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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
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HARMONICA
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Piano seul
306
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154
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54
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38
1 Piano, 4 mains
14
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5
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3
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3
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Ligne De Mélodie, (Paroles) et Accords
55
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29
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19
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19
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11
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9
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8
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2
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1
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1
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VENTS
Flûte traversière et Piano
24
Clarinette et Piano
17
2 Saxophones (duo)
13
2 Clarinettes (duo)
13
2 Flûtes traversières (duo)
12
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
11
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9
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7
Clarinette
7
Saxophone Baryton, Piano
7
Flûte, Violon, Piano
7
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Saxophone Soprano et Piano
6
Flûte traversière
6
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Soprano
3
Clarinette Basse, Piano
3
Saxophone Tenor
3
Flûte, Violoncelle
3
2 Flûte à bec (duo)
2
Hautbois (partie séparée)
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Violoncelle (duo)
2
Flûte à Bec
2
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Flûte à Bec, Piano
1
Flute, harpe et violon
1
Hautbois, Flûte
1
Flûte à bec Tenor
1
Ensemble de Clarinettes
1
2 Saxophones, Piano
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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CUIVRES
Cor et Piano
13
Trompette, Piano
11
Trombone et Piano
11
Tuba et Piano
9
2 Trombones (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone
4
Trompette
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor
3
Euphonium, Piano (duo)
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Tuba et Orgue
2
2 Cors (duo)
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Tuba
1
Ensemble de Cors
1
Quatuor de Cuivres
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
19
Violoncelle, Piano
17
Violon et Piano
16
2 Altos (duo)
15
2 Violons (duo)
14
Violon
10
Harpe
10
2 Violoncelles (duo)
10
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
9
Alto seul
9
Violoncelle
7
Contrebasse, Piano (duo)
6
Trio à cordes
3
Harpe, Violoncelle (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
22
Orchestre
19
Ensemble Jazz
13
Orchestre à Cordes
5
Fanfare
4
Ensemble de cuivres
2
Ensemble de Percussions
1
Cloches
1
Orchestre de chambre
1
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AUTRES
Vous avez sélectionné:
Children of the Night - Conductor Score
Orchestre
Partitions à imprimer
19 partitions trouvées
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1
Round Up - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel We…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9 €
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Orchestre
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Various
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Chris Siddall
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Round Up - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Dream Angus - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.751030 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.751030 Composed by Traditional Scottish Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 37 pages. BJE Music #6424953. Published by BJE Music (A0.751030). Dream Angus – Traditional Scottish Tune [A Flat Major] - OrchestraDream Angus is an old Scottish folk song, the origins of which cannot be traced. Numerous groups have portrayed the song as a lullaby, most notably Annie Lennox.Angus is the purveyor of dreams and the song is sung to children (bairns) at night-time to quieten them before sleep…This orchestral arrangement has been given a somewhat more symphonic treatment! Percussion parts include Glockenspiel, Timpani, and a Drum Set with a Celtic feel. There are many flowing counter melodies especially for Horns and a descant line for Piccolo, Flute, Oboe, and Trumpet…The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 4:20 mins
$25.00
22.53 €
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Orchestre
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Traditional Scottish Tune
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Brendan Elliget MAGA 537
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Dream Angus - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.01 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Thoughts in the Silent Night - Score Only
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances New…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances Newell. Chamber,Children,Folk,New Age,Singer/Songwriter. 9 pages. Frances Newell #804196. Published by Frances Newell (A0.1206005). Lyrical, rich melody and orchestration set to Tang Dynasty poem about full moon shining through window and making you think of home.
