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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dance Mode
Non classifié
324
Piano & claviers
Piano seul
128
Piano, Voix et Guitare
48
Piano, Voix
25
Piano Facile
16
Instruments en Do
12
Orgue
8
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
4
2 Guitares (duo)
2
Banjo
2
Basse electrique
1
Dulcimer
1
Ukulele Baryton
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
19
Chorale Unison
3
Voix moyenne, Piano
2
Chorale SSAA
2
Chorale 2 parties
1
Chorale 3 parties
1
Voix Soprano, Piano
1
Chorale TTBB
1
Voix duo
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Saxophones (duo)
25
Flûte traversière et Piano
19
2 Clarinettes (duo)
16
Clarinette et Piano
15
Saxophone, Clarinette (duo)
15
Hautbois, Piano (duo)
14
2 Flûtes traversières (duo)
14
Clarinette, Violon (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Saxophone Alto et Piano
9
Clarinette, Trompette (duo)
9
Saxophone Tenor et Piano
9
Clarinette
8
Cor anglais, Piano
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
7
Flûte, Violon
7
Flûte traversière
6
Saxophone Alto
6
Clarinette et Alto
6
Flûte et Guitare
6
Flûte, Saxophone (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
5
2 Hautbois (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Clarinette (duo)
5
Saxophone (partie séparée)
4
Hautbois, Basson (duo)
4
Saxophone Tenor
4
Clarinette Basse, Piano
4
Quintette de Saxophone: 5 saxophones
3
Flûte, Alto (duo)
3
Clarinette, Guitare (duo)
3
Hautbois (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
2
Flûte à bec Soprano
2
Flûte à bec Soprano, Piano
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Clarinette, Harpe (duo)
1
Flute, harpe et violon
1
Flûte à bec, Harpe
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Ocarina
1
Ensemble de saxophones
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
3 Clarinettes (trio)
1
Flûte, Clarinette, Piano (trio)
1
+ 55 instrumentations
Retracter
Cuivres
Cor et Piano
13
Trombone et Piano
11
Trompette, Saxophone (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Euphonium, Piano (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor anglais, Piano
8
Trompette
6
Trompette, Piano
6
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
Cor
5
Tuba et Piano
5
2 Trompettes (duo)
5
Tuba
4
Quatuor de cuivres: 4 trombones
2
Trombone
2
Cor anglais, Guitare (duo)
1
4 Tubas
1
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violoncelle, Piano
22
Violon et Piano
18
Violon
16
Alto, Piano
11
Violoncelle
10
2 Violons (duo)
9
2 Violoncelles (duo)
9
Violon, Violoncelle (duo)
9
Contre Basse
9
Alto seul
8
Contrebasse, Piano (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
Violon (partie séparée)
4
2 Altos (duo)
4
Harpe
3
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Guitare (duo)
2
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre à Cordes
33
Orchestre
16
Ensemble Jazz
14
Ensemble de cuivres
9
Jazz combo
7
Orchestre de chambre
2
Ensemble de Percussions
2
Fanfare
2
Percussion (partie séparée)
1
Marimba
1
Marimba, Piano (duo)
1
+ 7 instrumentations
Retracter
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DULCIMER
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Dance Mode
Orchestre
Partitions à imprimer
16 partitions trouvées
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1
Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. P...
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Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. Published by R. E. Proctor (A0.809809). Dance Suite for Orchestra is, as the title suggests, a suite of Renaissance period dances, seven in all. The music is a nostalgic look back with modern nuances. The dances are: Allemande, Bourree, Galliard, Gigue, Pavane, Saltarello, and Sarabande. Not based on any particular Renaissance composer’s work, simply an echo of music of that time. Although it is written for full orchestra, not all instruments are used in every movement. As in the Renaissance, each dance movement can be played separately, or, a few dances performed together without the entire suite being performed. As such, this work is being offered as the complete suite and as individual movements. The entire work is approximately 20 minutes and 4 seconds in length.
$29.95
Symphonic Dance Nr I
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Edmond Doko
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Arian Avrazi & Edmond Doko
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Symphonic Dance Nr I
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Edmond Doko
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1512806 By Edmond Doko. By Arian Avrazi. Arranged by Arian Avrazi & Edmond Doko. 20th Century,21st Century. 99 pages....
