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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can-Can - Flute Solo
Non classifié
4 690
Piano & claviers
Piano seul
25 198
Piano, Voix
1 479
Accordéon
1 257
Piano Facile
1 206
Piano, Voix et Guitare
661
Orgue
395
Instruments en Do
140
1 Piano, 4 mains
92
Accompagnement Piano
91
Piano grosses notes
55
Piano (partie séparée)
25
Instrument seul et Orgue
16
2 Pianos, 4 mains
14
Piano Trio: piano, violon, violoncelle
13
Orgue, Trompette (duo)
11
Orgue, Piano (duo)
8
Clavecin
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
2
Accordéon, Voix
1
+ 17 instrumentations
Retracter
Guitares
Guitare
1 815
Guitare notes et tablatures
1 297
Ukulele
207
Ukulele Baryton
78
Paroles et Accords
59
Basse electrique
54
Guitare (partie séparée)
51
Dulcimer
49
Ligne De Mélodie, (Paroles) et Accords
48
Mandoline, Piano (duo)
44
Banjo
39
Mandoline
32
4 Guitares (Quatuor)
23
2 Guitares (duo)
19
Piano, Guitare (duo)
9
Ensemble de guitares
8
2 Dulcimers (duo)
6
Dobro
5
3 Guitares (trio)
5
2 Mandolines (duo)
3
2 Guitares, Clarinette (trio)
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 843
Voix duo, Piano
858
Voix duo
340
Chorale 3 parties
326
Voix seule
208
Chorale 2 parties
187
Chorale Unison
175
Voix Soprano, Piano
171
Voix haute
161
Chorale TTBB
136
Voix Alto, Piano
127
Chorale SSAA
85
Voix Tenor, Piano
80
Voix Baryton, Piano
57
Voix moyenne, Piano
44
Voix basse, Piano
31
Voix Tenor
21
Voix basse
12
Voix Soprano
9
Soli, choeur mixte et accompagnement
6
Voix Mezzo-Soprano, Piano
4
Pack Instrumental pour Chorale
3
Chorale SSAATTBB
2
Chorale
2
Voix Baryton
2
Chorale SSATB
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Voix Moyenne
1
Chorale SATBB
1
+ 25 instrumentations
Retracter
Vents
Clarinette
937
Saxophone Alto
876
Saxophone Tenor
683
Flûte à bec Soprano
678
Saxophone (partie séparée)
558
Clarinette et Piano
524
Saxophone Alto et Piano
474
Hautbois, Piano (duo)
421
Hautbois (partie séparée)
365
Saxophone Tenor et Piano
339
Saxophone Soprano et Piano
238
Quatuor de Saxophones: 4 saxophones
124
Cor anglais, Piano
121
Saxophone Baryton, Piano
115
Flûte à Bec
107
Hautbois
88
Quatuor de Clarinettes: 4 clarinettes
82
2 Clarinettes (duo)
81
Saxophone
80
Flûte à bec Alto
75
2 Saxophones (duo)
71
Saxophone Soprano
69
Cor Anglais
68
Quintette de Saxophone: 5 saxophones
55
Ocarina
53
Clarinette Basse, Piano
45
3 Saxophones (trio)
44
Saxophone Baryton
39
Flûte irlandaise
38
Flûte à bec Soprano, Piano
37
Ensemble de Clarinettes
35
3 Clarinettes (trio)
32
Instruments en Mib
31
Quintette de Clarinettes: 5 clarinettes
29
Harmonica
26
Clarinette (partie séparée)
23
Clarinette, Guitare (duo)
23
Ensemble de saxophones
20
Flûte à bec Tenor
18
2 Hautbois (duo)
18
2 Flûte à bec (duo)
17
Quatuor de Flûtes à bec
13
Flûte à bec Alto, Piano
12
Saxophone et Orgue
11
Piccolo, Piano
10
Cor anglais, Guitare (duo)
9
Clarinette Basse
8
Ensemble De Flûte à bec
8
Hautbois, Basson (duo)
7
Saxophone et Guitare
7
Hautbois, Guitare (duo)
6
Flûte à bec, Guitare (duo)
6
Clarinette, Basson (duo)
6
Saxophone et Piano
5
Piccolo
5
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
4
3 Flûtes à bec (trio)
4
5 Flûtes à bec
4
Hautbois, Clarinette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Saxophones, Piano
3
Clarinette, Harpe (duo)
3
Hautbois, Basson et Piano
2
2 Clarinettes, Piano
2
Saxophone, Clarinette (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle, Piano (trio)
2
Cornemuse
2
Flûte à Bec, Piano
2
Hautbois, Violoncelle et Piano
1
Hautbois, Quatuor à cordes
1
Clarinette, Tuba
1
Clarinette et Alto
1
Clarinette, Orchestre
1
