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CITHARE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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Non classifié
355
PIANO & CLAVIERS
Piano seul
139
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105
Piano, Voix et Guitare
62
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25
Orgue
23
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11
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7
Accordéon
5
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
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1
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1
Clavecin
1
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Guitare notes et tablatures
21
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20
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17
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6
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6
Basse electrique
5
2 Guitares (duo)
3
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
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1
Dulcimer
1
Mandoline
1
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VOIX
Chorale SATB
151
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30
Chorale TTBB
21
Chorale 2 parties
14
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9
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8
Chorale
4
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3
Voix haute
2
Voix Soprano, Piano
2
Voix Moyenne
2
Voix seule
2
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Voix moyenne, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière et Piano
19
Ensemble de saxophones
14
Flûte, Hautbois, Clarinette, Basson
11
Quintette de Saxophone: 5 saxophones
11
Clarinette et Piano
11
Hautbois, Piano (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois (partie séparée)
8
Saxophone Alto et Piano
8
Clarinette
8
Saxophone Alto
8
Saxophone Soprano et Piano
6
Flûte et Guitare
6
Flûte traversière
6
3 Clarinettes (trio)
6
2 Clarinettes (duo)
4
Saxophone Tenor et Piano
4
Saxophone Baryton, Piano
4
Quintette de Flûte : 5 flûtes
3
2 Flûtes traversières (duo)
3
Clarinette (partie séparée)
3
2 Saxophones (duo)
3
Flûte, Hautbois, Basson
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
Flûte à bec Alto, Piano
2
Saxophone Tenor
2
Saxophone (partie séparée)
2
Harmonica
2
Trio de Flûtes: 3 flûtes
2
Saxophone
2
Flute (partie séparée)
2
Clarinette, Guitare (duo)
1
Saxophone et Guitare
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
Ensemble de Flûtes
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
Ocarina
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Piano
1
Flûte à bec Soprano, Piano
1
2 Flûte à bec (duo)
1
Hautbois, Flûte
1
Flûte à bec Tenor
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de Cuivres
12
Tuba
10
Trombone
9
Trompette, Piano
9
Trompette
8
Cor
8
Trombone et Piano
7
Trombone (partie séparée)
5
Tuba et Piano
5
Ensemble de Trombones
4
Cor et Piano
4
Euphonium, Piano (duo)
3
Trompette (partie séparée)
3
2 Trompettes (duo)
2
Cor (partie séparée)
2
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
Ensemble de Cors
1
Tuba (partie séparée)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Piano
1
Trombone basse et Piano
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
27
2 Violoncelles (duo)
24
Violon
17
Violoncelle, Piano
14
Alto, Piano
14
Violoncelle
8
Violon (partie séparée)
6
Alto seul
5
Harpe
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violons (duo)
4
Alto (partie séparée)
3
Contrebasse (partie séparée)
3
Contrebasse, Piano (duo)
3
Violon, Alto (duo)
3
Violoncelle (partie séparée)
2
Harpe, Voix
2
Violoncelle, Orgue
1
Harpe (partie séparée)
1
Alto et Harpe
1
2 Altos (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violons
1
Trio à Cordes: violon, alto, violoncelle
1
Ensemble d'Altos
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
52
Orchestre
27
Orchestre à Cordes
12
Ensemble de cuivres
10
Ensemble Jazz
5
Percussion (partie séparée)
4
Orchestre de chambre
3
Batterie
3
Jazz combo
3
Marimba
2
Cloches
2
Ensemble de Percussions
2
Xylophone, Piano
1
Timbales (partie séparée)
1
Percussion
1
Big band
1
Instrumentations suivantes
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AUTRES
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Come again
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This Again I Say - "Lady Jane" - Orchestra Score and Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750954 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750954 Composed by Brendan Elliget MAGA 537. Pop. Score and parts. 42 pages. BJE Music #5212775. Published by BJE Music (A0.750954). This tune is dedicated to my sister Jane who passed away in 2005 after a fight with cancer. It was originally a theme I composed in 1994, but I revised it and changed the title in memory of my dear sister. It conveys a feeling of gentleness, joy and a touch of sadness…..Any comments welcome.This composition has been now been arranged for a Full Orchestra with parts for Harp, Voices, Guitar, and Keyboards.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:04 mins.
