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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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HARMONICA
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SYNTHETISEUR
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AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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Non classifié
275
PIANO & CLAVIERS
Piano seul
217
Piano Facile
58
Piano, Voix
43
Piano, Voix et Guitare
26
Orgue
14
2 Pianos, 4 mains
12
1 Piano, 4 mains
10
Accompagnement Piano
9
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
2
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1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
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GUITARES
Guitare
18
Guitare notes et tablatures
12
Ukulele
8
2 Ukuleles
5
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
Basse electrique
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
116
Chorale 3 parties
35
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16
Chorale SSAA
15
Chorale Unison
9
Chorale 2 parties
7
Chorale SSAATTBB
2
Voix duo, Piano
2
Voix duo
1
Voix Soprano, Piano
1
Voix seule
1
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VENTS
2 Saxophones (duo)
57
Clarinette et Piano
44
Hautbois, Piano (duo)
41
Quatuor de Saxophones: 4 saxophones
40
Flûte traversière et Piano
40
Saxophone Alto et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
35
Clarinette
27
Quintette de Saxophone: 5 saxophones
23
Saxophone Tenor et Piano
22
Flûte traversière
21
Saxophone Alto
21
Saxophone Baryton, Piano
20
Saxophone Tenor
17
2 Clarinettes (duo)
16
Saxophone Soprano et Piano
16
2 Flûtes traversières (duo)
15
Hautbois (partie séparée)
14
Saxophone Soprano
12
3 Saxophones (trio)
11
Hautbois
11
2 Hautbois (duo)
10
Saxophone Baryton
10
Saxophone (partie séparée)
8
Flûte à Bec
7
Hautbois, Clarinette, Basson (trio d'anches)
7
2 Flûte à bec (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Clarinette (duo)
7
Saxophone, Clarinette (duo)
6
Hautbois, Clarinette (duo)
5
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5
Flûte à bec Alto
4
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4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Tenor
4
Flûte à bec Soprano
4
Clarinette Basse, Piano
4
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Basson (duo)
3
Flûte, Alto (duo)
2
Flûte et Guitare
2
Clarinette et Alto
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Flûtes
2
Flûte, Saxophone (duo)
2
Ensemble de saxophones
2
5 Flûtes à bec
2
Cor anglais, Piano
1
Ensemble de Clarinettes
1
Flûte, Clarinette et Basson
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flute, harpe et violon
1
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CUIVRES
Cor et Piano
53
Trompette, Piano
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
29
Cor
24
Trombone et Piano
23
Trombone
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
18
Tuba
18
2 Trompettes (duo)
10
2 Trombones (duo)
10
2 Cors (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Trombone (duo)
6
2 Tubas (duo)
5
Trompette, Cor (duo)
4
Ensemble de Trombones
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
3
Trombone (partie séparée)
2
Euphonium, Piano (duo)
2
Trombone, Tuba (duo)
2
Quatuor de Cuivres
2
Trompette, Tuba (duo)
2
Trompette (partie séparée)
2
Cor anglais, Piano
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
Cor (partie séparée)
1
Cor et Orgue
1
4 Tubas
1
Euphonium
1
Tuba (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
101
Alto, Piano
55
Violon et Piano
49
Violoncelle, Piano
48
Alto seul
30
Violoncelle
29
Violon
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Contre Basse
20
Trio à Cordes: violon, alto, violoncelle
16
Contrebasse, Piano (duo)
16
Violon, Violoncelle (duo)
13
2 Violons (duo)
12
2 Violoncelles (duo)
11
2 Altos (duo)
11
Alto (partie séparée)
7
Violon, Alto (duo)
6
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon (partie séparée)
5
4 Violoncelles
4
Harpe
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre
42
Cloches
17
Ensemble Jazz
17
Orchestre à Cordes
14
Ensemble de cuivres
8
Orchestre de chambre
7
Fanfare
6
Percussion (partie séparée)
4
Marimba
3
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Jazz combo
2
Ensemble de Percussions
1
Batterie
1
Xylophone
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
At This Moment
Orchestre
Partitions à imprimer
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At His Name
Orchestre
Orchestra - Digital Download SKU: H1.8874DP Arranged by Joel Raney. Lent, Palm Sund…
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Orchestra - Digital Download SKU: H1.8874DP Arranged by Joel Raney. Lent, Palm Sunday. Set of Instrumental Parts. 455 pages. Hope Publishing - Digital #8874DP. Published by Hope Publishing - Digital (H1.8874DP). Lent/Easter Musical This 30-minute musical reflects on Jesus's ministry and life on earth, and looks at the monumental effect his name has had on history. Told through six choral anthems with narration this work traces Jesus' life from his first preaching to the final momentous events of his passion. The music is mostly original and covers a range of styles. Accompaniment can be provided by just piano, CD or ED Hogan's orchestration. The half-hour length makes it ideal for including in a worship service anytime during Lent, or Holy Week, and it would be particularly poignant on Palm Sunday. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Horn (or Alto Sax* or Clarinet*), Trumpet (or Alto Sax*), Trombone (or Tenor Sax* or Baritone T. C. *), Percussion, Piano, Synth, Electric Bass, Harp, Violins 1 & 2, Viola (or Clarinet*), Cello/Bassoon (or Bass Clarinet*). *Parts are included on the CD-Rom890.