Hautbois, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
Flûte à bec, Harpe
1
Clarinette, Trombone (duo)
1
Hautbois, Violon, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Harmonica, Piano
1
4 Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
2 Hautbois, Piano
1
Clarinette, Contrebasse (duo)
1
Clarinette, Orgue
1
+ 83 instrumentations
Retracter
Cuivres
Trompette
909
Trombone
733
Cor
480
Trombone et Piano
406
Trompette, Piano
378
Cor et Piano
354
Tuba
235
Trompette (partie séparée)
195
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
145
Tuba et Piano
145
Trombone (partie séparée)
127
Cor anglais, Piano
121
Cor Anglais
68
Euphonium, Piano (duo)
66
Euphonium
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Bass Clef Instruments
51
2 Trombones (duo)
50
Ensemble de Trompettes
42
Instruments en Sib
35
Quatuor de cuivres: 4 trombones
29
Ensemble de Trombones
26
Cor (partie séparée)
25
2 Trompettes (duo)
22
Trompette, Trombone (duo)
20
Tuba (partie séparée)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
2 Cors (duo)
16
Instruments en Fa
12
Quatuor de cuivres: 4 cors
11
Euphonium, Tuba (duo)
11
2 Euphoniums et 2 Tubas
9
2 Euphoniums (duo)
9
Cor anglais, Guitare (duo)
9
2 Tubas (duo)
8
3 Trombones (trio)
8
Ensemble de Cors
8
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trompettes
5
Trompette et Guitare
4
Trombone basse et Piano
4
4 Tubas
4
Trompette, Cor (duo)
4
3 Trompettes (trio)
4
3 Cors (trio)
3
Trombone, Orgue
3
Trio de Cuivres
3
Tuba et Orgue
3
Cor et Orgue
3
Trombone et orchestre
3
Trompette, Saxophone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cornet et orchestre
2
2 Cors Anglais Et Pianoforte
2
3 Tubas (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Trompette, Orchestre
1
Bugle
1
+ 56 instrumentations
Retracter
Cordes
Violon
1 781
Harpe
1 569
Violoncelle
1 057
Violon et Piano
876
Alto seul
640
Quatuor à cordes: 2 violons, alto, violoncelle
558
Violoncelle, Piano
485
Alto, Piano
462
Violon, Violoncelle (duo)
302
Trio à Cordes: violon, alto, violoncelle
236
Contre Basse
219
Alto (partie séparée)
184
Quintette à cordes: 2 violons, alto, violoncelle, basse
116
Contrebasse, Piano (duo)
91
2 Violons (duo)
71
Violon, Alto (duo)
45
2 Violoncelles (duo)
43
Trio à Cordes: 2 violons, violoncelle
41
Contrebasse (partie séparée)
37
Violon (partie séparée)
31
Alto, Violoncelle (duo)
23
Violoncelle , Guitare (duo)
20
Violon, Guitare (duo)
20
Trio à cordes: 3 violins
19
2 Altos (duo)
17
Alto, Guitare (duo)
11
Quatuor à cordes: 4 violons
10
Harpe et mandoline
9
Trio à Cordes: 3 violoncelles
8
Violon, Orgue
7
Trio à cordes: 3 altos
7
2 Harpes (duo)
6
Violoncelle (partie séparée)
6
4 Violoncelles
6
Violoncelle, Orgue
5
Trio à Cordes: 2 violons, alto
5
Piano Trio: Violon, Alto, Piano
4
4 Contrebasses
4
2 Contrebasses (duo)
4
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violoncelles, Piano
3
Quatuor à cordes : 4 altos
3
Autoharp
3
Ensemble de Violoncelles
2
Ensemble de Violons
2
2 Violons, Piano
2
2 Altos, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Harpe et Piano
1
Alto, Orgue
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
474
Orchestre à Cordes
401
Orchestre d'harmonie
247
Cloches
225
Orchestre
217
Orchestre de chambre
170
Jazz combo
100
Ensemble de cuivres
98
Batterie
87
Marimba
79
Vibraphone
50
Xylophone
28
Batterie (partie séparée)
28
Ensemble de Percussions
22
Fanfare
14
Percussion (partie séparée)
13
Xylophone, Piano
7
Percussion
7
Piano et Orchestre
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Timbales (partie séparée)
2
Orchestre, Violon
2
Quatuor à Vent : 4 instruments à vents
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Crtitères actifs :
