Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Call Me
Sheetmusicplus
Non classifié
335
Piano & claviers
Piano seul
287
Piano, Voix
139
Piano, Voix et Guitare
118
Piano Facile
47
Instruments en Do
39
Orgue
28
Accompagnement Piano
9
1 Piano, 4 mains
6
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
4
Accordéon
2
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
76
Ligne De Mélodie, (Paroles) et Accords
38
Guitare
36
Basse electrique
21
Paroles et Accords
11
Ukulele
6
Mandoline
4
Guitare (partie séparée)
3
Banjo
3
Basse électrique (partie séparée)
2
4 Guitares (Quatuor)
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
198
Chorale 3 parties
36
Chorale TTBB
31
Chorale 2 parties
21
Voix duo, Piano
18
Chorale SSAA
13
Voix seule
12
Chorale Unison
8
Voix duo
5
Voix Soprano, Piano
5
Chorale
2
Pack Instrumental pour Chorale
2
Voix Alto, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 12 instrumentations
Retracter
Vents
Saxophone (partie séparée)
22
Flûte traversière
20
Quatuor de Saxophones: 4 saxophones
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Clarinette
15
Saxophone Alto
13
Flûte traversière et Piano
12
Clarinette et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette (partie séparée)
8
Saxophone Tenor
8
Quatuor de Clarinettes: 4 clarinettes
8
Flute (partie séparée)
7
Hautbois (partie séparée)
6
Ensemble de Flûtes
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Quintette de Saxophone: 5 saxophones
5
Ensemble de Clarinettes
4
Quintette de Flûte : 5 flûtes
4
Instruments en Mib
3
2 Saxophones (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Soprano et Piano
3
Flûte à bec Alto
3
2 Clarinettes (duo)
3
3 Saxophones (trio)
3
Hautbois
2
Flûte à bec Soprano
2
Saxophone Soprano
2
2 Flûtes traversières (duo)
2
Ensemble de saxophones
2
Saxophone Tenor et Piano
2
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
5 Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
2 Saxophones, Piano
1
Flûte à Bec
1
Flûte et Guitare
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette (partie séparée)
17
Trombone
14
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone (partie séparée)
10
Trombone et Piano
7
Cor
7
Tuba
6
Trompette, Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Ensemble de Trombones
2
Tuba et Piano
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
Instruments en Sib
1
Ensemble de Tubas
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon
25
Violoncelle
20
Violon et Piano
19
Alto seul
16
Violoncelle, Piano
11
Harpe
8
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
6
Harpe, Voix
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Contre Basse
4
Violon (partie séparée)
3
Violon, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
2 Violoncelles (duo)
1
Harpe, Violon, Violoncelle
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
81
Fanfare
37
Orchestre
36
Ensemble Jazz
28
Orchestre à Cordes
21
Orchestre de chambre
13
Batterie
12
Jazz combo
11
Ensemble de cuivres
11
Ensemble de Percussions
7
Batterie (partie séparée)
6
Percussion (partie séparée)
6
Cloches
5
Timbales (partie séparée)
1
Caisse Claire
1
Piano et Orchestre
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
15
Partitions Numériques
36
Librairie Musicale
0
Matériel de Musique
10
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Call Me
SheetMusicPlus
Partitions à imprimer
36 partitions trouvées
<
1
26
Call On Me
#
Orchestre
#
INTERMÉDIAIRE
#
Eric Prydz
#
Steve Pycroft
#
all instrumental parts.
#
Call On Me
#
Steve Pycroft
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1496626 By Eric Prydz. By Dave Hollister, Dave Le Chaine Hollister, Eric Prydz, Erick S Sermon, Joe Sample, Steve Win...
(+)
Full Orchestra - Level 3 - SKU: A0.1496626 By Eric Prydz. By Dave Hollister, Dave Le Chaine Hollister, Eric Prydz, Erick S Sermon, Joe Sample, Steve Winwood, and Will Jennings. Arranged by Steve Pycroft. 21st Century,Classical,Disco,Pop. 63 pages. Steve Pycroft #1073148. Published by Steve Pycroft (A0.1496626). This unique orchestral arrangement of Eric Prydz' number 1 hit 'Call On Me is by arranger Steve Pycroft. Founder and Musical Director of Kaleidoscope Orchestra, Steve has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of dance anthems such as this one. Steve takes the structures and turns them into something fresh, while still staying true to the vibe of the originals. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a classic pop tune.This arrangement is for full orchestra. 2x flutes, 2x oboes, 2x clarinets, Alto Saxophone, Tenor Saxophone, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts.
$119.99
Maybe Call Me (Orchestra)
#
Orchestre
#
INTERMÉDIAIRE
#
Rock
#
James Gilbert
#
Maybe Call Me
#
James Gilbert Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1504612 Composed by James Gilbert. Pop,Rock. 118 pages. James Gilbert Music #1080039. Published by James Gilbert Musi...
