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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
CITHARE
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FORMATION MUSI…
GUITARE
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HARMONICA
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PIANO & CLAVIERS
Piano seul
168
Piano Facile
45
Piano, Voix
40
Piano, Voix et Guitare
34
Instruments en Do
16
Orgue
13
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
Clavier
1
1 Piano, 4 mains
1
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GUITARES
Guitare
22
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Guitare (partie séparée)
4
Piano, Guitare (duo)
3
Banjo
3
Paroles et Accords
2
Dulcimer
1
Ukulele
1
4 Guitares (Quatuor)
1
Mandoline
1
Ensemble de guitares
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
109
Chorale 3 parties
33
Chorale 2 parties
22
Chorale TTBB
8
Voix Soprano, Piano
5
Chorale SSAA
5
Voix seule
3
Chorale Unison
3
Voix duo, Piano
2
Voix duo
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Voix haute
1
Chorale SSATB
1
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VENTS
Saxophone
119
Quatuor de Clarinettes: 4 clarinettes
101
Quatuor de Saxophones: 4 saxophones
89
Flûte traversière
54
Clarinette
47
Flûte, Hautbois, Clarinette, Basson
42
Flûte traversière et Piano
36
Saxophone (partie séparée)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
28
Ensemble de saxophones
27
Saxophone Alto
24
Quintette de Saxophone: 5 saxophones
21
Saxophone Tenor et Piano
19
Hautbois, Piano (duo)
19
Clarinette et Piano
17
2 Flûtes traversières (duo)
15
Ensemble de Clarinettes
8
Saxophone Tenor
8
Hautbois (partie séparée)
6
Saxophone Soprano
6
Ensemble de Flûtes
6
Saxophone Soprano et Piano
6
2 Saxophones (duo)
5
Saxophone Baryton, Piano
5
Clarinette, Guitare (duo)
4
3 Clarinettes (trio)
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette (partie séparée)
2
Cor anglais, Guitare (duo)
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette et Basson
2
3 Saxophones (trio)
2
Flûte à Bec
2
Flûte, Violon et Violoncelle
2
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
5 Flûtes à bec
1
Hautbois, Flûte
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Saxophone et Guitare
1
Flûte, Harpe et Violoncelle
1
Clarinette, Violon (duo)
1
2 Clarinettes (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette
51
Trombone
41
Ensemble de Trompettes
28
Trombone et Piano
18
Trompette, Piano
15
Trompette (partie séparée)
14
Trombone (partie séparée)
12
Cor et Piano
12
Quatuor de Cuivres
11
Ensemble de Trombones
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Euphonium, Piano (duo)
7
Tuba
6
Trompette, Trombone (duo)
5
Ensemble de Cors
5
Cor
4
Tuba (partie séparée)
4
Tuba et Piano
4
Cor (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
2
Cor anglais, Guitare (duo)
2
2 Trompettes (duo)
2
Trio de Cuivres
2
4 Tubas
1
Trompette, Euphonium (duo)
1
Trombone basse
1
2 Trombones (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
314
Violon, Violoncelle (duo)
221
Violon
190
Trio à Cordes: violon, alto, violoncelle
189
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Violon et Piano
38
Alto, Piano
25
Violoncelle, Piano
22
Violon, Alto (duo)
19
2 Violons (duo)
18
Violoncelle (partie séparée)
15
Alto seul
15
Alto, Violoncelle (duo)
11
Harpe
11
Alto (partie séparée)
7
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Violoncelles (duo)
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
2
Contre Basse
2
4 Violoncelles
2
Violon, Guitare (duo)
2
2 Altos (duo)
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Ensemble d'Altos
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
164
Orchestre à Cordes
141
Orchestre
46
Ensemble Jazz
46
Ensemble de cuivres
33
Orchestre de chambre
18
Cloches
8
Ensemble de Percussions
5
Xylophone, Piano
2
Fanfare
2
Orchestre, Violon
2
Jazz combo
2
Vibraphone et Marimba
1
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AUTRES
Vous avez sélectionné:
Back to work - drums
Orchestre
Partitions à imprimer
46 partitions trouvées
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Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. OlivePress Music #6617947. Published by OlivePress Music (A0.1002399). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99
27.88 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
23.23 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Waiting to hear from William - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1322866 Composed by Malcolm D R…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1322866 Composed by Malcolm D Robertson. 21st Century,Classical. 29 pages. Mr Malcolm D Robertson #911133. Published by Mr Malcolm D Robertson (A0.1322866). This simple straightfoward work for orchestra originated in a work for the local Youth Orchestra, of which I was a member, back in 1985. Of the original work only the melody, heard first on oboe along with some of the accompaniment, remains along with parts of the opening & closing of the work. I've kept the original scoring, 2 Flutes, Oboe, 2 Clarinets, 2 Bassoons, 2 Horns, Harp & Strings. The title comes from an artwork by British born artist Tim White (who is particularly known for his science fiction & fantasy works), which inspired the original composition & is also the first name of my father to whose memory this work is dedicated.Orchestral can be supplied upon request.
