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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
2499
PIANO & CLAVIERS
Piano grosses notes
3140
Piano seul
1957
Orgue
1521
Piano Facile
700
Piano, Voix
517
Piano, Voix et Guitare
327
Instruments en Do
157
Accompagnement Piano
104
Accordéon
104
Clavier
60
Piano Trio: piano, violon, violoncelle
33
1 Piano, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
2
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Ligne De Mélodie, Piano
1
2 Accordéons
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Basse electrique
523
Guitare
418
Guitare notes et tablatures
90
Ukulele
57
Ligne De Mélodie, (Paroles) et Accords
52
2 Guitares (duo)
24
Paroles et Accords
10
Dulcimer
10
4 Guitares (Quatuor)
5
Guitare (partie séparée)
4
Banjo
4
Mandoline
3
Piano, Guitare (duo)
3
Ensemble de Ukulélés
2
3 Guitares (trio)
2
Ensemble de guitares
2
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
552
Voix seule
464
Chorale 3 parties
266
Chorale 2 parties
163
Chorale TTBB
114
Chorale Unison
91
Chorale SSAA
78
Voix Soprano, Piano
53
Voix Tenor, Piano
46
Voix duo, Piano
43
Voix Baryton, Piano
23
Voix Alto, Piano
22
Voix haute
11
Voix duo
11
Voix Tenor
6
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix basse, Piano
3
Chorale SSATB
3
Voix Soprano
2
Chorale
2
Soli, choeur mixte et accompagnement
1
Chorale SATBB
1
Voix, Guitare
1
Voix basse
1
Instrumentations suivantes
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VENTS
Saxophone
1181
Flûte traversière
531
Clarinette
505
Ocarina
263
Flûte à bec Soprano
257
Flûte à bec Alto
187
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Flûte traversière et Piano
144
Hautbois, Piano (duo)
131
Quintette de Saxophone: 5 saxophones
126
Quatuor de Saxophones: 4 saxophones
124
Clarinette et Piano
114
Flûte, Hautbois, Clarinette, Basson
104
Saxophone Alto
103
Saxophone Alto et Piano
103
Saxophone Tenor
80
2 Saxophones (duo)
77
Saxophone Tenor et Piano
77
Saxophone Baryton, Piano
59
Quatuor de Clarinettes: 4 clarinettes
59
2 Flûtes traversières (duo)
51
Hautbois (partie séparée)
50
Flûte à Bec
49
Saxophone (partie séparée)
49
2 Clarinettes (duo)
46
Saxophone Soprano et Piano
45
3 Saxophones (trio)
42
Hautbois
32
Flûte à bec Alto, Piano
30
Quatuor de Flûtes : 4 flûtes
28
Ensemble De Flûte à bec
27
Flûte, Clarinette (duo)
27
Quintette de Clarinettes: 5 clarinettes
26
3 Clarinettes (trio)
25
Ensemble de Clarinettes
24
Clarinette Basse, Piano
23
Flûte, Hautbois, Clarinette (trio)
23
Saxophone Soprano
19
Hautbois, Clarinette, Basson (trio d'anches)
19
2 Hautbois (duo)
17
Ensemble de Flûtes
16
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton
14
Cor anglais, Piano
14
Flûte, Clarinette et Basson
14
Ensemble de saxophones
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
13
Flûte, Violon
11
Cor Anglais
9
Clarinette, Guitare (duo)
9
Trio de Flûtes: 3 flûtes
9
Flûte et Guitare
8
Hautbois, Basson (duo)
8
Quatuor de Flûtes à bec
8
Clarinette, Basson (duo)
8
2 Flûte à bec (duo)
7
Clarinette (partie séparée)
7
Flûte, Violoncelle
6
Saxophone, Clarinette (duo)
6
Clarinette et Alto
6
Flûte, Alto (duo)
6
Hautbois, Flûte
6
Hautbois, Violoncelle
6
Clarinette, Violoncelle (duo)
5
Clarinette, Trompette (duo)
5
Flûte, Hautbois, Basson
5
Flûte à bec Tenor
5
Flûte, Hautbois (duo)
5
Flute, harpe et violon
5
Hautbois, violon (duo)
4
Flûte, Basson et Piano
4
Hautbois et alto (duo)
4
Flûte, Saxophone (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Clarinette Basse
3