(+)
Full Orchestra - Level 3 - SKU: A0.1504612 Composed by James Gilbert. Pop,Rock. 118 pages. James Gilbert Music #1080039. Published by James Gilbert Music (A0.1504612). For Orchestra. An orchestra arrangement of this song from our album I Loved It. The original version is a techno - dance - house - EDM style piece. This arrangement is more orchestral. Adding drums would give it a more dance feel. Instrumentation: 2 Flutes, Oboe, 2 Clarinets, Bass Clarinet, Bassoon, Horn, 2 Trumpets, 2 Trombone, Tuba, Bass Drum, Suspended Cymbal, String Section (2 Violins, Viola, Cello and Double Bass). Optional drums.
$12.99
Rosary Sonatas: The Visitation
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Visitation
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
(+)
Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
(+)
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Rosary Sonatas: The Annunciation
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Annunciati
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
(+)
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99
You've Got To Hide Your Love Away
#
Orchestre
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Javier MartÃnez Maya
#
You've Got To Hide Your Love A
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
(+)
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2 (Woodwinds and Brass)
#
Orchestre
#
AVANCÉ
#
James Nathaniel Holland
#
The Hero and Damned, An Opera
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. Jam...
(+)
Full Orchestra - Level 5 - SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4331497. Published by James Nathaniel Holland (A0.730483). FIRST SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Woodwinds and Brass). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$80.25
The Hero and Damned, An Opera In Four Acts, Individual Instruments 2 of 2 (Strings, Harp, and Percus
#
Orchestre
#
AVANCÉ
#
James Nathaniel Holland
#
The Hero and Damned, An Opera
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730484 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 232 pages. Jam...
(+)
Full Orchestra - Level 5 - SKU: A0.730484 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 232 pages. James Nathaniel Holland #4332749. Published by James Nathaniel Holland (A0.730484). SECOND SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Strings, Harp, Timpani and Percussion). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$48.95
The Hero and the Damned, An Opera in Four Acts, Full Orchestral Score (Full Score in Concert Pitch)
#
Orchestre
#
AVANCÉ
#
James Nathaniel Holland
#
The Hero and the Damned, An Op
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730485 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. Jam...
(+)
Full Orchestra - Level 5 - SKU: A0.730485 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4332853. Published by James Nathaniel Holland (A0.730485). FULL ORCHESTRAL SCORE (Full Score in Concert Pitch). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 1 (ww and brass) and 2 (strings//harp/perc) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$42.95
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
#
Orchestre
#
Classique
#
Camille Saint-Saens
#
Arkady Leytush
#
Camille Saint-Saens - "Ca
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6...
(+)
Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6535793. Published by Arkady Leytush (A0.1008422). I would rather call this opus by Saint-Saens The Frenchman in Morocco.It is known that composer S-S traveled a lot during his rather long and productive life. Despite the obvious oriental flavor of the thematic material in this work, one can clearly feel the western cut, the clarity of the form and the recognizability of the techniques characteristic of classical music. In my transcription, I have not tried to imitate his transparent and always convincing orchestrations. This music itself led me on the path of creating a picture from the Arab world.
$40.00
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holid
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
(+)
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Cathedral Symphony - Score Only
#
Orchestre
#
INTERMÉDIAIRE
#
Dominic McGonigal
#
Cathedral Symphony - Score Onl
#
C8 Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1518514 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 48 pages. C8 Music #1092617. Published by...
(+)
Full Orchestra - Level 3 - SKU: A0.1518514 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 48 pages. C8 Music #1092617. Published by C8 Music (A0.1518514). When the London Medical Orchestra commissioned me to write something for their 70th anniversary, neither of us expected a symphony. The inspiration came from cathedral architecture, the grand entrance of the West Door, the Nave that draws the eye from arch to arch, the serenity and peace of the Choir and the magnificence of the Tower. The ideas grew from sketches in my notebook to great arching structures, linking the movements and developing with each iteration. My personal favourite is the 3rd movement, The Choir, with its extraordinary sense of space and intimacy, recalling the peace in the choir of Beauvais Cathedral (still the tallest in the world). It's a great piece to play as well as listen to. Duration 22'. Scored for orchestra (2222 4331 tp pc str, plus optional extras). More at www.dominicmcgonigal.com or search McGonigal on www.SheetMusicDirect.com.
$4.99
The Little Drummer Boy
#
Orchestre
#
INTERMÉDIAIRE
#
Josh Groban Featuring Andy Mck
#
Kevin Riley
#
The Little Drummer Boy
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1307541 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Kev...
(+)
Full Orchestra - Level 3 - SKU: A0.1307541 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Kevin Riley. 20th Century,Christian,Christmas. Score and Parts. 58 pages. Kevin Riley #896807. Published by Kevin Riley (A0.1307541). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.
