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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Die Baroque
Sheetmusicplus
Non classifié
850
Piano & claviers
Piano, Voix
312
Piano seul
190
Piano Facile
106
Orgue
54
Orgue, Trompette (duo)
18
Instruments en Do
10
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
1
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Mandoline
101
Guitare
56
Guitare notes et tablatures
54
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
17
2 Guitares (duo)
6
Mandoline, Guitare (duo)
4
Basse electrique
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale 3 parties
17
Chorale TTBB
13
Chorale SSAA
7
Voix duo, Piano
6
Chorale 2 parties
4
Chorale Unison
3
Voix haute
3
Voix moyenne, Piano
1
Voix duo
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quintette de Saxophone: 5 saxophones
66
3 Saxophones (trio)
65
Flûte, Hautbois, Clarinette, Basson
63
Flûte traversière et Piano
55
Quatuor de Clarinettes: 4 clarinettes
50
2 Saxophones (duo)
49
Clarinette et Piano
41
2 Flûtes traversières (duo)
40
3 Clarinettes (trio)
39
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
29
Flûte, Hautbois, Basson
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violon et Violoncelle
25
Quatuor de Flûtes à bec
25
Trio de Flûtes: 3 flûtes
25
Flûte traversière
25
Ensemble de Clarinettes
24
Saxophone Tenor et Piano
24
Ensemble de saxophones
23
Quatuor de Flûtes : 4 flûtes
23
Ensemble De Flûte à bec
22
2 Clarinettes (duo)
22
Flûte, Clarinette et Basson
22
Saxophone Soprano et Piano
21
2 Flûte à bec (duo)
21
Clarinette
19
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
16
2 Hautbois (duo)
16
Clarinette, Basson (duo)
14
Saxophone Baryton, Piano
14
2 Clarinettes, Basson
13
Ensemble de Flûtes
12
Hautbois, Violoncelle
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
11
Saxophone Alto
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Violoncelle (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Hautbois (partie séparée)
10
3 Flûtes à bec (trio)
8
Flûte, Clarinette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Flûte à Bec
7
Hautbois
7
Flûte à bec Soprano
7
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Flûte, Violon
5
Clarinette, Violon (duo)
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto
5
Saxophone, Violon (duo)
4
Hautbois, violon (duo)
4
Flûte, Hautbois (duo)
4
5 Flûtes à bec
4
Flûte, Trompette (duo)
4
Saxophone, Clarinette (duo)
4
Hautbois, Trompette (duo)
4
Saxophone (partie séparée)
4
Clarinette, Harpe (duo)
3
2 Hautbois et Basson
3
Harmonica
3
Hautbois, Harpe
3
2 Saxophones, Piano
2
4 Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Ensemble de Trompettes
58
Trompette, Piano
39
Trombone et Piano
33
Cor et Piano
28
Trompette
21
2 Trompettes (duo)
19
2 Cors (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Ensemble de Trombones
18
2 Trombones (duo)
18
Trombone
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
11
Tuba et Piano
10
Tuba
10
Trompette, Basson (duo)
9
Cor
9
Trompette, Violoncelle (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
8
2 Tubas (duo)
7
Trompette, Trombone (duo)
6
Quatuor de Cuivres
6
Trompette, Saxophone (duo)
5
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Trompette, Cor (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trompettes
3
Cor, Violoncelle (duo)
3
2 Euphoniums (duo)
2
Cor et Basson (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
4 Tubas
1
Cor et Harpe
1
Trompette, Harpe
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trompette (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
47
Violon, Violoncelle (duo)
39
Violon
39
Violoncelle, Piano
38
Alto, Piano
38
Trio à Cordes: violon, alto, violoncelle
34
Violoncelle
30
2 Violons (duo)
23
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
15
Alto seul
15
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
11
Violon, Alto (duo)
11
Ensemble d'Altos
11
Harpe
11
Trio à Cordes: 3 violoncelles
10
Ensemble de Violons
10
Alto et Basson
8
Violon, Basson (duo)
8
Alto (partie séparée)
7
Contre Basse
7
Harpe, Flûte (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
2 Harpes (duo)
5
Trio à cordes: 3 altos
4
2 Contrebasses (duo)
4
4 Violoncelles
3
Quatuor à cordes : 4 altos
3
Violon (partie séparée)
3
Ensemble de Violoncelles
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
Contrebasse (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
57
Ensemble de cuivres
36
Orchestre de chambre
31
Orchestre d'harmonie
21
Orchestre
18
Cloches
4
Ensemble Jazz
2
Xylophone, Piano
2
2 Xylophones
1
Quintette à Vent
1
Ensemble de Percussions
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix + au -
Nouveautes
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Vous avez sélectionné:
Die Baroque
SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Die Ideale
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Orchestre
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Franz Liszt
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Die Ideale
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q4385 Symphonic Poem No. 12. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenbu...