$6.99
6.3 €
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Orchestre
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Frances Newell
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Thoughts in the Silent Night - Score Only
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Frances Newell
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SheetMusicPlus
Can You Feel The Love Tonight
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1380027 By Elton John. By Elton…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1380027 By Elton John. By Elton John and Tim Rice. Arranged by Joseph Perkins. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score and parts. 44 pages. Joseph Perkins #964736. Published by Joseph Perkins (A0.1380027). Can You Feel the Love Tonight for String/Full Orchestra from Disneys, The Lion KingThis arrangement can be used as string orchestra arrangement or with addition of winds up to full orchestra. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone. Baritone Saxophone doubles Tuba. This arrangement changed the keys to C Major and D Major and reduced the rhythm difficulty of the verses. Overall difficulty is around a 2/2.5 This arrangement includes an optional reduced flute range part. This arrangement can also be played without percussion.
$49.99
45.05 €
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Orchestre
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Elton John
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Joseph Perkins
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Can You Feel The Love Tonight
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Joseph Perkins
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SheetMusicPlus
Children's Medley 2 for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086233 Composed by Traditional…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086233 Composed by Traditional. Arranged by James Haynor. Traditional. Score and Parts. 124 pages. James Haynor #690430. Published by James Haynor (A0.1086233). Before Sesame Street and Baby Mozart there were Itsy Bitsy Spider, Three Blind Mice, Hush Little Baby, Chopsticks, Rock-a-Bye Baby, Old King Cole, Lullaby and Good Night and I’ve Been Working on the Railroad. This piece appeals to audiences of all ages but also works great for kiddie concerts. Duration: 5:33.
$40.00
36.05 €
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Orchestre
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Traditional
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James Haynor
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Children's Medley 2 for Orchestra
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James Haynor
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SheetMusicPlus
Thoughts in the Silent Night-Ancient Chinese Moonlight - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamb…
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Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 9 pages. Frances Newell #805253. Published by Frances Newell (A0.1207074). Tang Dynasty poem set to lyrical melody and rich harmonies.full moon shining through window makes you think of home.
$7.99
7.2 €
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Orchestre
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Frances Newell
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Thoughts in the Silent Night-Ancient Chinese Moonlight - Score Only
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Frances Newell
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.41 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Hans Zimmer: The Dark Knight, Selections from - full orchestra (full score)
Orchestre
Instantly printable sheet music by Hans Zimmer for full orchestra (full score) of EASY/MED…
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Instantly printable sheet music by Hans Zimmer for full orchestra (full score) of EASY/MEDIUM skill level. / instructional,children
$9.99
9 €
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Orchestre
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Hans Zimmer
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Virtualsheetmusic
Hans Zimmer: Batman: The Dark Knight Rises (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Hans Zimmer for full orchestra of MEDIUM skill level. /…
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Instantly printable sheet music by Hans Zimmer for full orchestra of MEDIUM skill level. / instructional,children
$89.99
81.09 €
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Orchestre
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Hans Zimmer
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Virtualsheetmusic
Hans Zimmer: The Dark Knight, Selections from (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Hans Zimmer for full orchestra of EASY/MEDIUM skill lev…
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Instantly printable sheet music by Hans Zimmer for full orchestra of EASY/MEDIUM skill level. / instructional,children
$69.99
63.07 €
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Orchestre
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Hans Zimmer
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Virtualsheetmusic
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.53 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.53 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.53 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Lauda
Orchestre
Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. …
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Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music - Digital (IZ.OMW213). 8.5 x 11 inches.This brief, simple work was originally written for a service of Lessons and Carols. The text is taken from Martin Lutherâ??s â??A Hymn for Children at Christmas,and this beautiful setting reflects the simplicity and tenderness of Lutherâ??s message. To Us This Night is Born a Child is only two minutes long, but fits nicely into a series of lessons and carols. Sopranos and altos sing the first verse as the angels announce the birth of Jesus; tenors and basses sing the second, as the shepherds make their way to the stable; and the concluding verse is sung by full choir unaccompanied. Both singers and listeners will find the message of the text effectively reflected in this beautiful musical setting.
