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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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CHORALE - CHAN…
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Ligne De Mélodie, (Paroles) et Accords
490
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100
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23
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12
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7
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3
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109
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25
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15
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11
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11
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5
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3
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2
Voix Tenor, Piano
2
Voix haute
2
Chorale SSAATB
1
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1
Voix basse, Piano
1
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1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Chorale SSATTB
1
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VENTS
Clarinette
25
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24
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18
Flûte traversière et Piano
15
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13
Hautbois, Piano (duo)
12
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière
10
Saxophone Alto et Piano
10
Saxophone Alto
8
Saxophone Tenor et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
Hautbois (partie séparée)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Saxophones (duo)
3
Ensemble de Flûtes
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
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2
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2
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2
2 Flûtes traversières (duo)
2
Piccolo, Piano
1
Saxophone Tenor
1
2 Flûte à bec (duo)
1
2 Hautbois et Cor anglais
1
Saxophone Soprano
1
Hautbois, Violoncelle
1
Clarinette (partie séparée)
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
Flûte à bec Alto
1
Harmonica
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2 Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Flûte et Trio à cordes
1
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1
Ensemble de Clarinettes
1
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CUIVRES
Trombone
17
Trompette
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette (partie séparée)
7
Trompette, Piano
7
Trombone (partie séparée)
6
Trombone et Piano
5
Cor et Piano
4
Cor anglais, Piano
3
Cor
3
Quatuor de Cuivres
3
Euphonium, Piano (duo)
2
Tuba et Piano
2
Cor (partie séparée)
1
Euphonium
1
Trombone basse et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon
20
Violon et Piano
17
Violon, Violoncelle (duo)
15
2 Violons (duo)
14
Violoncelle (partie séparée)
12
Harpe
11
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Piano
10
Violon (partie séparée)
7
Alto, Piano
7
Trio à Cordes: 2 violons, violoncelle
5
Violon, Guitare (duo)
3
Violoncelle
3
Alto (partie séparée)
3
Alto seul
3
3 Harpes
2
5 Harpes
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
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PERCUSSIONS & ORCHESTRES
Marimba
17
Orchestre d'harmonie
16
Orchestre de chambre
16
Orchestre à Cordes
15
Orchestre
7
Ensemble Jazz
7
Batterie
4
Cloches
3
Ensemble de cuivres
3
Ensemble de Percussions
2
Orchestre, Violon
1
Fanfare
1
Jazz combo
1
Batterie (partie séparée)
1
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AUTRES
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3. Sinfonie
Orchestre
Orchestra - Digital Download SKU: S9.Q5979 For Orchestra. Composed by Krzysz…
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Orchestra - Digital Download SKU: S9.Q5979 For Orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 50 minutes. Schott Music - Digital #Q5979. Published by Schott Music - Digital (S9.Q5979). Mit dieser fünfsätzigen Sinfonie hat sich der Komponist sieben Jahre beschäftigt. Sie wurde im Auftrag der Münchner Philharmoniker komponiert und 1995 unter der Leitung des Komponisten in München uraufgeführt. Ihre 50 Minuten Spieldauer und die umfangreiche Orchesterbesetzung stellen sie in die Tradition der großen Beiträge zur Gattung Symphonie. Als eindrucksvoller Beleg dafür sei das „Adagio dolce“ genannt, das mit 14 Minuten Spieldauer fast Brucknersche Ausmaße hat und auch einzeln aufgeführt werden kann. Die 3. Sinfonie wurde erst kürzlich mit dem Radio-Sinfonie-Orchester Kattowitz unter der Leitung des polnischen Dirigenten Antoni Wit auf CD eingespielt.Picc. · 2 · 2 · Engl. Hr. · 3 (1. auch in A, 2. auch in Es) · Bassklar. · 3 · Kfg. - 5 · 3 · Basstrp. in C · 4 · 1 - P. S. (Beckenpaar · hg. Beck. · Tamt · Bong. · Tomt. · Rototom · Timbales · Mil. Tr. · Rührtr. · kl. Tr. · gr. Tr. m. Beck. · Röhrengl. · Peitsche · Holzbl. · Guiro · Trgl.-baum · Schellenbaum · Glsp. · Xyl. · Marimba) (9 Spieler) - Cel. - Str.
$55.99
51.41 €
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Orchestre
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Krzysztof Penderecki
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3. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.09 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.93 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.37 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Speechless
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1460316 By Naomi Scott. By Alan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1460316 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show,Pop. 104 pages. Daryl McKenzie #1039247. Published by Daryl McKenzie (A0.1460316). Arranged in the style of Naomi Scott for Vocal with Pops Orchestra - Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax (opt.), 4Hn, 3Trpt, 3Trb, Tba, Timp, 2 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of F#mNote: Saxophones are optionalFull audio demo (Sibelius Sounds): click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
91.82 €
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Orchestre
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Naomi Scott
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Daryl McKenzie
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Speechless
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Daryl McKenzie
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SheetMusicPlus
Benjamin Gaither: Love Like I'm Leavin' (COMPLETE) for orchestra
Orchestre
Instantly downloadable sheet music by Benjamin Gaither for orchestra of MEDIUM skill level…
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Instantly downloadable sheet music by Benjamin Gaither for orchestra of MEDIUM skill level.
$46.99
43.15 €
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Orchestre
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Benjamin Gaither
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Virtualsheetmusic
Benjamin Gaither: Love Like I'm Leavin', Full Score for orchestra (Rhythm)
Orchestre
Instantly downloadable sheet music by Benjamin Gaither for orchestra (Rhythm) of MEDIUM sk…
(+)
Instantly downloadable sheet music by Benjamin Gaither for orchestra (Rhythm) of MEDIUM skill level.
$10.99
10.09 €
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Orchestre
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Benjamin Gaither
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Virtualsheetmusic
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