Flûte à bec Soprano, Piano
3
Flute (partie séparée)
3
Piccolo, Piano
2
Harmonica
2
Flûte, Trompette (duo)
2
Flûte à bec, Guitare (duo)
2
Flûte, Harpe et Violoncelle
2
Saxophone et Guitare
2
Flûte, Violon, Piano
2
Hautbois, Violon, Piano
2
Cor anglais et Harpe (duo)
1
2 Clarinettes, Basson
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
3 Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à Bec, Piano
1
Flûte, Alto et Piano
1
Piccolo
1
Flûte, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette
509
Trombone
458
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
297
Trombone et Piano
98
Trompette, Piano
91
Cor et Piano
90
Tuba et Piano
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
70
Cor
68
Tuba
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Euphonium, Piano (duo)
36
Trompette (partie séparée)
22
Trombone (partie séparée)
21
2 Trompettes (duo)
21
Quatuor de Cuivres
20
Quatuor de cuivres: 4 trombones
20
2 Trombones (duo)
18
Trompette, Trombone (duo)
14
Cor anglais, Piano
14
2 Cors (duo)
12
Cor Anglais
9
Euphonium
7
Ensemble de Trombones
6
Ensemble de Trompettes
5
Trompette, Saxophone (duo)
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
3
3 Trombones (trio)
3
Tuba (partie séparée)
3
Trio de Cuivres
2
4 Tubas
2
Trompette et Guitare
2
Quatuor de cuivres: 4 trompettes
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Trombone basse
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
414
Violon
363
Violoncelle
304
Alto seul
257
Violon et Piano
227
Alto, Piano
140
Violoncelle, Piano
139
Violon, Violoncelle (duo)
96
Harpe
79
Trio à Cordes: violon, alto, violoncelle
63
Trio à Cordes: 2 violons, violoncelle
59
Contrebasse, Piano (duo)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Contre Basse
48
2 Violons (duo)
47
2 Violoncelles (duo)
40
Violon, Alto (duo)
30
2 Altos (duo)
27
Alto (partie séparée)
18
Violon (partie séparée)
16
Violon, Guitare (duo)
13
Piano Trio: Violon, Alto, Piano
12
Alto, Violoncelle (duo)
11
Contrebasse (partie séparée)
10
2 Harpes (duo)
8
Violoncelle , Guitare (duo)
7
4 Violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Violon, Basson (duo)
6
Harpe, Voix
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Guitare (duo)
4
Trio à cordes
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
2
Violoncelle (partie séparée)
2
Autoharp
2
Trio à cordes: 3 violins
2
4 Harpes
1
Violon, Orgue
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
432
Batterie
296
Orchestre à Cordes
126
Orchestre de chambre
104
Cloches
85
Orchestre
83
Ensemble de cuivres
57
Ensemble Jazz
40
Jazz combo
23
Fanfare
20
Marimba
12
Xylophone
9
Batterie (partie séparée)
7
Percussion (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble de Percussions
3
Vibraphone
3
Percussion
3
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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Christmas Vacation: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017339_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017339_F1 Flute. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017339_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017339_F1). UPC: 038081515632.Since its release in 1989, the movie National Lampoon's Christmas Vacation has become a modern Christmas classic. This arrangement by Patrick Roszell features the theme song, Christmas Vacation. Join the trip with Clark and the rest of the Griswold family as we celebrate the holiday season, and say along with Clark, Where's the Tylenol? (2:20).