$80.00
72.09 €
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Orchestre
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Daniel Baldwin
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Lauda
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Imagine Music - Digital
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SheetMusicPlus
Come Back-Back to Life
Orchestre
Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden…
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Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. Score and parts. 6 pages. Brendon Holden #6285481. Published by Brendon Holden (A0.1021973). This song is about missing something one already has, such a good song. Come Back has been in the making for a couple of years, it has been one that I could listen to over and over. Come Back-Back to life was Self-Published in the 2021 Edition of Behind the Night Sky: Finding Run Personal Computer PBR. Although the first page of sheet music appears to be complex, its core is not. The fanciness of the first page of Come Back, is to allow others to explore the variety of ways the intro could be played.
$6.99
6.3 €
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Orchestre
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Brendon G
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Come Back-Back to Life
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Brendon Holden
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SheetMusicPlus
This Is Halloween
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Musical/Show. Score and Parts. 80 pages. LCH Music #708440. Published by LCH Music (A0.1105185). Danny Elfman’s classic song “This Is Halloween†from Tim Burton’s The Nightmare Before Christmas has been skillfully adapted for standard-sized orchestra with harp. This instrumental arrangement retains the “haunting†mood and colorful orchestration of the original, but makes it easily performed by any group with standard instrumentation. The harp and pitched percussion parts may be performed on electronic keyboards. Danny Elfman composed the music to Tim Burton’s 1993 classic stop-motion animated feature The Nightmare Before Christmas. Although Walt Disney Pictures feared the film might be too scary for children, it is now considered a timeless classic that has been re-released numerous times, and has been featured in the annual holiday-season version of Disney’s Haunted Mansion since 2001. Today the film is frequently screened with live orchestra and singers. “This Is Halloween†is the perfect piece to open or close your next fall or holiday concerts.Please note the following errata: In the flute 1, flute 2, and clarinet 1 parts, the arpeggio in measure 59 should be one measure later in measure 60.
$79.99
72.08 €
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Orchestre
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Danny Elfman
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L
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This Is Halloween
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LCH Music
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SheetMusicPlus
Baba Yaga
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.758183 Composed by M.Mussorgski…
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Full Orchestra - Level 2 - Digital Download SKU: A0.758183 Composed by M.Mussorgski. Arranged by Ester Alessandrini. Children,Classical,Romantic Period. Score and parts. 62 pages. Ester #54631. Published by ester (A0.758183). Transcription for school orchestra. Taken from Pictures at an Exhibition is the demonic description of a fictional character who dominates the nightmares of children in Russian fairy tales. Mussorgsky masterfully describes with force and terror.
$20.00
18.02 €
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Orchestre
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M
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Ester Alessandrini
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Baba Yaga
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ester
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SheetMusicPlus
Bella Notte
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.690536 Composed by Peggy Lee an…
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Full Orchestra - Level 4 - Digital Download SKU: A0.690536 Composed by Peggy Lee and Sonny Burke. Arranged by Kevin Riley. 20th Century,Children,Film/TV. Score and parts. 30 pages. Kevin Riley #299239. Published by Kevin Riley (A0.690536). Bella Notte (Italian for Beautiful Night) is a song for the 1955 animated motion picture Lady and the Tramp from Walt Disney Productions. The music is by Sonny Burke and the lyrics are by Peggy Lee. The song was performed in the film by George Givot, who also provided the voice of Tony. Peggy Lee recorded the song for herself for a 1955 Decca release with a choir and orchestra led by Victor Young. The song has also been recorded for a Disneyland album, sung by Bob Grabeau. Ronnie Hilton recorded the song, and Siw Malmkvist recorded the song in Swedish, releasing it on a record in February 1956.The song has also been recorded by Vikingarna on the 1979 album Vikingarnas julparty and Christer Sjögren himself on the 1994 Christmas album När ljusen ska tändas därhemma. Mark Salling, Kevin McHale, and Chord Overstreet recorded the song, and performed it on twenty-second episode and season two finale of Glee on May 24, 2011.
$60.00
54.07 €
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Orchestre
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Peggy Lee and Sonny Burke
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Kevin Riley
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Bella Notte
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Kevin Riley
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SheetMusicPlus
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