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TRI ET FILTRES
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ACCORDEON
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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MARIMBA
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PIANO
SAXOPHONE
SYNTHETISEUR
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1513
PIANO & CLAVIERS
Piano seul
894
Piano Facile
306
Piano, Voix
115
Piano, Voix et Guitare
103
Instruments en Do
66
Orgue
54
Accompagnement Piano
49
Piano grosses notes
34
1 Piano, 4 mains
32
2 Pianos, 4 mains
27
Accordéon
19
Piano Trio: piano, violon, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano (partie séparée)
5
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
1 Piano, 6 mains
1
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1
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GUITARES
Guitare
81
Guitare notes et tablatures
66
Ukulele
22
Guitare (partie séparée)
14
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12
Ligne De Mélodie, (Paroles) et Accords
10
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7
Paroles et Accords
7
Piano, Guitare (duo)
6
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6
Dulcimer
6
2 Guitares (duo)
4
Basse électrique (partie séparée)
3
4 Guitares (Quatuor)
2
Mandoline, Piano (duo)
1
Ensemble de guitares
1
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VOIX
Chorale SATB
184
Chorale 3 parties
69
Chorale 2 parties
40
Chorale TTBB
19
Chorale SSAA
17
Chorale Unison
16
Voix Tenor, Piano
15
Pack Instrumental pour Chorale
8
Voix duo, Piano
6
Voix Alto, Piano
6
Voix Soprano, Piano
6
Voix duo
3
Voix haute
3
Chorale SSATB
3
Voix Baryton, Piano
2
Male Voice
2
Chorale
2
Voix seule
2
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix Tenor
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
166
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Flûte traversière et Piano
134
Quatuor de Saxophones: 4 saxophones
120
Quintette de Saxophone: 5 saxophones
85
2 Clarinettes (duo)
84
Clarinette et Piano
83
2 Flûtes traversières (duo)
80
Flûte, Hautbois, Clarinette, Basson
76
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone, Clarinette (duo)
66
Saxophone (partie séparée)
65
Hautbois, Piano (duo)
64
Flûte traversière
63
Clarinette
60
Saxophone Alto et Piano
59
Clarinette, Violon (duo)
52
Saxophone Tenor et Piano
43
2 Hautbois (duo)
39
Clarinette, Trompette (duo)
39
Ensemble de Clarinettes
38
3 Saxophones (trio)
36
Flûte, Clarinette (duo)
36
Hautbois, Clarinette (duo)
31
Saxophone Soprano et Piano
30
Saxophone Alto
28
Hautbois, Basson (duo)
28
Quatuor de Flûtes : 4 flûtes
26
Flûte, Violon
26
Hautbois (partie séparée)
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
24
Ensemble de saxophones
24
Hautbois, Flûte
23
Clarinette et Alto
23
Flûte, Saxophone (duo)
22
Flûte, Trompette (duo)
20
Saxophone Tenor
19
Flûte, Violon, Piano
19
Cor anglais, Piano
18
Clarinette (partie séparée)
17
Flûte, Alto (duo)
17
Flûte à bec Soprano
16
Hautbois
15
2 Flûte à bec (duo)
15
Flute (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de Flûtes
12
Trio de Flûtes: 3 flûtes
11
Flûte, Hautbois (duo)
10
Quatuor de Flûtes à bec
9
Clarinette, Basson (duo)
9
Flûte, Hautbois, Basson
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte et Guitare
9
3 Clarinettes (trio)
9
Clarinette Basse, Piano
9
Saxophone Baryton
8
Flûte à bec Tenor
8
Flûte, Hautbois, Clarinette (trio)
8
Quintette de Flûte : 5 flûtes
8
Flûte à bec Alto, Piano
7
Flûte à Bec
7
Flûte à bec Alto
7
3 Flûtes à bec (trio)
6
Cor Anglais
6
Saxophone Soprano
6
Flûte, Hautbois, Piano (trio)
6
Ocarina
5
Flûte à Bec, Piano
4
Ensemble De Flûte à bec
4
Piccolo
4
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
Piccolo, Piano
4
Harmonica
4
Clarinette, Harpe (duo)
3
Saxophone et Harpe
3
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
2
Flute, harpe et violon
2
Flûte, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Saxophone
2
Flûte, Violoncelle
2
Hautbois, violon (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Clarinette Basse
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Hautbois et alto (duo)
1
2 Saxophones, Piano
1
2 Clarinettes, Basson
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes à bec, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
85
Trompette, Piano
66
Trombone et Piano
66
Trompette
50
Trompette, Saxophone (duo)
46
Trombone (partie séparée)
44
Cor et Piano
42
Trompette (partie séparée)
40
2 Trombones (duo)
37
Cor
34
2 Trompettes (duo)
33
Trombone
32
Tuba et Piano
30
Tuba
28
Euphonium, Piano (duo)
27