$60.00
Elegy Sentimentale for Orchestra
#
Orchestre
#
Keith Terrett
#
Elegy Sentimentale for Orchest
#
Keith Terrett
#
SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
(+)
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
The Valley of the Dry Bones
#
Orchestre
#
AVANCÉ
#
Zsigmond Rosarion
#
The Valley of the Dry Bones
#
Zsigmond Rosarion
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
(+)
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Watt's Cradle Hymn
#
Orchestre
#
INTERMÉDIAIRE
#
Dr
#
Christian Moehrle
#
Watt's Cradle Hymn
#
Christian Frederick Moehrle
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1024372 Composed by Dr. Isaac Watts (1674-1748). Arranged by Christian Moehrle. Christian,Christmas,Contemporary. Sco...
(+)
Full Orchestra - Level 3 - SKU: A0.1024372 Composed by Dr. Isaac Watts (1674-1748). Arranged by Christian Moehrle. Christian,Christmas,Contemporary. Score and parts. 31 pages. Christian Frederick Moehrle #3014379. Published by Christian Frederick Moehrle (A0.1024372). This is supposed to be an instrumental version of the Cradle Hymn, set to poetry and music by Dr. Isaac Watts. (1674-1748) So basically, the music is not my original. Please correct me if I am wrong.
$5.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
(+)
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
(+)
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Green Fields
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Nick Mazuk
#
Green Fields
#
Mazuk Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.933996 Composed by Nick Mazuk. 20th Century,Contemporary. Score and parts. 86 pages. Mazuk Music #3460829. Published ...
(+)
Full Orchestra - Level 4 - SKU: A0.933996 Composed by Nick Mazuk. 20th Century,Contemporary. Score and parts. 86 pages. Mazuk Music #3460829. Published by Mazuk Music (A0.933996). Picking a title for many pieces is often quite difficult for me because typically when I write music, I do not have any particular object or nonmusical idea in mind. Instead, I simply write music. And this piece, like many other pieces of mine, didn’t get a title until weeks after completing it.
$249.99
Symphony No. 5 ... Utopia Parkway (2003) full score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 5 ... Utopia Park
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
(+)
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Australia Our Land - Orchestra with SATB Choir and Piano
#
Orchestre
#
INTERMÉDIAIRE
#
Brendan James Elliget NotePerf
#
Australia Our Land - Orchestra
#
BJE Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Ellige...
(+)
Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
"Wallenstein in Altdorf" - Stage Music - For symphony orchestra and historical instruments
#
Orchestre
#
AVANCÉ
#
Wolfgang Völkl
#
"Wallenstein in Altdorf&q
#
Wolfgang Voelkl
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.988195 Composed by Wolfgang Völkl. 20th Century,Baroque,Broadway,Renaissance. Score and parts. 26 pages. Wolfgang ...
(+)
Full Orchestra - Level 5 - SKU: A0.988195 Composed by Wolfgang Völkl. 20th Century,Baroque,Broadway,Renaissance. Score and parts. 26 pages. Wolfgang Voelkl #6288977. Published by Wolfgang Voelkl (A0.988195). Incidental stage music for a play about famous Thirty Years War General Albrecht von Wallenstein and his not so famous time as a student at the university of small town Altdorf.The Score calls for several historical instruments from the time, like lute, traverse flute, harpsichord, viola da gamba and the like. Most of them can be substituted with their modern counterparts.At the moment only the score is available for sale via SMP. If you're interested in the parts, contact me on www.wvolkl.de
$13.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
#
Orchestre
#
AVANCÉ
#
Geraldine
#
The Glastry Pearl. Tone Poem E
#
Geraldine
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
(+)
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Concierto de Metal para un Recuerdo
#
Orchestre
#
AVANCÉ
#
Contemporain
#
William Ortiz
#
Blues and Rock &
#
Concierto de Metal para un Rec
#
William Ortiz
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Pub...
(+)
Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Published by William Ortiz (A0.1008985). The title of this work is a metaphor and it shouldn't be taken literally as a concerto for any specific instrument, although brass and metal percussion instruments are prominent. Ever since I can remember, Rhythm & Blues and Rock & Roll have had a strong influence in me musically. In like manner Concierto de Metal para un Recuerdo utilizes a popular and common 4-part street corner harmonic progression as it's main recourse. The sonic material or theme that evolves from that is transformed and modified into various melodic, harmonic, rhythmic and/or timbre motifs. A surprise feel good rock passage emerges revealing another cultural phenomena that permeates in our socio-musical environment. This work questions the possibility of overcoming abstruse musical concepts in contemporary concert music. But at the same time, it is revolutionary in the sense that it dares to contradict and confront Eurocentric musical concepts with an accessible and unpretentious street gutted idiom.
$45.00
Elegy for Solo Clarinet and Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Joel Jacklich
#
Elegy for Solo Clarinet and Or
#
Joel Jacklich
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published ...
(+)
Full Orchestra - Level 3 - SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published by Joel Jacklich (A0.723172). This is the orchestral version of Elegy. Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band or orchesra.
$40.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Call Me
