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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
Dignity
Non classifié
85
Piano & claviers
Piano seul
11
Piano, Voix et Guitare
7
Orgue
3
Piano, Voix
3
2 Pianos, 4 mains
1
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1
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1
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1
+ 3 instrumentations
Retracter
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4
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2
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1
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1
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15
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2
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2
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2
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1
Voix duo
1
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10
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6
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3
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3
Clarinette
2
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1
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1
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1
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1
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34
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33
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2
3 Trompettes (trio)
2
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
Trompette, Piano
1
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5
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2
Harpe
2
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2
Violoncelle
2
Alto seul
2
Violon
2
Violon et Piano
1
Contre Basse
1
Alto (partie séparée)
1
+ 5 instrumentations
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Orchestre d'harmonie
36
Orchestre
12
Percussion (partie séparée)
4
Cloches
2
Ensemble de cuivres
2
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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12 partitions trouvées
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1
Symphony No. 36, The "Linz": Timpani
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Orchestre
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Classique
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Wolfgang Amadeus Mozart
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Richard Meyer
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Festival.
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Symphony No. 36, The "Lin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017370_TMP Timpani. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part....
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Full Orchestra - SKU: AX.00-PC-0017370_TMP Timpani. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017370_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017370_TMP). UPC: 038081518589.The Linz Symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Symphony No. 36, The "Linz": Bassoon
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Orchestre
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Classique
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Wolfgang Amadeus Mozart
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Richard Meyer
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Festival.
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Symphony No. 36, The "Lin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017370_B1 Bassoon. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. ...
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Full Orchestra - SKU: AX.00-PC-0017370_B1 Bassoon. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017370_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017370_B1). UPC: 038081518589.The Linz Symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Symphony No. 36, The "Linz": Flute
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Orchestre
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Classique
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Wolfgang Amadeus Mozart
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Richard Meyer
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Festival.
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Symphony No. 36, The "Lin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017370_F1 Flute. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2 ...
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Full Orchestra - SKU: AX.00-PC-0017370_F1 Flute. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017370_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017370_F1). UPC: 038081518589.The Linz Symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Symphony No. 36, The "Linz": Cello
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Orchestre
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Classique
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Wolfgang Amadeus Mozart
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Richard Meyer
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Festival.
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Symphony No. 36, The "Lin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017370_VC1 Cello. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2...
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Full Orchestra - SKU: AX.00-PC-0017370_VC1 Cello. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017370_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017370_VC1). UPC: 038081518589.The Linz Symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
NIMROD from 'Enigma Variations', n. IX, Op. 36 (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Edward Elgar
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Flavio Regis Cunha
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NIMROD from 'Enigma Variations
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.597598 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instru...
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Full Orchestra - Level 4 - SKU: A0.597598 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and parts. 40 pages. Flavio Regis Cunha #6698103. Published by Flavio Regis Cunha (A0.597598). This ninth variation from Elgar's Enigma Variations is themost played of the variations.Due to its overwhelming expressive quality, it has become England's counterpart to Adagio for Strings by Samuel Barber, being played when music of great emotion and dignity is called for in that country.This adagio movement from the Enigma Variations provides an excellent opportunity for developing orchestras to work on tone, blend, intonation and dynamics. With clean writing, this makes an ideal choice for any orchestra.Full Score and Orchestral Parts.Advanced Intermediate.Format: Concert, 9 x 12 inches.40 pages.
$49.99
Moments of Memory
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Moments of Memory
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Stephan Langenberg
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1191544 Composed by Stephan Langenberg. Classical,Contemporary,Contest,Festival,Patriotic,Traditional. Score and Part...
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Full Orchestra - Level 4 - SKU: A0.1191544 Composed by Stephan Langenberg. Classical,Contemporary,Contest,Festival,Patriotic,Traditional. Score and Parts. 89 pages. Stephan Langenberg #791046. Published by Stephan Langenberg (A0.1191544). (engl.) The orchestral work „moments of memory“, inspired by the pieces Last Post and Auld Lang Syne, is an emotional and powerful composition that takes the listener on a journey through the past. The sounds of the trumpet in Last Post create a mood of dignity and respect, while Auld Lang Syne with its familiar melodies and lyrics creates an atmosphere of nostalgia and connection. The work skillfully weaves these elements together to create a musical narrative that evokes both sublime and familiar feelings. From solemn trumpet sounds to the gentle choir and string passages, the orchestral work offers an impressive spectrum of emotions and sounds that will captivate the listener.(deu.) Das Orchesterwerk, inspiriert von den Stücken Last Post und Auld Lang Syne, ist eine emotionale und kraftvolle Komposition, die den Zuhörer auf eine Reise durch die Vergangenheit mitnimmt. Die Klänge der Trompete in Last Post erzeugen eine Stimmung der Würde und des Respekts, während Auld Lang Syne mit seinen vertrauten Melodien und Texten eine Atmosphäre der Nostalgie und Verbundenheit schafft. Das Werk verwebt geschickt diese Elemente, um eine musikalische Erzählung zu schaffen, die sowohl erhabene als auch vertraute Gefühle hervorruft. Von feierlichen Trompetenklängen bis hin zu sanften Chor- und Streicherpassagen bietet das Orchesterwerk ein beeindruckendes Spektrum an Emotionen und Klängen, die den Zuhörer in den Bann ziehen werden.
