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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Child Of God
Non classifié
400
Piano & claviers
Piano seul
310
Piano Facile
120
Piano, Voix
99
Piano, Voix et Guitare
92
Orgue
19
Piano grosses notes
18
1 Piano, 4 mains
11
Accompagnement Piano
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
59
Guitare notes et tablatures
57
Paroles et Accords
37
Guitare
20
Ukulele
6
2 Guitares (duo)
1
Basse electrique
1
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
247
Chorale Unison
175
Chorale 2 parties
54
Chorale 3 parties
47
Chorale TTBB
12
Voix seule
9
Voix Alto, Piano
7
Voix duo, Piano
6
Chorale
6
Voix Soprano, Piano
4
Voix haute
3
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Voix duo
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
14
Saxophone Alto et Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
8
Flûte traversière
8
Saxophone Alto
7
Clarinette et Piano
7
2 Flûtes traversières (duo)
7
Quatuor de Saxophones: 4 saxophones
7
2 Clarinettes (duo)
7
Flûte, Clarinette (duo)
7
Clarinette
7
Saxophone Tenor
6
Hautbois, Piano (duo)
6
Flûte, Violon, Piano
6
2 Saxophones (duo)
6
Ocarina
5
Quatuor de Flûtes : 4 flûtes
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Flûtes à bec
3
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone Soprano et Piano
2
Flûte à bec Soprano
2
Hautbois, Guitare (duo)
2
Saxophone (partie séparée)
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
2 Flûtes traversières, Piano
2
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette (duo)
1
Flute, harpe et violon
1
Saxophone Baryton, Piano
1
Quintette de Flûte : 5 flûtes
1
2 Hautbois (duo)
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de cuivres: 4 trombones
12
Trombone et Piano
7
Trompette
7
2 Trombones (duo)
6
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres
5
Trompette, Piano
5
Tuba et Piano
5
Trombone
4
Cor et Piano
4
2 Trompettes (duo)
4
2 Cors (duo)
3
Trio de Cuivres
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
28
2 Violons (duo)
16
Violoncelle, Piano
15
2 Altos (duo)
12
Violon, Alto (duo)
11
2 Violoncelles (duo)
10
Alto, Piano
10
Alto seul
9
Violon, Violoncelle (duo)
8
Violoncelle
7
Violon
7
Violoncelle, Contrebasse (duo)
6
Harpe
6
Alto, Violoncelle (duo)
5
Trio à cordes
5
Contrebasse, Piano (duo)
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
66
Cloches
26
Orchestre
20
Ensemble Jazz
7
Ensemble de cuivres
5
Orchestre à Cordes
5
Jazz combo
2
Xylophone
2
Orchestre de chambre
2
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Child Of God
Orchestre
Partitions à imprimer
20 partitions trouvées
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1
O Holy Child of Bethlehem
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Orchestre
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Nathan & Christy Nockels
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Christy Nockels and Nathan Noc
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Lloyd Larson
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O Holy Child of Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - SKU: H1.C5758ODP Composed by Christy Nockels and Nathan Nockels. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hy...
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(Orchestra) - SKU: H1.C5758ODP Composed by Christy Nockels and Nathan Nockels. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Christmas. Set of Instrumental Parts. 43 pages. Hope Publishing - Digital #C5758ODP. Published by Hope Publishing - Digital (H1.C5758ODP). By Nathan & Christy Nockels. Matthew 1:23 - Micah:5:2.Classic ballad by Nathan & Christy Nockels In this beautiful ballad, Lloyd Larson combines the prayerful words from verse four of O Little Town of Bethlehem along with Silent Night and the contemporary song Emmanuel, God with Us to create a worshipful Christmas medley. The instrumental accompaniment enhances its rich nature, with a clarinet solo at the start based on Of the Father's Love Begotten. The Orchestration consists of a Conductor's Score and parts for: Keyboard, Flute, Oboe, Clarinet in B-flat, Horn in F, 2 Trumpets in B-flat, 2 Trombones, Percussion, Timpani, 2 Violins, Viola, Cello and Bass.
$89.95
Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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G
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Laura C
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Let All the Angels of God Wors
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Laura Quijada
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.805527 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Sacred. Score and pa...
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Full Orchestra - Level 4 - SKU: A0.805527 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Sacred. Score and parts. 42 pages. Laura Quijada #6862181. Published by Laura Quijada (A0.805527). For advanced children symphony orchestra. Chorus from the second part, scene 4, of The Messiah Oratorio. Key, length and string parts are original and can be performed with choir. Included in this set: full score, parts, strings (+ timpani) score, woodwinds (+ timpani) score, brass (+ timpani) score. Other adaptations available: strings and woodwinds (+ timpani), strings (+ timpani), strings and brass (+timpani).
$35.00
Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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G
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Laura C
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Let All the Angels of God Wors
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Laura Quijada
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.805525 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Standards. Score and...
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Full Orchestra - Level 4 - SKU: A0.805525 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Standards. Score and parts. 26 pages. Laura Quijada #6861627. Published by Laura Quijada (A0.805525). Chorus from the second part, scene 4, of The Messiah Oratorio. Key, length and string parts are original and can be performed with choir. SCORE & PARTS. For full advanced children symphony orchestra.
