Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Clarinet Solo Number 4
Non classifié
66
Piano & claviers
Piano seul
1
Piano, Voix
1
Guitares
Voix
Chorale SATB
1
Vents
Clarinette
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Clarinette et Piano
18
Ensemble de Clarinettes
8
Saxophone Tenor et Piano
6
Clarinette Basse, Piano
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto et Piano
3
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Guitare (duo)
2
Flûte traversière et Piano
2
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Hautbois, Piano (duo)
1
Hautbois
1
+ 14 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
1
Trombone et Piano
1
4 Tubas
1
Trompette
1
Ensemble de Tubas
1
Cor et Piano
1
Cor anglais, Piano
1
+ 2 instrumentations
Retracter
Cordes
Violon et Piano
3
Violoncelle, Piano
1
Alto, Piano
1
Orchestre & Percussions
Orchestre
12
Orchestre d'harmonie
9
Orchestre de chambre
5
Orchestre à Cordes
3
Ensemble d'École
1
Ensemble de Percussions
1
Piano et Orchestre
1
+ 2 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
12
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Clarinet Solo Number 4
Orchestre
Partitions à imprimer
12 partitions trouvées
<
1
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Clarinet Concerto ... Sounds o
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
(+)
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Firm in the Faith - for tenor solo and orchestra - Part 2 of 2
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Christopher Schwinger
#
Firm in the Faith - for tenor
#
Christopher Schwinger
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938519 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 48 pages. Christopher Schwinger #13385. ...
(+)
Full Orchestra - Level 4 - SKU: A0.938519 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 48 pages. Christopher Schwinger #13385. Published by Christopher Schwinger (A0.938519). The 8th Christian vocal solo I've written, about how to respond to persecution. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed if the instrument is Bb clarinet, Bb trumpet, or French horn). The tenor part goes from C below middle C to G above middle C. Instrumentation required: 1 flute, 1 oboe, 2 Bb clarinets, Bb bass clarinet played by 2nd clarinetist, 2 French horns, 1 Bb trumpet, 1 tuba, timpani, 1st and 2nd violin, viola, cello, and bass. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
Saved from Sin - for soprano solo and orchestra - Part 2 of 2
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Christopher Schwinger
#
Saved from Sin - for soprano s
#
Christopher Schwinger
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. ...
(+)
Full Orchestra - Level 4 - SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. Published by Christopher Schwinger (A0.938527). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Part 2 of 2 of the orchestral version contains the individual parts, including the soprano voice, in their appropriate formats (transposed for the Bb clarinet and French horns). The soprano part goes from D a whole-step above middle C to B above the treble clef staff. Instrumentation required: 1 flute, 1 oboe, 1 Bb clarinet, 2 French horns, 1 tuba, 1st and 2nd violin parts, a viola part, and a cello part. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
The Teachings of Jesus - for tenor solo and orchestra - Part 2 of 2
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Christopher Schwinger
#
The Teachings of Jesus - for t
#
Christopher Schwinger
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. ...
(+)
Full Orchestra - Level 4 - SKU: A0.938524 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 41 pages. Christopher Schwinger #17619. Published by Christopher Schwinger (A0.938524). The 7th Christian vocal solo I've written, about the essence of Jesus. Part 2 of 2 of the orchestral version contains the individual parts, including the tenor voice, in their appropriate formats (transposed for the Bb clarinet). The tenor part goes from C below middle C to F above middle C. Instrumentation required: 2 flutes, 1 Bb clarinet, 1 bassoon, 1 euphonium, 1 trombone, 1 tuba, violin (1 part, any number of players), and cello (1 part, any number of players). Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).
$23.00
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
#
Orchestre
#
AVANCÉ
#
Stuart Brown
#
1 solo cimbalom
#
A Himalaya Concerto
#
Stuart Brown Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #189260...
(+)
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
Merry Christmas, Darling
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
The Carpenters
#
Merry Christmas, Darling
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1470001 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by John Langley / Studio Orchestrations. C...
