccolo concerto in three movements written for my dear friend, Ed Senechal. The first movement for flute is haunting and mysterious. The second starts with a rowdy and boisterous piccolo before settling down into a more pastoral mood with flute. The last movement is an exploration of the emotional map one travels when someone you you hold dear dies, as Ed did before I start this last movement.This is featured on my CD, Concerto, released by Roven Records and available on iTunes.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$250.00
229.57 €
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Orchestre
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Philip Orem
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for Ed - score and parts
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Philip Orem
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SheetMusicPlus
Concerto for Alto Saxophone and Orchestra - score and parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.872625 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872625 Composed by Philip Orem. Contemporary. Score and parts. 295 pages. Philip Orem #3546297. Published by Philip Orem (A0.872625). This is a dramatic work for alto saxophone and orchestra featured on the CD, Concerto, released by Roven Records and available on iTunes. The concerto is in three movements that segue onto each other and is a reflection on Mary Oliver's poem, When Death Comes. The first movement is dark, at times mysterious at others forceful, the second more contemplative while the last is a joyful romp.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$350.00
321.4 €
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Orchestre
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Philip Orem
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Concerto for Alto Saxophone and Orchestra - score and parts
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Philip Orem
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SheetMusicPlus
The Last Call - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.751047 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.751047 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 59 pages. BJE Music #6496287. Published by BJE Music (A0.751047). The original simple 8-bar tune was written in 1976 but only expanded into a fully expanded version for Orchestra in 2021. The title was suggested by the rhythm of the first two notes of the main theme. Also available for Concert Band… Suitable for school or community groups. The MP3 was recorded with NotePerformer 3 Grade = 3 Duration = 4:25 mins. Score and Parts are also available at BJE Music: www.bjemusic.com
$20.00
18.37 €
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Orchestre
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Brendan Elliget MAGA 537
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The Last Call - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
A Dream Deferred - score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
45.91 €
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Orchestre
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.37 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Lord, Who at Thy First Eucharist
Orchestre
Full Orchestra - Digital Download SKU: A0.1079686 Composed by William H. Monk. Arra…
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Full Orchestra - Digital Download SKU: A0.1079686 Composed by William H. Monk. Arranged by Joshua Choe. Classical,Easter,Sacred. Score and parts. 38 pages. JMJ Arrangements #683873. Published by JMJ Arrangements (A0.1079686). Celebrate the Institution of the Eucharist (Last Supper) with this orchestral arrangement of Lord, Who at Thy First Eucharist. This can also be used by orchestras to accompany choirs.
$14.99
13.76 €
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Orchestre
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William H
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Joshua Choe
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Lord, Who at Thy First Eucharist
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JMJ Arrangements
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SheetMusicPlus
Chinatown - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Golds…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
4.58 €
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Orchestre
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Jerry Goldsmith
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Chris Siddall
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Concerto for Oboe and Orchestra - score and parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.872610 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872610 Composed by Philip Orem. Contemporary. Score and parts. 186 pages. Philip Orem #3523819. Published by Philip Orem (A0.872610). My popular oboe concerto featured on the CD, Concerto, from Roven Records available on iTunes.This pastoral concerto is in three movements, the first as lazy as a summer day by a stream, the second quiet as a summer night watching the stars shimmer in the sky, the last a rollicking scamper through the summer holidays.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$250.00
229.57 €
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Orchestre
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Philip Orem
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Concerto for Oboe and Orchestra - score and parts
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Philip Orem
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SheetMusicPlus
Testament Cues - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horne…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
32.14 €
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Orchestre
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
When Peace Like A River (It Is Well With My Soul) - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750911 Arranged by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750911 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 39 pages. BJE Music #4823551. Published by BJE Music (A0.750911). A lovely arrangement for Orchestra. Key of Ab to Bb in the last verse. This tune was composed by Philip Paul Bliss (1838-76); an American writer of hymns and a Gospel singer. In the 2nd verse, the melody is taken up by the Trombones and Cellos in a very easy comfortable range. The Descant part is played in the 3rd Verse at the change of key; A flourish of Woodwind, Strings, Trumpets, and Horns finishes with a rousing climax in the final chords. There is an optional Piano part (Nor shown on the score). There are also optional parts for Clarinet 3 and Bass Clarinet.If you use this arrangement, please let me know how it goes!The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 2:50 mins
$25.00
22.96 €
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Orchestre
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Brendan Elliget
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When Peace Like A River
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BJE Music
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SheetMusicPlus
Berkshire Storms (Downloadable Study Score)
Orchestre
Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerbe…
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Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
$24.00
22.04 €
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Orchestre
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Douglas Gerber
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Berkshire Storms
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holl…
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Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$125.00
114.78 €
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Orchestre
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Hudson Holland
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SheetMusicPlus
Etta James: At Last (arr. Mac Huff) (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / ja…
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Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / jazz,standards
$19.99
18.36 €
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Orchestre
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Etta James
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Virtualsheetmusic
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.84 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Elegy Sentimentale for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.55 €
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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