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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day After Day
Non classifié
688
Piano & claviers
Piano seul
427
Piano, Voix
110
Piano Facile
102
Piano, Voix et Guitare
82
Orgue
43
Instruments en Do
26
1 Piano, 4 mains
19
Piano grosses notes
13
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
50
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
7
Paroles et Accords
6
Guitare (partie séparée)
4
Basse electrique
4
2 Guitares (duo)
3
Mandoline
3
Piano, Guitare (duo)
2
Dulcimer
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
175
Chorale 3 parties
66
Chorale TTBB
28
Chorale 2 parties
22
Voix seule
16
Chorale SSAA
12
Chorale Unison
12
Voix Alto, Piano
8
Voix Soprano, Piano
6
Chorale
5
Voix Soprano
3
Voix duo
3
Voix duo, Piano
3
Voix haute
3
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix basse
1
Voix Tenor
1
Voix haute, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
58
Quatuor de Saxophones: 4 saxophones
56
Clarinette et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
2 Saxophones (duo)
40
Saxophone Alto et Piano
40
Hautbois, Piano (duo)
37
Clarinette
30
Saxophone Soprano et Piano
27
Flûte traversière
27
Quatuor de Clarinettes: 4 clarinettes
26
Quintette de Saxophone: 5 saxophones
25
2 Clarinettes (duo)
22
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Alto
20
Saxophone Tenor et Piano
18
2 Flûtes traversières (duo)
18
3 Saxophones (trio)
17
Ensemble de saxophones
14
2 Hautbois (duo)
14
Saxophone (partie séparée)
13
Saxophone, Clarinette (duo)
12
Saxophone Baryton, Piano
11
Quatuor de Flûtes : 4 flûtes
11
Ensemble de Flûtes
11
Cor anglais, Piano
10
Hautbois (partie séparée)
10
Flûte, Clarinette (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
3 Clarinettes (trio)
9
Ensemble de Clarinettes
9
Hautbois
8
Clarinette Basse, Piano
8
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
6
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
5
Saxophone Tenor
5
Flûte, Trompette (duo)
4
Hautbois, Basson (duo)
4
Quatuor de Flûtes à bec
4
Flûte, Saxophone (duo)
4
Flûte et Guitare
3
Clarinette, Basson (duo)
3
Clarinette et Alto
3
Flûte, Violon
3
Flûte, Alto (duo)
2
Ocarina
2
Flûte à bec Tenor
2
Harmonica
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
2 Clarinettes, Piano
2
Ensemble De Flûte à bec
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte à Bec
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Piano
1
Flûte irlandaise
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Piccolo, Piano
1
Clarinette, Guitare (duo)
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
Hautbois, Harpe
1
Flûte, Clarinette, Piano (trio)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Trompette, Piano
34
Cor et Piano
27
Trombone et Piano
27
2 Trompettes (duo)
15
Trombone
14
Tuba et Piano
13
Euphonium, Piano (duo)
13
Cor
13
2 Trombones (duo)
13
Trombone (partie séparée)
10
Cor anglais, Piano
10
Tuba
10
Quatuor de Cuivres
8
Trompette, Saxophone (duo)
7
Trompette (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Cors (duo)
5
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
3
4 Tubas
2
3 Trombones (trio)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Cors
2
Cor et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Ensemble de Tubas
1
3 Trompettes (trio)
1
3 Cors (trio)
1
Tuba (partie séparée)
1
Euphonium
1
3 Tubas (trio)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon et Piano
74
Alto, Piano
50
Violoncelle, Piano
36
Violon
30
Harpe
25
Violoncelle
21
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
19
2 Violons (duo)
18
Alto seul
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
12
Trio à Cordes: violon, alto, violoncelle
9
Contre Basse
8
2 Harpes (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Voix
3
Quatuor à cordes: 4 violons
3
Alto (partie séparée)
3
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
2 Altos, Piano
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
225
Orchestre
54
Orchestre à Cordes
36
Ensemble de cuivres
35
Ensemble Jazz
23
Batterie
21
Orchestre de chambre
19
Ensemble de Percussions
13
Cloches
9
Jazz combo
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
3
Fanfare
3
Batterie (partie séparée)
2
Piano et Orchestre
1
Xylophone, Piano
1
Percussion (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Day After Day
Orchestre
Partitions à imprimer
54 partitions trouvées
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51
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Day After Day
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Orchestre
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AVANCÉ
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Rock
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Ameritz Top Tributes
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Brad Ritchie
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Day After Day
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1284743 By Ameritz Top Tributes. By Peter Ham. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 48 pages. Main Of...
