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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dance Suite - Tango
Non classifié
475
Piano & claviers
Piano seul
167
Piano Facile
92
Orgue
21
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano, Voix
5
2 Pianos, 4 mains
2
Accompagnement Piano
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
+ 7 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
7
Ensemble de guitares
6
2 Guitares (duo)
4
4 Guitares (Quatuor)
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale
9
Chorale 3 parties
8
Chorale TTBB
3
Chorale SSAA
3
Chorale 2 parties
3
Male Voice
2
Chorale SSATB
2
Chorale SSATTB
1
Chorale Unison
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
74
Quatuor de Clarinettes: 4 clarinettes
62
Flûte traversière et Piano
37
Quatuor de Flûtes : 4 flûtes
30
2 Saxophones (duo)
28
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto et Piano
21
2 Flûtes traversières (duo)
21
Clarinette et Piano
21
Ensemble de saxophones
20
2 Clarinettes (duo)
18
Quintette de Saxophone: 5 saxophones
17
Ensemble de Clarinettes
16
Hautbois, Piano (duo)
15
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
12
Flûte, Clarinette (duo)
12
Flûte traversière
10
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
9
Saxophone Baryton, Piano
9
Ensemble de Flûtes
9
Cor anglais, Piano
8
Clarinette Basse, Piano
8
Clarinette
7
2 Hautbois (duo)
6
3 Clarinettes (trio)
6
Hautbois, Basson (duo)
6
Clarinette (partie séparée)
5
Flûte, Violon
5
Flûte, Alto et Piano
5
Clarinette, Trompette (duo)
4
Flute (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois (partie séparée)
4
Quatuor de Flûtes à bec
4
Saxophone Alto
4
Quintette de Flûte : 5 flûtes
4
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
Flûte, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
Hautbois, Flûte
3
Clarinette, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano
2
Flûte, Clarinette et Basson
2
Flûte, Alto (duo)
2
Saxophone (partie séparée)
2
Flûte à Bec
2
Flûte et Guitare
2
3 Saxophones (trio)
2
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Flûte, Violon, Piano
1
2 Saxophones, Piano
1
2 Clarinettes, Piano
1
Flûte, Violoncelle
1
Flûte irlandaise
1
Ocarina
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
2 Flûtes traversières, Piano
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Euphonium, Piano (duo)
17
Trombone et Piano
13
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor et Piano
11
Quatuor de Cuivres
9
Cor anglais, Piano
8
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
7
2 Trompettes (duo)
6
Tuba et Piano
6
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
5
Trompette
5
Trombone
5
Trombone (partie séparée)
4
2 Trombones (duo)
4
Trompette (partie séparée)
3
3 Trombones (trio)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Tuba
2
Cor (partie séparée)
2
Euphonium
2
Cor
2
4 Tubas
2
Ensemble de Trompettes
2
2 Cors (duo)
2
Trompette, Tuba (duo)
1
Trombone basse
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
70
Violon et Piano
43
Violoncelle, Piano
23
Violon
22
Alto, Piano
18
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
14
2 Violons (duo)
13
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
10
Violon (partie séparée)
7
2 Violoncelles (duo)
7
Harpe
7
Alto seul
6
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
4
2 Altos (duo)
4
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Contre Basse
2
Ensemble d'Altos
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
2 Harpes (duo)
1
Harpe, Orchestre
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Harpe, Violon (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
178
Orchestre à Cordes
61
Orchestre
43
Ensemble de cuivres
21
Orchestre de chambre
20
Ensemble de Percussions
5
Percussion (partie séparée)
5
Ensemble Jazz
4
Percussion
3
Cloches
1
Timbales (partie séparée)
1
Quintette à Vent
1
Vibraphone
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Dance Suite - Tango
Orchestre
Partitions à imprimer
43 partitions trouvées
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26
Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. P...
