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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Begin to Ring
Non classifié
2 764
Piano & claviers
Piano Facile
1 694
Piano seul
910
Piano, Voix
800
Instruments en Do
329
Piano grosses notes
180
Accompagnement Piano
135
Piano, Voix et Guitare
89
Piano Trio: piano, violon, violoncelle
67
Orgue
58
1 Piano, 4 mains
41
2 Pianos, 4 mains
31
Piano Quatuor: piano, violon, alto, violoncelle
19
Accordéon
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
2
Accordéon, Voix
1
Clavier
1
2 Accordéons
1
Ligne De Mélodie, Piano
1
+ 16 instrumentations
Retracter
Guitares
Guitare
180
Guitare notes et tablatures
156
Basse electrique
49
Ukulele
48
Ligne De Mélodie, (Paroles) et Accords
33
Banjo
18
2 Guitares (duo)
15
Dulcimer
7
Mandoline
6
Guitare (partie séparée)
6
Ensemble de guitares
5
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
3
3 Guitares (trio)
3
2 Ukuleles
2
Dobro
1
Luth
1
Guitare Pedal Steel
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
258
Chorale 3 parties
133
Chorale 2 parties
103
Voix Soprano, Piano
61
Voix Tenor, Piano
56
Voix Alto, Piano
53
Chorale Unison
46
Voix Baryton, Piano
45
Chorale TTBB
31
Chorale SSAA
28
Voix duo, Piano
10
Voix seule
5
Voix haute
4
Chorale SSATBB
2
Voix, Guitare
1
Voix duo
1
Chorale
1
Chorale SSATB
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
255
Hautbois, Piano (duo)
246
Clarinette et Piano
238
2 Saxophones (duo)
237
Clarinette
236
Flûte traversière
219
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
188
Saxophone Alto et Piano
186
Quatuor de Saxophones: 4 saxophones
185
Flûte, Hautbois, Clarinette, Basson
170
Quintette de Saxophone: 5 saxophones
163
Saxophone Tenor et Piano
129
Saxophone Alto
127
Saxophone Soprano et Piano
107
Hautbois (partie séparée)
98
Saxophone Baryton, Piano
97
Saxophone (partie séparée)
96
2 Clarinettes (duo)
91
Saxophone Tenor
91
Hautbois
79
2 Flûtes traversières (duo)
77
Saxophone
72
3 Saxophones (trio)
67
2 Hautbois (duo)
60
Hautbois, Basson (duo)
48
Flûte, Clarinette (duo)
46
2 Flûte à bec (duo)
43
Saxophone Baryton
41
Saxophone Soprano
39
Clarinette, Basson (duo)
36
Cor anglais, Piano
33
Quatuor de Clarinettes: 4 clarinettes
33
Hautbois, Clarinette (duo)
32
Flûte, Violoncelle
29
Flûte à bec Soprano
27
Clarinette Basse, Piano
26
Clarinette, Violoncelle (duo)
25
Hautbois, Violoncelle
25
Flûte à Bec
25
Ensemble de Clarinettes
23
Cor Anglais
23
Clarinette, Violon (duo)
21
Trio de Flûtes: 3 flûtes
21
Quatuor de Flûtes : 4 flûtes
19
Flûte, Hautbois (duo)
19
Quatuor de Flûtes à bec
18
Flûte, Clarinette et Basson
17
Flûte à bec Alto
17
3 Clarinettes (trio)
17
Quintette de Flûte : 5 flûtes
16
Ensemble de saxophones
16
Flûte, Alto (duo)
15
Clarinette et Alto
14
Flûte, Violon
14
Hautbois et alto (duo)
13
Hautbois, violon (duo)
13
Flûte, Trombone (duo)
13
Flûte, Hautbois, Basson
12
Flûte, Hautbois, Clarinette (trio)
12
Ensemble de Flûtes
11
3 Flûtes à bec (trio)
10
Flûte, Hautbois, Piano (trio)
10
Clarinette (partie séparée)
10
Flûte, Violon, Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
7
Quintette de Clarinettes: 5 clarinettes
7
Piccolo, Piano
6
Hautbois, Flûte
6
Clarinette Basse
6
Ensemble De Flûte à bec
5
Flute (partie séparée)
5
5 Flûtes à bec
5
Flûte, Basson et Piano
5
Clarinette, Contrebasse (duo)
4
Clarinette, Tuba
4
Clarinette, Trombone (duo)
4
Flûte irlandaise
4
Clarinette, Violoncelle, Piano (trio)
4
4 Hautbois
4
Clarinette, Basson, Piano (trio)
4
Flûte, Alto et Piano
4
Harmonica
4
Clarinette, Alto et Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, trombone (duo)
4
Flûte, Clarinette, Piano (trio)
3
Hautbois, Violoncelle et Piano
3
Flûte à bec Alto, Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Basson et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Tenor
2
Clarinette, Trompette (duo)
2
Hautbois, Trompette (duo)
2
2 Flûtes traversières, Piano
2
2 Saxophones, Piano
2
Flûte à bec Soprano, Piano
2
3 Hautbois
2
Flûte et Guitare
2
Ensemble de Hautbois
2
Flûte, Tuba (duo)
2
Flûte, Trompette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble à vent
1
2 Clarinettes, Piano