$20.00
18.08 €
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Orchestre
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Brendan Elliget MAGA 537
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This Again I Say - "Lady Jane" - Orchestra Score and Parts
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BJE Music
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SheetMusicPlus
A Comedy Of Terrors End Titles - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.965637 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.965637 Composed by Christopher Timothy Willis. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #571362. Published by Chris Siddall Music Publishing (A0.965637). 2017’s The Death of Stalin tells the satirical and darkly humorous story of the days following the death of Soviet leader Joseph Stalin in 1953. Director Armando Iannucci reunites with composer Christopher Willis, who scored episodes of Veep, and would later collaborate again on The Personal History of David Copperfield. Willis evokes hallmarks of prominent Russian composers and expertly weaves them into a brilliantly cohesive and energetic score. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.03 €
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Orchestre
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Christopher Timothy Willis
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Chris Siddall
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A Comedy Of Terrors End Titles - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
189.86 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
189.86 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Double Concerto for Flute and Guitar (SCORE ONLY)
Orchestre
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. …
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
31.64 €
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and Guitar
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Silver Sickle Publications
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
61.48 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Symphony No. 3 Eb major
Orchestre
Orchestra - Digital Download SKU: S9.Q19576 Eroica. Composed by Ludwig van B…
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Orchestra - Digital Download SKU: S9.Q19576 Eroica. Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 55. Ernst Eulenburg & Co. GmbH - Digital #Q19576. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q19576). Key: E flat major. German • English.'So he too is nothing more than an ordinary man. [...] he will place himself above everyone else and become a tyrant!' is what Beethoven is said to have shouted full of rage when Napoleon had declared himself emperor, and supposedly tore the title page of Symphony No. 3 headed 'Bonaparte' to pieces. Despite his anger, however, the work was again headed 'Bonaparte' when he wanted to publish it in 1804. But it was the first edition of 1806 which finally bore the title of Sinfonia eroica. Symphony No. 3 was Beethoven's first work in which he had come to terms with his progressing deafness and left the boundaries of the musical conventions far behind.
$15.99
14.46 €
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Orchestre
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Ludwig van Beethoven
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Symphony No. 3 Eb major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.16 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
What The Lord Has Done For Me (Anthem) - Orchestration
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99
45.19 €
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Orchestre
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.03 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
The Typewriter: 2nd Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0001010_B2 2nd Bassoon. Comp…
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Full Orchestra - Digital Download SKU: AX.00-PC-0001010_B2 2nd Bassoon. Composed by Leroy Anderson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001010_B2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001010_B2). UPC: 038081272689.An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. The Typewriter is being reprinted with full score and bowed parts so that it may be enjoyed once more. The sounds of the typewriter may be duplicated on the wood block and the gourd. A great opportunity for high school orchestras to experience the music of Leroy Anderson! A Belwin Classic Orchestra piece.
$3.00
2.71 €
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Orchestre
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Leroy Anderson
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The Typewriter: 2nd Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Alice In Wonderland
Orchestre
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia…
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Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
63.29 €
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Orchestre
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Orchestraining No. 5b [Orchestra]
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.
$5.00
4.52 €
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Orchestre
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Juan Maria Solare
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Orchestraining No. 5b [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
The Empire Strikes Back Medley: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016100_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016100_F1 Flute. Composed by John Williams. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016100_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016100_F1). UPC: 029156609387.This fantastic score by John Williams, which has thrilled millions of moviegoers, lives again! From The Empire Strikes Back comes these fantastic themes, presented here in a terrific medley: Star Wars (Main Theme) * May The Force Be With You * Hans Solo and the Princess * Yoda's Theme * The Imperial March (Darth Vader's Theme). Resplendent in this newly released and enhanced big screen spectacular, these marvelous melodies are indeed timeless! (5:17).
