English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
43
Partitions
Numériques
133
Librairie
Musicale
298
Matériel
de Musique
85
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
667
PIANO & CLAVIERS
Piano seul
951
Piano, Voix
754
Piano, Voix et Guitare
305
Piano Facile
305
Orgue
48
1 Piano, 4 mains
48
Piano grosses notes
20
Accordéon
20
Instruments en Do
19
Piano Trio: piano, violon, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Accompagnement Piano
10
Piano (partie séparée)
8
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
2
Accordéon et Orchestre
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
82
Ukulele
81
Guitare notes et tablatures
50
Ligne De Mélodie, (Paroles) et Accords
50
2 Guitares (duo)
19
Paroles et Accords
10
4 Guitares (Quatuor)
9
Basse electrique
8
Guitare (partie séparée)
6
3 Guitares (trio)
5
Piano, Guitare (duo)
5
Basse électrique (partie séparée)
5
Guitare, Violon, Violoncelle (trio)
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
4
Mandoline
2
2 Ukuleles
1
Mandoline, Piano (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
89
Chorale 3 parties
30
Chorale TTBB
19
Chorale SSAA
18
Voix seule
15
Chorale 2 parties
13
Chorale
11
Voix Alto, Piano
5
Voix, Guitare
3
Voix Soprano, Piano
2
Chorale Unison
1
Voix haute
1
Voix basse, Piano
1
Voix duo
1
Voix Moyenne
1
Chorale SSATB
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
105
Clarinette
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
92
Saxophone (partie séparée)
89
Flûte traversière
86
Quatuor de Saxophones: 4 saxophones
64
Saxophone Alto
59
Clarinette et Piano
52
Saxophone Alto et Piano
49
Hautbois, Piano (duo)
42
Saxophone
36
Clarinette (partie séparée)
33
Saxophone Tenor et Piano
31
2 Saxophones (duo)
30
Flûte, Hautbois, Clarinette, Basson
28
Quatuor de Clarinettes: 4 clarinettes
27
Hautbois (partie séparée)
27
Saxophone Tenor
25
Saxophone Soprano et Piano
21
Quintette de Saxophone: 5 saxophones
19
Ensemble de Clarinettes
17
Quatuor de Flûtes : 4 flûtes
17
Flûte et Guitare
16
Quintette de Clarinettes: 5 clarinettes
16
2 Flûtes traversières (duo)
15
Saxophone Baryton, Piano
12
Flute (partie séparée)
10
Flûte, Clarinette (duo)
8
Ensemble de saxophones
7
3 Clarinettes (trio)
7
2 Clarinettes (duo)
7
Clarinette Basse, Piano
6
Quatuor de Flûtes à bec
6
Hautbois
6
Flûte à Bec
5
Instruments en Mib
5
3 Saxophones (trio)
5
Saxophone Soprano
5
Flûte, Clarinette et Basson
4
Ensemble de Flûtes
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Hautbois (duo)
4
Cor anglais, Piano
4
Flûte à bec Tenor
4
Clarinette, Guitare (duo)
4
Flûte à bec Soprano
3
Saxophone Baryton
3
Flûte, Hautbois (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Alto
3
Quintette de Flûte : 5 flûtes
3
Piccolo, Piano
3
Flûte, alto et harpe
2
Cor Anglais
2
Hautbois, Basson (duo)
2
Flûte, trombone et piano
2
Flûte, Alto et Violoncelle
2
2 Clarinettes, Piano
2
Flûte, Violon, Piano
2
Saxophone et Guitare
2
Cor anglais et Harpe (duo)
1
4 Hautbois
1
2 Flûtes traversières, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Basson et Piano
1
Flûte à bec, Harpe
1
Hautbois, Clarinette (duo)
1
Piccolo
1
Cor anglais, Guitare (duo)
1
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Hautbois
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Flûte, Violon
1
Clarinette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trombone
47
Cor
42
Trombone et Piano
38
Trompette (partie séparée)
35
Trombone (partie séparée)
32
Trompette, Piano
31
Cor et Piano
29
Tuba
22
Tuba et Piano
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Tuba (partie séparée)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Euphonium, Piano (duo)
13
Cor (partie séparée)
11
2 Trombones (duo)
9
2 Trompettes (duo)
8
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 cors
7
2 Euphoniums et 2 Tubas
5
Instruments en Sib
5
Euphonium
5
Quatuor de Cuivres
5
Cor anglais, Piano
4
Trompette, Trombone (duo)
3
4 Tubas
3
2 Cors (duo)
3
Trio de Cuivres
2
Trombone, Cor (duo)
2
Cor Anglais
2
Trombone basse et Piano
2
Trompette, Cor (duo)
2
Trombone basse
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Trompette et Guitare
1
4 Euphoniums
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Guitare (duo)
1
2 Tubas (duo)
1
Bass Clef Instruments
1
Tuba ou Euphonium ou Saxhorn
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
Ensemble de Trombones
1
Trompette, Saxophone (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
134
Violon et Piano
100
Violoncelle, Piano
79
Violon
69
Alto, Piano
54
Alto seul
46
Violoncelle (partie séparée)
37
Violoncelle
31
Violon, Violoncelle (duo)
29
Violon (partie séparée)
28
2 Violons (duo)
18
Contre Basse
14
Contrebasse (partie séparée)
13
2 Violoncelles (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Harpe
11
Contrebasse, Piano (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Violon, Guitare (duo)
9
Alto (partie séparée)
8
Violon, Alto (duo)
8
Harpe, Flûte (duo)
5
2 Altos (duo)
5
2 Violons, Piano
4
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Trio à cordes
2
Quatuor à cordes : 4 altos
2
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
2 Contrebasses (duo)
2
3 Contrebasses
1
2 Violoncelles, Piano
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
192
Orchestre
133
Orchestre à Cordes
85
Orchestre de chambre
29
Percussion (partie séparée)
21
Fanfare
20
Ensemble de cuivres
17
Ensemble Jazz
14
Batterie
10
Batterie (partie séparée)
9
Percussion
6
Cloches
5
Ensemble de Percussions
4
Quintette à Vent
4
Jazz combo
3
Vibraphone
3
Vibraphone (partie séparée)
2
Timbales
2
Timbales (partie séparée)
2
Orchestre, Violon
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Claude
Orchestre
Partitions à imprimer
133 partitions trouvées
<
1
26
51
....