1
2 Hautbois, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Piccolo
1
Flûte à Bec, Piano
1
Hautbois, Violon, Piano
1
+ 109 instrumentations
Retracter
Cuivres
Trompette, Piano
219
Trompette
211
Trombone et Piano
205
Cor et Piano
187
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
176
Trombone
154
Cor
138
Tuba et Piano
128
Tuba
117
Quatuor de Cuivres
94
2 Trombones (duo)
92
2 Trompettes (duo)
68
2 Cors (duo)
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trompette, Trombone (duo)
42
Trompette (partie séparée)
35
Cor anglais, Piano
33
Trombone (partie séparée)
28
2 Tubas (duo)
28
Cor Anglais
23
Euphonium, Piano (duo)
21
Trompette, Cor (duo)
20
Tuba et Orgue
20
Quatuor de cuivres: 4 trombones
17
Quatuor de cuivres: 4 trompettes
15
Quatuor de cuivres: 4 cors
14
Ensemble de Trompettes
13
3 Trombones (trio)
12
Trombone, Cor (duo)
12
Ensemble de Trombones
12
Cor, Violoncelle (duo)
11
Euphonium
10
2 Euphoniums (duo)
9
3 Tubas (trio)
9
Cor (partie séparée)
9
Trompette, Tuba (duo)
9
Trombone, Tuba (duo)
8
Ensemble de Cors
7
4 Tubas
7
Trompette, Basson (duo)
7
Cor et Basson (duo)
7
Trompette, Violoncelle (duo)
5
Trombone basse et Piano
5
Cor, Tuba (duo)
5
Tuba (partie séparée)
5
Trombone basse
4
3 Cors (trio)
4
Trompette, Trombone, Piano
4
3 Trompettes (trio)
3
Euphonium, Tuba (duo)
3
Trio de Cuivres
3
2 Euphoniums et 2 Tubas
2
Trombone, Violon (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
4 Euphoniums
1
Trompette, violon (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
731
Violon et Piano
360
Violon
292
Violoncelle, Piano
273
Violoncelle
258
Alto, Piano
250
Contrebasse, Piano (duo)
234
Contre Basse
232
Quintette à cordes: 2 violons, alto, violoncelle, basse
203
Alto seul
177
Harpe
171
Violon, Violoncelle (duo)
128
Trio à Cordes: violon, alto, violoncelle
123
2 Violons (duo)
111
2 Violoncelles (duo)
90
2 Altos (duo)
75
4 Violoncelles
52
Violon, Alto (duo)
50
Violon (partie séparée)
48
Alto, Violoncelle (duo)
44
Trio à Cordes: 2 violons, violoncelle
43
Trio à cordes: 3 violins
43
Contrebasse (partie séparée)
41
Alto (partie séparée)
37
Trio à Cordes: 3 violoncelles
31
Violon, Basson (duo)
30
2 Contrebasses (duo)
29
Trio à cordes: 3 altos
22
Quatuor à cordes: 4 violons
19
Quatuor à cordes : 4 altos
19
Violoncelle, Contrebasse (duo)
19
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
11
Alto et Basson
10
Trio à Cordes: 2 violons, alto
10
Violoncelle (partie séparée)
9
Violon, Clarinette, Piano (trio)
6
2 Harpes (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Flûte, Contrebasse (duo)
5
Ensemble de Violons
4
2 Violons, Piano
4
Harpe, Flûte (duo)
3
Violoncelle, Basse continue
2
Ensemble d'Altos
2
4 Harpes
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
2
Violoncelle , Guitare (duo)
2
3 Contrebasses
2
Violon, Violoncelle, Clarinette
2
Violon, Tuba (duo)
2
Harpe, Violoncelle (duo)
1
2 Altos, Piano
1
Harpe, Violon (duo)
1
Trio à cordes
1
4 Contrebasses
1
Autoharp
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
819
Orchestre à Cordes
499
Cloches
189
Orchestre
147
Orchestre de chambre
62
Ensemble Jazz
42
Batterie
32
Marimba
28
Ensemble de cuivres
22
Xylophone, Piano
19
Xylophone
17
Ensemble de Percussions
14
Percussion (partie séparée)
10
Fanfare
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Percussion
6
2 Xylophones
3
Batterie (partie séparée)
3
Caisse Claire
2
Jazz combo
1
Bongos
1
Instrumentation Flexible
1
Vibraphone
1
2 Caisses Claires (duo)
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
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ALTO
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FORMATION M…
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HARPE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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style (tous)
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METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Crtitères actifs :
Begin to Ring
Orchestre
Partitions à imprimer
147 partitions trouvées
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126
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