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Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. Published by R. E. Proctor (A0.809809). Dance Suite for Orchestra is, as the title suggests, a suite of Renaissance period dances, seven in all. The music is a nostalgic look back with modern nuances. The dances are: Allemande, Bourree, Galliard, Gigue, Pavane, Saltarello, and Sarabande. Not based on any particular Renaissance composer’s work, simply an echo of music of that time. Although it is written for full orchestra, not all instruments are used in every movement. As in the Renaissance, each dance movement can be played separately, or, a few dances performed together without the entire suite being performed. As such, this work is being offered as the complete suite and as individual movements. The entire work is approximately 20 minutes and 4 seconds in length.
$29.95
Polish Dances - score and parts
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Colin Bayliss
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Polish Dances - score and part
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Colin Bayliss
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.938374 Composed by Traditional. Arranged by Colin Bayliss. 20th Century,Folk. Score and parts. 99 pages. Colin Baylis...
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Full Orchestra - Level 3 - SKU: A0.938374 Composed by Traditional. Arranged by Colin Bayliss. 20th Century,Folk. Score and parts. 99 pages. Colin Bayliss #4435. Published by Colin Bayliss (A0.938374). Costumes: Dances from Poland [B37] was written in July 1990 and is part of a series of orchestral folk dance suites based on the music of the former Iron Curtain countries. The title Costumes originated from the composer having been given a collection a Polish folk dances in which were illustrated costumes from each particular region from which the dances came. The pdf file contains the score and all parts. The score is also available separately. The sound sample is an electronic preview. A video can be seen on youtube at https://www.youtube.com/watch?v=4ndoC9o7xho.
$52.00
Polish Dances - score only
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Colin Bayliss
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Polish Dances - score only
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Colin Bayliss
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.938375 Composed by Traditional. Arranged by Colin Bayliss. 20th Century,Folk. Score and parts. 36 pages. Colin Baylis...
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Full Orchestra - Level 3 - SKU: A0.938375 Composed by Traditional. Arranged by Colin Bayliss. 20th Century,Folk. Score and parts. 36 pages. Colin Bayliss #4437. Published by Colin Bayliss (A0.938375). Costumes: Dances from Poland [B37] was written in July 1990 and is part of a series of orchestral folk dance suites based on the music of the former Iron Curtain countries. The title Costumes originated from the composer having been given a collection a Polish folk dances in which were illustrated costumes from each particular region from which the dances came. The score and parts are also available on this site. The sound sample is an electronic preview. A video can be seen on youtube at https://www.youtube.com/watch?v=4ndoC9o7xho.
$12.00
Bourree from the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Bourree from the Dance Suite f
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809811 Composed by Robert E. Proctor. Baroque,Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #341...
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Full Orchestra - Level 3 - SKU: A0.809811 Composed by Robert E. Proctor. Baroque,Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417137. Published by R. E. Proctor (A0.809811). Bourree - Technically a 17th century dance with French origins. Assume that there was overlap from the 1500's to the 1600's as this dance type was mention at least as early as 1615. A quick, duple meter conducted in two. However, in this case, it's notated in four. (Ex. Bach Bourree in E minor for the lute suite in E minor.) Very short. Approximately 1 minute and 37 seconds. This is the 3rd movement in the Dance Suite and is in E minor.
$6.95
Saltarello from the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Saltarello from the Dance Suit
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809816 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417163. Pu...
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Full Orchestra - Level 3 - SKU: A0.809816 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417163. Published by R. E. Proctor (A0.809816). Saltarello - A lively dance that dates to 14th century Italy. This is the 5th movement from the Dance Suite for Orchestra. It is a lively dance that alternates between D Major and D minor. The tempo is 1/4 = 120 throughout. Duration is approximately 2 minutes and 32 seconds.
$7.95
Allemande from the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Allemande from the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809810 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417101. Pu...
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Full Orchestra - Level 3 - SKU: A0.809810 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417101. Published by R. E. Proctor (A0.809810). Allemande. A dance of moderate tempo in duple time which first appeared in the early 1500's. This is the first movement from the Dance Suite for Orchestra. It's in C Major. Approximate length is 2 minutes and 23 seconds.