$375.00
337.93 €
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Orchestre
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Joel Raney
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At His Name
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Hope Publishing - Digital
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
67.59 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Testament Cues - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horne…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
31.54 €
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Orchestre
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.38 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Surrender All - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742693 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 51 pages. AnderKamp Music #3637265. Published by AnderKamp Music (A0.742693). This is a beautifully worshipful rendition of this powerful hymn. This arrangement was written with the opportunity to feature the woodwind section. If you just have the 2 ‘core’ woodwinds (a flute and an oboe or clarinet) you can still play this piece and it will be beautiful. BUT…if you have 2 flutes, oboe, 2 clarinets and a bassoon or bass clarinet, there are some really nice moments in this piece to feature them. This arrangement is in the Key of D. This would serve as a powerfully worshipful offertory or as a special moment in any style service. As with all the arrangements in this series, you don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
45.05 €
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Orchestre
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Public Domain
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Jeff D
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I Surrender All - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.04 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Trumbull Sketches
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
54.07 €
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Orchestre
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Contagion (Full Album Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Fr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
22.53 €
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Orchestre
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.41 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Scenes from 'The Crucible' for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements. The opening movement is intended to be the Prelude to the opera. The 2nd movement the Prelude to the tense 3rd Act. The 3rd movement takes place at the climactic moment of Act 3, when John Proctor's valiant and desperate attempt to expose Abigail Williams' for what she is backfires, leading to his arrest. The 4th movement opens with the Hymn/Psalm associated with the people of Salem and continues with the reconciliation in prison between John Proctor and his wife Elizabeth.The 5th and final movement accompanies John Proctor's march to execution having nobly torn up his confession of witchcraft. The Hymn/Psalm returns before reminiscences of the opening Prelude return ending the work in a sense of uneasy peace. Parts can be made available upon request.
$20.99
18.92 €
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Orchestre
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Malcolm D Robertson
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Scenes from 'The Crucible' for Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Haydn's Sonata in E Minor
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
135.17 €
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Orchestre
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Haydn's Sonata in E Minor
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Fabio Dentello
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
61.28 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Gonna Fly Now
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454598 Composed by Ayn Robbins…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454598 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by John Langley / Studio Orchestrations. Film/TV,Funk,Pop,Rock. 115 pages. Www.studio-orchestrations.com #1033701. Published by www.studio-orchestrations.com (A0.1454598). Gonna Fly Now (Theme from Rocky) is the theme song from the movie Rocky (1976), composed by Bill Conti. It combined a funky pop groove with a rock symphonic feel and was an instant hit, winning an oscar for Best original song in a film for that year. The song became part of 1970s American popular culture after the film's main character and namesake Rocky Balboa as part of his daily training regime runs up the 72 stone steps leading to the entrance of the Philadelphia Museum of Art in Philadelphia and raises his arms in a victory pose, while the song plays, it's an iconic moment in film.This version is for full orchestra and would make a great addition to your concert of film, sporting or popular music hits:3 Flutes (3rd dbl. Piccolo)2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussionists (Tambourine/Mark tree / Congas / Cymbals / Glockenspiel)HarpPianoGuitar (Optional)Bass GuitarDrumsStringsCheck out other similar orchestral titles from films on this site also written by John Langley and Paul Campbell at www.studio-orchestrations.com.
$140.00
126.16 €
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Orchestre
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Ayn Robbins, Bill Conti, and Carol Connors
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Gonna Fly Now
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www.studio-orchestrations.com
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SheetMusicPlus
The Great Collapse
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1431219 By Joe Hisaishi. By Jou…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1431219 By Joe Hisaishi. By Jou Hisaishi. Arranged by L.C. Harnsberger. 21st Century,Contemporary,Film/TV,Multicultural,World. 36 pages. LCH Music #1011684. Published by LCH Music (A0.1431219). Hayao Miyazaki’s film The Boy and the Heron won the Oscar for best animated film at the 2024 Academy Awards. Joe Hisaishi’s enchanting score which perfectly sets the magical tone of the film garnered not only an Oscar nomination but also numerous other awards. “The Great Collapse” is from a dramatic moment in the film where the world collapses into darkness. L. C. Harnsberger has beautifully adapted this music for full orchestra while keeping the spirit of the original soundtrack. This piece is ideal to combine with Harnsberger’s tender arrangement of Hisaishi’s “Ask Me Why (Evacuation)” from the same film (LCH Music #12401).
