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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Ben E. King
Sheetmusicplus
Non classifié
147
Piano & claviers
Piano seul
56
Piano, Voix
44
Piano Facile
43
Instruments en Do
29
Piano, Voix et Guitare
21
Accompagnement Piano
10
Orgue
6
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Piano (partie séparée)
1
Piano grosses notes
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
27
Ukulele
12
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
7
Mandoline
6
4 Guitares (Quatuor)
2
Dulcimer
1
Paroles et Accords
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
19
Pack Instrumental pour Chorale
11
Chorale 3 parties
9
Chorale SSAA
9
Chorale
6
Chorale TTBB
6
Voix Tenor, Piano
4
Chorale 2 parties
3
Voix Tenor
2
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
Voix duo, Piano
1
+ 9 instrumentations
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Vents
Hautbois (partie séparée)
49
Saxophone (partie séparée)
18
Flûte traversière
15
Saxophone Alto
12
Saxophone Tenor
11
Clarinette
9
2 Saxophones (duo)
8
Quatuor de Saxophones: 4 saxophones
7
Flute (partie séparée)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Harmonica
6
Saxophone Soprano
4
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à Bec
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Hautbois, Piano (duo)
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Flûte traversière et Piano
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Flûte, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon
2
Ensemble de Clarinettes
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Quatuor de Flûtes : 4 flûtes
1
Ocarina
1
3 Saxophones (trio)
1
Flûte, Alto (duo)
1
Ensemble de saxophones
1
Clarinette et Alto
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Hautbois, Basson
1
Saxophone
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
+ 43 instrumentations
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Cuivres
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette (partie séparée)
9
Trombone
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor
3
Trombone et Piano
3
Trompette, Saxophone (duo)
2
Trompette, Piano
2
2 Trombones (duo)
2
Cor et Piano
2
Trombone (partie séparée)
2
2 Trompettes (duo)
2
Cor anglais, Piano
1
Cor (partie séparée)
1
Trompette, Trombone (duo)
1
Tuba
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon
19
Violoncelle
12
Violon et Piano
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
9
Harpe
7
Alto (partie séparée)
7
2 Violoncelles (duo)
7
Alto seul
6
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle, Piano
4
Alto, Piano
4
2 Altos (duo)
4
Trio à cordes
4
Violon, Alto (duo)
3
Violon (partie séparée)
3
Violoncelle (partie séparée)
3
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
1
Trio à cordes: 3 violins
1
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 28 instrumentations
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18
Ensemble Jazz
10
Orchestre à Cordes
8
Jazz combo
6
Ensemble de cuivres
5
Orchestre
4
Percussion (partie séparée)
3
Orchestre de chambre
3
Ensemble de Percussions
2
Batterie
2
Timbales (partie séparée)
1
Marimba
1
3 Marimbas
1
Batterie (partie séparée)
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
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Vous avez sélectionné:
Ben E. King
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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Sieben Fragmente für Orchester
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Orchestre
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Aribert Reimann
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Sieben Fragmente für Orch
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, S...
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Orchestra - SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Silver Threads Among The Gold
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Amelita Galli-Curci, Billy Vau
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Javier Soria Laso
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Silver Threads Among The Gold
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Javier Soria Laso
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1336407 By Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, J...
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Full Orchestra - Level 4 - SKU: A0.1336407 By Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, Jo Stafford, John McCormack, Maud Powell, Papa Bue's Viking Jazz Band, Red Nichols, Richard Jose, Sammy Rimington, Sidney Bechet, Slim Whitman, and etc. By Eben Eugene Rexford and Hart Pease Danks. Arranged by Javier Soria Laso. 19th Century,Classical,Standards. 18 pages. Javier Soria Laso #922205. Published by Javier Soria Laso (A0.1336407). The well-known 19th Century ballad written by Hank Pease Danks & Eben Eugene Rexford is still popular among the public, and as a testament of its popularity, it gets a majestic yet peaceful orchestral arrangement in this occasion even with a modern harmonization that yet still supports the tune. This arrangement features nice spots for flute, bassoon, English horn & clarinet as well as the French horn & string sections. The bass clarinet is also included in a duet with the bassoon [although in the original recording one of the French horns was in place of the bass clarinet]. This arrangement can be useful for opening or closing your concert as well as an interlude in a pacific way! About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you dont have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$5.99
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