Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph B�dier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.

The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.

Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because B�dier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Second Son (For Stephen) - Orchestra Score and Parts PDF
This lovely tune is dedicated to my second oldest son, Stephen, who is very creative especially in the area of animation.

It has been scored for full orchestra with additional parts for Piano, Harp, and Vibraphone or Glockenspiel. There is also 2-part voice part (No lyrics - only Ahs!) Different instruments get to play the melody, which gets repeated 9 times, with various accompaniments and counter melodies, especially in the Horn line. Let me know what you think of this composition. The MP3 was recorded with NotePerformer.

The original arrangement was done in 2011 but revised in June 2016

Grade = 3 Duration = 3:25 mins

A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!
Easy to work and can be played in no time!
This st includes: conductor's score, sections' scores (brass, woodwinds, percussion, strings) and parts.

"The Skye Boat Song" is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) from Benbecula to the Isle of Skye as he evaded capture by government troops after his defeat at the Battle of Culloden in 1746. A song of bitter loss and despair, which still manages to find a ray of hope in the fact that Charlie escaped and will "rise again".

It is arranged here for an Orchestra with optional parts for Clarinet 3, Euphonium, and Piano (Chorded).

The MP3 was recorded with NotePerformer 3.

​Grade = 3.5 Duration = 3:30 mins.

Transcriptionas recorded by CHICAGO for the album ?O Christmas Three?, released in 2011.

INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.

ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.

The majestic national anthem of Canada, in a brand new fully orchestrated arrangement for orchestra and SATB chorus by Samuel Labrecque based on George Alfred Grant-Shaefer's version for SATB and piano. This orchestration was done to be performable both with and without the choir. It's a simple yet powerful arrangement that's within reach of every ensemble and is certain to reach the patriotic Canadian within you!

Note: This is the full performance package containing both the conductor's full score and the complete set of parts. The full score and the vocal score can each be purchased on their own as well.

A word of caution: The full score is in A3 format while the parts are in A4. Make sure to rescale the full score if you don't want to print it in A3.

Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).

The majestic national anthem of Canada, in a brand new fullyorchestrated arrangement for orchestra and SATB chorus by Samuel Labrecquebased on George Alfred Grant-Shaefer's version for SATB and piano. Thisorchestration was done to be performable both with and without the choir. It'sa simple yet powerful arrangement that's within reach of every ensemble and iscertain to reach the patriotic Canadian within you!

Note: This item contains only the conductor's full score, for study purposes. The vocal score (piano reduction) and the full performance package (full score and parts) can each be purchased on theirown as well.

Orchestration: Lloyd Larson.

Filled with charm and warmth, this traditional service is thoughtfully designed for performance by choirs of all sizes with a minimum of preparation and cost. Beloved traditional scripture readings are tightly interwoven with twenty-six carols that include just a touch of Handel and Bach! A continuous flow of carols both accompanies the scripture readings and flows seamlessly into simple arrangements for choir, choir with vocal solo or duet, and choir with congregation. One unique feature is an optional four-hand piano score that adds budget-friendly sparkle! Another welcome option is a simple handbell and percussion score with synth strings and two-hand piano. Flexibly conceived, this program can be performed in its entirety, lasting approximately 30-35 minutes, or shortened to conform to your particular Christmas needs.

A Christmas Tale, score for Symphony Orchestra
Holiday music