$49.99
45.05 €
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Orchestre
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Joe Hisaishi
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L
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The Great Collapse
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LCH Music
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SheetMusicPlus
Double Concerto for Flute and Guitar (SCORE ONLY)
Orchestre
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. …
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
31.54 €
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and Guitar
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Silver Sickle Publications
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SheetMusicPlus
NAUTILUS
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 pages. Antonello Rizzella #962412. Published by Antonello Rizzella (A0.1377811). The author's intent was to work on melodic-harmonic-rhythmic materials always attributable to the Fibonacci numerical series, hence, as a consequence, the choice of the title, Nautilus, finding the natural expression in the artistic perfection of said shell of the logarithmic spiral to which the golden section is applied.The form of symphonic movement that emerged has a rhapsodic flowThe choice of the sounds of the harmonic field of the first part (bar 0-50) is therefore based on the numerical series (based on a scale of 10 sounds), tracing each sound of the scale to a number from 0 to 9 and making them correspond to the numbers of the series of Fibonacci from 1 to 267,914,296.The second part (bars 51-64) is based on a harmonic field of 9 sounds which, when superimposed, generate 9 triads formed by superimposed 4ths which are used at a distance of 2, 3 or 5 beats (series of F. , from the 3rd to the 6th number). In this section, isorhythmy is used according to groupings of values ​​that can be numerically traced back to the series.A short third part (bars 65-80) is inserted as an expressive moment: it is based on a scale of 7 sounds (spaced proportionally from each other according to the logarithmic spiral: from the 1/4 tone to the major 3rd).In the next and final section the isorhythmic part is resumed with small changes in the closing coda.
$70.00
63.08 €
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Orchestre
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Antonello Rizzella
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NAUTILUS
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Antonello Rizzella
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SheetMusicPlus
Noir et Blanc
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.994719 Composed by Darian Stava…
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Full Orchestra - Level 4 - Digital Download SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321783. Published by Music Studio (A0.994719). Noir et Blanc.Noir et Blanc - Orchestral Score / Album Noir et Blanc by Darian Stavans.Noir et Blanc is a work that was totally conceived for orchestra. As we listen to the album we are intrigued, for the only element lacking is the contrast suggested by the title. Why? The answer is that contrasts do not exist. They are simply the furthermost points in a grayscale that when displayed like a fan shows these extremes and therefore their contrasts. The deeds and acts that flow inside our mask of power come and go in nostalgic melancholy through pain and glory trickling like the water in a brook, where tenderness meets madness. Sometimes everything seems the same even though each element acts differently. This album speaks about that intriguing grayscale and the powerful force that lets it plunge into the depths of human essence and the soul. In the face of facts, seemingly distinct and at the same time so alike, only courage will prove out their differences and make us dare call out the Noir et Blanc, the Black and White, but until that moment comes things will appear to flow in a grayscale. Orchestral work.64 pages.Duration: 39:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$29.99
27.03 €
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Orchestre
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Darian Stavans
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Noir et Blanc
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Music Studio
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SheetMusicPlus
Concerto for Electric Guitar and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
17.98 €
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Orchestre
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Robert E
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Concerto for Electric Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.39 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.02 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
The Hobbit: An Unexpected Journey, Suite from: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015983_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015983_TMP Timpani. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_TMP). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).
$3.00
2.7 €
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Orchestre
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Howard Shore
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Douglas E
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The Hobbit: An Unexpected Journey, Suite from: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Hobbit: An Unexpected Journey, Suite from: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015983_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015983_VC1 Cello. Composed by Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015983_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015983_VC1). UPC: 038081458274.Selections from the brilliantly conceived Howard Shore soundtrack---capturing the adventure, excitement, and tender moments of the first of director Peter Jackson's prequels to the epic Lord of the Rings trilogy---are faithfully presented in this exciting suite for full orchestra. Including Old Friends/The Adventure Begins, Axe or Sword?, Song of the Lonely Mountain, The Dwarf Lords, and Dreaming of Bag End, this lovely arrangement, in five movements, is intended for use at the high school level and is not difficult at all to master, thus enabling a wide audience to experience this masterpiece of cinematic art. (8:31).
$3.00
2.7 €
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Orchestre
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Howard Shore
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Douglas E
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The Hobbit: An Unexpected Journey, Suite from: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_M1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.7 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_TMP). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.7 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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