$3.00
2.69 €
#
Orchestre
#
Barry Mann and Cynthia Weil
#
Patrick Roszell
#
Secular
#
Christmas Vacation: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Christmas Vacation: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017339_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017339_B1 Bassoon. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017339_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017339_B1). UPC: 038081515632.Since its release in 1989, the movie National Lampoon's Christmas Vacation has become a modern Christmas classic. This arrangement by Patrick Roszell features the theme song, Christmas Vacation. Join the trip with Clark and the rest of the Griswold family as we celebrate the holiday season, and say along with Clark, Where's the Tylenol? (2:20).
$3.00
2.69 €
#
Orchestre
#
Barry Mann and Cynthia Weil
#
Patrick Roszell
#
Secular
#
Christmas Vacation: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Christmas Vacation: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017339_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017339_M1 Mallets. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017339_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017339_M1). UPC: 038081515632.Since its release in 1989, the movie National Lampoon's Christmas Vacation has become a modern Christmas classic. This arrangement by Patrick Roszell features the theme song, Christmas Vacation. Join the trip with Clark and the rest of the Griswold family as we celebrate the holiday season, and say along with Clark, Where's the Tylenol? (2:20).
$3.00
2.69 €
#
Orchestre
#
Barry Mann and Cynthia Weil
#
Patrick Roszell
#
Secular
#
Christmas Vacation: Mallets
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Christmas Vacation: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017339_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017339_VC1 Cello. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie; Secular. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017339_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017339_VC1). UPC: 038081515632.Since its release in 1989, the movie National Lampoon's Christmas Vacation has become a modern Christmas classic. This arrangement by Patrick Roszell features the theme song, Christmas Vacation. Join the trip with Clark and the rest of the Griswold family as we celebrate the holiday season, and say along with Clark, Where's the Tylenol? (2:20).
$3.00
2.69 €
#
Orchestre
#
Barry Mann and Cynthia Weil
#
Patrick Roszell
#
Secular
#
Christmas Vacation: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Christmas Vacation: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0005618 Score. Composed by B…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005618 Score. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie; Secular. Score. 15 pages. Alfred Music - Digital Sheet Music #00-PR-0005618. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005618). UPC: 038081515632.Since its release in 1989, the movie National Lampoon's Christmas Vacation has become a modern Christmas classic. This arrangement by Patrick Roszell features the theme song, Christmas Vacation. Join the trip with Clark and the rest of the Griswold family as we celebrate the holiday season, and say along with Clark, Where's the Tylenol? (2:20).
$9.00
8.08 €
#
Orchestre
#
Barry Mann and Cynthia Weil
#
Patrick Roszell
#
Secular
#
Christmas Vacation: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Song of Peace - Orchestral Score and Parts
Orchestre
Orchestra - Digital Download SKU: C7.CGOR1249 Composed by Johnnie Carl. G. Score an…
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Orchestra - Digital Download SKU: C7.CGOR1249 Composed by Johnnie Carl. G. Score and parts. 63 pages. Chorister's Guild - Digital #CGOR1249. Published by Chorister's Guild - Digital (C7.CGOR1249). UPC: 749193016879.Prior to his death, Johnnie Carl was the orchestra conductor, arranger, and orchestrator for the Crystal Cathedral Television Ministries of Robert Schuller. A Song of Peace is one of Carl's most triumphant achievements. Based on Jean Sibelius's symphonic poem Finlandia, A Song of Peace speaks of the glory of God's creation and the hope that God's work may abound throughout the nation. Written for SATB choir with organ accompaniment, brass and percussion, or full orchestra, this piece will be an outstanding addition to church services, festival choirs, school concerts, or patriotic events. Instrumentation: 3 Fl, 2 Ob, 3 Cl, 2 Bsn, 3 Tpt, 4 Hn, 3 Tbn, Tuba, Harp, Organ or Pno, Timp, Perc, Strings.