$7.95
Pavane from the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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R
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Pavane from the Dance Suite fo
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809815 Composed by R. E. Proctor. Contemporary,Renaissance. Score and parts. 43 pages. R. E. Proctor #3417155. Publis...
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Full Orchestra - Level 3 - SKU: A0.809815 Composed by R. E. Proctor. Contemporary,Renaissance. Score and parts. 43 pages. R. E. Proctor #3417155. Published by R. E. Proctor (A0.809815). Pavane - A stately dance of Italian origin. This Pavane is from the Dance Suite for Orchestra and is the 6th movement. The 1st eight measures are 1/2 note = 48 then, after a pause, the tempo increases to 1/2 = 60. Primarily set for strings, there is a brief interlude for the upper woodwinds.
$7.95
Gigue from the Dance Suite for Orchestra
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Orchestre
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Robert E
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Gigue from the Dance Suite for
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - SKU: A0.809813 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 38 pages. R. E. Proctor #3417149. Published by...
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Full Orchestra - SKU: A0.809813 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 38 pages. R. E. Proctor #3417149. Published by R. E. Proctor (A0.809813). The 7th movement of the Dance Suite for Orchestra, the Gigue is a very short, lively piece in 6/8 time. Approximately 1 minute and 10 seconds in length. The key is Eb Major and the tempo is dotted 1/4 note at 108 MM.
$6.95
Galliard form the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Galliard form the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809812 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417143. Pu...
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Full Orchestra - Level 3 - SKU: A0.809812 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417143. Published by R. E. Proctor (A0.809812). Galliard - An Italian dance in origin, typically a fast or upbeat dance. However, this movement is fashioned along the lines of John Dowland's (1562-1626) Melancholy Galliard. Therefore it's tempo is much more moderate at 1/4 note = 54 MM. It is set in D minor and is approximately 4 minutes and 54 seconds in duration.
$7.95
Sarabande from the Dance Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Sarabande from the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Pu...
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Full Orchestra - Level 3 - SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Published by R. E. Proctor (A0.809814). Sarabande - Apparently a notorious dance for it's day, having been banded in Spain by Philip II in 1590. This Sarabnde is written in C minor, in 3/4 meter, and a tempo set to 1/4 note = 44. Moody and somewhat dark, it will not be what your listeners will be expecting. A haunting melody is passed from various instruments over pizzicato strings then the orchestra as a whole. Approximate length 3 minutes and 51 seconds.
$7.95
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Dances from the Opera "On
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. Jame...
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Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html .
$21.95
Norweigan Dance No. 2 (Score & Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Steven Klaus
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Norweigan Dance No. 2
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.931985 Composed by Edvard Grieg. Arranged by Steven Klaus. Romantic Period. Score and parts. 56 pages. NiceChart #476...
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Full Orchestra - Level 3 - SKU: A0.931985 Composed by Edvard Grieg. Arranged by Steven Klaus. Romantic Period. Score and parts. 56 pages. NiceChart #4764377. Published by NiceChart (A0.931985). Based on the second in a suite of dances originally scored for four hand piano, this full orchestra arrangement has a playful melody that bookends the piece and features an oboe solo. The cheerful main theme of this Grieg classic is the perfect way to lighten any program and with plenty of cueing, allows for options to cover the oboe solo if necessary too.Supplemental parts for Piano, Soprano Saxophone (Alt. Oboe 1), Guitar, Xylophone, Snare Drum and Drum Set.
$60.00
1979年《å°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚組曲》管弦樂 1979：Legend of Taiwan-Orchestral Suite
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Orchestre
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Contemporain
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Ma Shui Long 馬水é¾
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1979年《å°ç£
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SpringAutumnmusic
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SheetMusicPlus
Full Orchestra - SKU: A0.961993 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Publishe...