(+)
Full Orchestra - Level 4 - SKU: A0.1470001 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by John Langley / Studio Orchestrations. Christmas,Holiday,Pop,Singer/Songwriter,Standards. 95 pages. Www.studio-orchestrations.com #1047742. Published by www.studio-orchestrations.com (A0.1470001). Merry Christmas, Darling is a Christmas song by the Carpenters (music by Richard Carpenter, lyrics by Frank Pooler), and originally recorded in 1970. It received a number of remixes, most notably in 1978 in a newly recorded vocal version by Karen Carpenter, which was done at her request. Richard Carpenter himself called the original recording one of his sister's very best. Hearing this song today with knowing ears and the knowledge of Karen Carepenter's mental health problems it makes a beautiful, sentimental song all the more bitter sweet and precious. It is a perfect little gem.In this orchestration - in the original Karen Carpenter key - there is never any heavy brass apart from 4 horns used very sparingly, and the optional original alto saxophone solo is also cued (as an alternative) for a Trumpet or Flugel horn if a sax is not available. A guitar in this texture is always desirable but can be traded off as long as there is bass guitar, light kit and percussion to support the soupy lush string lines.The backing vocals are a significant part of the song's haunting beauty and are also highly desirable however their harmony lines are covered by alternative wind instrument figures so this can be performed with or without backing vocals.INSTRUMENTATION:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 HornsAlto Saxophone solo (Can be played on alt. Flugel/Trumpet part)2-3 PercussionHarpPianoElectric Guitar [Optional]Bass GuitarDrum KitVocal female soloistSATB Backing Vocals [Optional, cued to alt. instruments]StringsLook out for other arrangement/orchestrated titles by John Langley and writing partner Paul Campbell at www.studio-orchestrations.com.
$140.00
Celtiberian Landscape For Harp And Orquestra
#
Orchestre
#
FACILE
#
Luis Anjos Teixeira
#
Celtiberian Landscape For Harp
#
Luis Anjos Teixeira
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
(+)
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Be My Love
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Nicholas Brodszky
#
Alexander Timofeev
#
#
Be My Love
#
Alexander Timofeev
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexa...
(+)
Full Orchestra - Level 5 - SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexander Timofeev #6514483. Published by Alexander Timofeev (A0.966133). This arrangement for tenor and orchestra of Be My Love by Nicholas Brodszky and Sammy Cahn was inspired by the famous recording (1950) sung by Mario Lanza. It is one of the closest arrangements for tenor and orchestra to this version of Be My Love. Full Score, and Parts are included. The arrangement is scored for tenor solo and full orchestra: 2-2-2-2, 4-3-3-1, timp, perc., piano, harp, strings. There are also optional parts: mixed choir (SATB), guitar, bass guitar - these parts are in the Lanza recording, so they are also included in this arrangement. The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (4), Trumpets in Bb (3), Trombones (3), Tuba (1), Timpani, Percussion (2), Piano (1), Harp (1), Tenor Soloist (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4), Mixed Choir - SATB (24), Guitar (1), Bass guitar (1). If more string parts or choir parts are needed, please purchase two or more copies of this arrangement.
$79.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holid
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
(+)
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
#
Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Sergei Rachmaninoff
#
Michael Barrera
#
Rachmaninoff: Alla Marcia in g
#
Michael Barrera
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
(+)
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
Isaac Ignaz Moscheles, piano sonata op. 22 - orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Scott Fields Davis
#
Scott Fields Davis
#
Isaac Ignaz Moscheles, piano s
#
Scott Fields Davis
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1283990 By Scott Fields Davis. By Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 89 pages. S...
(+)
Full Orchestra - Level 4 - SKU: A0.1283990 By Scott Fields Davis. By Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 89 pages. Scott Fields Davis #875162. Published by Scott Fields Davis (A0.1283990). Isaac Ignaz Moscheles (1794-1870) was born in Prague. Included in his 142 opus numbers are pieces ranging in instrumentation from solo piano to orchestra. This is an orchestral arrangement by Scott Fields Davis of the first movement of his piano sonata opus 22.This download contains the conductor’s score and all instrument parts.The instruments used are: flutes, oboes, B flat clarinets, bassoons, horns in f, violin I, violin II, viola, cello, double bass.Approximate performance duration is 7 minutes and 32 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$18.00
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
#
Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Sergei Rachmaninoff
#
Michael Barrera
#
Rachmaninoff: Alla Marcia in g
#
Michael Barrera
#
SheetMusicPlus
Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Publishe...
(+)
Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff?s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$24.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Clarinet Solo Number 4