#
Sy Brandon
#
Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
#
AVANCÉ
#
Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Ode to Joy for Beginner and Advanced String Orchestra
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Orchestre
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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David Burndrett
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Ode to Joy for Beginner and Ad
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David Burndrett
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.559177 Composed by Ludwig van Beethoven. Arranged by David Burndrett. Classical. Score and parts. 15 pages. David ...
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Chamber Orchestra - Level 1 - SKU: A0.559177 Composed by Ludwig van Beethoven. Arranged by David Burndrett. Classical. Score and parts. 15 pages. David Burndrett #6369889. Published by David Burndrett (A0.559177). This arrangement Ode To Joy, is for easy (open strings part B) and more advanced strings, so that every player from beginner to grade eight can take part.I have added a violin three part, which is the same as the viola part, if you do not have any viola players. I have also added an optional piano part. Download includes the score and all of the parts.
$8.95
It's Beginning To Look Like Christmas
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Orchestre
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AVANCÉ
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Noël
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Meredith Willson
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Daryl McKenzie
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It's Beginning To Look Like Ch
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.718703 Composed by Meredith Willson. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 66 pages. Daryl ...
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Full Orchestra - Level 5 - SKU: A0.718703 Composed by Meredith Willson. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 66 pages. Daryl McKenzie #6517901. Published by Daryl McKenzie (A0.718703). Arranged in the style of Natalie Cole (based on Alan Broadbent's Orchestral version) for Vocal with Big Band and Strings (Pops Orchestra) (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Keyboard, Guitar, Bass, Drums, Percussion, Vln1, Vln 2, Vla, Vcl, CB) Key of Eb to F
$99.99
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Joy to the World
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lowell Mason
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Yury Ilinov
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Joy to the World
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Yury Ilinov
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.995829 Composed by Lowell Mason. Arranged by Yury Ilinov. Christmas. Score and parts. 25 pages. Yury Ilinov #4983551....
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Full Orchestra - Level 4 - SKU: A0.995829 Composed by Lowell Mason. Arranged by Yury Ilinov. Christmas. Score and parts. 25 pages. Yury Ilinov #4983551. Published by Yury Ilinov (A0.995829). We used to begin this song with the brass being in the small loge above the auditorium. Was quite an effective start of the concert.Instrumentation: 2.2.2.2 2.2.1(or tba).0 Organ ad lib. Strings
$15.00
Telemann Concerto in E minor for 2 violins, Allegro (Junior Strings)
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Orchestre
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INTERMÉDIAIRE
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Georg Philipp Telemann
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Pam Moutoussi
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Telemann Concerto in E minor f
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Pamela Moutoussi
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.847028 Composed by Georg Philipp Telemann. Arranged by Pam Moutoussi. Baroque,World. Score and parts. 21 pages. Pamel...
