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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Before war
Non classifié
289
Piano & claviers
Piano seul
158
Piano, Voix
57
Piano, Voix et Guitare
28
Piano Facile
25
Orgue
11
Instruments en Do
6
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Accordéons
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
3
Dulcimer
2
Guitare (partie séparée)
2
Mandoline
1
Piano, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
2 Guitares (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale 3 parties
21
Chorale Unison
13
Chorale TTBB
8
Chorale SSAA
7
Chorale 2 parties
7
Voix haute
4
Voix Alto, Piano
4
Voix seule
2
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix Soprano, Piano
1
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
51
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
17
Flûte traversière et Piano
15
Flûte, Hautbois, Clarinette, Basson
14
Hautbois, Piano (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Quatuor de Clarinettes: 4 clarinettes
13
2 Hautbois (duo)
13
Clarinette
12
Saxophone, Clarinette (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Clarinette et Piano
9
Clarinette, Violon (duo)
9
Saxophone Alto et Piano
9
Quatuor de Flûtes : 4 flûtes
9
Saxophone Tenor et Piano
9
Saxophone (partie séparée)
8
Flûte, Clarinette (duo)
7
Ensemble de Clarinettes
7
Clarinette, Trompette (duo)
6
Flûte et Guitare
6
Flûte, Violon
6
Ensemble de Flûtes
6
Flûte traversière
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
Flûte, Alto (duo)
5
Hautbois, Basson (duo)
5
Flûte, Saxophone (duo)
5
Clarinette Basse, Piano
5
Clarinette et Alto
4
Hautbois (partie séparée)
4
Saxophone Alto
4
Clarinette, Guitare (duo)
4
Quintette de Saxophone: 5 saxophones
4
Hautbois, Clarinette (duo)
4
Ensemble de saxophones
3
Hautbois, Flûte
3
Flûte, Violoncelle
2
Saxophone Soprano et Piano
2
Ensemble De Flûte à bec
2
Flute (partie séparée)
2
Hautbois, Guitare (duo)
2
Saxophone
2
Flûte, Basson et Piano
2
Saxophone Tenor
2
Clarinette, Basson (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle (duo)
1
3 Clarinettes (trio)
1
2 Clarinettes, Piano
1
Flûte traversière, Basse continue
1
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Cor Anglais
1
Quatuor de Flûtes à bec
1
+ 55 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
2 Trombones (duo)
15
2 Trompettes (duo)
12
Trompette
11
Trombone et Piano
10
Tuba et Piano
10
2 Cors (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
2 Tubas (duo)
6
Trompette, Piano
6
Cor anglais, Piano
5
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Cor
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba
3
Quatuor de cuivres: 4 cors
2
Euphonium, Tuba (duo)
2
Quatuor de Cuivres
2
Trombone
2
Cor et Piano
2
Trombone basse et Piano
1
Ensemble de Trombones
1
Ensemble de Cors
1
4 Tubas
1
Cor Anglais
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon et Piano
20
2 Violons (duo)
18
2 Altos (duo)
13
Violon, Violoncelle (duo)
13
Violon
13
Violoncelle, Piano
13
2 Violoncelles (duo)
13
Violoncelle
9
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
8
Harpe
6
Violon, Alto (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
3
Alto seul
3
2 Harpes (duo)
2
Harpe, Voix
2
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Alto et Harpe
1
Alto (partie séparée)
1
Contre Basse
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
185
Orchestre
31
Orchestre à Cordes
25
Ensemble de cuivres
19
Ensemble Jazz
15
Orchestre de chambre
13
Cloches
9
Fanfare
3
Jazz combo
3
Xylophone, Piano
3
Ensemble de Percussions
3
Vibraphone
1
Marimba
1
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
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Vous avez sélectionné:
Before war
Orchestre
Partitions à imprimer
31 partitions trouvées
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1
26
War of Kalinga
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Orchestre
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AVANCÉ
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Suraj Synthesist
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War of Kalinga
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Suraj Synthesist
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.525276 Composed by Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 25 ...
