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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Canon No. 3
Non classifié
37
Piano & claviers
Piano seul
18
Piano Facile
5
Piano, Voix et Guitare
2
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix
1
+ 3 instrumentations
Retracter
Guitares
Voix
Chorale SATB
6
Chorale 3 parties
4
Vents
Quatuor de Flûtes : 4 flûtes
7
Quatuor de Clarinettes: 4 clarinettes
4
3 Clarinettes (trio)
4
2 Clarinettes (duo)
2
Clarinette et Piano
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Saxophones: 4 saxophones
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière
2
Trio de Flûtes: 3 flûtes
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
2 Flûtes traversières (duo)
2
2 Hautbois (duo)
1
2 Saxophones (duo)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 15 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Trombones (duo)
1
Ensemble de Trombones
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
2 Violons (duo)
9
Violon et Piano
3
Harpe
3
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle, Piano
1
Violon
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre
5
Orchestre à Cordes
3
Cloches
2
Orchestre d'harmonie
1
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CITHARE
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Vous avez sélectionné:
Canon No. 3
Orchestre
Partitions à imprimer
5 partitions trouvées
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Canongia - Clarinet Concerto No.3 in E flat major
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Orchestre
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Classique
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José Avelino Canongia
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Canongia - Clarinet Concerto N
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1305630 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score an...
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Full Orchestra - SKU: A0.1305630 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 136 pages. J.G. Cuco Barber #895083. Published by J.G. Cuco Barber (A0.1305630). Work Title Clarinet Concerto No.3 in E flat majorComposer Canongia, José AvelinoKey E flat majorMovements/Sections 3 movements: Allegro maestoso Andantino Allegro Dedication à S. M. Don Fernando second Roi de PortugalAverage Duration 19 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Solo: clarinet (Bâ™)Orchestra: 2 flutes, 2 oboes, 2 clarinets (Bâ™), 2 bassoons, 2 horns (F), 2 trumpets (Bâ™), trombone, timpani, strings.
$45.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Canongia - Clarinet Concerto No.4 in D minor
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Orchestre
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Classique
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José Avelino Canongia
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J
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Canongia - Clarinet Concerto N
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1309878 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 125 page...
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Full Orchestra - SKU: A0.1309878 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 125 pages. J.G. Cuco Barber #899024. Published by J.G. Cuco Barber (A0.1309878). Work Title Clarinet Concerto No.4 in D minorComposer Canongia, José AvelinoKey D minorMovements/Sections 3 movements: Allegro agitato Adagio Allegro Dedication à S. M. I. la Duchesse de BraganeComposer Time Period RomanticPiece Style RomanticInstrumentation clarinet, orchestraInstrDetail2 flutes, 2 oboes, 2 clarinets, 2 bassoons2 horns, 2 trumpets, trombonetimpani, strings.
$45.00
Canongia - Clarinet Concerto No.1 in G minor
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Orchestre
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Classique
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José Avelino Canongia
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Canongia - Clarinet Concerto N
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1300191 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score an...
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Full Orchestra - SKU: A0.1300191 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 153 pages. J.G. Cuco Barber #889928. Published by J.G. Cuco Barber (A0.1300191). Work Title Clarinet Concerto No.1 in G minorAlternative Title Premier Concerto pour la Clarinette avec OrchestreComposer Canongia, José AvelinoKey G minorMovements/Sections 3 movements: Allegro Maestoso Adagio Rondo, Tempo di Polacca Dedication MM les Professeurs et Amateurs de cet Instrument [clarinet]Average Duration 25 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation clarinet, orchestra;InstrDetail flute, 2 oboes, bassoon, 2 horns, trombone, strings.
$45.00
Canongia - Clarinet Concerto No.2 in B flat major
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Orchestre
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Classique
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José Avelino Canongia
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Canongia - Clarinet Concerto N
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1302485 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score an...
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Full Orchestra - SKU: A0.1302485 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 153 pages. J.G. Cuco Barber #892105. Published by J.G. Cuco Barber (A0.1302485). Work Title Clarinet Concerto No.2 in B flat majorAlternative Title Deuxieme Concerto pour la Clarinette Avec OrchestreComposer Canongia, José AvelinoKey B flat majorMovements/Sections 3 movements: Allegro maestoso Andantino sostenuto Allegro vivace Dedication Pierre 1er. Empereur du Bresil et Roi de PortugalAverage Duration 18 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation clarinet, orchestraInstrDetail 2 flutes, 2 oboes, 2 clarinets, 2 bassoons2 horns, 2 trumpets, bass trombone, timpani, strings.
$45.00
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Canon No. 3