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Full Orchestra - Level 4 - SKU: A0.1512806 By Edmond Doko. By Arian Avrazi. Arranged by Arian Avrazi & Edmond Doko. 20th Century,21st Century. 99 pages. Edmond Doko #1087762. Published by Edmond Doko (A0.1512806). Symphonic Dance No. I is a composition of 1980, when the composer was studying at the composition department in University of Arts,Tirana-Albania and reworked and arranged in 2024. The morphology of Symphonic Dance No. I is built on homophonic folk themes of the northern provinces with the pentatonic modes of the south. It stands out for its dynamism, surprising contrasts, musical language where traditional modes are interwoven harmoniously with orchestral colors.
$99.99
Allemande from the Dance Suite for Orchestra
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Orchestre
#
INTERMÉDIAIRE
#
Robert E
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Allemande from the Dance Suite
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R. E. Proctor
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809810 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417101. Pu...
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Full Orchestra - Level 3 - SKU: A0.809810 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417101. Published by R. E. Proctor (A0.809810). Allemande. A dance of moderate tempo in duple time which first appeared in the early 1500's. This is the first movement from the Dance Suite for Orchestra. It's in C Major. Approximate length is 2 minutes and 23 seconds.
$7.95
Galliard form the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Galliard form the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809812 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417143. Pu...
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Full Orchestra - Level 3 - SKU: A0.809812 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417143. Published by R. E. Proctor (A0.809812). Galliard - An Italian dance in origin, typically a fast or upbeat dance. However, this movement is fashioned along the lines of John Dowland's (1562-1626) Melancholy Galliard. Therefore it's tempo is much more moderate at 1/4 note = 54 MM. It is set in D minor and is approximately 4 minutes and 54 seconds in duration.
$7.95
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
#
Classique
#
Claude Debussy
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Arkady Leytush
#
Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Gopak from the opera "Sorochinsk"
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Orchestre
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AVANCÉ
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Modest Petrovich Mussorgsky
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Gopak from the opera "Sor
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1403285 Composed by Modest Petrovich Mussorgsky. Arranged by Transcribed and edited by Susan & Trevor Denyer. 19th Ce...
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Full Orchestra - Level 5 - SKU: A0.1403285 Composed by Modest Petrovich Mussorgsky. Arranged by Transcribed and edited by Susan & Trevor Denyer. 19th Century,Opera,Romantic Period. 39 pages. Trevor Denyer #986477. Published by Trevor Denyer (A0.1403285). This popular dance from Mussorgsky's opera is presented here in a modern edition that is much easier to read than the original. Some anomalies have also been edited to make more sense to the performer.
$25.00
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Paisano Suite
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Paisano Suite
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Publis...
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Full Orchestra - Level 4 - SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Published by Dacker Music (A0.814731). The music of Paisano Suite was composed in 1982 for the Austin Ballet Theatre on a grant from the City of Austin. The resulting ballet was produced in February, 1983 under the title Ballabile, with choreography by ABT Artistic Director Stanley Hall.This music was originally scored for a small pit orchestra, and it was only in 2012 that it was shortened and re-orchestrated to create this suite for full orchestra. Since the original title is a term used specifically for dance music, and the new version of the work is meant to be a concert suite rather than a ballet, it was also re-titled after the Paisano Ranch, in the central Texas Hill Country, where it was originally composed and which served as its inspiration.The entire nearly twenty-minute suite is actually based on a fairly modest amount of musical material and the eight short movements are thematically all very closely related. The overall framework is highly unified in that way.Scored for woodwinds, horns, and trumpets in pairs; 1 trombone, tympani, and strings.1. Prelude 2. Scherzo 3. Berceuse 4. Fugue 5. Pastorale 6. Caprice 7. Romanza 8. FinaleThe price includes license to make as many copies of string parts as necessary.Grade 5 - Duration 19:00
$80.00
Legend of 10,000 Lakes for Orchestra
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Orchestre
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FACILE
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Contemporain
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Sy Brandon
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Legend of 10,000 Lakes for Orc
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published b...