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Full Orchestra - Level 5 - SKU: A0.525276 Composed by Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 25 pages. Suraj Synthesist #135814. Published by Suraj Synthesist (A0.525276). Track number 4, the Instrumental track from the album Consume this album...(Before the ban). This sheet music consists of Vocal solo, the Synth, Harpsichord &Organ Parts , Drop D Guitars & Bass tabs & Clefs, Drums , Flute &Optional 2nd guitar part. Based on Pantuvaralli or Puriya Danashree. Double bass drumming in 11/8 to groovy common time, Call and response/argument-like Conversational leads, Unison parts, Transformation of melodies and Mood without changing modes . A full score of the piece.
$14.99
Live And Let Die
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and...
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Full Orchestra - Level 4 - SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
Sally's Song
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Orchestre
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INTERMÉDIAIRE
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Danny Elfman
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Victor Pesavento
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Sally's Song
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/...
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Full Orchestra - Level 3 - SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/Show. 47 pages. Victor Pesavento #1078880. Published by Victor Pesavento (A0.1503431). Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.Includes optional Accordion and Alto Saxophone parts.Score & Parts (in the original key)FLUTE 1-2ALTO FLUTEOBOEENGLISH HORNBb CLARINET 1-2BASS CLARINETBASSOON 1-2ALTO SAXOPHONE (optional)F HORNS 1-4Bb TRUMPET 1-3TROMBONE 1-2BASS TROMBONETUBAPERCUSSION 1: GlockenspielPERCUSSION 2: Vibraphone, Finger CymbalsHARPCELESTAACCORDION (optional)SOLO VOICEVIOLIN IVIOLIN IIVIOLACELLOCONTRABASSAbout the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$49.99
Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Otto
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Flavio Regis Cunha
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Cla...
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Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391). Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!Advanced IntermediateFormat: 9 x 12 inchesFull Score and Orchestral PartsSize: 32 pagesDuration: 4min.InstrumentationCLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASSNotesBach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.
$49.99
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
E. Satie – Heures Séculaires et Instantanées, 1914
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures S&eacu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
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Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
The Trumpeter - Solo Trumpet and Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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music by J
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Brendan Elliget MAGA 537
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The Trumpeter - Solo Trumpet a
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750972 Composed by music by J. Airlie Dix (d.1911) and lyrics by J. Francis Barron (1870-1940). Arranged by Brendan E...
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Full Orchestra - Level 3 - SKU: A0.750972 Composed by music by J. Airlie Dix (d.1911) and lyrics by J. Francis Barron (1870-1940). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 49 pages. BJE Music #5785183. Published by BJE Music (A0.750972). The Trumpeter is a 1904 song with music by J. Airlie Dix (d.1911) and lyrics by J. Francis Barron (1870-1940) which became a widely popular before, during and after World War I. Also known by the song's opening line and refrain Trumpeter, what are you sounding now? [Wikipedia] This arrangement is for Solo Bb Trumpet and Orchestra in the lower key of F. (Original keys of A and G). There is also an optional Piano part included (not on the score) and an optional part for Euphonium BC/TC.There is also a version with Concert Band and a version for Solo Trumpet and Piano.The MP3 was recorded with NotePerformer 3.Grade = 3 (Solo Trumpet) Duration = 3:10 mins
$25.00
Sanctuary of Peace
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Orchestre
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INTERMÉDIAIRE
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C
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C
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Sanctuary of Peace
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FossPayneMusic
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1128720 By C. Foster Payne. By William Batchelder Bradbury, Slane (trad. Irish), Jean Sibelius. Arranged by C. Foster...
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Full Orchestra - Level 3 - SKU: A0.1128720 By C. Foster Payne. By William Batchelder Bradbury, Slane (trad. Irish), Jean Sibelius. Arranged by C. Foster Payne. Christian,Classical. Score and parts. 80 pages. FossPayneMusic #729280. Published by FossPayneMusic (A0.1128720). A hymn medley of three classics: Jesus Loves Me, Be Thou My Vision, and Be Still, My Soul. This medley starts as a peaceful composition with flowing lines slowly building toward the first hymn, then crescendos toward a victorious finale before ending as it began with an intimate gesture among the woodwinds. An excellent choice for a service opener!
$49.99
Emergence (Score 11x17)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Anne E
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Pu...