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Full Orchestra - Level 5 - SKU: A0.1284743 By Ameritz Top Tributes. By Peter Ham. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 48 pages. Main Office Productions & Publishing #875921. Published by Main Office Productions & Publishing (A0.1284743). Full Orchestra Arrangement that is true to the original Badfinger recording. Â Features Vocal and Rock Band.Score Formatted for 11x17 paper. Â Parts formatted for 9.5x12.5 paper. Â Parts are designed to be taped accordion style.
$100.00
Great Day of Judgement Suite I Movement - The Day of Apocalypse
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Orchestre
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AVANCÉ
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Bob Hada
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Great Day of Judgement Suite I
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Bob Hada
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.745689 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Classical,Contemporary,Romantic Period,Spiri...
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Full Orchestra - Level 5 - SKU: A0.745689 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Classical,Contemporary,Romantic Period,Spiritual. Score and parts. 64 pages. Bob Hada (Schoolspianist246) #353611. Published by Bob Hada (Schoolspianist246) (A0.745689). The musical creations plots about a time when the undead arises from their graves and attends the great throne of God in heaven at the great day of judgment ceremony to stand before God and to be determined whether or not the immortal man or women will enter in heaven or be banished from God's presence and live under the lake of fire of all damnation with Lucifer and his angels for all of eternity. As a result of the book of life and in the King James Bible, the book of revelation where it all begins in the truth afterlife story.
$50.99
Calling All Workers
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Orchestre
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AVANCÉ
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Eric Coates
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Kevin Riley
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Calling All Workers
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1493082 By Eric Coates. By Eric Coates. Arranged by Kevin Riley. 20th Century,Patriotic. 91 pages. Kevin Riley #10697...
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Full Orchestra - Level 5 - SKU: A0.1493082 By Eric Coates. By Eric Coates. Arranged by Kevin Riley. 20th Century,Patriotic. 91 pages. Kevin Riley #1069754. Published by Kevin Riley (A0.1493082). Music While You Work was a daytime radio programme of continuous live popular music broadcast in the United Kingdom twice daily on workdays from 23 June 1940 ]until 29 September 1967 by the BBC. Initially, the morning edition was generally broadcast on the BBC Home Service at 10:30am, with the afternoon edition at 3pm on the Forces/General Forces Programme - and after the war on the BBC Light Programme. Between August 1942 and July 1945, a third edition was broadcast at 10:30pm for night-shift workers.The programme began in World War II with the idea that playing non-stop popular/light music at an even tempo would help factory workers become more productive.[4][5] It originally consisted of live music (light orchestras, dance bands, brass and military bands and small instrumental ensembles). In order to make studios more available during the day, it was decided in 1963 that the shows would be pre-recorded (often in the evening or on Sundays).
$70.00
Song Of The High Seas
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Orchestre
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AVANCÉ
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Richard Rodgers
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Kevin Riley
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Song Of The High Seas
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430877 Composed by Richard Rodgers. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. 43 pages. Kevin Riley #...
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Full Orchestra - Level 5 - SKU: A0.1430877 Composed by Richard Rodgers. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. 43 pages. Kevin Riley #1011381. Published by Kevin Riley (A0.1430877). Victory at Sea is a documentary television series about warfare in general during World War II, and naval warfare in particular, as well as the use of industry in warfare. It was broadcast by NBC in the United States during 1952–1953. It was condensed into a film released in 1954. Excerpts from the music soundtrack, by Richard Rodgers and Robert Russell Bennett, were re-recorded for record albums. The original TV broadcasts comprised 26 half-hour segments—Sunday afternoons in most markets—starting on October 26, 1952 and ending on May 3, 1953. The series won an Emmy award in 1954 as best public affairs program and played an important part in establishing historic compilation documentaries as a television genre.
$70.00
Too Early For Christmas
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Orchestre
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INTERMÉDIAIRE
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Noël
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
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Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
The Fourth Republic
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Orchestre
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AVANCÉ
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Peter van Leeuwarden
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The Fourth Republic
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Peter van Leeuwarden
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1027693 Composed by Peter van Leeuwarden. 20th Century,Contemporary,Jazz. Score and parts. 44 pages. Peter van Leeuwa...
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Full Orchestra - Level 5 - SKU: A0.1027693 Composed by Peter van Leeuwarden. 20th Century,Contemporary,Jazz. Score and parts. 44 pages. Peter van Leeuwarden #2869283. Published by Peter van Leeuwarden (A0.1027693). An exciting piece for the modern orchestra. Set in the interwars years in France, this piece captures the French atmosphere, the rising American influence, and the joyous days after the war.
$9.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Bramshill Concert Rondo
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
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Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Saint Patrick's Overture
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Thomas Quigley
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Saint Patrick's Overture
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Thomas Quigley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 p...