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Full Orchestra - SKU: A0.961993 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Published by SpringAutumnmusic (A0.961993). 1979年《å°ç£å‚³å¥‡-å»–æ·»ä¸ç®¡å¼¦æ¨‚組曲》，管弦樂 　　本曲改編自「舞劇廖添ä¸ã€ï¼Œç‚º1979年雲門舞集委託之作å“。除åºæ›²ä¹‹å¤–ï¼Œåˆ†ç‚ºäº”å€‹æ¨‚ç« ï¼Œæ¯å€‹æ¨‚ç« æ¨‚æ›²çš„å½¢å¼èˆ‡çµæ§‹ï¼Œå‡èˆ‡åŠ‡æƒ…發展有關，其主è¦äººç‰©èˆ‡æ¨‚曲主題動機如下： 　　(一)å»–æ·»ä¸: 作曲者以兩個ä¸åŒçš„ä¸»é¡Œå‹•æ©Ÿä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ¦‚æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œè—‰è‘—有關廖添ä¸çš„å„種傳說åŠåŠ‡æƒ…的發展，決定以兩個ä¸åŒçš„ä¸»é¡Œä¾†è¡¨ç¤ºä»–çš„å…§å¿ƒæ°£æ…¨æ‚²å£¯å’Œè¡Œä¿ ä»—ç¾©æ™‚è¼•é¬†è©¼è«§çš„ä¸€é¢ï¼Œå¦‚a與b。 　　(二)一ä½è¢«æ—¥è¦ä¾®è¾±çš„少女： 雖然ä¸æ˜¯ä¸»è§’，但也是很é‡è¦çš„角色，她象徵著日據時代å°ç£åŒèƒžçš„命é‹èˆ‡éé‡ï¼Œå¦‚c。 　　全曲先由åºæ›²æ ¹æ“ša與c之主題動機發展，以暗示劇ä¸ä¸»äººç¿-å»–æ·»ä¸çš„命é‹èˆ‡éé‡ï¼Œè€Œå¾Œå†ä¾åºç™¼å±•æ•´æ›²ã€‚ ã€€ã€€ç¬¬ä¸€æ¨‚ç« ï¼šå¤§ç¨»åŸ•å¤œå··/ç¬¬äºŒæ¨‚ç« ï¼šæ—¥äººå®…ç¬¬/ç¬¬ä¸‰æ¨‚ç« ï¼šéœžæµ·åŸŽéšå»Ÿæœƒ/ç¬¬å››æ¨‚ç« ï¼šæ·¡æ°´æ²³ç•”/ç¬¬äº”æ¨‚ç« ï¼šé‡é›£ã€‚ ※本曲1979å¹´5月由舞蹈家林懷民編舞ã€é¦¬æ°´é¾æŒ‡æ®åœ‹ç«‹è—專管弦樂團ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於å°åŒ—國父紀念館舉行世界首演。 　　 1979：Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding 　　This work was originally composed for a dance drama named Liao, Tand-Ding, and later on, recomposed as an orchestra work, and it was commissioned by the Cloud Gate Dance Foundation. Excepting the Overture, the work is divided into five movements. The form and structure of each movement all relate to the story basis. The roles and music themes are as follows: First: Liao Tain-Ding: The composer created two themes a and b, to express both Liao Tain-Ding’s heroically tragic character and also his humorous character. Please see below: Second: A young lady humiliated by the Japanese Police: Although the young lady is not played as a heroine, she is significant here. She symbolizes the experiences and fates of Taiwanese citizens during the colonial period. For example c: 　 The work begins with an Overture by developing subjects a and c, to imply the fate of hero Liao Tain-Ding and what he has gone through. 　　 　　1st Movement: Night Lane in Ta Tao Cheng / 2nd Movement: The Japanese Mansion / 3rd Movement: Festival at the Hsia Hai Cheng Huang Temple / 4th Movement: Tamshui Riverside / 5th Movement: Martyrdom ※In May 1979, The dance of Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding arranged by Huai-ming Lin, was premiered by the National Taiwan Junior College of Art Orchestra, conducted by the composer Shui-long Ma, recorded by the Yun-de Company, and was premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall.
