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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Non classifié
13142
PIANO & CLAVIERS
Piano seul
15695
Piano, Voix
5295
Piano, Voix et Guitare
3188
Piano Facile
2546
Orgue
1473
Instruments en Do
842
1 Piano, 4 mains
342
Piano grosses notes
218
Accordéon
200
Accompagnement Piano
156
2 Pianos, 4 mains
133
Piano Trio: piano, violon, violoncelle
99
Piano (partie séparée)
66
Piano Quatuor: piano, violon, alto, violoncelle
36
Clavecin
28
Ligne De Mélodie, Piano
28
Orgue, Piano (duo)
21
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
20
Orgue, Trompette (duo)
15
2 Accordéons
7
2 Pianos, 8 mains
6
1 Piano, 6 mains
5
Accordéon, Voix
5
Instrument seul et Orgue
3
2 Orgues (duo)
3
Accordéon, Corde(s)
2
Ensemble d'Accordéons
1
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GUITARES
Guitare notes et tablatures
1371
Guitare
1255
Ligne De Mélodie, (Paroles) et Accords
944
Ukulele
308
Basse electrique
285
Paroles et Accords
223
2 Guitares (duo)
189
Guitare (partie séparée)
59
4 Guitares (Quatuor)
44
Piano, Guitare (duo)
43
Mandoline
37
3 Guitares (trio)
30
Ensemble de guitares
25
Dulcimer
23
Banjo
19
Basse électrique (partie séparée)
17
Dobro
11
Mandoline, Piano (duo)
8
Mandoline, Guitare (duo)
7
Guitare, Violon, Violoncelle (trio)
5
Ukulele Baryton
3
2 Ukuleles
3
Ensemble de Ukulélés
2
Orchestre à Plectres
2
2 Mandolines (duo)
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
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VOIX
Chorale SATB
4609
Chorale 3 parties
1106
Chorale TTBB
728
Chorale 2 parties
614
Chorale SSAA
455
Chorale Unison
276
Voix Soprano, Piano
214
Voix seule
194
Voix duo, Piano
176
Voix Alto, Piano
146
Voix Tenor, Piano
143
Voix Baryton, Piano
133
Chorale
117
Voix haute
92
Voix duo
63
Voix Tenor
38
Voix Soprano
33
Chorale SSAATTBB
27
Voix moyenne, Piano
26
Voix basse, Piano
24
Chorale SSATB
17
Voix Mezzo-Soprano, Piano
13
Chorale SSATTB
9
Voix, Guitare
5
Chorale SSAB a cappella
4
Chorale SATTB
3
Voix basse
3
Chorale SSAATB
2
Voix Baryton
2
Chorale SSAB, Piano
2
Chorale SATBB
2
Chorale, Orgue
1
Chorale SSAATB A Cappella
1
Chorale SAATB A Cappella
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Flûte traversière
1116
Flûte traversière et Piano
1067
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
788
Quatuor de Saxophones: 4 saxophones
756
Clarinette et Piano
723
Clarinette
687
Saxophone (partie séparée)
682
Saxophone Alto
499
Saxophone Alto et Piano
494
Flûte, Hautbois, Clarinette, Basson
480
Hautbois, Piano (duo)
475
2 Saxophones (duo)
419
Saxophone
409
Saxophone Tenor
378
2 Flûtes traversières (duo)
376
Quatuor de Clarinettes: 4 clarinettes
351
Quintette de Saxophone: 5 saxophones
326
Saxophone Tenor et Piano
307
2 Clarinettes (duo)
282
Saxophone Soprano et Piano
244
Hautbois (partie séparée)
244
Clarinette (partie séparée)
204
Ensemble de Clarinettes
193
3 Saxophones (trio)
187
Flûte et Guitare
184
Ensemble de saxophones
167
3 Clarinettes (trio)
165
Flûte à Bec
147
Quatuor de Flûtes : 4 flûtes
136
Saxophone Baryton, Piano
126
2 Flûte à bec (duo)
126
2 Hautbois (duo)
121
Flûte, Clarinette (duo)
114
3 Flûtes à bec (trio)
111
Trio de Flûtes: 3 flûtes
98
Flûte, Hautbois, Clarinette (trio)
95
Hautbois
94
Ensemble de Flûtes
94
Quintette de Clarinettes: 5 clarinettes
85
Flute (partie séparée)
84
Flûte, Clarinette et Basson
81
Hautbois, Basson (duo)
79
Clarinette Basse, Piano
75
Flûte, Violon
69
Flûte, Hautbois, Basson
66
Cor anglais, Piano
66
Clarinette, Violon (duo)
63
Hautbois, Clarinette (duo)
62
Flûte, Violon et Violoncelle
60
Saxophone, Clarinette (duo)
60
Saxophone Soprano
51
Quatuor de Flûtes à bec
49
