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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being
Non classifié
2 135
Piano & claviers
Piano seul
950
Piano, Voix
366
Piano Facile
316
Piano, Voix et Guitare
269
Instruments en Do
244
Orgue
72
1 Piano, 4 mains
40
Accompagnement Piano
20
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
6
Piano grosses notes
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Piano (partie séparée)
2
Ligne De Mélodie, Piano
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
77
Guitare notes et tablatures
73
Ukulele
25
Basse electrique
20
Paroles et Accords
20
4 Guitares (Quatuor)
11
Banjo
7
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Mandoline
4
Guitare (partie séparée)
3
Ensemble de guitares
3
Ensemble de Ukulélés
1
Cithare
1
Mandoline, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
480
Chorale 3 parties
186
Chorale TTBB
94
Chorale 2 parties
82
Chorale SSAA
64
Chorale Unison
44
Voix duo, Piano
30
Voix Soprano, Piano
17
Voix haute
16
Pack Instrumental pour Chorale
15
Voix seule
10
Voix Alto, Piano
9
Voix duo
8
Voix Tenor, Piano
7
Voix Baryton, Piano
4
Voix basse, Piano
4
Chorale
4
Chorale SSAATTBB
4
Chorale SSAB, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Chorale SSATB
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
204
Quintette de Saxophone: 5 saxophones
169
Quatuor de Saxophones: 4 saxophones
139
Flûte, Hautbois, Clarinette, Basson
133
Flûte traversière et Piano
126
Clarinette et Piano
94
Saxophone Alto
82
Hautbois, Piano (duo)
79
2 Saxophones (duo)
78
Ensemble de saxophones
69
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Alto et Piano
68
Flûte traversière
63
Clarinette
59
Ensemble de Clarinettes
45
Saxophone Tenor
41
Saxophone Tenor et Piano
38
Saxophone (partie séparée)
36
Saxophone Soprano et Piano
35
2 Flûtes traversières (duo)
34
2 Clarinettes (duo)
32
Hautbois (partie séparée)
31
Quatuor de Flûtes : 4 flûtes
30
3 Saxophones (trio)
29
Saxophone Baryton, Piano
28
2 Flûtes traversières, Piano
27
Quatuor de Flûtes à bec
27
Quintette de Flûte : 5 flûtes
27
Ensemble de Flûtes
21
3 Clarinettes (trio)
21
Quintette de Clarinettes: 5 clarinettes
20
Hautbois
19
Saxophone
18
Cor anglais, Piano
18
2 Flûte à bec (duo)
17
Flûte et Guitare
17
5 Flûtes à bec
16
Flûte, Clarinette (duo)
15
Trio de Flûtes: 3 flûtes
14
2 Hautbois (duo)
13
Hautbois, Flûte
11
Flûte, Trombone (duo)
10
Saxophone Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Basson (duo)
9
Saxophone, Clarinette (duo)
9
Flute (partie séparée)
9
Clarinette Basse, Piano
8
Flûte, Hautbois, Basson
8
Saxophone Baryton
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Cor Anglais
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Soprano
7
Flûte à Bec
6
Hautbois, Basson (duo)
6
Clarinette, Guitare (duo)
6
Clarinette et Alto
5
Clarinette, Trompette (duo)
5
Clarinette Basse
5
Flûte, Violon
5
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle, Piano (trio)
4
Ensemble De Flûte à bec
4
Flûte et Trio à cordes
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Ensemble à vent
2
Flûte, Violoncelle
2
4 Hautbois
2
Flûte, Hautbois (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Ocarina
2
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
Harmonica
1
3 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flute, harpe et violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson et Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
248
Quatuor de Cuivres : 2 trompettes, trombone, tuba
124
Ensemble de Trompettes
112
Trompette, Piano
71
Trompette
69
Trombone et Piano
61
Trombone
49
Cor et Piano
46
Ensemble de Trombones
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor
38
Tuba
38
Tuba et Piano
37
Quatuor de Cuivres
22
Ensemble de Cors
20
Cor anglais, Piano
18
2 Trompettes (duo)
18
Quatuor de cuivres: 4 trombones
17
Trompette (partie séparée)
17
Euphonium, Piano (duo)
15
2 Trombones (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 4 cors
10
4 Tubas
9
2 Cors (duo)
9
Trompette, Trombone (duo)
8
Euphonium
8
Trompette, Cor (duo)
7
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
Trompette, Saxophone (duo)
6
Tuba et Orgue
5
Trio de Cuivres
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
Cor (partie séparée)
2
3 Cors (trio)
2
Trombone, Orgue
2
Cor et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Trombone basse
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon et Piano
134
Violon
117
Violoncelle, Piano
96
Violoncelle
82
Alto, Piano
79
Trio à Cordes: violon, alto, violoncelle
70
Alto seul
52
Violon, Violoncelle (duo)
37
Violon, Alto (duo)
32
Contrebasse, Piano (duo)
32
Harpe
32
2 Violons (duo)
28
Contre Basse
26
2 Violoncelles (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Altos (duo)
18
Trio à Cordes: 2 violons, violoncelle
16
4 Violoncelles
16
2 Harpes (duo)
15
Ensemble de Violons