$44.99
Paisano Suite
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Paisano Suite
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Publis...
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Full Orchestra - Level 4 - SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Published by Dacker Music (A0.814731). The music of Paisano Suite was composed in 1982 for the Austin Ballet Theatre on a grant from the City of Austin. The resulting ballet was produced in February, 1983 under the title Ballabile, with choreography by ABT Artistic Director Stanley Hall.This music was originally scored for a small pit orchestra, and it was only in 2012 that it was shortened and re-orchestrated to create this suite for full orchestra. Since the original title is a term used specifically for dance music, and the new version of the work is meant to be a concert suite rather than a ballet, it was also re-titled after the Paisano Ranch, in the central Texas Hill Country, where it was originally composed and which served as its inspiration.The entire nearly twenty-minute suite is actually based on a fairly modest amount of musical material and the eight short movements are thematically all very closely related. The overall framework is highly unified in that way.Scored for woodwinds, horns, and trumpets in pairs; 1 trombone, tympani, and strings.1. Prelude 2. Scherzo 3. Berceuse 4. Fugue 5. Pastorale 6. Caprice 7. Romanza 8. FinaleThe price includes license to make as many copies of string parts as necessary.Grade 5 - Duration 19:00
$80.00
Arabian Dance
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Orchestre
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INTERMÉDIAIRE
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Jesse Voogt
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Arabian Dance
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Jesse Voogt
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1347458 Composed by Jesse Voogt. 19th Century,Classical,Contemporary,Romantic Period. 39 pages. Jesse Voogt #932265. ...
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Full Orchestra - Level 3 - SKU: A0.1347458 Composed by Jesse Voogt. 19th Century,Classical,Contemporary,Romantic Period. 39 pages. Jesse Voogt #932265. Published by Jesse Voogt (A0.1347458). This piece was inspired by the Arabian Dance in Tchaikovsky's Nutcracker Ballet Suite. Just as Tchaikovsky's piece, this Arabian Dance features woodwinds, percussion, and strings (no brass). Instrumentation2 Flutes2 OboesEnglish Horn2 B♠ClarinetsBass Clarinet2 BassoonsTimpani3 Percussionists (Tambourine, Cymbal, Bass Drum, Shaker)StringsPerformance time: about 3 1/2 minutes
$4.99
The Lady of Spring and Her Garden, A Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Lady of Spring and Her Gar
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730430 Composed by James Nathaniel Holland. Contemporary,Easter,Graduation,Holiday. Score and parts. 118 pages. James...
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Full Orchestra - Level 4 - SKU: A0.730430 Composed by James Nathaniel Holland. Contemporary,Easter,Graduation,Holiday. Score and parts. 118 pages. James Nathaniel Holland #3405353. Published by James Nathaniel Holland (A0.730430). A lovely orchestral suite from American Costa Rican composer James Nathaniel Holland's ballet, The Snow Queen Includes a variety of musical flowers including Dance of the Hindu Tiger Lilies, the mysterious Dream of the Morning Glories, the exuberant Tale of the Snowdrops, and the mystical Tale of the Hyacinths. Bring your spring concert to life!Full score in concert pitch and individual parts included.Instrumentation: picc, 12fl, 12ob, eh, 12clBb, bcl, 12bsn, 1234hrn, 123tpt, 12trmb, btrm/tba, timp, percussion (bass drm, tom tom, bongos, snare, hand cym) chimes, glock, antique cym, harp (or pno), stringsDuration: 19:00YouTube Presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCsNrqS3xS9p21dvukIJGgdYComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$21.95
Dance of the Sugar Plum Fairy - Orchestral Version (Full Score and Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Classique
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy
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Sheet Music To Play Editions
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1179925 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Opera,Romantic...