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Orchestra - SKU: S9.Q4385 Symphonic Poem No. 12. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4385. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4385). German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
Halleluja Chorus aus der Messias (Deutsche Fassung)
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Orchestre
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FACILE
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Classique
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Artyfile
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Paul Lorenz
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Halleluja Chorus aus der Messi
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1385115 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worsh...
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Full Orchestra - Level 2 - SKU: A0.1385115 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #968570. Published by Paul Lorenz (A0.1385115). Entdecken Sie die Majestät von Händels Halleluja aus dem Messias Das unvergessliche Erlebnis mit Händels Halleluja Georg Friedrich Händels Halleluja aus dem Messias bleibt eines der herausragendsten Werke der klassischen Musik, das weltweit für seine emotionale Tiefe und seine spirituelle Kraft gefeiert wird. Paul Lorenz Music bietet Ihnen die Gelegenheit, dieses meisterhafte Stück in seiner ganzen Pracht zu erleben, unterstützt durch unsere hochwertigen Noten und Interpretationen. Ein zeitloses Meisterwerk neu entdeckt Unsere Sammlung umfasst die Händel Halleluja Noten, die Halleluja von Händel Noten, sowie spezialisierte Ausgaben wie die Händel Halleluja Orgel Noten Pdf, die eine authentische Aufführung des Stücks ermöglichen. Ob für Solo-Auftritte, Chorarrangements oder Orchesterbegleitung â?? Paul Lorenz Music stellt sicher, dass Musiker Zugang zu den besten Ressourcen haben. Professionelle Ressourcen für Musiker aller Niveaus Von Noten Halleluja Händel bis zu den umfassenden Händel Halleluja Noten Pdf, unsere Editionen sind für Musiker, Ensembles, Orchester und Chöre konzipiert. Entdecken Sie die Halleluja Händel Chor Partituren und die vielseitigen Händel Halleluja Noten imslp, die jede Aufführung zu einem unvergesslichen Ereignis machen. Die Händel Halleluja Noten satb Editionen ermöglichen es Sängern aller Stimmlagen, sich an diesem zeitlosen Werk zu beteiligen. Die Faszination von Händels Halleluja Händels Halleluja zeichnet sich durch seine einzigartige Verbindung von musikalischer Brillanz und spiritueller Botschaft aus. Es ist ein Stück, das Zuhörer und Ausführende gleichermaÃ?en berührt und inspiriert. Paul Lorenz Music ist stolz darauf, diese Erfahrung mit hochwertigen Noten und Interpretationshilfen zu unterstützen, die dem historischen und musikalischen Kontext des Werkes gerecht werden.
$99.99
3 Gymnopédies
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Orchestre
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Classique
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Contemporain
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Erik Satie
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3 Gymnopédies
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q4659 (No. 1 and 3 orchestrated by Claude Debussy). Composed by Erik Satie. This edition: study score. Ernst Eulenburg - Orch...
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Orchestra - SKU: S9.Q4659 (No. 1 and 3 orchestrated by Claude Debussy). Composed by Erik Satie. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4659. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4659). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
Rosary Sonatas: The Crucifixion
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Orchestre
#
AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Symphony No. 6 C Major
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Orchestre
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Classique
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Franz Schubert
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Symphony No. 6 C Major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q12509 Die Kleine. Composed by Franz Schubert. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Mini...