14
Ensemble d'Altos
12
Alto, Violoncelle (duo)
11
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
11
Alto (partie séparée)
11
Trio à Cordes: 3 violoncelles
9
Trio à cordes: 3 altos
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
6
Quatuor à cordes : 4 altos
6
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
Harpe, Quatuor à cordes
3
Violon, Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Basson (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
2
Harpe et Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Alto et Basson
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
562
Orchestre
130
Orchestre à Cordes
129
Ensemble de cuivres
99
Ensemble Jazz
80
Orchestre de chambre
59
Cloches
41
Jazz combo
31
Marimba
20
Batterie
14
Ensemble de Percussions
13
Fanfare
11
Percussion (partie séparée)
6
Ensemble d'École
4
Xylophone, Piano
4
Orchestre, Violon
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Being
Orchestre
Partitions à imprimer
130 partitions trouvées
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126
Almost Like Being In Love
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
David Brooks And Marion Bell
#
Matt Amy
#
Almost Like Being In Love
#
Matt Amy Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1414223 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Matt Amy. Broadway,Conte...
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Full Orchestra - Level 4 - SKU: A0.1414223 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 79 pages. Matt Amy Music #995997. Published by Matt Amy Music (A0.1414223). Key: E - A majorBPM: 172Style: Colla Voce - SwingDuration: 2:23“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Almost Like Being in Love (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Drums- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Almost Like Being In Love
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
David Brooks And Marion Bell
#
Patrick Sheehan
#
Almost Like Being In Love
#
Patrick Sheehan
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1490711 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Patrick Sheehan. Broadwa...
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Full Orchestra - Level 4 - SKU: A0.1490711 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Patrick Sheehan. Broadway,Film/TV,Musical/Show. 53 pages. Patrick Sheehan #1067521. Published by Patrick Sheehan (A0.1490711). Transcribed and arranged for male-female duet and orchestra.INSTRUMENTATION: Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Soprano, Baritone, Piano, Glockenspiel, Vibraphone, Chimes, Timpani, Drumset, Violin I, Violin II, Viola, Violoncello, Contrabass.
$50.00
Almost Like Being In Love
#
Orchestre
#
AVANCÉ
#
Gene Kelly
#
David Itkin
#
Almost Like Being In Love
#
DCI Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1460119 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by David Itkin. Broadway,Musical/Show,Pop. 50...
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Full Orchestra - Level 5 - SKU: A0.1460119 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by David Itkin. Broadway,Musical/Show,Pop. 50 pages. DCI Music #1039059. Published by DCI Music (A0.1460119). Vocal DUET (f/m) with full orchestra.
$49.99
Thank You For Being A Friend
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Gold
#
Noah Green
#
Thank You For Being A Friend
#
Noah Green
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1307542 By Andrew Gold. By Andrew Gold. Arranged by Noah Green. Film/TV,Pop,Singer/Songwriter. Score and Parts. 100 p...
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Full Orchestra - Level 4 - SKU: A0.1307542 By Andrew Gold. By Andrew Gold. Arranged by Noah Green. Film/TV,Pop,Singer/Songwriter. Score and Parts. 100 pages. Noah Green #896808. Published by Noah Green (A0.1307542). This orchestration of the theme song from the classic T.V. hit The Golden Girls is sure to have audiences on their feet. Optional chorus part.
$49.99
Celtiberian Landscape For Harp And Orquestra
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Orchestre
#
FACILE
#
Luis Anjos Teixeira
#
Celtiberian Landscape For Harp
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Luis Anjos Teixeira
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
RAGING FURIES - Goettinnen der Rache
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rainer Fabich Orchestra
#
Rainer Fabich
#
RAGING FURIES - Goettinnen der
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Fajora Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Speechless
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Naomi Scott
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Felix Linsmeier
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Speechless
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadw...
