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HAUTBOIS
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Non classifié
472
PIANO & CLAVIERS
Piano seul
286
Piano grosses notes
197
Piano, Voix
105
Piano, Voix et Guitare
66
Piano Facile
47
Instruments en Do
27
Orgue
14
1 Piano, 4 mains
10
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
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2
2 Pianos, 4 mains
2
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1
Accordéon
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Clavecin
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2 Pianos, 8 mains
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Guitare notes et tablatures
51
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28
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21
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12
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4
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3
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3
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2
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2
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2
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1
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140
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37
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34
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28
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26
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11
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4
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4
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3
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2
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1
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1
Voix basse
1
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1
Chorale SSATTB
1
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25
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21
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20
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20
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17
2 Flûtes traversières (duo)
16
Clarinette
15
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15
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14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
2 Clarinettes (duo)
10
Saxophone (partie séparée)
9
Saxophone Soprano et Piano
9
Saxophone Tenor
7
2 Hautbois (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Baryton, Piano
6
Saxophone Alto
6
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5
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5
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4
Cor anglais, Piano
4
Clarinette, Trompette (duo)
4
Flûte et Guitare
3
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3
Ensemble de saxophones
3
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3
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3
Hautbois (partie séparée)
3
3 Clarinettes (trio)
3
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette et Alto
2
3 Saxophones (trio)
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Basson
2
Saxophone Baryton
2
Flûte, Trompette (duo)
2
Saxophone Soprano
2
Hautbois
2
5 Flûtes à bec
2
Flûte irlandaise
2
Flûte, Alto (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette, Piano (trio)
1
Instruments en Mib
1
Flûte, Violon
1
Flûte, Violoncelle
1
Saxophone
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Basson (duo)
1
Flûte à bec Tenor
1
Quintette de Flûte : 5 flûtes
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette et Basson
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
16
Trompette
15
Trompette, Piano
13
Trompette, Trombone (duo)
13
Cor et Piano
9
2 Trompettes (duo)
8
Trombone
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba et Piano
7
2 Trombones (duo)
7
Tuba
6
Trombone (partie séparée)
5
2 Cors (duo)
4
Cor anglais, Piano
4
Cor
4
Euphonium, Piano (duo)
4
Trompette (partie séparée)
3
Trio de Cuivres
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Trompette, Saxophone (duo)
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon, Violoncelle (duo)
161
Violon
139
Trio à Cordes: violon, alto, violoncelle
126
Violon et Piano
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violoncelle, Piano
19
Alto, Piano
15
2 Violoncelles (duo)
14
Violon, Alto (duo)
13
2 Altos (duo)
12
2 Violons (duo)
12
Harpe
12
Violoncelle (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
6
Violoncelle
5
Contre Basse
5
Contrebasse, Piano (duo)
4
Harpe, Voix
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Harpe et Piano
1
Alto et Harpe
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
3 Harpes
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
113
Orchestre d'harmonie
46
Orchestre
45
Jazz combo
37
Ensemble Jazz
33
Orchestre de chambre
28
Ensemble de cuivres
23
Batterie
5
Cloches
5
Ensemble de Percussions
3
Fanfare
2
Piano et Orchestre
1
Xylophone, Piano
1
Batterie (partie séparée)
1
Marimba
1
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.68 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.86 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.64 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.4 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No 4 for large orchestra - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1322867 Composed by Malcolm D R…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #911135. Published by Mr Malcolm D Robertson (A0.1322867). Composed between the end of December 2022 & the start of July 2023. The Symphony is in 4 movements following a more classical ordering and is a little under 35 minutes in length. The initial rising scale idea with 'missing' notes pervades much of the material in the symphony The symphony took longer to compose than is normal for me as it was composed during the difficult period of my father's swiftly evolving final illness, death & dealing with the aftermath. The shadow of my father's final illness & witnessing his swift decline particularly hangs over the slow 2nd movement. The first movement after a broad but forward moving introduction, is energetic with a continual forward momentum. The 3rd movement is a deliberately elusive scherzo movement with a strange inconclusive coda. The finale, after a reserved opening is surprisingly optimistic pushing to a sonorous conclusion. As is the norm for me, I composed directly into full score.Orchestral parts can be supplied upon request.