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Orchestra - SKU: S9.Q12509 Die Kleine. Composed by Franz Schubert. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12509. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12509). Key: C major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
Handel Hallelujah Chorus From Messiah
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Orchestre
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FACILE
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Classique
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Artyfile
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Paul Lorenz
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Handel Hallelujah Chorus From
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worsh...
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Full Orchestra - Level 2 - SKU: A0.1385189 By Artyfile. By George Frideric Handel. Arranged by Paul Lorenz. Baroque,Christian,Classical,Praise and Worship,Religious. 74 pages. Paul Lorenz #969195. Published by Paul Lorenz (A0.1385189). Elevate Your Performance with Handel's Hallelujah Chorus Sheet Music A Timeless Masterpiece Awaits Dive into the magnificence of George Frideric Handel's most celebrated work, the Hallelujah Chorus from Messiah. At Paul Lorenz Music, we offer an unparalleled selection of the Hallelujah Chorus choral sheet music, crafted for choirs and musicians who aim for excellence. Our meticulously prepared editions ensure that every crescendo and every harmony of this baroque masterpiece resonates with audiences and performers alike. Accessible Excellence for Every Musician Whether you're a solo artist looking for Hallelujah Chorus from Messiah sheet music or an ensemble seeking to captivate with Handel's baroque splendor, our collection spans from Hallelujah chorus piano sheet music to full orchestral scores. Discover our Hallelujah Handel PDF and Hallelujah Chorus Handel PDF editions, offering crystal-clear notations for a seamless performance experience. Immerse in the Baroque Brilliance For organists, the Hallelujah Chorus organ PDF provides the foundation for a powerful and moving rendition, bringing Handel's vision to life with every note. Choirs can elevate their performance with our Hallelujah Chorus SATB sheet music, designed for soprano, alto, tenor, and bass voices to blend harmoniously in this epic chorus. Full Scores for Complete Mastery Achieve a deeper understanding and a more impactful performance with the Hallelujah Chorus full score PDF. This comprehensive resource is perfect for conductors and music directors aiming to explore Handel's intricate musical architecture, ensuring a performance that is both authentic and profound.
$99.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
The Caliph of Baghdad
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Orchestre
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Francois-Adrien Boieldieu
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The Caliph of Baghdad
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q4604 Overture to the Comic Opera. Composed by Francois-Adrien Boieldieu. This edition: study score. Ernst Eulenburg - Orches...
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Orchestra - SKU: S9.Q4604 Overture to the Comic Opera. Composed by Francois-Adrien Boieldieu. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4604. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4604). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$9.99
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Hooked on D Minor (Toccata and Fugue in D Minor)
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Orchestre
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Tim Olt
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Hooked on D Minor
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.759424 Composed by Johann Sebastian Bach. Arranged by Tim Olt. Baroque,Jazz. Score and parts. 62 pages. Olt Music #64...
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Full Orchestra - Level 5 - SKU: A0.759424 Composed by Johann Sebastian Bach. Arranged by Tim Olt. Baroque,Jazz. Score and parts. 62 pages. Olt Music #6437083. Published by Olt Music (A0.759424). Remember the 70s Hooked On craze? This setting for full orchestra with piano, organ and 3 tenor soloists harkens back to that era. Definitely an audience pleaser!
$100.00
Deck the Hall Fantasie
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Dana Graybeal
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Deck the Hall Fantasie
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Dana Graybeal
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1117920 Composed by Traditional. Arranged by Dana Graybeal. Christmas,Holiday,Traditional. Score and parts. 62 pages....
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Full Orchestra - Level 4 - SKU: A0.1117920 Composed by Traditional. Arranged by Dana Graybeal. Christmas,Holiday,Traditional. Score and parts. 62 pages. Dana Graybeal #719426. Published by Dana Graybeal (A0.1117920). This high energy rhapsodic treatment of the familiar holiday tune is perfect for an opener. The arrangement features five variations on the theme (including waltz, Turkish, Baroque presto, etc.). Sure to be an audience and orchestra favorite! String arrangement also available.