Trompette, Trombone (duo)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Cor anglais, Piano
18
Cor (partie séparée)
13
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
12
Tuba (partie séparée)
11
Quatuor de cuivres: 4 cors
11
Ensemble de Trombones
10
Ensemble de Trompettes
8
Quatuor de Cuivres
7
Quatuor de cuivres: 4 trompettes
6
2 Tubas (duo)
6
Cor Anglais
6
Trombone basse
6
Euphonium
4
Trompette, Cor (duo)
4
Trombone basse et Piano
3
Trompette, Harpe
3
Cor, Tuba (duo)
2
Cor et Harpe
2
4 Tubas
2
3 Trombones (trio)
2
Ensemble de Cors
2
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
246
Violon et Piano
177
Violon
97
Violoncelle, Piano
85
Violon, Violoncelle (duo)
80
Alto, Piano
79
Violoncelle
65
2 Violons (duo)
64
Harpe
55
2 Violoncelles (duo)
54
Trio à Cordes: violon, alto, violoncelle
54
2 Altos (duo)
47
Alto seul
43
Violon, Alto (duo)
42
Violon (partie séparée)
33
Contre Basse
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: 2 violons, violoncelle
24
Contrebasse, Piano (duo)
21
2 Harpes (duo)
20
Alto (partie séparée)
19
Contrebasse (partie séparée)
18
4 Violoncelles
13
Violon, Guitare (duo)
12
Alto, Violoncelle (duo)
11
Quatuor à cordes : 4 altos
9
Violoncelle (partie séparée)
9
Quatuor à cordes: 4 violons
8
Trio à Cordes: 3 violoncelles
7
Ensemble de Violons
7
Ensemble d'Altos
7
Trio à cordes: 3 violins
7
Harpe, Flûte (duo)
5
Harpe, Violon (duo)
5
Trio à cordes: 3 altos
4
Alto et Harpe
3
Flûte, Contrebasse (duo)
3
Harpe, Voix
2
4 Contrebasses
2
Violoncelle , Guitare (duo)
1
Violoncelle, Basse continue
1
Alto, Guitare (duo)
1
Autoharp
1
Harpe et mandoline
1
Alto et Basson
1
Violon, Basson (duo)
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1041
Orchestre à Cordes
211
Orchestre
141
Ensemble Jazz
90
Fanfare
83
Ensemble de cuivres
49
Cloches
36
Orchestre de chambre
35
Ensemble de Percussions
23
Jazz combo
23
Batterie (partie séparée)
15
Percussion (partie séparée)
13
Batterie
10
Marimba
8
Xylophone, Piano
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Percussion
1
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AUTRES
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.59 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.11 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.66 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
The Wind in the Willows, A Ballet Pantomime in Three Acts Full Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730380 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730380 Composed by James Nathaniel Holland. Broadway,Children,Contemporary. Score and parts. 899 pages. James Nathaniel Holland #3069095. Published by James Nathaniel Holland (A0.730380). Kenneth Grahame's classic children's novel is brought to musical life by American Costa Rican composer James Nathaniel Holland in his adaptation of The Wind in the Willows for theatrical dance production, orchestra, soloists and chorus. This fine work is waiting to be premiered. Perfect for children's concerts.A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintaining the comedy of Mr. Toad. The genius of this adaptation is full of orchestral colors; a fine introduction to classical music and the orchestra for any young person or novice. --- The Nutley Globe
$95.99
87.61 €
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Orchestre
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James Nathaniel Holland
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The Wind in the Willows, A Ballet Pantomime in Three Acts Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
The Quiet
Orchestre
Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into thr…
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Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).
$21.99
20.07 €
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Orchestre
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Chaya Czernowin
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The Quiet
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Schott Music - Digital
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SheetMusicPlus
The American Seasons (violin solo part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.53 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.69 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Fire Dance for Violin and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1485976 Composed by Richard E B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Music (A0.1485976). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.Fire Dance is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, bells, timpani, 2 percussion, piano, and strings. Duration 5:00.