$3.00
2.71 €
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Orchestre
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John Williams
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John Whitney
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The Empire Strikes Back Medley: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Empire Strikes Back Medley: Piccolo
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016100_P1 Piccolo. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016100_P1 Piccolo. Composed by John Williams. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016100_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016100_P1). UPC: 029156609387.This fantastic score by John Williams, which has thrilled millions of moviegoers, lives again! From The Empire Strikes Back comes these fantastic themes, presented here in a terrific medley: Star Wars (Main Theme) * May The Force Be With You * Hans Solo and the Princess * Yoda's Theme * The Imperial March (Darth Vader's Theme). Resplendent in this newly released and enhanced big screen spectacular, these marvelous melodies are indeed timeless! (5:17).
$3.00
2.71 €
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Orchestre
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John Williams
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John Whitney
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The Empire Strikes Back Medley: Piccolo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Nordic Overture
Orchestre
Full orchestra - Grade 4 - Digital Download SKU: IZ.OMW176 Composed by Britt Andrew…
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Full orchestra - Grade 4 - Digital Download SKU: IZ.OMW176 Composed by Britt Andrew Burns. Score and Parts. 29 pages. Imagine Music - Digital #OMW176. Published by Imagine Music - Digital (IZ.OMW176). 9 x 12 in inches.NORDIC OVERTURE was written as a follow-up work to the NORDIC TRIO (for low brass) I had composed in 2013. This short piece for symphony orchestra features two of the same themes previously used in the brass trio, but here they are developed in original ways. Once again, the inspiration comes from the desolate, snow-covered land of Norway. I felt the original trio material deserved to be arranged for a larger ensemble, and using strings as the main emphasis seemed most ideal. In the end, a stripped-down orchestra instrumentation was how I felt the music wanted to be heard. However, there are optional brass parts included.
$50.00
45.2 €
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Orchestre
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Britt Andrew Burns
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Nordic Overture
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Imagine Music - Digital
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
41.54 €
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Orchestre
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Contagion (Full Album Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Fr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
22.6 €
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Orchestre
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
The Dogs of War
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031068 Composed by Liam A. Pip…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031068 Composed by Liam A. Piper-Brandon. Contemporary,World. Score and parts. 10 pages. Liam A Piper-Brandon #2881197. Published by Liam A Piper-Brandon (A0.1031068). This is also known as my first symphony. I had written this in the ambition to get placed as a finalist in the Young Composers challenge for 2016. This song is based around the phrase Cry Havoc and let slip the dogs of war a phrase going back to the time of William Shakespeare's play. Julius Caesar. In the scene, Mark Antony is alone with Julius Caesar's body, shortly after Caesar's assassination. In a soliloquy, he reveals his intention to incite the crowd at Caesar's funeral to rise up against the assassins. Foreseeing violence throughout Italy, Antony even imagines Caesar's spirit joining in the exhortations: ranging for revenge, with Ate by his side come hot from hell, shall in these confines with a Monarch's voice cry Havok! and let slip the dogs of war. The song is split into split into 3 parts, the intro, the march to war, and the VictoryThis song is 5 minutes and 5 seconds long, and is appropriate for schools and studentsIf you have any questions, please email me at Liampb1998@gmail.com or 2ndHanover@gmail.com
$5.99
5.42 €
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Orchestre
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Liam A
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The Dogs of War
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Liam A Piper-Brandon
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SheetMusicPlus
March of Defiance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #2846143. Published by Michael D. Blostein (A0.921070). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.
$75.00
67.81 €
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Orchestre
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
March of Defiance (score only)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
$10.00
9.04 €
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Orchestre
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
Philip Webb: He Shall Come Again in Glory (arr. Thomas Grassi) (COMPLETE) - orchestra/band
Orchestre
Instantly printable sheet music by Philip Webb for orchestra/band of MEDIUM skill level. /…
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Instantly printable sheet music by Philip Webb for orchestra/band of MEDIUM skill level. / sacred
$79.99
72.32 €
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Orchestre
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Philip Webb
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Virtualsheetmusic
Anonymous: Christmas Comes Again ... in About Three Minutes - full orchestra (full score)
Orchestre
Instantly printable sheet music by Anonymous for full orchestra (full score) of EASY/MEDIU…
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Instantly printable sheet music by Anonymous for full orchestra (full score) of EASY/MEDIUM skill level. / instructional,choral
$8.99
8.13 €
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Orchestre
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Anonymous
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Virtualsheetmusic
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