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Full Orchestra - Level 3 - SKU: A0.847028 Composed by Georg Philipp Telemann. Arranged by Pam Moutoussi. Baroque,World. Score and parts. 21 pages. Pamela Moutoussi #3380601. Published by Pamela Moutoussi (A0.847028). This short Double violin Concerto will show off your more able players whilst including all your school group, even beginners. The 2 solo parts are about grade 5 ABRSM level but the orchestra is more inclusive, with added beginner parts. This very short movement is suitable for any age group and is easy to put together as everyone has the same rests to count! Here is is complete, my arrangement is just the 2nd movement. https://www.youtube.com/watch?v=Bnqc00AM5PY
$8.00
Variations on Joy to the World - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jake Rogus
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Jake Rogus
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Variations on Joy to the World
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Jake Rogus
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #...
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Full Orchestra - Level 4 - SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #850938. Published by Jake Rogus (A0.1257711). Variations on Joy to the World is an arrangement of Joy to the World for symphony orchestra. The piece starts off with a hoe down featuring a trumpet, oboe, sleigh bells, wood block, and slapstick. Then the fun and games abruptly end, leading to a slower, more calm style. The slow section of this piece features a clarinet solo and the bassoons and contrabassoon. This builds for some time before arriving at a chord, then silence. The violins play a fragmented version of the melody, modulating to a minor key. The scherzo begins. Filled with brassy melodies and woodwind flurries, this ending is exciting! But, not before the flute pokes fun at the orchestra at the end...
$24.99
Jurassic Park Iii (beginning End Credits)
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Orchestre
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INTERMÉDIAIRE
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Donald Davis
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César Madeira
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Jurassic Park Iii
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Sheet Music To Play Editions
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1238238 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Chamber,Contemporary,Film/TV,Multicultur...
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Full Orchestra - Level 3 - SKU: A0.1238238 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Chamber,Contemporary,Film/TV,Multicultural,World. Score and Parts. 89 pages. Sheet Music To Play Editions #833712. Published by Sheet Music To Play Editions (A0.1238238). Jurassic Park (Beginning - End Credits). Arrangement for Full Orchestra. With Full Score and Individual Parts. Enjoy it!Instrumentation: Piccolo, Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bb Bass Clarinet, Bassoon 1, 2, Contrabassoon, French Horn 1, 2, 3, 4, Bb Trumpet 1, 2, 3, Trombone 1, 2, 3, Tuba, Timpani, Glockenspiel, Triangle, Cymbal, Piano, Harp and StringsFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$79.99
Jurassic Park Iii (beginning End Credits)
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Orchestre
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INTERMÉDIAIRE
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Donald Davis
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César Madeira
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Jurassic Park Iii
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Sheet Music To Play Editions
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1238241 Composed by Donald Davis. Arranged by César Madeira. Children,Classical,Contemporary,Film/TV,Multicultural...
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Full Orchestra - Level 3 - SKU: A0.1238241 Composed by Donald Davis. Arranged by César Madeira. Children,Classical,Contemporary,Film/TV,Multicultural,World. Score and Parts. 71 pages. Sheet Music To Play Editions #833715. Published by Sheet Music To Play Editions (A0.1238241). Jurassic Park (Beginning - End Credits). Arrangement for Full Orchestra. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Instrumentation: Piccolo, Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bb Bass Clarinet, Bassoon 1, 2, Contrabassoon, French Horn 1, 2, 3, 4, Bb Trumpet 1, 2, 3, Trombone 1, 2, 3, Tuba, Timpani, Glockenspiel, Triangle, Cymbal, Piano, Harp and StringsFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$59.99
Jurassic Park Iii (beginning End Credits) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Donald Davis
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César Madeira
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Jurassic Park Iii
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Sheet Music To Play Editions
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1238242 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Classical,Contemporary,Film/TV,Multicult...