126
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Cl…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95
17.51 €
#
Orchestre
#
Asya Fateyeva
#
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.43 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Poème for violin and orchestra, full score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95
27.67 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Poème for violin and orchestra, full score and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95
27.67 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Includes complete notes
#
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Le Roi Lear Suite for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debus…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 45 pages. Musik Fabrik Music Publishing #6133659. Published by Musik Fabrik Music Publishing (A0.534682). A seven-movement suite of Debussy's music for King Lear, completed and orchestrated by Dr. Robert Orledge. Scored for 2.1CA22/4311/timp/1perc/2hps/strings. Score only, parts on rental from the publisher
$25.95
23.97 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Scored for
#
Claude Debussy: Le Roi Lear Suite for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Rêverie for Orchestra - Claude Debussy - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. B…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. By Claude Debussy. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Period. 23 pages. Tiziano de Felice #716781. Published by Tiziano de Felice (A0.1114943). Orchestration of Debussy's famous piano piece Rêverie. Scored for: 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / 2 bsn / 4 Horns in F / 2 tr. in C / harp & strings.
$25.00
23.09 €
#
Orchestre
#
Tiziano de Felice
#
Tiziano de Felice
#
strings.
#
Rêverie for Orchestra - Claude Debussy - Score Only
#
Tiziano de Felice
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.09 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Claude Kelly: Hold My Hand - full orchestra (full score)
Orchestre
Instantly printable sheet music by Claude Kelly for full orchestra (full score) of EASY/ME…
(+)
Instantly printable sheet music by Claude Kelly for full orchestra (full score) of EASY/MEDIUM skill level. / pop,rock,metal,punk,standards,musical/show,broadway,children,country,ballad,dance,instructional
$8.99
8.3 €
#
Orchestre
#
Claude Kelly
#
Virtualsheetmusic
Claude Kelly: Hold My Hand (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Claude Kelly for full orchestra of EASY/MEDIUM skill le…
(+)
Instantly printable sheet music by Claude Kelly for full orchestra of EASY/MEDIUM skill level. / pop,rock,metal,punk,standards,musical/show,broadway,children,country,ballad,dance,instructional
$59.99
55.42 €
#
Orchestre
#
Claude Kelly
#
Virtualsheetmusic
Claude Debussy: Girl with the Flaxen Hair - full orchestra (full score)
Orchestre
Instantly printable sheet music by Claude Debussy for full orchestra (full score) of EASY/…
(+)
Instantly printable sheet music by Claude Debussy for full orchestra (full score) of EASY/MEDIUM skill level. / classical,french
$11.99
11.08 €
#
Orchestre
#
Claude Debussy
#
Virtualsheetmusic
Claude Debussy: Girl with the Flaxen Hair (COMPLETE) - full orchestra
Orchestre
Instantly printable sheet music by Claude Debussy for full orchestra of EASY/MEDIUM skill …
(+)
Instantly printable sheet music by Claude Debussy for full orchestra of EASY/MEDIUM skill level. / classical,french
$63.99
59.11 €
#
Orchestre
#
Claude Debussy
#
Virtualsheetmusic
Claude Kelly: Party In The USA (arr. Roger Emerson) (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by Claude Kelly for orchestra/band of MEDIUM skill level. …
(+)
Instantly printable sheet music by Claude Kelly for orchestra/band of MEDIUM skill level. / disney,pop,rock,concert,american
$32.99
30.48 €
#
Orchestre
#
Claude Kelly
#
Virtualsheetmusic
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Orchestre
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by…
(+)
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglais
$14.95
13.81 €
#
Orchestre
#
Claude Debussy (1862-1918)
#
Ray Thompson
#
Debussy: Sarabande
#
RayThompsonMusic
#
SheetMusicPlus
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1…
(+)
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contemporary,Instructional. Score and parts. 39 pages. Published by Cambiata (A0.487660). Danseuses de Delphes is a musical composition for piano by the French composer Claude Debussy. It is the piece that opens the first book of the Preludes, written between the end of 1909 and the beginning of 1910. The work is inspired by the “Dancers of Delphiâ€, a sculpture fragment from the temple of Apollo in Delphi, whose photo the musician had seen at the Louvre in Paris. The transcription was requested by the conductor of the UFRJ Wind Orchestra for the concert commemorating the 100th anniversary of the death of composer Claude Debussy. Wind Orchestra: Piccolo, Flute 1-2, Oboe 1-2, English Horn, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Sax 1-2, Tenor Sax, Baritone Sax, Bassoon 1-2, Contrabassoon, Horn 1-4, Trumpet in Bb 1-3, Trombone 1-2, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tamtam. Score - A3 Parts - A4.