$35.00
32.02 €
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Orchestre
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Malcolm D Robertson
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the start of July 2023
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Symphony No 4 for large orchestra - Score Only
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Mr Malcolm D Robertson
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SheetMusicPlus
Ballade For An Entablature
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1314855 By All Women's Orchestr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
41.17 €
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Orchestre
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All Women's Orchestra, Norwich, UK
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.85 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
11.85 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.94 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Yetzer Hara, for orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Desp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
18.3 €
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Orchestre
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Daniel Despins
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Yetzer Hara, for orchestra - Score Only
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Daniel Despins
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SheetMusicPlus
Yetzer Hara, for orchestra - Full Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454803 Composed by Daniel Desp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Published by Daniel Despins (A0.1454803). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$80.00
73.19 €
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Orchestre
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Daniel Despins
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Yetzer Hara, for orchestra - Full Score and Parts
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Daniel Despins
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SheetMusicPlus
Don't Give Up On Me - Composed & Arranged by Ken Hartfield - For Pop Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.977473 Composed by Ken Hartfiel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.977473 Composed by Ken Hartfield. Rock. Score and parts. 55 pages. Ken Hartfield - Freeze Tracks Music #6853859. Published by Ken Hartfield - Freeze Tracks Music (A0.977473). Our beautiful planet earth has been provided for us to protect and keep thriving. It is up to us to keep it sustainable, not only for ourselves but for future generations, because life is precious and unpredictable. This lush and complex composition and arrangement results in a song that can resonate with so many people. It can inspire, uplift, and sweep you away with its harmonies and lyrics that so many will relate to, and includes an incredible guitar solo intertwined with intriguing rhythm guitar and percussion. The production is suited for Pop Orchestra with Vocals and has a background video for live performances. Backing tracks are available as well, which will provide you and your Pop Orchestra/Vocal group with a full sounding production regardless of the size of your instrumental backup. Individual backing tracks include a click track plus a variety of individual MP3 tracks. We have included the following in this publication: Full score and parts, 2 Flute 1 &2, 1 oboe 1&2, 2 clarinet 1&2, 2 Trumpet 1 & 2, 2 French Horn 1 & 2, 2 Trombone. 1 Drum set, 1 Crash Cymbal, 2 Congas, 1 Timpani, 2 Electric Guitar, 1 Electric Bass, 1 Piano, 4 Soprano 1&2 , 4 Alto 1&2, 4 Tenor1&2, 8 Violins 1&2, 8 Violas 1&2, 2 Cello and 1 Double Bass,
$49.95
45.7 €
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Orchestre
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Ken Hartfield
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2, 2 French Horn 1 &
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Don't Give Up On Me - Composed & Arranged by Ken Hartfield - For Pop Orchestra
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Nothing but the Blood (Orchestra and Rhythm Section)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.492450 By Scott Harris. By Robe…
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Full Orchestra - Level 3 - Digital Download SKU: A0.492450 By Scott Harris. By Robert Lowry. Arranged by Scott Harris. Contemporary,Pop,Praise & Worship,Sacred,Spiritual. Score and parts. 52 pages. Scott Harris Music #107711. Published by Scott Harris Music (A0.492450). Modern arrangement of this classic hymn for Full Orchestra and Rhythm Section. Instrumentation: flutes, oboe, clarinet 1&2, bass clarinet, bassoon, horns 1&2 (alto sax double), trumpet 1&2, trombone 1-4, percussion 1-3, timpani, harp, electric guitar, rhythm section, drum set, violin 1&2, viola, cello, string bass, keyboard string reduction. Sheet Music Direct: Click HERE for Accompaniment Perc./Loop track!Sheet Music Plus: Click HERE for Accompaniment Perc./Loop track!Approximate Performance time: 2:38 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
$59.99
54.89 €
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Orchestre
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Scott Harris
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Scott Harris
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Nothing but the Blood
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Scott Harris Music
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SheetMusicPlus
Beethoven - Bagatelle Op.119 No. XI - For orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1093289 Composed by Ludwig van …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1093289 Composed by Ludwig van Beethoven. Arranged by Samuel Araújo. Classical,Multicultural,Romantic Period,World. Score and parts. 24 pages. Saa Compositions #697356. Published by Saa Compositions (A0.1093289). Eleven bagatelles, Op. 119, originally is a collection for solo piano, composed by Ludwig Van Beethoven (1770 - 1827) in the early romantism. But here, it is an arrangement of the eleventh bagatelle for full orchestra. To do so, analysis and decisions had to be taken, regarding the orchestration, dynamics and melodic conduction, in order to not modify the original piece. The score is followed by the instrument parts. You can find me at instagram : @saacompositions Or email: samuel.araujo14998@gmail.com.