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Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Published by Anne E. McKennon (A0.834201). Emergence for Orchestra. SCORE ONLY (11 x 17). Full score - ready to print on 11x17 paper front to back. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Duration: 8.30 (Also available as 8.5 x 14 score)
$55.00
Emergence (Score 8.5x14)
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Orchestre
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Contemporain
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Anne McKennon
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Parts are separate item.
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKe...
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Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKennon (A0.834195). Emergence for Orchestra. SCORE ONLY - Ready to print front to back on legal size (8.5 x 14) paper. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Score also available in 11x17. Duration: 8.30
$55.00
The Way We Were
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Orchestre
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AVANCÉ
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Barbra Streisand
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Fred Barton
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The Way We Were
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Fred Barton Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Cen...
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Full Orchestra - Level 5 - SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Century,Film/TV,Pop,Standards. 81 pages. Fred Barton Music #1017064. Published by Fred Barton Music (A0.1436997). A sweeping, cinematic arrangement for vocal and symphony orchestra. After a mysterioso orchestral introduction, the vocal first chorus rides the major and minor harmonies inherent in the song. An upward modulation brings the repeat of the bridge into a fuller orchestral treatment with more power in the vocal, all leading up to the final shattering climax on the last A section – before descending back into the haunting quality of the opening chorus in the last bars.
$99.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
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Orchestre
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AVANCÉ
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Musique Sacrée
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Edward Miller, Isaac Watts, Wi
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Michael Thomas Andrews
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Crown of Thorns, Crowns of Glo
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Michael Thomas Andrews
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thoma...
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Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestre
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AVANCÉ
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pag...
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Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
Holding Back The Years
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Simply Red
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Kevin Riley
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Holding Back The Years
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts. 30 pages. Kevin...
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Full Orchestra - Level 3 - SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts. 30 pages. Kevin Riley #680701. Published by Kevin Riley (A0.1076562). Holding Back the Years is the seventh track on Simply Red's debut studio album Picture Book (1985). It remains their most successful single, having reached number one on the US Billboard Hot 100 and number two on the UK Singles Chart. It is one of two Simply Red songs (the other being their cover of If You Don't Know Me by Now) to reach number one in the US. It also reached number four on the Adult Contemporary chart. Holding Back the Years had initially been released in the UK the year before, reaching number 51. The song was nominated in the category of Best Pop Performance by a Duo or Group with Vocals at the 29th Annual Grammy Awards.
$60.00
Prière à Notre Dame for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Leon Boellmann
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Suzie Wilkins
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Prière à Notre D
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Suzie Wilkins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and par...
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Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and parts. 89 pages. Suzie Wilkins #3470778. Published by Suzie Wilkins (A0.793080). This beautiful, melodic movement, taken from Léon Boëllmann's famous Suite Gothique for Organ, has finally been arranged for Full Orchestra. The movement opens with a wonderful clarinet solo, accompanied by delicate strings, before gradually building up towards a full orchestral texture. The faster middle section offers a distinct contrast, with exquisite harmonies being brought to the fore by the rich brass section. This arrangement is the ideal concert piece, fully capable of being performed as a stand-alone movement. The other movements will be available soon from the same publisher.Included are both a conductor's score and all the parts, including multiple copies of the string parts to avoid the need for photocopying.Approximate duration: 4 minutes 10 seconds
$20.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
A Dream Deferred - score
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Orchestre
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AVANCÉ
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Contemporain
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Or...
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Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
When there is my mansion by the Sea... Opera On the Wings of the Scarlet Messenger Orchestra Accompa
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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When there is my mansion by th
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. Jame...
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Full Orchestra - Level 5 - SKU: A0.730471 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. James Nathaniel Holland #3872343. Published by James Nathaniel Holland (A0.730471). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Instrumentation: picc, fl12, ob, eh, clBb, bscl, ts, bsn 12, hrn 1234, tpt12, trm, btrm, timp/tri, vocal part, hrp, stringsDuration: 5:15 Range: C4 to C6.
$13.95
Sonata in G (Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Tim Laughlin
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4331
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Sonata in G
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Tim Laughlin
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1131444 Composed by Edward Elgar. Arranged by Tim Laughlin. 19th Century,Classical,Contest,Festival,Historic,Romantic...