Flûte à bec Alto, Basse continue
46
Flûte, Violoncelle
45
Clarinette et Alto
43
Instruments en Mib
38
Flûte à bec Alto, Piano
37
Clarinette, Violoncelle (duo)
36
Hautbois, Clarinette, Basson (trio d'anches)
36
Clarinette, Basson (duo)
36
Clarinette, Guitare (duo)
35
Clarinette, Trompette (duo)
35
Flûte à bec Soprano
33
Flûte traversière, Basse continue
32
Ensemble De Flûte à bec
30
Flûte, Alto (duo)
30
2 Clarinettes, Basson
30
Quintette de Flûte : 5 flûtes
27
Hautbois, Flûte
25
Flûte à bec Soprano, Piano
22
Saxophone Baryton
22
Flûte, Saxophone (duo)
22
Flûte à Bec, Piano
19
Piccolo, Piano
17
Ocarina
17
Flûte à bec Alto
16
Ensemble à vent
16
Flûte, Trompette (duo)
16
Saxophone et Guitare
15
Flûte, Hautbois (duo)
15
Flûte, Violon, Piano
14
5 Flûtes à bec
12
Quintette de Clarinette: Clarinette, Quatuor à Cordes
11
2 Flûtes traversières, Piano
11
Flûte à bec Tenor
10
Hautbois, Violoncelle
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Piano (trio)
10
Cor anglais, Guitare (duo)
10
Flute, harpe et violon
9
2 Clarinettes, Piano
9
Flûte à bec, Guitare (duo)
9
Flûte, Trombone (duo)
8
Harmonica
8
Cor Anglais
8
2 Cors Anglais Et Pianoforte
7
Clarinette, Trombone (duo)
7
Flûte à bec Soprano, Basse continue
7
Clarinette Basse
7
Flûte, Violoncelle, Piano (trio)
7
3 Hautbois
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Clarinette, Violon (trio)
6
2 Saxophones, Piano
6
Flûte, Basson et Piano
5
Clarinette, Harpe (duo)
5
Piccolo
5
4 Hautbois
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Alto et Violoncelle
4
2 Hautbois et Basson
4
2 Flûtes, Basse continue
4
Hautbois, Guitare (duo)
4
Flûte, alto et harpe
3
Flûte, Tuba (duo)
3
Clarinette, trompette et piano
3
Flûte, trombone et piano
3
Flûte irlandaise
3
Saxophone et Harpe
2
Hautbois, violon (duo)
2
Flûte, Alto et Piano
2
Clarinette, Orchestre
2
2 Hautbois, Piano
2
2 Flûtes à bec, Piano
2
Flûte traversière, Orgue (duo)
2
Saxophone et Orgue
2
Hautbois, Harpe
2
Saxophone et Piano
2
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Orgue
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Harmonica, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Harmonicas
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon, Guitare
1
Flute, Cor (duo)
1
Flûte et Trio à cordes
1
2 Hautbois et Cor anglais
1
Cornemuse
1
Flûte de Pan
1
Saxophone, Tuba (duo)
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1158
Trompette
675
Trombone
492
Quatuor de Cuivres : 2 trompettes, trombone, tuba
450
Trompette, Piano
446
Trombone et Piano
402
Cor et Piano
370
Trompette (partie séparée)
340
Cor
338
Trombone (partie séparée)
328
Tuba et Piano
222
Tuba
205
Quatuor de Cuivres: 2 trompettes, Cor, trombone
171
2 Trompettes (duo)
160
Quatuor de cuivres: 4 trombones
160
Quatuor de Cuivres
158
2 Trombones (duo)
133
Euphonium, Piano (duo)
119
Cor (partie séparée)
116
2 Cors (duo)
94
Trompette, Trombone (duo)
91
Trio de Cuivres
79
Cor anglais, Piano
66
Bass Clef Instruments
61
Euphonium
59
Quatuor de cuivres: 4 cors
59
Ensemble de Trombones
58
Tuba (partie séparée)
57
Ensemble de Trompettes
51
Quatuor de cuivres: 2 trompettes, 2 trombones
50
Trompette, Saxophone (duo)
48
2 Tubas (duo)
40
Trompette, Cor (duo)
32
Instruments en Sib
31
2 Euphoniums et 2 Tubas
28
Ensemble de Cors
25
4 Tubas
19
2 Euphoniums (duo)
18
3 Trombones (trio)
17
3 Trompettes (trio)
14
Trombone basse et Piano
14
Quatuor de cuivres: 4 trompettes
10
Euphonium, Tuba (duo)
10
Cor anglais, Guitare (duo)
10
Trompette, Tuba (duo)
8
Cor Anglais
8
2 Cors Anglais Et Pianoforte
7
Cor, Violoncelle (duo)
7
Tuba et Orgue
7
Trombone, Tuba (duo)
6
Instruments en Fa
5
Trompette, Violoncelle (duo)
4
Cornet A Pistons