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Full Orchestra - Level 3 - SKU: A0.1238242 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Classical,Contemporary,Film/TV,Multicultural,World. 21 pages. Sheet Music To Play Editions #833716. Published by Sheet Music To Play Editions (A0.1238242). Jurassic Park (Beginning - End Credits). Arrangement for Full Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Instrumentation: Piccolo, Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bb Bass Clarinet, Bassoon 1, 2, Contrabassoon, French Horn 1, 2, 3, 4, Bb Trumpet 1, 2, 3, Trombone 1, 2, 3, Tuba, Timpani, Glockenspiel, Triangle, Cymbal, Piano, Harp and StringsFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$59.99
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
Praise to the Lord, the Almighty
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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German Hymn
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David Winkler
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Praise to the Lord, the Almigh
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www.DavidWinkler.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742860 Composed by German Hymn. Arranged by David Winkler. Christian,Praise & Worship,Sacred. Score and parts. 53 pag...
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Full Orchestra - Level 3 - SKU: A0.742860 Composed by German Hymn. Arranged by David Winkler. Christian,Praise & Worship,Sacred. Score and parts. 53 pages. Www.DavidWinkler.com #6348851. Published by www.DavidWinkler.com (A0.742860). Upbeat arrangement of a great old hymn. Begins with a harp solo (optional electronic keyboard, piano or guitar). Then the strings have the melody (cued in clarinet), then the woodwinds, and finally the brass take over for a big ending. The demo recording is available from Sheet Music Plus. Digital stems are available at www.DavidWinkler.com.
$79.95
In the beginning
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Orchestre
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INTERMÉDIAIRE
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Luis Diego Piedra
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In the beginning
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Piedra Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Pie...
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Full Orchestra - Level 3 - SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Piedra Music (A0.1343380). This piece was composed in 2023 to be premiered during Christmas at Valpo, at Valparaiso University. It is a musical representation of the world in chaos without God, and then towards the middle and end the music changes, as if the heavens open up and we are being shown the light of Christ. At the end we hear the arrival of a baby -Jesus-.
$20.00
Baroque Menuet for School String Orchestra and 3 violins
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Orchestre
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FACILE
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Classique
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Olly Radko
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Baroque Menuet for School Stri
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Olexiy Radko
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1029483 Composed by Olly Radko. Baroque. Score and parts. 41 pages. Olexiy Radko #5989839. Published by Olexiy Radko ...
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Full Orchestra - Level 2 - SKU: A0.1029483 Composed by Olly Radko. Baroque. Score and parts. 41 pages. Olexiy Radko #5989839. Published by Olexiy Radko (A0.1029483). A perfect thing to impress listeners and musicians. As Baroque masterpieces are quite difficult for playing in Schools, this is the brilliant case to imitate full Italian Baroque Style for beginners and early intermediate level musicians. There're 3 solo violinists so they can make a real playing competition (as their parts are equally difficult). There's a large cadenza without Tutti where they soloists can show all their skills.PDF of every orchestra part are available: 3 soloists, harpsichord (or simply piano), Violins 1 and 2, Violas, Cellos, and Basses.
$19.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Into the Depths - Instrumental Parts
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Orchestre
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INTERMÉDIAIRE
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Christian Jesse
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Into the Depths - Instrumental
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #66689...
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Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00
Into the Depths - Conductor's Score - Score Only
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Orchestre
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INTERMÉDIAIRE
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Christian James Jesse
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Into the Depths - Conductor's
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #...
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Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #6668901. Published by Christian James Jesse (A0.940130). You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-MooreScoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings
$20.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Winter's End
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INTERMÉDIAIRE/AVANCÉ
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Stephen Lines
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Winter's End
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.957758 Composed by Stephen Lines. Children,Contemporary,World. Score and parts. 38 pages. Stephen Lines #26113. Publi...
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Full Orchestra - Level 4 - SKU: A0.957758 Composed by Stephen Lines. Children,Contemporary,World. Score and parts. 38 pages. Stephen Lines #26113. Published by Stephen Lines (A0.957758). From below, uncertain rustlings can be discerned as creatures hairy, smooth or scaled begin to awaken from their long winter hibernation. But the last of the great winter storms approaches so they lie abed a little while longer. Then, at last watery sunshine brings warmth and the bleary eyed creatures begin to emerge - anticipating the pleasures of their annual renewal of life. There follows a bachanalia - then peace reigns.
$38.50
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