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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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533
PIANO & CLAVIERS
Piano seul
308
Piano Facile
148
Piano Trio: piano, violon, violoncelle
21
Orgue
17
1 Piano, 4 mains
14
Piano, Voix
13
Instruments en Do
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
5
2 Pianos, 4 mains
5
Accordéon
2
Piano grosses notes
2
Piano, Voix et Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Instrument seul et Orgue
1
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
31
Guitare notes et tablatures
26
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
2
Banjo
2
Dulcimer
2
2 Guitares (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Mandoline
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
28
Chorale 2 parties
25
Chorale 3 parties
16
Voix duo, Piano
7
Chorale Unison
5
Chorale TTBB
2
Voix duo
1
Chorale SSAA
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
60
2 Saxophones (duo)
52
Clarinette et Piano
51
Quatuor de Saxophones: 4 saxophones
51
Flûte traversière
43
Hautbois, Piano (duo)
42
Flûte, Hautbois, Clarinette, Basson
38
2 Flûtes traversières (duo)
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
2 Clarinettes (duo)
32
Clarinette
32
Quintette de Saxophone: 5 saxophones
29
Saxophone Alto et Piano
29
Saxophone Tenor et Piano
27
3 Saxophones (trio)
23
Hautbois (partie séparée)
21
Quatuor de Clarinettes: 4 clarinettes
21
Flûte, Clarinette (duo)
20
Saxophone Alto
19
2 Hautbois (duo)
17
Saxophone Soprano et Piano
14
Saxophone
12
Saxophone (partie séparée)
12
Flûte, Clarinette et Basson
10
Saxophone Tenor
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de saxophones
10
Hautbois
10
Saxophone Baryton, Piano
9
3 Clarinettes (trio)
9
Flûte, Hautbois, Clarinette (trio)
8
Trio de Flûtes: 3 flûtes
8
Flûte, Violon
7
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte à bec Soprano
5
Flûte et Guitare
5
Ensemble de Clarinettes
5
2 Saxophones, Piano
5
Flûte, Hautbois (duo)
5
Cor Anglais
4
2 Flûtes traversières, Piano
4
Flûte à Bec
4
Flûte, Violoncelle
4
Clarinette, Basson (duo)
4
Ensemble de Flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violon (duo)
4
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette, Piano (trio)
3
Clarinette Basse, Piano
3
Saxophone Soprano
3
Clarinette, Harpe (duo)
3
Cor anglais, Piano
3
Saxophone, Violon (duo)
2
Hautbois, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Saxophone, Clarinette (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Harpe
2
Flûte, Trompette (duo)
2
2 Hautbois, Piano
2
Hautbois, violon (duo)
2
3 Hautbois
2
Flûte, Violon, Piano
2
3 Flûtes à bec (trio)
2
Saxophone Baryton
2
Piccolo
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone, Basson (duo)
1
Flûte à bec Tenor
1
Flûte et Trio à cordes
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte irlandaise
1
Clarinette, Guitare (duo)
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Alto et Piano
1
Clarinette (partie séparée)
1
Flûte, Violon, Guitare
1
Hautbois, Violoncelle et Piano
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
2 Flûte à bec (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Violon
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
2 Trompettes (duo)
35
Trompette
34
Trombone et Piano
33
Trombone
26
2 Trombones (duo)
25
Cor et Piano
23
Cor
23
Tuba
22
Tuba et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
2 Cors (duo)
16
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
7
Ensemble de Trombones
5
Euphonium
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 cors
5
Cor Anglais
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Trompette, Trombone, Piano
4
Trombone, Tuba (duo)
3
Trompette (partie séparée)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Tuba (duo)
3
Cor, Tuba (duo)
3
3 Trompettes (trio)
3
Cor anglais, Piano
3
Trompette, violon (duo)
2
Trombone, violoncelle (duo)
2
2 Cors, Piano
2
Bass Clef Instruments
1
2 Trombones, Piano
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Cor, Violoncelle et Piano
1
Ensemble de Cors
1
Trombone, Cor (duo)
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
148
Violon et Piano
85
Violon
69
Violoncelle, Piano
60
2 Violons (duo)
54
Violoncelle
52
2 Violoncelles (duo)
40
Violon, Violoncelle (duo)
40
Alto, Piano
38
Alto seul
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
2 Altos (duo)
28
Harpe
26
Violon, Alto (duo)
22
Trio à Cordes: violon, alto, violoncelle
21
Trio à Cordes: 2 violons, violoncelle
19
Contre Basse
19
4 Violoncelles
18
Contrebasse, Piano (duo)
12
Trio à cordes
9
Alto, Violoncelle (duo)
9
Alto (partie séparée)
8
Trio à Cordes: 3 violoncelles
7
2 Violons, Piano
5
Piano Trio: Violon, Alto, Piano
5
2 Contrebasses (duo)
5
Violon (partie séparée)
5
Quatuor à cordes: 4 violons
5
Violon, Guitare (duo)
5
Violoncelle, Contrebasse (duo)
4
Trio à cordes: 3 violins
4
2 Harpes (duo)
4
2 Altos, Piano
4
2 Violoncelles, Piano
3
Harpe, Flûte (duo)
3
Violon, Orgue
3
Ensemble de Violons
3
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
3 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
Harpe et Orgue
1
Contrebasse (partie séparée)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Alto et Basson
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
54
Orchestre à Cordes
25
Orchestre
11
Ensemble de cuivres
10
Cloches
8
Orchestre de chambre
8
Ensemble Jazz
2
Marimba
2
Ensemble de Percussions
2
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
CANON IN D
Orchestre
Partitions à imprimer
11 partitions trouvées
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1
Canongia - Clarinet Concerto No.4 in D minor
Orchestre
Full Orchestra - Digital Download SKU: A0.1309878 Composed by José Avelino Canon…
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Full Orchestra - Digital Download SKU: A0.1309878 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 125 pages. J.G. Cuco Barber #899024. Published by J.G. Cuco Barber (A0.1309878). Work Title Clarinet Concerto No.4 in D minorComposer Canongia, José AvelinoKey D minorMovements/Sections 3 movements: Allegro agitato Adagio Allegro Dedication à S. M. I. la Duchesse de BraganeComposer Time Period RomanticPiece Style RomanticInstrumentation clarinet, orchestraInstrDetail2 flutes, 2 oboes, 2 clarinets, 2 bassoons2 horns, 2 trumpets, trombonetimpani, strings.