$7.99
7.43 €
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Orchestre
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Malcolm D Robertson
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closing of the work
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Waiting to hear from William - Score Only
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Mr Malcolm D Robertson
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SheetMusicPlus
Introduction to Shakespeare's "Romeo & Juliet"
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1273122 By Trevor Denyer. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1273122 By Trevor Denyer. By Joachim Raff. Arranged by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 128 pages. Trevor Denyer #865314. Published by Trevor Denyer (A0.1273122). Sadly and unjustly neglected over the years, this excellent piece contains some lovely themes which are complemented by bold harmonic progressions, all in a truly romantic style.Raff works were regularly played during his lifetime and much admired by his contemporaries, but have dropped out of fashion. Let's hope that this can help to bring them back to public notice.
$40.00
37.18 €
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Orchestre
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Trevor Denyer
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Trevor Denyer
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Introduction to Shakespeare's "Romeo & Juliet"
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Trevor Denyer
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SheetMusicPlus
La Califfa
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1103613 Composed by Ennio Morri…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #706884. Published by Kevin Riley (A0.1103613). N the Emilia province of Italy, out of solidarity with the workers fired from another failed company, the workers occupy the factory of self-made industrialist Annibale Doberdò. In dealing with the situation, he starts negotiations. An employee, the beautiful and fiery Irene, nicknamed Califfa, whose worker-husband was killed during a demonstration, meets with Doberdò. He wants to induce the strikers back to work and they show uncertainty between the directives of their union and the incitements to violence by extremists. Irene becomes Doberdò's lover and asks the workers to listen to the industrialist's proposals for renewal of working terms and worker participation in the factory management. The riots, however, continue. The industrialist's stance is badly received by other employers. While he returns from yet another meeting with his lover, Doberdò is killed by assassins.
$60.00
55.77 €
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Orchestre
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Ennio Morricone
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Kevin Riley
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La Califfa
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Kevin Riley
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SheetMusicPlus
AN HOMAGE TO UKRAINE, for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zl…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zlatanou. Contemporary. 36 pages. Marilena Zlatanou #760301. Published by Marilena Zlatanou (A0.1160033). Composed on the backdrop of the Russian Invasion of Ukraine and inspired by the tragically still current writings of Lesya Ukrainka, (Laryssa Kossatch, 1871–1913). In this piece the composer is extending and futher developing the musical material of her existing composition for a cappella SATB choir: A LAMENT FOR UKRAINE (2022), on Ukrainka's poetry, this time for Symphony Orchestra. Towards the end of this piece fragments of the Ukrainian National Anthem are also incorporated as an homage to the spirit and the hopes of the brave resistance of the Ukrainians. My intention is to provide a musical reminder to this tragic event of our time... Duration: ca 6'40''. The pdf file provided contains both the full score and the parts. The mp3 file is made straight from the sibelius score. The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit webiste www.zlatanou.netÂ
$50.00
46.48 €
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Orchestre
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Marilena Zlatanou
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AN HOMAGE TO UKRAINE, for Symphony Orchestra
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Marilena Zlatanou
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.29 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.29 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95
27.84 €
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Orchestre
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
33.45 €
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Second Rhapsody
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1091551 Composed by George Gers…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1091551 Composed by George Gershwin. 20th Century,Classical,Film/TV,Jazz. Score and parts. 253 pages. Szüts Apor #695728. Published by Szüts Apor (A0.1091551). In 1930, George Gershwin, together with his brother Ira, was invited to go to Hollywood to provide the music for the film Delicious. He spent seven weeks on the score only to find that just four songs (Blah, Blah, Blah; Delicious; Katinkitschka; Somebody from Somewhere), a five-minute Dream Sequence and one minute from a six-minute orchestral sequence called New York Rhapsody would be incorporated in the film. When he went back to New York in February 1931, George had decided to use the material from the six-minute sequence to work into a concert piece and had sketched some of it. Some of the material was jettisoned: the Manhattan Rhapsody opens with the main romantic theme in 6/8 time arranged for piano and solo cello. The rest of the film sequence was radically rearranged and rescored. Gershwin completed the fourteen-minute piece by May. The new work was titled Rhapsody in Rivets during his sketching, but later he could not decide between New York Rhapsody and Manhattan Rhapsody. George Gershwin settled on Second Rhapsody.