$49.99
Eurovisionshymne - Eurovisionsfanfare
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Orchestre
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DÉBUTANT
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Artyfile
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Paul Lorenz
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Eurovisionshymne - Eurovisions
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1237554 By Artyfile. By Marc-Antoine Charpentier. Arranged by Paul Lorenz. Baroque,Classical,Patriotic,Praise & Worsh...
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Full Orchestra - Level 1 - SKU: A0.1237554 By Artyfile. By Marc-Antoine Charpentier. Arranged by Paul Lorenz. Baroque,Classical,Patriotic,Praise & Worship,Wedding. Score and Parts. 21 pages. Paul Lorenz #833071. Published by Paul Lorenz (A0.1237554). Introducing Eurovisionshymne, also known as Eurovisionsfanfare or Europafanfare, the grand signation melody for eurovision TV. This exclusive arrangement from Paul Lorenz is designed to be used with a full orchestra including flute, oboe, clarinet in Bb, basson, trumpet in Bb, horn in F, timpani, violins, viola, celli and contrabass. All musicians can now download the entire score and all of its parts from Sheet Music Direct. When you load up the sheet music from Sheet Music Direct you will instantaneously get the Prelude from Te Deum of Marc-Antoine Charpentier which showcases classic compositional techniques: a full sonic swell that stretches with energy while conveying captivating emotion to accentuate any performance. From lighting up an audience to creating a tantalizing atmosphere for listeners this arrangement commemorates some of Europe's rich musical history. Eurovisionshymne truly stands out among orchestral arrangements through its charactersistic profound cleverness and majestic dignity; it exudes elegant modernism while paying homage to older conventions of classical composition. Whether you’re playing for a group or practicing on your own time Eurovisionshymne offers our musicians something special that excites and inspires. Also available as music for film download at Artyfile.
$49.90
Colossus (SAB Choir & Full Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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Colossus
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Paul Barker Music
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SheetMusicPlus
Low Brass Ensemble,Strings B-Flat instrument,Bassoon,Choir,Clarinet,Flute,Harpsichord,Horn,Keyboard,Oboe,Timpani,Trombone - Level 3 - SKU: A0.726167 By ...
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Low Brass Ensemble,Strings B-Flat instrument,Bassoon,Choir,Clarinet,Flute,Harpsichord,Horn,Keyboard,Oboe,Timpani,Trombone - Level 3 - SKU: A0.726167 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Baroque,Contemporary,Contest,Festival. Score and Parts. 72 pages. Paul Barker Music #2968737. Published by Paul Barker Music (A0.726167). Colossus is the only Finale you’re going to need this year! This bold new concert piece is set to traditional Latin text for SAB Choir and Full Orchestra and will have your audience on their feet by the end of your concert! Robust and climatic melodic lines and roof-raising orchestration make this piece ideal for Choirs and Orchestras of all sizes and large public performances. Also available for SAB Choir and Keyboard and as an instrumental for Full Orchestra. Includes Conductor Score, Choral Score and Instrumental Parts. Additional Vocal scores are available from this site and www.paulbarkermusic.com Professional Accompaniment MP3 is available from this site and directly from www.paulbarkermusic.com Duration: 3:15 Level: Intermediate/Advanced (UK Grade 5+ & USA 2+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: SAB Choir - Full Orchestra - Keyboard
$32.95
Agitate
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joe Wiedemann
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Agitate
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 ...
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Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 pages. Joe Wiedemann #3416427. Published by Joe Wiedemann (A0.1011584). Each instrument section here has a chance to stir the pot. A real lesson in articulation, this moody piece offers challenging parts for talented orchestras. Lively tremelos and staccatos generate agitation, contrasted by slow and sometimes ominous, foreboding melodies. It makes a good show-starter before more standard repertoire.Duration 8:20Scored for: Piccolo, Flutes I-II, Oboes I-II, Clarinets I-II alt. Bass Cl., Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Snare Drum, Cymbals, 3 Timpani, Violins I-II, Violas, Cellos, Contrabass
$19.99
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Tho...
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Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
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Die Baroque