4
3 Cors (trio)
4
Trompette, Basson (duo)
4
Cor et Harpe
4
Trombone, Cor (duo)
4
Trombone basse
4
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Harpe
3
Ensemble de Tubas
3
Cor, Tuba (duo)
2
Tuba ou Euphonium ou Saxhorn
2
2 Cors, Piano
2
Trompette et Guitare
2
Clarinette, Cor (duo)
2
3 Euphoniums
2
Cor et Orgue
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
3 Tubas (trio)
1
Cor, Orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Basson (duo)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Trombone et orchestre
1
Euphonium Ou Saxhorn Et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2104
Violon et Piano
1400
Violon
1303
Violoncelle, Piano
866
Violoncelle
693
Alto, Piano
653
Alto seul
476
Violon, Violoncelle (duo)
357
2 Violons (duo)
353
Trio à Cordes: violon, alto, violoncelle
311
Harpe
306
2 Violoncelles (duo)
288
Harpe, Flûte (duo)
268
Violon (partie séparée)
261
Violon, Alto (duo)
222
Quintette à cordes: 2 violons, alto, violoncelle, basse
211
Contre Basse
184
Contrebasse, Piano (duo)
179
2 Altos (duo)
170
Trio à Cordes: 2 violons, violoncelle
165
Contrebasse (partie séparée)
150
Alto (partie séparée)
146
Violoncelle (partie séparée)
76
Violon, Guitare (duo)
75
Alto, Violoncelle (duo)
64
4 Violoncelles
60
Trio à cordes: 3 violins
54
Violon, Basse continue
51
Piano Trio: Violon, Alto, Piano
47
Violoncelle , Guitare (duo)
46
2 Harpes (duo)
40
Violoncelle, Basse continue
38
2 Violons et Basse continue
37
Trio à Cordes: 3 violoncelles
35
2 Contrebasses (duo)
34
Alto, Guitare (duo)
28
Violon, Basson (duo)
28
Violoncelle, Contrebasse (duo)
22
2 Violons, Piano
19
Trio à cordes
17
Quatuor à cordes: 4 violons
17
Harpe, Violon (duo)
14
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Ensemble de Violons
13
Trio à Cordes: 2 violons, alto
12
Harpe (partie séparée)
12
Ensemble d'Altos
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Trio à cordes: 3 altos
9
Harpe, Voix
9
Alto et Basson
8
Quatuor à cordes : 4 altos
8
Ensemble de Violoncelles
7
Alto et Harpe
7
Flûte, Contrebasse (duo)
6
Violoncelle, Orchestre
6
Violoncelle, Orgue
5
Harpe, Violoncelle (duo)
5
Violon, Orgue
4
Violon, Clarinette, Piano (trio)
4
2 Violoncelles, Piano
2
Harpe et Piano
2
Alto, Orgue
1
Alto et orchestre
1
Harpe et mandoline
1
2 Altos, Piano
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3080
Orchestre à Cordes
1362
Orchestre
940
Ensemble Jazz
569
Ensemble de cuivres
480
Batterie
338
Orchestre de chambre
287
Cloches
264
Fanfare
263
Percussion (partie séparée)
130
Jazz combo
104
Batterie (partie séparée)
103
Ensemble de Percussions
72
Percussion
28
Marimba
25
Xylophone, Piano
22
Vibraphone
14
Timbales (partie séparée)
12
Xylophone
11
Quintette à Vent
7
Piano et Orchestre
6
Instrumentation Flexible
5
2 Xylophones
5
Caisse Claire
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
4
Quatuor à Vent : 4 instruments à vents
3
Quintette de Cuivres: autres combinaisons
3
Marimba, Piano (duo)
1
Voix et Orchestre
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Timbales
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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Chinese National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arrange…
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Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arranged by Keith Terrett. 20th Century, Asian, Patriotic. Score, Set of Parts. 26 pages. Published by Music for all Occasions
An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese. Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram and soundcloud for frequent updates and news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.