Can-Can - Flute Solo
Orchestre
Partitions à imprimer
217 partitions trouvées
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201
O Holy Night (Cantique de Noel) Adolphe Adam Orchestral Accompaniment in Bb
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Noël
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Adolphe-Charles Adam
#
James Nathaniel Holland
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O Holy Night
#
James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730362 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christmas,Romantic Period. Score and pa...
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Full Orchestra - Level 4 - SKU: A0.730362 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christmas,Romantic Period. Score and parts. 61 pages. James Nathaniel Holland #2926305. Published by James Nathaniel Holland (A0.730362). The timeless Christmas classic O Holy Night (Cantique de Noel) by French composer Adolphe Adam. Orchestral accompaniment to be used with any James Nathaniel Holland vocal or soloists arrangement in Bb (Medium Low Voice (A to F) and SATB Chorus included in score and parts). Full Score in concert pitch and all respective instrument parts included. Soloist in treble clef. Some archaic text changed.Sold separately: Piano vocal score arrangements. Piano vocal score for baritone (bass clef) and Chorus.Usually programmed with Carol (Villagers All This Frosty Morn) for SATB Choir and Orchestra. Also available on this site. http://www.sheetmusicplus.com/title/carol-villagers-all-this-frosty-morn-arranged-for-satb-chorus-an..... Orchestration:fl12, ob12, eh, clBb12, bsn12, hF12, trBb12, trom12, tuba, timp, hand cym/gckspl, harp(or piano/org), soloist/SATB choir (can be interchanged with any solos or duets), stringsArranger's website: https://www.facebook.com/jamesnathanielholland/
$21.95
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 -
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stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score an...
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Chamber Orchestra - Level 3 - SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concertino for Solo Violin, So
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #354431...
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Full Orchestra - Level 5 - SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #3544313. Published by James Nathaniel Holland (A0.730454). FULL SCORE AND ALL INDIVIDUAL PARTS (Including Solos). The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins. Reduced piano score (with solo parts), Full Score only sold separately. Instrumentation: picc, fl12, ob12, eh, clBb 12, bsn 12, cbsn, hrn 1234, tpt 12, trmb 12, tba, timp, perc (bdrm, hand cym/susp. cym with soft mall., tri, temple blks, gong) harp, soloists, strings Duration: 24 minutes YouTube Presentation: https://youtu.be/BxiTM50KwCk Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$39.95
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Fiddle-Faddle for Soloist and Full Orchestra: Solo Cello
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Orchestre
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Methodes
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Leroy Anderson
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Jack Bullock
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Fiddle-Faddle for Soloist and
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001562_SVC Solo Cello. Composed by Leroy Anderson. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred...