$100.00
92.95 €
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Orchestre
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George Gershwin
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Delicious
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Second Rhapsody
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Szüts Apor
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SheetMusicPlus
Ebb and Flow
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1090023 By Daniel Burwasser. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090023 By Daniel Burwasser. By Daniel Burwasser. Contemporary. Score and Parts. 326 pages. Head and Stem #694221. Published by Head and Stem (A0.1090023). Ebb and Flow harks back to the composer’s years at the City University of New York. The work was completed in 1990 and revised in 2022 for this video score. A colorful and dramatic work, Ebb and Flow is based on two main themes: the first of which is heard at the very onset in the lower strings, and later, a more subdued and lyrical theme is presented. Transitions between these sections are fluid and contain moments of tension and resolution, highlighting the contrasts and interplay between the two states. Ultimately, Ebb and Flow as a musical composition aims to evoke a sense of movement, contemplation, and emotional resonance, capturing the essence of the natural ebb and flow phenomenon through the music. The piece also displays the composer’s stylistic tendencies for episodic writing, tender lyricism, frequently shifting textures and rhythmic drive . For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
65.07 €
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Orchestre
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Daniel Burwasser
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Ebb and Flow
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Head and Stem
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SheetMusicPlus
Winter Wonderland: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0002361_VC1 Cello. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0002361_VC1 Cello. Arranged by Calvin Custer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002361_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002361_VC1). UPC: 029156605266.Calvin Custer presents this flawlessly sculpted holiday treat with sounds hearkening back to the glory days of Leroy Anderson and his scorings for the Boston Pops. To make a delightful arrangement even more resplendent, we work our way to the final chorus which has all the delicious flavorings of the Big Band era as the whole orchestra swings! With all the colors of the spectrum and all of the charms of the season, this is a dynamic work! (2:44)Concert/Contest.
$3.00
2.79 €
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Orchestre
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Calvin Custer
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Winter Wonderland: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Winter Wonderland: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0002330 Score. Arranged by C…
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Full Orchestra - Digital Download SKU: AX.00-PR-0002330 Score. Arranged by Calvin Custer. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0002330. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002330). UPC: 029156605266.Calvin Custer presents this flawlessly sculpted holiday treat with sounds hearkening back to the glory days of Leroy Anderson and his scorings for the Boston Pops. To make a delightful arrangement even more resplendent, we work our way to the final chorus which has all the delicious flavorings of the Big Band era as the whole orchestra swings! With all the colors of the spectrum and all of the charms of the season, this is a dynamic work! (2:44)Concert/Contest.
