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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Kind
Non classifié
326
Piano & claviers
Orgue
339
Piano seul
181
Piano, Voix
100
Piano Facile
69
Piano, Voix et Guitare
63
Piano grosses notes
11
1 Piano, 4 mains
6
Accompagnement Piano
6
Instruments en Do
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Clavier
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
6
Mandoline
5
Ukulele
5
Banjo
2
Ensemble de guitares
1
Paroles et Accords
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
143
Chorale 2 parties
39
Chorale 3 parties
30
Chorale Unison
21
Chorale TTBB
12
Voix Soprano, Piano
11
Chorale SSAA
10
Voix duo
9
Voix Alto, Piano
5
Voix duo, Piano
5
Voix haute
3
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
20
2 Flûtes traversières (duo)
19
2 Saxophones (duo)
16
Clarinette et Piano
13
Clarinette
13
Hautbois (partie séparée)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone, Clarinette (duo)
8
Flûte traversière et Piano
7
Flûte traversière
7
Saxophone Alto et Piano
6
Saxophone Soprano et Piano
6
Saxophone Tenor et Piano
6
2 Clarinettes (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois, Piano (duo)
5
Clarinette, Violon (duo)
5
2 Hautbois (duo)
4
Cor anglais, Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
4
Flûte à bec Soprano
4
Hautbois, Basson (duo)
3
Saxophone Tenor
3
Clarinette, Guitare (duo)
3
Clarinette et Alto
3
Flûte, Clarinette (duo)
3
Flûte, Violon
3
Flûte, Saxophone (duo)
3
Flûte et Guitare
2
Saxophone Alto
2
Clarinette Basse, Piano
2
Flûte, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Quatuor de Flûtes : 4 flûtes
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette (duo)
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Ensemble de saxophones
1
Flûte à bec Tenor
1
Flûte, Hautbois, Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Alto (duo)
1
Saxophone (partie séparée)
1
Flûte à Bec
1
Hautbois, Violoncelle
1
Ensemble de Flûtes
1
Quatuor de Flûtes à bec
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette
8
Trombone et Piano
7
Trompette, Saxophone (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor et Piano
5
Tuba et Piano
5
Cor anglais, Piano
4
Trompette, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
2
Trombone
2
Tuba
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
2 Tubas (duo)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Alto, Piano
12
Violon, Violoncelle (duo)
11
Violon et Piano
11
Harpe
10
Violon
8
Violoncelle, Piano
8
Violoncelle
6
Violon, Alto (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
3
2 Altos (duo)
3
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Alto et Harpe
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Orchestre à Cordes
29
Orchestre de chambre
16
Orchestre
15
Ensemble de cuivres
14
Jazz combo
8
Ensemble Jazz
7
Cloches
4
Fanfare
3
Piano et Orchestre
1
Ensemble de Percussions
1
Percussion
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Be Kind
Orchestre
Partitions à imprimer
15 partitions trouvées
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1
Would You Be So Kind
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Orchestre
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AVANCÉ
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Comédie Musicale
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Dodie
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Scores by Ken
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Would You Be So Kind
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1301798 By Dodie. By Dorothy Clark and Joseph Wander. Arranged by Scores by Ken. Broadway,Musical/Show,Pop. Score and...
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Full Orchestra - Level 5 - SKU: A0.1301798 By Dodie. By Dorothy Clark and Joseph Wander. Arranged by Scores by Ken. Broadway,Musical/Show,Pop. Score and Parts. 142 pages. Scores by Ken #891390. Published by Scores by Ken (A0.1301798). Would You Be So Kind | Dodie About the PieceWould You Be So Kind is the last track on Dodie's EP, You. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Oh, Come, Little Children - for Orchestra / Orchestervorspiel über "Ihr Kinderlein, kommt
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Orchestre
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FACILE
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Musique Sacrée
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Eugenio Gall
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Eugênio Gall
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Oh, Come, Little Children - fo
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Eugenio Gall
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.932813 By Eugenio Gall. By J.A.P. Schulz (1747-1800). Arranged by Eugênio Gall. Christmas,Praise & Worship,Sacred....