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Full Orchestra - SKU: AX.00-PC-0001562_SVC Solo Cello. Composed by Leroy Anderson. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001562_SVC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001562_SVC). UPC: 038081320649.The soloist sizzles, the orchestra supports and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using the exact pitches of the original as well as the wonderful, playful Anderson sound, this piece will provide a perfect change of pace during a concert or make a great encore. The solo can be performed by violin, viola or cello. (4:20)Concert/Contest.
$3.00
Fiddle-Faddle for Soloist and Full Orchestra: Solo Violin
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Orchestre
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Methodes
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Leroy Anderson
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Jack Bullock
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Fiddle-Faddle for Soloist and
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001562_SVN Solo Violin. Composed by Leroy Anderson. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfre...
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Full Orchestra - SKU: AX.00-PC-0001562_SVN Solo Violin. Composed by Leroy Anderson. Arranged by Jack Bullock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001562_SVN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001562_SVN). UPC: 038081320649.The soloist sizzles, the orchestra supports and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using the exact pitches of the original as well as the wonderful, playful Anderson sound, this piece will provide a perfect change of pace during a concert or make a great encore. The solo can be performed by violin, viola or cello. (4:20)Concert/Contest.
$3.00
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
"Arcane Aldébaran" piano 1 & 2 / Cello 1,2,3,4 / Contrabass
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Orchestre
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AVANCÉ
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Contemporain
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Julien Boulier
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Julien Boulier
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"Arcane Aldébaran&
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Julien Boulier
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages....
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Full Orchestra - Level 5 - SKU: A0.1014395 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 72 pages. Julien Boulier #4603309. Published by Julien Boulier (A0.1014395). Extracted parts piano 1 & piano 2 / Cello 1,2,3,4 (3 cellos divisi and 1 solo cello advanced or 1 cello advanced amplified) / Contrabass 1,2,3String Orchestra, Chamber Orchestra, 2 pianos advanced level for duo (rythm 3 for 4 between 3 quarters piano 1 right hand and 4 quavers 2 hands piano 2) / 6 violas / 3 Contrebass / 3 cellos divisi or 1 cello expert / / 6 altos / - Composed by Julien Boulier. Arranged by Julien Boulier. Contemporary Classical, Impressionistic, Neo-Classical. 35 pages. Published by Julien Boulier (S0.568883).Item Number: S0.568883Vimeo pro video The Public Studio : https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$5.00
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
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Orchestre
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AVANCÉ
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Cello Concerto No. 1, Full Score and Individual Parts (Including Solo Cello Part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Cello Concerto No. 1, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1323804 Composed by James Nathaniel Holland. 21st Century,Contemporary. 246 pages. James Nathaniel Holland #912005. P...
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Full Orchestra - Level 4 - SKU: A0.1323804 Composed by James Nathaniel Holland. 21st Century,Contemporary. 246 pages. James Nathaniel Holland #912005. Published by James Nathaniel Holland (A0.1323804). FULL SCORE AND INDIVIDUAL PARTS (Including Solo Cello and Individual Parts) The first cello concerto of 21st century, American composer James Nathaniel Holland for smaller orchestra and cello soloist. Â Adapted from Piano Concerto No. 6, this lively piece contains three distinct movements. Â Movement one giggles and bubbles with triumphant glee; Â movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities. (License or permission to perform may apply.)Instrumentation: Â Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) CELLO SOLOIST, StringsReduced Piano Score with individual solo and Piano Parts, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration: Â Approximately 30 minutes.
$25.99
Away in a Manger (Gloria, Gloria All Be Blessed!) for Soloist, SATB Choir and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Traditional and James Nathanie
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James Nathaniel Holland
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Away in a Manger
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,C...