$10.00
9.3 €
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Orchestre
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Calvin Custer
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Winter Wonderland: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.23 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
NAUTILUS
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 pages. Antonello Rizzella #962412. Published by Antonello Rizzella (A0.1377811). The author's intent was to work on melodic-harmonic-rhythmic materials always attributable to the Fibonacci numerical series, hence, as a consequence, the choice of the title, Nautilus, finding the natural expression in the artistic perfection of said shell of the logarithmic spiral to which the golden section is applied.The form of symphonic movement that emerged has a rhapsodic flowThe choice of the sounds of the harmonic field of the first part (bar 0-50) is therefore based on the numerical series (based on a scale of 10 sounds), tracing each sound of the scale to a number from 0 to 9 and making them correspond to the numbers of the series of Fibonacci from 1 to 267,914,296.The second part (bars 51-64) is based on a harmonic field of 9 sounds which, when superimposed, generate 9 triads formed by superimposed 4ths which are used at a distance of 2, 3 or 5 beats (series of F. , from the 3rd to the 6th number). In this section, isorhythmy is used according to groupings of values ​​that can be numerically traced back to the series.A short third part (bars 65-80) is inserted as an expressive moment: it is based on a scale of 7 sounds (spaced proportionally from each other according to the logarithmic spiral: from the 1/4 tone to the major 3rd).In the next and final section the isorhythmic part is resumed with small changes in the closing coda.
$70.00
65.07 €
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Orchestre
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Antonello Rizzella
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NAUTILUS
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Antonello Rizzella
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SheetMusicPlus
Golliwog's Cakewalk (Full Orchestra) – Score and Parts– Original key (Eb/Gb)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1002398 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1002398 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 63 pages. OlivePress Music #6617943. Published by OlivePress Music (A0.1002398). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme.Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99
27.88 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650359. Published by OlivePress Music (A0.1045772). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (this one) or E (transposed from original). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
23.23 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Interlude for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.814805 Composed by Richard E Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Published by Dacker Music (A0.814805). This composition represents a major revision of one of my earliest attempts to write for orchestra, way back in 1966. Revisiting it after over a half-century of languishing in the drawer, I was shocked to find some surprisingly worthwhile material. While it little resembles something I would write today, I managed to rework it into a legitimate and enjoyable piece of music, 54 years in the making. Grade 4 - Duration 7:20 Price includes license to make as many copies of parts as needed
$60.00
55.77 €
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Orchestre
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Richard E Brown
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Interlude for Orchestra
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Dacker Music
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
148.73 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.93 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
54.84 €
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Orchestre
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Upstream Music
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
74.36 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Khe Sanh
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. Published by Brett A Foster (A0.1025682). Khe Sanh is a song by Australian rock band Cold Chisel, released as a 45 rpm single in May 1978, and named after the district capital of Hư�ng Hóa District, Quảng Tr� Province, Vietnam. This arrangement works well as just a pop orchestral work with no vocals, but I have provided the optional TTB vocals, keyboard and rock band parts to use if you are looking for something extra special for a performance feature. There are also optional parts for a saxophones section which will enhance the pop feel and support the horns and woodwinds. Written by pianist Don Walker, Khe Sanh concerns an Australian Vietnam veteran dealing with his return to civilian life. Khe Sanh is one of the most popular songs ever recorded by an Australian act and one generally seen as a resonant symbol of the Australian culture. Don Walker has said the song was inspired by a number of people, including, the guy from the next farm, who came back from Vietnam, severely changed for the worst, and Adelaide guitarist Rick Morris.
$69.00
64.14 €
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Orchestre
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Walker
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Brett A Foster (BF Music)
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Khe Sanh
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Brett A Foster
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SheetMusicPlus
Symphonic Poem No. 1
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1004088 Composed by James F. Ho…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1004088 Composed by James F. Hodgdon III. 20th Century,Contemporary,Standards. Score and parts. 70 pages. Jhcompositions #3455145. Published by Jhcompositions (A0.1004088). A symphonic poem is a work for full orchestra that is meant to change the listeners perception or mood. This work was written to help drag it's composer out of very low point. The happiness poured into it's creation, is reflected back out in it's performance. It is full of different colors and moments that will surely make for an exciting performance, both for listeners and the musicians!This piece would work well for an established orchestra or college group. You are purchasing a full orchestral score and all accompanied parts. A minimum of 3 percussionists are needed.Duration: 5'40
$19.99
18.58 €
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Orchestre
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James F
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Symphonic Poem No. 1
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Jhcompositions
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SheetMusicPlus
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