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Full Orchestra - Level 2 - SKU: A0.932813 By Eugenio Gall. By J.A.P. Schulz (1747-1800). Arranged by Eugênio Gall. Christmas,Praise & Worship,Sacred. Score and parts. 33 pages. Eugenio Gall #6494047. Published by Eugenio Gall (A0.932813). This is a prelude for orchestra for use in church services in Christmas time.It can be played by orchestra alone or with congregational participation.
$29.90
So What
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Miles Davis
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Ross Wright
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So What
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Ross Wright Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pag...
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Full Orchestra - Level 4 - SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pages. Ross Wright Music #721371. Published by Ross Wright Music (A0.1120068). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
All Blues
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Coltrane
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Ross Wright
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All Blues
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Ross Wright Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Sc...
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Full Orchestra - Level 4 - SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Score and parts. 80 pages. Ross Wright Music #721849. Published by Ross Wright Music (A0.1120603). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
O Holy Art, Aria for Soprano with Orchestra Accompaniment, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, Aria for Soprano w
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730448 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 40 pages. James Nathaniel Holla...
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Full Orchestra - Level 5 - SKU: A0.730448 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 40 pages. James Nathaniel Holland #3530585. Published by James Nathaniel Holland (A0.730448). The title aria for soprano from the moving one act opera, O Holy Art by American composer James Nathaniel Holland (Words and music). Meets opera contemporary aria in English and 21st century. Optional orchestral accompaniment available. Great showpiece for lyric or dramatic soprano.O Holy Art! If symphony or simple tone,How can I be alone?When what you give is more than kind...Range: C4 to Bb5 (D6 segment optional.)Duration: 7 minutesInstrumentation: picc, fl12,ob12,clBb 12, bsn, hrn 12, tpt, trm, tim, perc (hand cym, ride cym w/mallet, tri. glock., bs drm) pno, voice, stringsYouTube presentation:  https://youtu.be/Oe5R0W0UhKc.
$15.95
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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A
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I. Stravinsky – Serenade
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
Te Deum and Jubilate Deo in D
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Orchestre
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Henry Purcell
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Te Deum and Jubilate Deo in D
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #97801937...
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SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #9780193702875. Published by Oxford University Press Digital (OX.9780193702875). ISBN 9780193702875.For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo. Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. Orchestral material is available on hire/rental. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$11.50
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James ...
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Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
Orchestraining No. 01 [Orchestra]
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Orchestre
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FACILE
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchest
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Juan Maria Solare
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
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Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Rosary Sonatas: The Assumption
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Assumption
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 5 - SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 118 pages. JMJ Arrangements #685833. Published by JMJ Arrangements (A0.1081710). Hear, O daughter, consider, and incline your ear; forget your people and your father’s house; and the king will desire your beauty. Since he is your lord, bow to him; the people of Tyre will sue your favor with gifts, the richest of the people with all kinds of wealth. The princess is decked in her chamber with gold-woven robes; in many-colored robes she is led to the king, with her virgin companions, her escort, in her train. With joy and gladness they are led along as they enter the palace of the king. Instead of your fathers shall be your sons; you will make them princes in all the earth. I will cause your name to be celebrated in all generations; therefore the peoples will praise you for ever and ever.Psalm 45:10-17 (RSV-CE).
$19.99
Himno al Colegio Principe de Asturias
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Orchestre
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FACILE
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Classique
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Adrian Meinhardt
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Himno al Colegio Principe de A
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AdrianMR8
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1422124 Composed by Adrian Meinhardt. Classical. 41 pages. AdrianMR8 #1003469. Published by AdrianMR8 (A0.1422124).
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Full Orchestra - Level 2 - SKU: A0.1422124 Composed by Adrian Meinhardt. Classical. 41 pages. AdrianMR8 #1003469. Published by AdrianMR8 (A0.1422124). This is a hymn that I composed for a school in Latin America, it can be used in solemn events of all kinds.
$9.99
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
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