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Full Orchestra - Level 4 - SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 37 pages. Felix Linsmeier #1042209. Published by Felix Linsmeier (A0.1463485). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!These are the instrumental parts only, purchase the full score here:.
$49.99
Speechless - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Naomi Scott
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Felix Linsmeier
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Speechless - Score Only
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadw...
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Full Orchestra - Level 4 - SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 16 pages. Felix Linsmeier #1042200. Published by Felix Linsmeier (A0.1463479). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!This is the score only, purchase the parts here:.
$29.99
Family Fugue
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Publis...
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Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Revo
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Kevin Riley
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Gekijouban Shingeki No Kyojin
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1437916 Composed by Revo. Arranged by Kevin Riley. 20th Century,Film/TV,Video Game. 90 pages. Kevin Riley #1017982. P...
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Full Orchestra - Level 4 - SKU: A0.1437916 Composed by Revo. Arranged by Kevin Riley. 20th Century,Film/TV,Video Game. 90 pages. Kevin Riley #1017982. Published by Kevin Riley (A0.1437916). Guren no Yumiya (Japanese: 紅蓮の弓矢, lit. Crimson Bow and Arrow) is one of two songs created by the Japanese band Linked Horizon for the double A-side track of their three-track single Jiyū e no Shingeki. The full version of the song was released by Pony Canyon on 10 July 2013, and would be most notable for its use as the first intro to the anime Attack on Titan.The song was the first anime theme the band Linked Horizon would create, being composed using a blend of musical genres as well as Japanese and German language lyrics. Since first being used in the anime, the song has had multiple musical artists perform cover versions of the song, and has been played most notably at the 64th NHK Kōhaku Uta Gassen and during major sporting events in Japan, including at the 2020 Summer Olympics. The song would reach the number one spot on the Billboard Japan Hot 100 and Hot Animation charts upon its debut, and would receive four awards for its melody and animation by the end of 2013. In May 2014, Guren no Yumiya earned a RIAJ 2x Platinum certification for half a million sales.This arrangement requires a large orchestra.
$90.00
Prière à Notre Dame for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Leon Boellmann
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Suzie Wilkins
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Prière à Notre D
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Suzie Wilkins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and par...
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Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and parts. 89 pages. Suzie Wilkins #3470778. Published by Suzie Wilkins (A0.793080). This beautiful, melodic movement, taken from Léon Boëllmann's famous Suite Gothique for Organ, has finally been arranged for Full Orchestra. The movement opens with a wonderful clarinet solo, accompanied by delicate strings, before gradually building up towards a full orchestral texture. The faster middle section offers a distinct contrast, with exquisite harmonies being brought to the fore by the rich brass section. This arrangement is the ideal concert piece, fully capable of being performed as a stand-alone movement. The other movements will be available soon from the same publisher.Included are both a conductor's score and all the parts, including multiple copies of the string parts to avoid the need for photocopying.Approximate duration: 4 minutes 10 seconds
$20.00
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Restaurador / Renovator "
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Alicia Dominguez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Clas...
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Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
$25.00
"Premonitions" for large orchestra
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Orchestre
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AVANCÉ
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Panagiotis Theodossiou
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"Premonitions" for l
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis The...
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Full Orchestra - Level 5 - SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)
$60.00
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Goblins
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Orchestre
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INTERMÉDIAIRE
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Halloween
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Kathryn Ellis
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Goblins
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Ellis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.885234 Composed by Kathryn Ellis. Contemporary,Halloween. Score and parts. 37 pages. Ellis #6400803. Published by Ell...
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Full Orchestra - Level 3 - SKU: A0.885234 Composed by Kathryn Ellis. Contemporary,Halloween. Score and parts. 37 pages. Ellis #6400803. Published by Ellis (A0.885234). Goblins for orchestra is a whimsical piece about an unusual event, a Goblin Ball. A four measure motif opens Mvt I depicting the invitation to the Ball being passed along. The invitation gains momentum as it is passed along and excitement grows. Mvt II is the Goblin Waltz, which incorporates an orchestra hit to signify an accidental crash on the dance floor, and ends with the dancers all sliding to the floor with the last note being struck by a triangle. Mvt III, Finale - is The party's Over piece, with a mix and mingling of all the motifs, as the party goers return home to their caves, happy and exhausted. .
$29.99
Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. P...