$149.95
134.62 €
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Orchestre
#
Johnnie Carl
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A Song of Peace - Orchestral Score and Parts
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Chorister's Guild - Digital
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SheetMusicPlus
I Write The Songs
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.750617 By Barry Manilow. By Bru…
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Full Orchestra - Level 5 - Digital Download SKU: A0.750617 By Barry Manilow. By Bruce Johnston. Arranged by Patrick Sheehan. Contemporary,Rock. Score and parts. 63 pages. Patrick Sheehan #6665659. Published by Patrick Sheehan (A0.750617). Transcription as recorded by Barry Manilow on his 1975 album Tryin’ to Get the Feeling. INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Flute, Oboe, Piccolo Trumpet (Bb) & Trumpet (Bb), Horn (F), Trombone I, Trombone II, Bass Trombone (III), Keyboard I (Grand Piano), Keyboard II (Fender Rhodes Electric Piano), Electric Bass, Shaker, Drumset, Harp, Violin I, Violin II, Viola, Cello, Contrabass.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
44.89 €
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Orchestre
#
Barry Manilow
#
Patrick Sheehan
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I Write The Songs
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Patrick Sheehan
#
SheetMusicPlus
Song Bird (For Chrissy) - Cor Anglais with Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1034230 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1034230 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary. Score and parts. 39 pages. BJE Music #639569. Published by BJE Music (A0.1034230). This is an original composition for the Orchestra dedicated to my oldest daughter Christine - Chrissy. It begins with a gentle Cor Anglais Solo with decorated parts for Piccolo and Flute (Song Birds) and gradually builds and then dies away in the last bars. Chrissy is a very accomplished singer and Flautist. The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 3:05 mins.
$25.00
22.44 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Song Bird
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BJE Music
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SheetMusicPlus
Bird Song
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival,Folk. Score and parts. 67 pages. Lee Johnson Music #781391. Published by Lee Johnson Music (A0.1181603). BIRD SONG - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
44.88 €
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Orchestre
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The Grateful Dead
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Lee Johnson
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Bird Song
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Lee Johnson Music
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SheetMusicPlus
Song of the Moorland
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.
$30.00
26.93 €
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Orchestre
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W
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Song of the Moorland
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W. Luke Kelly
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.44 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.44 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.44 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
O Christmas Tree [Chicago] (full score & set of parts)
Orchestre
Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk son…
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Rock Band - Advanced - Digital Download Composed by Ernst Anschutz, Silesian folk song. Arranged by Patrick Sheehan. 20th Century, Christian, Christmas, Children's Music. Score, Set of Parts. 100 pages. Published by Patrick Sheehan
Transcriptionas recorded by CHICAGO for the album “O Christmas Three”, released in 2011.<br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.<br> <br> ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.
$25.00
22.44 €
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Orchestre
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Ernst Anschutz, Silesian folk song
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O Christmas Tree [Chicago]
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Patrick Sheehan
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SheetMusicPlus
Reach
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Riley #1047399. Published by Kevin Riley (A0.1469378). Reach is a song by English pop group S Club 7. Released as the lead single from their second studio album, 7 (2000), on 22 May 2000, it is an up-tempo track co-written by Cathy Dennis and Republicakeyboardist Andrew Todd.Reach debuted at number two on the UK Singles Chart and spent three weeks at its peak, unable to dislodge Sonique's It Feels So Good from number one. The song has sold 600,000 copies in the UK, allowing it to receive a platinum sales certification from the British Phonographic Industry (BPI). Reach was the theme tune to the second series of the group's CBBC series, L.A. 7.