$45.00
40.2 €
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Orchestre
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José Avelino Canongia
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J
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Canongia - Clarinet Concerto No.4 in D minor
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J.G. Cuco Barber
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SheetMusicPlus
Canon in D
Orchestre
Orchestra (Flute, Clarinet, Drum Set, Violin, Violin, Cello, Piano) - Primer Level - Digit…
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Orchestra (Flute, Clarinet, Drum Set, Violin, Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-BAR-11362 Composed by Johann Pachelbel. Baroque Period. Score and Parts. 25 pages. SheetmusicLAB #CL-BAR-11362. Published by SheetmusicLAB (P5.CL-BAR-11362). 657 x 297 mm inches.
$41.67
37.23 €
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Orchestre
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Johann Pachelbel
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Canon in D
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SheetmusicLAB
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SheetMusicPlus
Canon in D Major - Orchestra (Score and all parts)
Orchestre
Full Orchestra - Level 3 - Digital Download Composed by Johann Pachebel. Arranged by …
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Full Orchestra - Level 3 - Digital Download Composed by Johann Pachebel. Arranged by Murilo Frias. Baroque, Classical, Sacred, Wedding, World. Score and parts. 24 pages. Murilo Frias #6381101. Published by Murilo Frias
$8.99
8.03 €
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Orchestre
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Johann Pachebel
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Murilo Frias
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Canon in D Major - Orchestra
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Murilo Frias
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SheetMusicPlus
Memorable Themes for Orchestra - Set One
Orchestre
Full Orchestra - Digital Download SKU: A0.811410 Composed by Frederic Chopin, Johan…
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Full Orchestra - Digital Download SKU: A0.811410 Composed by Frederic Chopin, Johann Pachelbel, and Ludwig van Beethoven. Arranged by Daniel Ashcroft. Contemporary. Score and parts. 803 pages. DanielAshcroftMusic #118855. Published by DanielAshcroftMusic (A0.811410). Set One of Memorable Themes for Orchestra, comprising Beethoven's Ode To Joy, Pachelbel's Canon in D and Chopin's Waltz No 1 'Grande Valse Brillante'. A detailed score and complete set of parts for each work is included. Each work is also available individually on Sheet Music Plus in Score and Parts, Score only or Parts only formats.
$90.00
80.4 €
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Orchestre
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Frederic Chopin, Johann Pachelbel, and Ludwig van Beethoven
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Daniel Ashcroft
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Memorable Themes for Orchestra - Set One
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DanielAshcroftMusic
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SheetMusicPlus
Pachelbel's Canon in D - Score Only
Orchestre
Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. For Full Orchestra.…
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Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. For Full Orchestra. Baroque Period. Score. Published by DanielAshcroftMusic
$15.00
13.4 €
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Orchestre
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Johann Pachelbel
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Daniel Ashcroft
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Pachelbel's Canon in D - Score Only
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DanielAshcroftMusic
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SheetMusicPlus
Pachelbel's Canon in D - Score and Parts
Orchestre
Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. For Full Orchestra.…
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Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. For Full Orchestra. Baroque Period. Score,Set of Parts. Published by DanielAshcroftMusic
$40.00
35.73 €
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Orchestre
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Johann Pachelbel
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Daniel Ashcroft
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Pachelbel's Canon in D - Score and Parts
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DanielAshcroftMusic
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SheetMusicPlus
Lanny Allen: A Mighty Fortress Is Our God (with "Canon in D") (COMPLETE) - orchestra/band
Orchestre
Instantly printable sheet music by Johann Pachelbel for orchestra/band of MEDIUM skill lev…
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Instantly printable sheet music by Johann Pachelbel for orchestra/band of MEDIUM skill level. / sacred,hymn
$43.99
39.3 €
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Orchestre
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Lanny Allen
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Virtualsheetmusic
Pachelbel's Canon in D
Orchestre
Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. Baroque Period. Per…
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Composed by Johann Pachelbel (1653-1706). Arranged by Daniel Ashcroft. Baroque Period. Performance. Published by DanielAshcroftMusic (S0.74553). - Performance - Baroque Period - DanielAshcroftMusic
$5.00
4.47 €
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Orchestre
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Johann Pachelbel
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Daniel Ashcroft
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Pachelbel's Canon in D
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DanielAshcroftMusic
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.33 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.33 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.33 €
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Orchestre
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Claude Debussy
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Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
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