$65.00
59.32 €
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Orchestre
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Richard E Brown
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Fire Dance for Violin and Orchestra
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Dacker Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_M1 Mallets. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_M1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): 3rd F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H3 3rd F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H3 3rd F Horn. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_H3). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_B1 Bassoon. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_B1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_TMP Timpani. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_TMP). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_F1 Flute. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_F1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_VC1 Cello. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_VC1). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): 4th F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H4 4th F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016357_H4 4th F Horn. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016357_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016357_H4). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
2.74 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Dance of Clowns (from A Midsummer Night's Dream): Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004595 Score. Composed by F…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004595 Score. Composed by Felix Bartholdy Mendelssohn. Arranged by Jerry Brubaker. Classical. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0004595. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004595). UPC: 038081472041.A fantastic arrangement of music from Shakespeare's play, A Midsummer Night's Dream, that is true to the original but eminently playable, this transcription will fit any concert. (1:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$8.00
7.3 €
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Orchestre
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Felix Bartholdy Mendelssohn
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Jerry Brubaker
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Festival.
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A Dance of Clowns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Theme From "New York, New York"
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1377410 By Frank Sinatra. By Fr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1377410 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Ken Naidu. Broadway,Film/TV,Holiday,Jazz,Musical/Show. 53 pages. Scores by Ken #962002. Published by Scores by Ken (A0.1377410). Theme From New York, New York | Scores by Ken About the PieceArranged by Ken Naidu, New York New York is an instrumental score with great respect and resemblence to its original by Frank Sinatra. It induces the feelings of Nostalgia, Joy and Warmth. It's a perfect score to portray a New York scene. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
45.62 €
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Orchestre
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Frank Sinatra
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Ken Naidu
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Theme From "New York, New York"
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Scores by Ken
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.21 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 58 pages. Really Good Music, LLC. #4836055. Published by Really Good Music, LLC. (A0.868919). The full score of Oriental Dance by Lev PULVER (1883 – 1970) has been realized from the autograph manuscript and edited by Sergei PICHUGIN. This music, portraying the scene in the palace of an oriental sovereign, most likely is a ballet episode from the first production of the Moscow State Yiddish Theater (GOSET) The Sorceress (1922). Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Oriental Dance.
$70.00
63.89 €
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Orchestre
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
The Chicken Dance: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016620_TMP Timpani. Arrange…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016620_TMP Timpani. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016620_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016620_TMP). UPC: 029156913088.Hold on to your hats for this one! You'll play only a few notes before everyone (and we mean everyone) in your audience gets the message. The grins will go from ear to ear, and chances are there will be more than a few who will be doing a bit of moving. It's all good fun and one heck of a way to bond your musicians with their audiences. With this wonderful Bob Cerulli arrangement, you'll hit solid home runs . . . never 'fowl' balls!
$3.00
2.74 €
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Orchestre
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Bob Cerulli
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The Chicken Dance: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Chicken Dance: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016620_M1 Mallets. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016620_M1 Mallets. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016620_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016620_M1). UPC: 029156913088.Hold on to your hats for this one! You'll play only a few notes before everyone (and we mean everyone) in your audience gets the message. The grins will go from ear to ear, and chances are there will be more than a few who will be doing a bit of moving. It's all good fun and one heck of a way to bond your musicians with their audiences. With this wonderful Bob Cerulli arrangement, you'll hit solid home runs . . . never 'fowl' balls!
$3.00
2.74 €
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Orchestre
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Bob Cerulli
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The Chicken Dance: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Chicken Dance: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004816 Score. Arranged by B…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004816 Score. Arranged by Bob Cerulli. Instructional. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0004816. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004816). UPC: 029156913088.Hold on to your hats for this one! You'll play only a few notes before everyone (and we mean everyone) in your audience gets the message. The grins will go from ear to ear, and chances are there will be more than a few who will be doing a bit of moving. It's all good fun and one heck of a way to bond your musicians with their audiences. With this wonderful Bob Cerulli arrangement, you'll hit solid home runs . . . never 'fowl' balls!
$7.00
6.39 €
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Orchestre
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Bob Cerulli
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The Chicken Dance: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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