$39.99
36.07 €
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Orchestre
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Nie Er
#
Keith Terrett
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Chinese National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.18 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Hunter - Terminator 6 (for Orchestra)
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Mart&iac…
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 51 pages. Published by Arte Nova Music Lab
The Terminator is a 1984 science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day save mankind from extinction by a hostile artificial intelligence in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier sent back in time to protect Sarah. The screenplay is credited to Cameron and producer Gale Anne Hurd, while co-writer William Wisher Jr. received a credit for additional dialogue.<br> <br> Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumni Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winstonand Gene Warren Jr.<br> <br> Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron's film career and solidifying Schwarzenegger's status as a leading man. The film's success led to a franchiseconsisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".
$60.00
54.12 €
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Orchestre
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Javier Martínez Maya
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Hunter - Terminator 6
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Arte Nova Music Lab
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.18 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
Orchestre
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3…
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Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.576336 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary,Multicultural,Patriotic,World. Score and parts. 20 pages. David Warin Solomons #17607. Published by David Warin Solomons (A0.576336). Video: https://youtu.be/ivz-fm1VpU8National anthem for the micronation of Rheinbergen (the length of the river Rhine). Words originally by the crown prince of Rheinbergen Gerard Conielje and tweaked by the composer. Very grand and rousing music. The pdf file contains score and parts and I have also added an optional baritone saxophone part which can stand in place of the vocal line.  The words are:  Die Quelle von Rheinbergen Liegt in den Alpen hoch Der Prinz von Fluß und Wellen Stammt aus dem Delta-Schoß Das Licht auf uns'ren Wässern leuchtet hell und klar So strahlen uns're Augen aus Herzens Stolz fürwahr. Lass den Gesang dem Fluss zulieb in allen Ländern wehen Zusammen sind wir wie der Strom dem keine widerstehen.  === ​Translation into English:  The source of Rheinbergen Lies high up in the alps The Prince of river and waves Stems from the lap of the Delta.  The lights on our waters shine bright and clear Like our eyes shine from Our proud hearts.  Let songs of love for our river wave over all nations Together we are like a stream ​That none can resist. The sound sample is the world premiere performed by Budapest Scoring and baritone Róbert RezsnyákThere are other versions available:Baritone and orchestra - Score onlyKaraoke (music minus one version (mp3) Unison choir and orchestraUnison Choir a cappellaHarmonized choir and orchestraHarmonized choir a cappella
$18.00
16.24 €
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Orchestre
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David Warin Solomons
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Nationalhymne von Rheinbergen
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David Warin Solomons
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
40.82 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
19.8 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Rosary Sonatas: The Descent of the Holy Spirit
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99
18.03 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of the Holy Spirit
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JMJ Arrangements
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.55 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.55 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.55 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Rosary Sonatas: The Nativity
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ig…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
31.56 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score ONLY
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730444 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730444 Composed by James Nathaniel Holland. Contemporary. Score and parts. 98 pages. James Nathaniel Holland #3520665. Published by James Nathaniel Holland (A0.730444). Piano Concerto No. 3 Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes The beautiful and mystical third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. Instrumentation: fl/picc, fl2, ob12, clbb12, bsn 12, hrn123, tpt 123, trm12, tba, tim, 2 perc (hand cym, ride cym w/sft mall/ tri/high hat), bsdrm/glk/gong, pno solo, hrp, stringsYouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBYIndividual parts, full score with individual parts, 2 pianos/4 hands score sold separately.
$19.95
18 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score ONLY
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 3 James Nathaniel Holland, Individual Instrument Parts ONLY
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730446 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730446 Composed by James Nathaniel Holland. Contemporary. Score and parts. 146 pages. James Nathaniel Holland #3525483. Published by James Nathaniel Holland (A0.730446). Concerto No. 3 for Piano and Orchestra, Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes INDIVIDUAL INSTRUMENT PARTS ONLY, INCLUDING SOLO PIANO PART The beautiful and mystical third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. Instrumentation: fl/picc, fl2, ob12, clbb12, bsn 12, hrn123, tpt 123, trm12, tba, tim, 2 perc (hand cym, ride cym w/sft mall/ tri/high hat), bsdrm/glk/gong, pno solo, hrp, strings YouTube Video Presentation of Piano with Orchestra: https://youtu.be/juYohREyCBY Full Score only, full score with individual parts, 2 pianos/4 hands score sold separately.