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Full Orchestra - Level 4 - SKU: A0.1131444 Composed by Edward Elgar. Arranged by Tim Laughlin. 19th Century,Classical,Contest,Festival,Historic,Romantic Period. Score and Parts. 376 pages. Tim Laughlin #731658. Published by Tim Laughlin (A0.1131444). Edward Elgar's iconic Organ Sonata in G, op. 28, in four movements, arranged for full orchestra. Often performed in its original version as a recital or for special occasions (including for the funeral for Queen Elizabeth II), the stately work is an early example of Elgar's colorful symphonic style, just before having penned his Enigma Variations and later symphonies. | Instrumentation: 3333; 4331; timp+3; strings (min. 22221) | Duration: approx. 22 min. | Level: Advanced Intermediate | Contents: Score and parts.
$59.95
The Star Spangled Banner for Full Orchestra
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Orchestre
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AVANCÉ
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John Stafford Smith
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L
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The Star Spangled Banner for F
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LCH Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1458020 Composed by John Stafford Smith. Arranged by L.C. Harnsberger. Classical,Historic,Holiday,Multicultural,Patri...
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Full Orchestra - Level 5 - SKU: A0.1458020 Composed by John Stafford Smith. Arranged by L.C. Harnsberger. Classical,Historic,Holiday,Multicultural,Patriotic,World. 39 pages. LCH Music #1036992. Published by LCH Music (A0.1458020). Experience the timeless beauty of the United States national anthem like never before with this stunning new orchestral arrangement of The Star-Spangled Banner. Perfect for opening any concert, this stirring instrumental piece invites audiences and choirs to sing along with its vibrant brass fanfares, refreshing instrumentation, subtle new harmonies, and spirited percussion parts. Crafted by award-winning composer and arranger L. C. Harnsberger, this new setting of The Star-Spangled Banner is an essential addition to any performance.A correlating SATB choral arrangement (#14205) is available from your local music retailer and LCHmusic.com.
$59.99
Symphony No. 2 - Finale
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Orchestre
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INTERMÉDIAIRE
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Classique
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Artyfile
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Paul Lorenz
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Symphony No. 2 - Finale
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1366865 By Artyfile. By Gustav Mahler. Arranged by Paul Lorenz. 20th Century,Classical,Film/TV,Praise and Worship,Rom...
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Full Orchestra - Level 3 - SKU: A0.1366865 By Artyfile. By Gustav Mahler. Arranged by Paul Lorenz. 20th Century,Classical,Film/TV,Praise and Worship,Romantic Period. 42 pages. Paul Lorenz #951198. Published by Paul Lorenz (A0.1366865). Paul Lorenz's Majestic Arrangement of Mahler's Symphony No. 2 Finale Rediscovering a Masterpiece: The Finale of Mahler's Symphony No. 2 Experience the grandeur of Gustav Mahler's Symphony No. 2 like never before with Paul Lorenz specially arranged concert version. Meticulously crafted for orchestras, soloists, and choirs, this edition brings the awe-inspiring 'Resurrection Symphony' to a wider audience. Its adaptability makes it perfect for a diverse range of ensembles, from full orchestras to chamber groups, ensuring that the magnificence of this monumental work is accessible to all. Elevating Performance Standards Paul Lorenz's expert arrangement encapsulates the essence of Mahler's vision, offering an exquisite balance between authenticity and practicality. The orchestration includes flutes, oboes, clarinets, horns, trumpets, trombones, timpani, organ, strings, and a four-part choir, creating a rich tapestry of sound. This version is ideal for smaller ensembles seeking to perform a large-scale work without compromising on quality. It's a testament to the timeless appeal of Mahler's symphony and a tribute to the innovative spirit of Paul Lorenz Music. A Symphony for the Ages The 'Resurrection Symphony' is renowned for its profound emotional depth and complexity. This arrangement not only encapsulates the essence of Mahler's masterpiece but also aligns with the contemporary cinematic narrative, as seen in the award-winning film 'Maestro' featuring Bradley Cooper as Leonard Bernstein. Paul Lorenz Music's version honors this legacy, providing musicians and audiences alike with an unforgettable experience. This arrangement is not just a score; it's an opportunity to connect with one of the greatest musical works of all time, brought to life through a contemporary lens. Find More About Paul Lorenz Music: - Homepage- Instagram- Facebook- YouTube
$156.00
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