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Full Orchestra - Level 3 - SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,Contemporary,Sacred. Score and parts. 42 pages. James Nathaniel Holland #3886465. Published by James Nathaniel Holland (A0.730472). One of the most iconic hymns of Christmas arranged by American composer James Nathaniel Holland and expanded with an original new chorus with new text. This arrangement/new work contains both traditional melodies (Flow Gently and Away in a Manger). Here presented for soloist (or solo treble instrument in C) SATB choir and full orchestra. A meandering string counter-melody accompanies close choir harmonies and a simple beautiful traditional melody. Sentimental, quiet perfect for choir boy soloist or perhaps children's choir. Intermediate level. Full score in concert pitch and individual parts including vocal parts included. Versatile enough to be used with the other arrangements in this key.Instr: fl12, ob, eh, cl12, bsn12, hrn12, tpt12, trom 12, timp, perc. (glk, tri., hand cym.) harp and strings. Duration: 6 minutes and 49 seconds.Composers website: https://www.facebook.com/jamesnathanielholland/
$23.50
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Orchestral Score Only)
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concertino for Solo Violin, So
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730453 Composed by James Nathaniel Holland. Contemporary. Score and parts. 78 pages. James Nathaniel Holland #3544283...
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Full Orchestra - Level 5 - SKU: A0.730453 Composed by James Nathaniel Holland. Contemporary. Score and parts. 78 pages. James Nathaniel Holland #3544283. Published by James Nathaniel Holland (A0.730453). FULL SCORE ONLY. The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins.
$15.95
Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts (Optional Trombone solo)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel...
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Full Orchestra - Level 5 - SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel Holland #4111275. Published by James Nathaniel Holland (A0.730478). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. This publication includes the full orchestral score (in concert pitch) and all individual instrument parts. As a optional bonus, a solo trombone part can be used in place of the French horn and is included at the end.This three movement concerto begins with the first movement, Return to Vahalla echoing the great composers Richard Strauss and Wagner.Then continues with an emotional second movement, Vissi D'arte (or 'All for Art').The third movement is a fun scherzo and march which satirises the sometimes passive agression and self importance of the Bureaucrat, coming to an energetic finale that is typcial of Holland's music.This arrangement includes the instrument part and orchestra reduction for the piano with the part written above in concert pitch for easier rehearsal. Instrumentation: picc, fl12, ob12, clBb12, bsn 12, hrn 123, tpt123, trmb12, tba, timp, perc, solo horn, hrp, strings (opt. solo trombone substitution)
$32.95
Intermezzo Sinfonico from Cavalleria Rusticana ? original orchestration
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Orchestre
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INTERMÉDIAIRE
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Classique
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Pietro Mascagni
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Michele Galvagno
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Intermezzo Sinfonico from Cava
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic...
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Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 33 pages. Artistic Score Engraving di Galvagno Michele #959220. Published by Artistic Score Engraving di Galvagno Michele (A0.1374671). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$38.00
Claude Debussy: Poème for violin and orchestra, full score and solo part
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Orchestre
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Mus...
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Full Orchestra - Level 5 - SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95
O Holy Night; Cantique de Noel - Solo Bass Clarinet
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Orchestre
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INTERMÉDIAIRE
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Noël
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Adam, Adolph
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O Holy Night; Cantique de Noel
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Music-Scores.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.721609 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Sco...
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Full Orchestra - Level 3 - SKU: A0.721609 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Score and parts. 2 pages. Music-Scores.com #4846431. Published by Music-Scores.com (A0.721609). Cantique de Noel, or O Holy Night. The setting of a poem by Cappeau which was written to celebrate the renovation of the Church organ in Roquemaure, on the west of the Rhone. This arrangement has an option to improvise, and is for unaccompanied Bass Clarinet.Duration up to 3 minutes, 30 seconds.Arranged by Anne Christopherson and www.music-scores.com
$5.95
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Can-Can - Flute Solo