$30.00
God Bless' The Child
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Orchestre
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INTERMÉDIAIRE
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Billie Holiday
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Mike Campbell
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God Bless' The Child
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CapeMusic
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1246882 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Mike Campbell. Funk,Spiritual,Standar...
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Full Orchestra - Level 3 - SKU: A0.1246882 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Mike Campbell. Funk,Spiritual,Standards. Score and Parts. 96 pages. CapeMusic #841553. Published by CapeMusic (A0.1246882). Original funky / R&B arrangement of this standard for full orchestra & rhythm section, male vocal and optional 3-part backing vocals. Key F.
$65.00
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Gloria! To God Sing Gloria! - Orchestral Score and Parts
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Orchestre
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Musique Sacrée
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Lloyd Larson
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Gloria! To God Sing Gloria! -
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Orchestra - SKU: LX.30-2371L Composed by Lloyd Larson. Sacred Anthem, Christmas. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet...
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Orchestra - SKU: LX.30-2371L Composed by Lloyd Larson. Sacred Anthem, Christmas. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet Music #e30/2371L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2371L). Exciting opening and closing fanfares herald the glad Christmas tidings in this regal carol medley by celebrated composer, Lloyd Larson. Following the opening acclamation, the choir sings in unison the pastoral strains of â??While Shepherds Watched Their Flocks.â? Next, â??He Is Born, the Divine Christ Childâ? increases the joyous celebration. Then, this carol partners with â??Hark! the Herald Angels Singâ? as the choral texture builds to the festive closing! In two voicings with optional orchestral accompaniment, this medley is filled with the spirit of Christmas. (From the cantata â??And Glory Shone Around;â? SATB â?? 65/1993L, SAB â?? 65/1994L.) Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Timp, 2 Perc, Harp, Vln 1 and 2, Vla, Cello, Bass.
$69.95
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
God Bless Us Everyone
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Menken and Lynn Ahrens
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Brian Strohmetz
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God Bless Us Everyone
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Brian Strohmetz
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1117934 Composed by Alan Menken and Lynn Ahrens. Arranged by Brian Strohmetz. Broadway,Children,Christmas,Film/TV,Hol...
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Full Orchestra - Level 4 - SKU: A0.1117934 Composed by Alan Menken and Lynn Ahrens. Arranged by Brian Strohmetz. Broadway,Children,Christmas,Film/TV,Holiday,Musical/Show. Score and parts. 33 pages. Brian Strohmetz #719443. Published by Brian Strohmetz (A0.1117934). A Christmas Carol is a musical with music by Alan Menken, lyrics by Lynn Ahrens, and book by Mike Ockrent and Lynn Ahrens. The musical is based on Charles Dickens' 1843 novella of the same name. The show was presented annually at New York City's Paramount Theatre in Madison Square Garden from December 1, 1994, to December 27, 2003.
$74.99
Rosary Sonatas: The Presentation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
Rosary Sonatas: The Annunciation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Annunciati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Family Fugue
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Publis...
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Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
Steve Zegree: God Bless' The Child (arr. Steve Zegree) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Steve Zegree
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Virtualsheetmusic
Instantly printable sheet music by Steve Zegree for orchestra/band of MEDIUM skill level. / concert,sacred
Instantly printable sheet music by Steve Zegree for orchestra/band of MEDIUM skill level. / concert,sacred
$32.99
Jesus! - Printable Parts
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Orchestre
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Mary McDonald
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Jesus! - Printable Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts...
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Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts. 451 pages. Lorenz Publishing - Digital Sheet Music #e30/3537L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3537L). The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!
$249.95
Rosary Sonatas: The Nativity
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Orchestre
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INTERMÉDIAIRE
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Scor...
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Full Orchestra - Level 3 - SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Pinocchio Portraits for Orchestra and Narrator
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Orchestre
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INTERMÉDIAIRE
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Sy Brandon
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Pinocchio Portraits for Orches
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.755155 Composed by Sy Brandon. 20th Century,Children,Contemporary. Score and parts. 360 pages. Sy Brandon #3408273. P...
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Full Orchestra - Level 3 - SKU: A0.755155 Composed by Sy Brandon. 20th Century,Children,Contemporary. Score and parts. 360 pages. Sy Brandon #3408273. Published by Sy Brandon (A0.755155). An educational composition for narrator and orchestra (3222,4331,2 perc., timp., strings) - Eleven short movements that depict characters and scenes from the Pinocchio story including Geppetto, Pinocchio, Harlequin, The Fox and the Cat, The Fairy Godmother, Candlewick, Toyland, and the Shark. There are two versions of the narrator part. The longer version introduces the scenes and describes how the orchestra is used to portray the story using excerpts from the piece. The shorter version omits the demonstrations. Narration for both versions are in the conductor’s score and the parts can be used for either version by including or omitting the excerpts. Duration 20:00/30:00 The score prints on legal size paper and the parts on letter.
$59.99
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