$60.00
53.86 €
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Orchestre
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S Club 7
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Kevin Riley
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Reach
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Kevin Riley
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.28 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
17.95 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Ride The Wild Surf
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Bri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
44.88 €
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Orchestre
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
58.35 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
22.44 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
A Christmas Greeting Op. 52
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elga…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday,Religious. Score and Parts. 59 pages. Kara Williams #702446. Published by Kara Williams (A0.1098583). Whilst not as well-known as some of his other work, this delicate little Christmas song is distinctly Elgar. Composed for the Choir of Hereford Cathedral it evokes love, friendship and the English countryside at Christmas. Originally scored for two soprano voices, accompanied by two violins and piano, this delightful work has been thoughtfully re-scored for orchestra (including percussion) by Kara Williams, and is aimed at intermediate level ensembles. The passionately pastoral introduction section leads into a joyful 6/8 section featuring the two trumpets and a cheeky quote from Handel’s ‘Messiah’. This work is a lovely addition to any program, and not just for Christmas time! Scoring: Picc; Fl1&2; Ob1&2; Cl1&2; Bsn1&2 (Bsn2 sub Bcl); FHn1&2; Tbn (sub FHn3); Tba; Timp, Perc1&2; Vln I; Vln2; Vla; VC; CB.
$25.00
22.44 €
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Orchestre
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Edward Elgar
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Kara Williams
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Fl1&2
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A Christmas Greeting Op. 52
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Kara Williams
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.14 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
I Give You My Heart
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1458025 By Jeff Deyo. By Reuben…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1458025 By Jeff Deyo. By Reuben Morgan. Arranged by David Winkler. Praise & Worship. 69 pages. Www.DavidWinkler.com #1036997. Published by www.DavidWinkler.com (A0.1458025). Worship song from the Hillsong catalog, arranged for church orchestra. Ideal for a service opener, offertory, or concert piece.The demo recording is available for purchase from www.DavidWinkler.com.
$64.95
58.31 €
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Orchestre
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Jeff Deyo
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David Winkler
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I Give You My Heart
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www.DavidWinkler.com
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SheetMusicPlus
Variations on a Theme: Wayfinder
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1024919 Composed by Garrett Mel…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024919 Composed by Garrett Melick. Contemporary. Score and parts. 82 pages. Moof Miser #4355557. Published by Moof Miser (A0.1024919). The Wayfinder, a small ship floating aimlessly through space. This song is the story of their adventures as they explore the galaxy. Variations on a Theme: Wayfinder was written in response to what felt like a general lack of more showy, almost cinematic tunes available publicly for full orchestra, at least ones that weren't arrangements of other movie songs. Wayfinder provides a song that's both fun to play and listen to, while also offering a fair challenge to younger high school orchestra groups to make sure they are listening to other members of the orchestra and keeping their parts balanced between them. It is suggested that, when rehearsing this piece, one emphasize a focus on listening carefully, as well a careful balance between parts played staccato and legato, as well as to bring attention to the multiple tempo changes that occur throughout the piece. .
$30.00
26.93 €
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Orchestre
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Garrett Melick
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Variations on a Theme: Wayfinder
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Moof Miser
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SheetMusicPlus
The Nursery Rhyme Suite (No 1) Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750713 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750713 Composed by Traditional. Arranged by Brendan Elliget. Children. Score and parts. 96 pages. BJE Music #3489859. Published by BJE Music (A0.750713). The Nursery Rhyme Suite (No 1) Orchestra Score and Parts PDFThis is a bright medley of 15 traditional children nursery rhymes as one continuous movement - some only briefly quoted. They include: London Bridge Is Falling Down, Mary Had A Little Lamb, Polly Put The Kettle On, Pop! Goes The Weasel, Ding Dong Dell, This Old Man, Baa Baa Black Sheep, Mary Mary Quite Contrary, Here We Go Round The Mulberry Bush, Humpty Dumpty Sat On The Wall, Hey Diddle Diddle The Cat And The Fiddle, Three Blind Mice, Oranges And Lemons, Twinkle Twinkle Little Star and Sing A Song Of Sixpence. This arrangement is for full orchestra - Also available for Concert Band. Suitable for school or community groups.There is also a second suite of nursery rhymes (12) for Orchestra available of this site.
$25.00
22.44 €
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Orchestre
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Traditional
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Brendan Elliget
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The Nursery Rhyme Suite
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BJE Music
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SheetMusicPlus
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