Partitions Numériques de Chord Change pour Orchestre

Chord Change

Don't Stop Me Now
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.784479 By Queen. By Freddie Mer…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.784479 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Joe Deninzon. Rock. Score and parts. 70 pages. Fiddlefunk Music #5712317. Published by Fiddlefunk Music (A0.784479). Includes score, violin I, violin II, viola, cello, contrabass/electric bass with chord changes, drums, guitar with chord changes, piano with chord changes. Great for high school string orchestra ensembles. Can be played with or without rhythm section. Instrumentally or with vocalist. Also can be played as a string quintet. I have arrangements available for string quartet and string trio with two violins or violin and viola. .
$49.99 45.91 € #Orchestre #Queen #Joe Deninzon #Don't Stop Me Now #Fiddlefunk Music #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra â€“ Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast â€“ slow â€“ fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitarâ€™s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) â€“ up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performerâ€™s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.

Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081). Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.

Thunderstruck
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.784490 By AC/DC. By Angus Mckin…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.784490 By AC/DC. By Angus Mckinnon Young, Angus Young, Malcolm Mitchell Young, and Malcolm Young. Arranged by Joe Deninzon. Contemporary,Rock. Score and parts. 79 pages. Fiddlefunk Music #5726533. Published by Fiddlefunk Music (A0.784490). Includes score, Violin I, Violin II, Easy Violin , Viola, Advanced Viola, Cello, Advanced Cello in alto and bass clef, bass, guitar, drums, and keyboard parts. Guitar, bass, and keyboard parts include chord changes. Great for high school string orchestras and covers a wide range of levels so both advanced and intermediate students can perform together. This arrangement is in the more string-friendly key of A. Original song key is B. Ensemble can also be joined by vocalist.
$49.99 45.91 € #Orchestre #AC/DC #Joe Deninzon #Thunderstruck #Fiddlefunk Music #SheetMusicPlus

Carry On Wayward Son
Orchestre

Full Orchestra - Level 4 - Digital Download SKU: A0.784512 By Kansas. By Kerry Livg…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.784512 By Kansas. By Kerry Livgren. Arranged by Joe Deninzon. Rock. Score and parts. 70 pages. Fiddlefunk Music #5829151. Published by Fiddlefunk Music (A0.784512). This arrangement cement is perfect for high school string ensembles. Lead vocal part can be sung or played by an instrumental soloist. Includes score, solo part with lyrics, violin I, violin II, viola, cello, bass, drum set, guitar, and keyboard parts. Bass, guitar, and keyboard parts include chord changes.
$49.99 45.91 € #Orchestre #Kansas #Joe Deninzon #Carry On Wayward Son #Fiddlefunk Music #SheetMusicPlus

Love Runs Out
Orchestre

Full Orchestra - Level 3 - Digital Download SKU: A0.784471 By OneRepublic. By Andre…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.784471 By OneRepublic. By Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Joe Deninzon. Blues,Contemporary,Pop,Rock. Score and parts. 60 pages. Fiddlefunk Music #5453733. Published by Fiddlefunk Music (A0.784471). Includes score, violin I & II, viola, cello, bass/contrabass, drums, guitar, piano parts. Guitar, bass, and piano have chord changes. Great for high school orchestra ensembles with or without vocalist.
$49.99 45.91 € #Orchestre #OneRepublic #Joe Deninzon #Love Runs Out #Fiddlefunk Music #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, thatâ€™s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getzâ€™s Focus, she said, Itâ€™s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace â€¦ Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Graceâ€™s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!