$20.00
18.48 €
#
Orchestre
#
Claude Debussy
#
Levy Nunes
#
Prelude Nº 1 - Danseuses de Delphes
#
Cambiata
#
SheetMusicPlus
Des Pas Sur La Neige
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1369928 Composed by Claude Debu…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1369928 Composed by Claude Debussy. Arranged by Kevin Riley. 19th Century,Classical. 35 pages. Kevin Riley #954300. Published by Kevin Riley (A0.1369928). Footprints in the Snow written for piano by Claude Debussy here in an arrangement for orchestra.
$50.00
46.19 €
#
Orchestre
#
Claude Debussy
#
Kevin Riley
#
Des Pas Sur La Neige
#
Kevin Riley
#
SheetMusicPlus
C. Debussy - The Complete Preludes, #2 (II) Feuilles mortes, Orchestrated by A. Leytush - Score Only
Orchestre
By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th C…
(+)
By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th Century. 11 pages. Arkady Leytush #814837. Published by Arkady Leytush
$25.00
23.09 €
#
Orchestre
#
Claude Debussy
#
C. Debussy - The Complete Preludes, #2
#
Arkady Leytush
#
SheetMusicPlus
Submerged Cathedral (pd)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.486222 By Claude Debussy. By Cl…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.486222 By Claude Debussy. By Claude Achille (dp) Debussy and James Johnston Stewart. Arranged by Rodrigo Antunes Rodrigues. Multicultural,Romantic Period,World. Score and parts. 55 pages. Rodrigo Rodrigues #104627. Published by Rodrigo Rodrigues (A0.486222). Orchestration for large orchestra. In this work I explore the timbres within the wood family together with the horns. The highlight goes to the transcriptions and the attempt to bring to the listener's memory a submerging cathedral.
$60.00
55.43 €
#
Orchestre
#
Claude Debussy
#
Rodrigo Antunes Rodrigues
#
Submerged Cathedral
#
Rodrigo Rodrigues
#
SheetMusicPlus
Allemande (Premier Livre de Pièces de Clavecin)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1262592 Composed by Louis-Claud…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1262592 Composed by Louis-Claude Daquin. Arranged by Felipe Queiroga. Baroque,Classical,Instructional. Score and Parts. 25 pages. Golden Skull Editions #855607. Published by Golden Skull Editions (A0.1262592). A nice arrangement of Louis-Claude Daquin's Allemande, from the Premier Livre de Pièces de Clavecin, for Classical sized Orchestra. Full Score and Parts.
$39.99
36.94 €
#
Orchestre
#
Louis-Claude Daquin
#
Felipe Queiroga
#
Allemande
#
Golden Skull Editions
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.98 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Clair de Lune for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debus…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 47 pages. David E. Watson #3483413. Published by David E. Watson (A0.841056). Clair de Lune (moonlight), the 3rd and most famous of the 4 movements of the Suite Bergamasque by Claude Debussy. Arranged here for Orchestra. Parts included are- Strings, Flute (2), Oboe (2), A Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$30.00
27.71 €
#
Orchestre
#
Claude Debussy
#
David Watson
#
Clair de Lune for Orchestra
#
David E. Watson
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.67 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
La fille aux cheveux de lin
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033959 Composed by Claude Debu…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1033959 Composed by Claude Debussy. Arranged by Stefan Kristinkov. 20th Century,Classical. Score and parts. 22 pages. Heemrec #639277. Published by Heemrec (A0.1033959). La fille aux cheveux de lin, a piano piece by Claude Debussy, arranged for Orchestra (2, 2, 2, 2; 4, 0, 0, 0; 0; Strings).
$28.00
25.87 €
#
Orchestre
#
Claude Debussy
#
Stefan Kristinkov
#
4, 0, 0, 0
#
La fille aux cheveux de lin
#
Heemrec
#
SheetMusicPlus
C. Debussy - Prelude #4 (II) Les fées sont d'exquises da, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By C…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 30 pages. Arkady Leytush #814839. Published by Arkady Leytush (A0.1218366).
$25.00
23.09 €
#
Orchestre
#
Claude Debussy
#
A
#
C. Debussy - Prelude #4
#
Arkady Leytush
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