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Full Orchestra - Level 3 - SKU: A0.1179925 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 33 pages. Sheet Music To Play Editions #779872. Published by Sheet Music To Play Editions (A0.1179925). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. The Orchestral Version. With Full Score and Individual Parts. Enjoy it!Pyotr Ilyich Tchaikovsky (1840 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$19.99
Spanish Dance
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Andrew Wainwright
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Spanish Dance
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Andrew Wainwright
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.890734 Composed by Andrew Wainwright. Contemporary,Multicultural,World. Score and Parts. 69 pages. Andrew Wainwright ...
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Full Orchestra - Level 4 - SKU: A0.890734 Composed by Andrew Wainwright. Contemporary,Multicultural,World. Score and Parts. 69 pages. Andrew Wainwright #3010913. Published by Andrew Wainwright (A0.890734). Based on the traditional Spanish song RÃu RÃu ChÃu, this exhilarating foot-tapping item has proved popular with groups around the world and will be an exciting addition to your concert program. Spanish Dance winds up to a whirlwind climax with a respectful nod in the direction of Morley Calvert's Canadian Folk Song Suite - very clever. Paul Hindmarsh, British Bandsman magazine. *Please note the audio file is of the brass band version.
$70.00
Demon's Dance: Opus C
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Orchestre
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Classique
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Jordan Brant
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Jordan Brant
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Demon's Dance: Opus C
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Jordan Brant
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SheetMusicPlus
Full Orchestra - SKU: A0.1082966 By Jordan Brant. By Jordan Brant. Arranged by Jordan Brant. Classical. Score and parts. 9 pages. Jordan Brant #687175. ...
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Full Orchestra - SKU: A0.1082966 By Jordan Brant. By Jordan Brant. Arranged by Jordan Brant. Classical. Score and parts. 9 pages. Jordan Brant #687175. Published by Jordan Brant (A0.1082966). A full symphony piece and the final Opus in my Demon's Dance three-piece suite.
$45.77
Dance of the Snow Sprites for Orchestra from "The Snow Queen Ballet"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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James Nathaniel Holland
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Dance of the Snow Sprites for
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730432 Composed by James Nathaniel Holland. Christmas,Contemporary,Halloween. 98 pages. James Nathaniel Holland #3411...
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Full Orchestra - Level 4 - SKU: A0.730432 Composed by James Nathaniel Holland. Christmas,Contemporary,Halloween. 98 pages. James Nathaniel Holland #3411907. Published by James Nathaniel Holland (A0.730432). Send mischievous, cold breezes to your audience with this delightful, comedic dance from American composer James Nathaniel Holland's ballet, The Snow Queen for full orchestra. Combine with The Waltz of the Distorted Mirror and The Snow Queen Cometh to make an orchestral suite.Instrumentation: picc, fl12, ob12, eh, clBb12, bscl, bsn12, hrn1234, tpt123, 12trmb, bstrm/tba, timp, misc perc (triangle, ride cym with soft mallet/stick, slapstick, glk, whip), hrp, treble voice choir, stringsDuration: 6:40YouTube video presentation: https://youtu.be/Mfpwccvnh9E
$15.95
(Selections from) Nutcracker Suite - Score & Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Pyotr Tchaikovsky
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Steve Morell
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(Selections from) Nutcracker S
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.931986 Composed by Pyotr Tchaikovsky. Arranged by Steve Morell. Christmas,Romantic Period. Score and parts. 115 pages...
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Full Orchestra - Level 4 - SKU: A0.931986 Composed by Pyotr Tchaikovsky. Arranged by Steve Morell. Christmas,Romantic Period. Score and parts. 115 pages. NiceChart #4764383. Published by NiceChart (A0.931986). This arrangement features some of the most notable pieces from The Nutcracker including March, Waltz of the Flowers, and Dance of the Sugar Plum Fairy. This piece uses the original orchestration, but uses more commonly found instruments to make it easy to implement with any concert band. It is edited to give an authentic taste of each of these three selections and will put your audiences in full holiday spirits!Includes parts for piano, harp, guitar and drum set.
$80.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
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Dance Suite - Tango