$10.90
9.97 €
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Orchestre
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Ludwig van Beethoven
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Samuel Araújo
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Beethoven - Bagatelle Op.119 No. XI - For orchestra
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Saa Compositions
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SheetMusicPlus
Karrinyup Fanfare
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
68.62 €
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Orchestre
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Jesus Is The Way (Anthem) - Orchestration
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
45.74 €
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Orchestre
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Alaska A Story
Orchestre
Full Orchestra - Digital Download SKU: A0.1011358 Composed by Mark Darren McCrystal…
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Full Orchestra - Digital Download SKU: A0.1011358 Composed by Mark Darren McCrystal, Jr. Contemporary. Score and parts. 21 pages. Mark Darren McCrystal, Jr. #3381221. Published by Mark Darren McCrystal, Jr. (A0.1011358). An orchestral piece describing Alaska from it's mountains, rivers, forests, and to its coast. Close your eyes and hear the woodwinds mock birds, listen to the brass as they describe the majesty of the mountains, and as the percussion translates the sight and feel of rain to sound. Enjoy Alaska.IMPORTANTRelative Dynamics. All dynamic markings are relative to the First Violins. For Example: If a dynamic marking in the 2nd Flute is lower than the First Violins then the 2nd Flute should play quieter than the First Violins, but should never be drowned out.PARTSEmail me at mark.mccrystal@icloud.com for a set of parts. I'll send a copy of each part required, you are permitted to make copies of the parts, but NOT the score.
$55.00
50.32 €
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Orchestre
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Mark Darren McCrystal, Jr
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Alaska A Story
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Mark Darren McCrystal, Jr.
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SheetMusicPlus
Shades of Eltham - Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Conte…
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Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
$30.00
27.45 €
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Orchestre
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Brendan Elliget
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Shades of Eltham - Orchestra
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BJE Music
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SheetMusicPlus
Australian Calypso - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750984 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750984 Composed by Brendan Elliget MAGA 537. Contemporary,Pop. Score and parts. 40 pages. BJE Music #5982079. Published by BJE Music (A0.750984). This catchy little calypso tune was originally written to feature two clarinets with piano accompaniment but has been expanded here to a full orchestral arrangement. There is plenty of interest in each part. There is an optional Piano Accompaniment part included in the score.The original tune was written in 1999 but not revised until 2008 and 2019. If you use this piece, write a review and tell me how it goes. The clarinet duet version is still available and as well as a version for Clarinet Choir (Sextet) and Concert Band.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 2:50 mins.
$25.00
22.87 €
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Orchestre
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Brendan Elliget MAGA 537
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Australian Calypso - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Ask Me Why (Evacuation)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1429602 By Joe Hisaishi. By Jou…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1429602 By Joe Hisaishi. By Jou Hisaishi. Arranged by L.C. Harnsberger. 21st Century,Contemporary,Film/TV,Multicultural,World. 30 pages. LCH Music #1010299. Published by LCH Music (A0.1429602). Hayao Miyazaki’s film The Boy and the Heron won the Oscar for best animated film at the 2024 Academy Awards. Joe Hisaishi’s enchanting score which perfectly sets the magical tone of the film garnered not only an Oscar nomination but also numerous other awards. The touching main theme of the score, “Ask Me Why,” reappears throughout the film. L. C. Harnsberger has beautifully adapted this music for full orchestra while keeping the spirit of the original soundtrack. This piece is ideal to combine with Harnsberger’s dramatic arrangement of Hisaishi’s “The Great Collapse” from the same film (LCH Music #12402).
$59.99
54.89 €
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Orchestre
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Joe Hisaishi
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L
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Ask Me Why
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LCH Music
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.71 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
E. Satie – Heures Séculaires et Instantanées, 1914
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By E…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
36.6 €
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Orchestre
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures Séculaires et Instantanées, 1914
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Arkady Leytush
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SheetMusicPlus
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