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Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published by Sy Brandon (A0.755142). Legend of 10,000 Lakes musically depicts the history of Minnesota. The piece opens with a broad theme in the low instruments that represents the natural landscape. This soon develops into a hymn-like section representing the majesty of this great land. The Allegro section represents the struggles between native and outside cultures for control of this land. The Moderato section is a folk dance that leads into a religious hymn of thanks. The Allegro section returns at the end to remind us that no one controls the land, as the land belongs to everyone and should be revered, respected, and protected for future generations. The score prints on legal size paper and the parts on letter.
$29.99
Blinding Lights
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Orchestre
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INTERMÉDIAIRE
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The Weeknd
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Steve Pycroft
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Blinding Lights
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Steve Pycroft
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1497131 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by St...
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Full Orchestra - Level 3 - SKU: A0.1497131 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steve Pycroft. 21st Century,Classical,Contemporary,Pop. 93 pages. Steve Pycroft #1073553. Published by Steve Pycroft (A0.1497131). From arranger Steve Pycroft, this is a super fun arrangement of the infectious, record breaking song 'Blinding Lights' by The Weeknd.Founder and Musical Director of Kaleidoscope Orchestra Steve Pycroft, has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of pop songs such as this one. Steve takes the structures of the original songs and turns them into something fresh, while still staying true to the vibe of the original. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a modern classic.This arrangement is for full orchestra. 2x flutes, 2x oboes, Alto Saxophone, 2x clarinets, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section - featuring a solo string quartet. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts as PDFs.
$169.99
Just One More Mile
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jay Welenc
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Just One More Mile
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Jay Welenc
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1000008 Composed by Jay Welenc. Hip-Hop,Instructional,Multicultural,R & B,World. Score and Parts. 32 pages. Jay Welen...
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Full Orchestra - Level 4 - SKU: A0.1000008 Composed by Jay Welenc. Hip-Hop,Instructional,Multicultural,R & B,World. Score and Parts. 32 pages. Jay Welenc #6138875. Published by Jay Welenc (A0.1000008). Driving rhythms and modern harmonies set this dance-inspired full orchestra feature apart from traditional fare. An excellent opportunity for young players to develop articulation. Key of D minor. This arrangement is an adaptation of the popular concert band edition.
$35.00
Tarantella for String Orchestra
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Orchestre
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INTERMÉDIAIRE
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Pasquale
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Tassone
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Tarantella for String Orchestr
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Pasquale Tassone
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.988034 Composed by Pasquale. Arranged by Tassone. Concert,Contemporary,Standards,World. Score and parts. 49 pages. Pa...
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Full Orchestra - Level 3 - SKU: A0.988034 Composed by Pasquale. Arranged by Tassone. Concert,Contemporary,Standards,World. Score and parts. 49 pages. Pasquale Tassone #2157951. Published by Pasquale Tassone (A0.988034). Tarantella for String Orchestra provides a fresh hearing for the popular Italian dance. While keeping many of the characteristics of the thraditional tarantella, it also contains some more modern harmonies as well as Jazz-inspired rhythms. It can be performed by a string orchestra or string quintet. Optional piano and percussion parts are included.
$22.95
The Dancing Style
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Orchestre
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Contemporain
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Alvin Kwok
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The Dancing Style
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Alvin Kwok
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SheetMusicPlus
Full Orchestra - SKU: A0.1028437 Composed by Alvin Kwok. Contemporary. Score and parts. 20 pages. Alvin Kwok #3511485. Published by Alvin Kwok (A0.10284...
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Full Orchestra - SKU: A0.1028437 Composed by Alvin Kwok. Contemporary. Score and parts. 20 pages. Alvin Kwok #3511485. Published by Alvin Kwok (A0.1028437). Modern orchestral dance music.
$10.99
Sarabande - Orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Phil Rawle
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Sarabande - Orchestra
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Phillip Rawle
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1256224 Composed by Phil Rawle. Baroque,Classical. Score and Parts. 26 pages. Phillip Rawle #849694. Published by Phi...
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Full Orchestra - Level 3 - SKU: A0.1256224 Composed by Phil Rawle. Baroque,Classical. Score and Parts. 26 pages. Phillip Rawle #849694. Published by Phillip Rawle (A0.1256224). A modern take on a Baroque style mimicking a Sarabande dance. A gentle piece in E minor. Quite easy to play and would be a refreshing compliment to any concert. Arranged for a small orchestra with single winds (1-3 horns).
$7.00
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