$34.95
31.53 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 3 James Nathaniel Holland, Individual Instrument Parts ONLY
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730445 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730445 Composed by James Nathaniel Holland. Contemporary. Score and parts. 240 pages. James Nathaniel Holland #3520699. Published by James Nathaniel Holland (A0.730445). Piano Concerto No. 3 Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes
$45.95
41.45 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
36.07 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
12 Songs of Various Nationalities, WoO 157: 1. God Save the King
Orchestre
Full Orchestra - Digital Download SKU: A0.1324523 Composed by Ludwig van Beethoven.…
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Full Orchestra - Digital Download SKU: A0.1324523 Composed by Ludwig van Beethoven. Arranged by Joshua Choe. Christian,Classical,Patriotic,Sacred. 65 pages. JMJ Arrangements #912720. Published by JMJ Arrangements (A0.1324523).
$44.99
40.58 €
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Orchestre
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Ludwig van Beethoven
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Joshua Choe
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12 Songs of Various Nationalities, WoO 157: 1. God Save the King
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JMJ Arrangements
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SheetMusicPlus
Moonlight Sonata
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1343863 Composed by Ludwig van …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #929368. Published by Kevin Riley (A0.1343863). The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonataby Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie Giulietta Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.This is an arrangement of the opening movement.
$70.00
63.14 €
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Orchestre
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Ludwig van Beethoven
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Kevin Riley
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Moonlight Sonata
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Kevin Riley
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SheetMusicPlus
Nature (from Songs of Hope and Creation)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1313858 By Orchestra from premi…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1313858 By Orchestra from première of Songs of Hope and Creation. By Andrew Daldorph. 21st Century,Classical,Film/TV,Praise & Worship,Religious. 5 pages. Andrew Daldorph #902579. Published by Andrew Daldorph (A0.1313858). Orchestral movement from oratorio Songs of Hope and Creation evoking the sounds of the natural world. Individual parts may be obtained by contacting daldorph@btinternet.com.
$10.00
9.02 €
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Orchestre
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Orchestra from première of Songs of Hope and Creation
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Nature
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Andrew Daldorph
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SheetMusicPlus
Beethoven, Piano Sonata No. 15, Movement 2 - orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1373057 By Scott Fields Davis. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1373057 By Scott Fields Davis. By Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. 65 pages. Scott Fields Davis #957385. Published by Scott Fields Davis (A0.1373057). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the 2nd movement of the 15th sonata. Orchestrated by Scott Fields Davis.This download contains the conductorâ??s score and all instrument parts.Prats:2 flute parts, 2 oboe parts, 2 Bb clarinet parts, 2 bassoon parts, 2 horn in f parts, 2 trumpet parts, 2 trombone parts, violin I, violin II, viola, cello, double bass Movement 1 of this sonata can found by clicking the following link: Beethoven, Piano Sonata No. 15, Movement 1 arranged for orchestra.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$15.00
13.53 €
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Orchestre
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Scott Fields Davis
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Scott Fields Davis
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Beethoven, Piano Sonata No. 15, Movement 2 - orchestra
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Scott Fields Davis
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.07 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
13.53 €
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Orchestre
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Haydn's Sonata in E Minor
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
135.31 €
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Orchestre
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Haydn's Sonata in E Minor
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Fabio Dentello
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SheetMusicPlus
Palestinian National Anthem ("Fida'Ä«") for Symphony Orchestra Olympic World National Anthem Series
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1307415 By Keith Terrett. By Al…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1307415 By Keith Terrett. By Ali Ismael, 1965. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Traditional,World. 27 pages. Keith Terrett #896698. Published by Keith Terrett (A0.1307415). Arranged for full Symphony Orchestra Fida'Ä« (Arabic: Ùدائي, romanized: Fida'i, lit. 'Fedayeen warrior') is the national anthem of Palestine.History:The anthem was adopted by the Palestinian Liberation Organization in 1996, in accordance with Article 31 of the Palestinian Declaration of Independence from 1988. It replaced Mawtini. It was written by Said Al Muzayin (a.k.a. Fata Al Thawra, boy of the revolution), while its music was composed by Egyptian maestro Ali Ismael. It was known as the anthem of the Palestinian redemption.Lyrics:The word fidÄʾīyÄ«n is the Arabic plural of fidÄʾī, which means sacrifice / one who sacrifices himself (a literal translation of fidÄʾīyÄ«n might be martyrs), and it originally comes from Persia, where the first band of fedayeen (also famous as Hashshashin) was formed by Hassan-i Sabbah. The Palestinian fedayeen (from the Arabic fidÄ'Ä«, plural fidÄ'iyÅ«n, Ùدائيون) are militants or guerrillas of a nationalist orientation from among the Palestinian people. Most Palestinians consider the fedayeen to be freedom fighters.
$39.99
36.07 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Palestinian National Anthem
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Keith Terrett
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SheetMusicPlus
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