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Full Orchestra - Level 4 - SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 pages. Thomas Quigley #3399257. Published by Thomas Quigley (A0.731851). Based on the jig Saint Patrick's Day and a hymn tune Dóchas Linn Naomh Pádraig, this colorfully orchestrated piece is an ideal concert item at any time, but particularly on (or close to) St. Patrick's Day. The dance tune is very well known and provides an exciting opening before the hymn. Here, the orchestra builds to a climax with a full-textured rendition, after which a new version of the jig is heard, but now transformed into a reel. This is a most appealing and well-crafted overture, always very suitably harmonized. It is a glowing orchestral tribute to Ireland's patron Saint.(Duration 5:00).
$89.00
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Chinatown - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Jerry Goldsmith
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Chris Siddall
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Musi...
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Full Orchestra - Level 4 - SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
Moonlight Sonata
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Kevin Riley
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Moonlight Sonata
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #...
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Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #929368. Published by Kevin Riley (A0.1343863). The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonataby Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie Giulietta Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.This is an arrangement of the opening movement.
$70.00
I Can Only Imagine
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Orchestre
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FACILE
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MercyMe
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Paul Lorenz
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I Can Only Imagine
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1515617 By MercyMe. By Bart Millard. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Praise & Worship,Religious,Sp...
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Full Orchestra - Level 2 - SKU: A0.1515617 By MercyMe. By Bart Millard. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Praise & Worship,Religious,Spiritual. 28 pages. Paul Lorenz #1089971. Published by Paul Lorenz (A0.1515617). Discover Paul Lorenz's Stunning Choral Arrangement of I Can Only Imagine by Mercy Me Download now: I Can Only Imagine sheet music for SATB choir and orchestra, arranged by acclaimed composer Paul Lorenz. This exceptional arrangement includes the full choir score, piano accompaniment, and all orchestral parts, perfect for worship settings, concerts, and performances. Breathtaking Choral and Orchestral Arrangement Experience the power of Mercy Me's beloved Christian anthem with this moving arrangement tailored for Soprano, Alto, Tenor, and Bass voices. Paul Lorenz's sensitive orchestration brings depth and beauty, elevating the song to new heights. Ideal for choirs, church ensembles, and community groups, this sheet music is available as a PDF download, ensuring you can access it instantly. Perfect for Worship and Concerts Whether you're preparing for a Sunday service or a special event, this Christian worship sheet music provides all you need for a flawless performance. With easy-to-read piano and vocal scores, and individual orchestral parts, your ensemble can deliver a polished and emotional rendition of I Can Only Imagine. Bring the heartfelt message of this worship classic to life. Download your copy today and share this moving piece with your choir and audience. FAQs: What is included in the I Can Only Imagine sheet music by Paul Lorenz? The download includes the full SATB choir score, piano accompaniment, and individual orchestral parts. This arrangement is perfect for choirs and orchestras performing in worship settings or concerts. Is the I Can Only Imagine sheet music suitable for beginner choirs? This arrangement is designed for SATB choirs and may require intermediate to advanced skill levels, particularly for the orchestral parts. However, the piano accompaniment and vocal lines are accessible for most choir groups. How can I purchase and download I Can Only Imagine sheet music? The sheet music is available for instant PDF download after purchase. You’ll receive the full score and all individual parts, ready to print and distribute to your choir or orchestra.
$149.90
The Cross Kirk and the lang walk
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Orchestre
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. H...
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Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
Rosary Sonatas: The Crucifixion
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
Sleazy Louise
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Richard Bowyer
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Sleazy Louise
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Richard Bowyer
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Ri...
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Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Richard Bowyer (A0.1009742). Fat Fred and Sleazy Louise Got together one day; Fat Fred was easy to please, And she was going his way.... This is a reworking of a fun piece I originaally wrote over 30 years ago, and I have to admit that after all this time I can't actually remember why I gave it the title Sleazy Louise. But in the slow, smoochy middle section (not included in the sample recording) you'll hear that there is something a bit disreputable, down-at-heel and nicotine-stained about this lady. Scored for full orchestra, including alto and tenor saxophones, there are optional additional parts for baritone saxophone, Eb horn, treble clef trombone in Bb, easy violin and descant recorder. The violin cues in the clarinet part should only be played if the violins need reinforcing. Sleazy Louise has been performed in several countries, notably when some orchestral players fitted silly words to it and sang it to startled onlookers in Red Square, Moscow!
$50.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Berkshire Storms (Downloadable Study Score)
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Orchestre
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INTERMÉDIAIRE
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Douglas Gerber
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Berkshire Storms
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Full orchestra - Medium - SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirm...
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Full orchestra - Medium - SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
$24.00
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Day After Day