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Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. Published by R. E. Proctor (A0.809809). Dance Suite for Orchestra is, as the title suggests, a suite of Renaissance period dances, seven in all. The music is a nostalgic look back with modern nuances. The dances are: Allemande, Bourree, Galliard, Gigue, Pavane, Saltarello, and Sarabande. Not based on any particular Renaissance composer’s work, simply an echo of music of that time. Although it is written for full orchestra, not all instruments are used in every movement. As in the Renaissance, each dance movement can be played separately, or, a few dances performed together without the entire suite being performed. As such, this work is being offered as the complete suite and as individual movements. The entire work is approximately 20 minutes and 4 seconds in length.
$29.95
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Thunderbirds - Score Only
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Orchestre
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AVANCÉ
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Barry Gray
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Chris Siddall
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Thunderbirds - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #108968...
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Full Orchestra - Level 5 - SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #1089680. Published by Chris Siddall Music Publishing (A0.1515188). 30th September 1965 saw the first airing of creator Gerry Anderson’s iconic Supermarionation” series Thunderbirds. Set in the 2060s, the series follows the exploits of International Rescue, an organisation that uses technologically-advanced rescue vehicles to save human life. The series was notable for using marionette puppets but being filmed in the style of a feature film, incorporating dynamic shooting and lighting, and three-dimensional sets and extensive use of model miniatures. Special effects were directed by Derek Meddings, who later became known for his work on the James Bond (from Live and Let Die to GoldenEye), Superman and Batman (1989) movies. During his time working on Thunderbirds and Gerry Anderson’s other Supermarionation series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry.Having collaborated with Anderson on six previous TV series, composer Barry Gray was the obvious choice to provide music for Thunderbirds. Employing a large orchestra which dwarfed other TV productions of the time, he made extensive use of leitmotif, which each of the Thunderbird machines having its own theme, as well as notable characters such as Lady Penelope and the Tracy family’s arch nemesis The Hood.Now musicians, music students, conductors – any music lover – can study the complete score from Thunderbirds: Trapped in the Sky in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.
$50.00
Making Some Progress
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Orchestronics
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Joe Wiedemann
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Making Some Progress
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1518512 By Orchestronics. By Joe Wiedemann. Arranged by Joe Wiedemann. 21st Century,Broadway,Classical,Film/TV,Musica...
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Full Orchestra - Level 4 - SKU: A0.1518512 By Orchestronics. By Joe Wiedemann. Arranged by Joe Wiedemann. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Traditional. 32 pages. Joe Wiedemann #1092613. Published by Joe Wiedemann (A0.1518512). Add a versatile synthesizer to your orchestra for creativity and a modern touch. Score includes one synth part playing three different non-simultaneous patches (sounds of user's choice) with optional pitch bend wheel. Rather than being a soloist, the synth blends in like a film score. Making Some Progress goes from relative chaos to a polished theme, just as common tasks go from uncertainty to completion.
$25.00
The 8th Sea
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Orchestre
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FACILE
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Cory F Mahler
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Cory Frederick Mahler
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Imagination
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The 8th Sea
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Cory F. Mahler
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1498651 By Cory F Mahler. By Cory Frederick Mahler. Arranged by Cory Frederick Mahler. 21st Century,Classical,Film/TV...
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Full Orchestra - Level 2 - SKU: A0.1498651 By Cory F Mahler. By Cory Frederick Mahler. Arranged by Cory Frederick Mahler. 21st Century,Classical,Film/TV,New Age,Spiritual. 26 pages. Cory F. Mahler #1074915. Published by Cory F. Mahler (A0.1498651). Here is the full orchestra version.Another from the Bridge Album by Flalaski. Really feel out the dynamics with each other on this one. imagine the rising waters of the 8th Sea with a Burning Black-Hole Sun on the Horizon, being in the realms of Dreams, Astral & Imagination
$5.55
Chi il bel sogno di Doretta - Concert version with reduced wind section
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Patricio Cueto
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Chi il bel sogno di Doretta -
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1505231 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 30 pages. Patricio ...
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Full Orchestra - Level 4 - SKU: A0.1505231 Composed by Giacomo Puccini. Arranged by Patricio Cueto. Classical,Opera,Romantic Period. 30 pages. Patricio Cueto #1080619. Published by Patricio Cueto (A0.1505231). The aria Chi il bel sogno di Doretta from Puccini's La Rondine in a concert version with the piano solo introduction and a finale. the wind section has being reduced to 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns. The parts contains separate parts for Piano, Harp and Celesta as in the original, and includes a combined part of this 3 instruments that can be played with piano or harp.
$50.00
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