$79.99
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Eurovisionshymne - Eurovisionsfanfare
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Orchestre
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DÉBUTANT
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Artyfile
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Paul Lorenz
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Eurovisionshymne - Eurovisions
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1237554 By Artyfile. By Marc-Antoine Charpentier. Arranged by Paul Lorenz. Baroque,Classical,Patriotic,Praise & Worsh...
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Full Orchestra - Level 1 - SKU: A0.1237554 By Artyfile. By Marc-Antoine Charpentier. Arranged by Paul Lorenz. Baroque,Classical,Patriotic,Praise & Worship,Wedding. Score and Parts. 21 pages. Paul Lorenz #833071. Published by Paul Lorenz (A0.1237554). Introducing Eurovisionshymne, also known as Eurovisionsfanfare or Europafanfare, the grand signation melody for eurovision TV. This exclusive arrangement from Paul Lorenz is designed to be used with a full orchestra including flute, oboe, clarinet in Bb, basson, trumpet in Bb, horn in F, timpani, violins, viola, celli and contrabass. All musicians can now download the entire score and all of its parts from Sheet Music Direct. When you load up the sheet music from Sheet Music Direct you will instantaneously get the Prelude from Te Deum of Marc-Antoine Charpentier which showcases classic compositional techniques: a full sonic swell that stretches with energy while conveying captivating emotion to accentuate any performance. From lighting up an audience to creating a tantalizing atmosphere for listeners this arrangement commemorates some of Europe's rich musical history. Eurovisionshymne truly stands out among orchestral arrangements through its charactersistic profound cleverness and majestic dignity; it exudes elegant modernism while paying homage to older conventions of classical composition. Whether you’re playing for a group or practicing on your own time Eurovisionshymne offers our musicians something special that excites and inspires. Also available as music for film download at Artyfile.
$49.90
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Moments of Memory - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Moments of Memory - Score Only
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Stephan Langenberg
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1191541 Composed by Stephan Langenberg. Classical,Contemporary,Contest,Festival,Patriotic. 18 pages. Stephan Langenbe...
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Full Orchestra - Level 4 - SKU: A0.1191541 Composed by Stephan Langenberg. Classical,Contemporary,Contest,Festival,Patriotic. 18 pages. Stephan Langenberg #735574. Published by Stephan Langenberg (A0.1191541). (engl.) The orchestral work „moments of memory“, inspired by the pieces Last Post and Auld Lang Syne, is an emotional and powerful composition that takes the listener on a journey through the past. The sounds of the trumpet in Last Post create a mood of dignity and respect, while Auld Lang Syne with its familiar melodies and lyrics creates an atmosphere of nostalgia and connection. The work skillfully weaves these elements together to create a musical narrative that evokes both sublime and familiar feelings. From solemn trumpet sounds to the gentle choir and string passages, the orchestral work offers an impressive spectrum of emotions and sounds that will captivate the listener. (deu.) Das Orchesterwerk, inspiriert von den Stücken Last Post und Auld Lang Syne, ist eine emotionale und kraftvolle Komposition, die den Zuhörer auf eine Reise durch die Vergangenheit mitnimmt. Die Klänge der Trompete in Last Post erzeugen eine Stimmung der Würde und des Respekts, während Auld Lang Syne mit seinen vertrauten Melodien und Texten eine Atmosphäre der Nostalgie und Verbundenheit schafft. Das Werk verwebt geschickt diese Elemente, um eine musikalische Erzählung zu schaffen, die sowohl erhabene als auch vertraute Gefühle hervorruft. Von feierlichen Trompetenklängen bis hin zu sanften Chor- und Streicherpassagen bietet das Orchesterwerk ein beeindruckendes Spektrum an Emotionen und Klängen, die den Zuhörer in den Bann ziehen werden.
$9.99
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