English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
32
Partitions
Numériques
11
Librairie
Musicale
576
Matériel
de Musique
22 551
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
199
PIANO & CLAVIERS
Piano seul
81
Piano, Voix
63
Piano, Voix et Guitare
22
Orgue
17
Piano Facile
14
Instruments en Do
5
Accordéon
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Ukulele
8
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
2 Guitares (duo)
2
Basse electrique
1
Orchestre à Plectres
1
Mandoline
1
Banjo
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Voix seule
23
Chorale SATB
16
Chorale 3 parties
8
Chorale TTBB
7
Voix moyenne, Piano
3
Voix duo
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Chorale SSAA
2
Voix haute
2
Chorale SSATB
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
20
Flûte et Guitare
19
Saxophone
13
Clarinette, Guitare (duo)
12
Flûte traversière
11
Saxophone Alto et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Alto
10
Flûte traversière et Piano
10
Clarinette
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette et Piano
7
Hautbois, Piano (duo)
7
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette Basse, Piano
4
Saxophone Tenor
4
Flûte à Bec
3
Ensemble de Clarinettes
3
Cor anglais, Piano
3
Piccolo, Piano
2
Saxophone et Guitare
2
Flûte à bec Soprano
2
Cor anglais, Guitare (duo)
2
2 Saxophones (duo)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
2 Clarinettes (duo)
1
Hautbois (partie séparée)
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
Quintette de Saxophone: 5 saxophones
1
2 Flûte à bec (duo)
1
Flûte à bec, Harpe
1
3 Clarinettes (trio)
1
Harmonica
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Harpe (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
12
Euphonium, Piano (duo)
7
Trombone et Piano
6
Trombone
6
Trompette, Piano
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Quatuor de Cuivres
3
Cor et Piano
3
Cor anglais, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Guitare (duo)
2
Cor anglais et Harpe (duo)
1
Cor
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
13
Violon, Violoncelle (duo)
6
Violon
6
Alto, Piano
6
Violoncelle
5
Violoncelle, Piano
5
Alto seul
3
Harpe
3
Contrebasse, Piano (duo)
2
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Contre Basse
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
37
Orchestre
11
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre de chambre
6
Orchestre à Cordes
3
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
1
Marimba
1
Batterie
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Du und Du
Orchestre
Partitions à imprimer
11 partitions trouvées
<
1
Du und Du
Orchestre
Salon orchestra - Digital Download SKU: S9.Q25047 Waltz from the Opera Die Flede…
(+)
Salon orchestra - Digital Download SKU: S9.Q25047 Waltz from the Opera Die Fledermaus. Composed by Johann Strauss Jr. This edition: piano direction and parts. Domesticum. Downloadable, Piano conductor and parts. Op. 367. Duration 9 minutes. Schott Music - Digital #Q25047. Published by Schott Music - Digital (S9.Q25047). Piano (Direktion), Akkordeon, Harmonium, 2 Violinen I (Direktion), Violine obligato, Violine II, Viola, Violoncello, Kontrabass, Flote I,II, Oboe I, Klarinette I, Altsaxophon I in Es, Tenorsaxophon II in B, Altsaxophon III in Es, Trompete I, II in B, Posaune III, PercussionPiano (Direktion), Akkordeon, Harmonium, 2 Violinen I (Direktion), Violine obligato, Violine II, Viola, Violoncello, Kontrabass, Flöte I,II, Oboe I, Klarinette I, Altsaxophon I in Es, Tenorsaxophon II in B, Altsaxophon III in Es, Trompete I, II in B, Posaune III, Percussion.
$45.99
42.75 €
#
Orchestre
#
Johann Strauss Jr
#
Du und Du
#
Schott Music - Digital
#
SheetMusicPlus
Johann Strauss II-Du und Du,Op.367,for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.663222 Composed by Johann Strau…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.663222 Composed by Johann Strauss Jr. Arranged by MSM. Classical,Romantic Period. Score and Parts. 178 pages. Open Cloud #4309507. Published by Open Cloud (A0.663222). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Johann Strauss II (Strauss Jr. Johann), 1756-1791, for Orchestra, published by More Sheet Music Press.
$15.99
14.86 €
#
Orchestre
#
Johann Strauss Jr
#
MSM
#
Johann Strauss II-Du und Du,Op.367,for Orchestra
#
Open Cloud
#
SheetMusicPlus
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Bren…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
27.84 €
#
Orchestre
#
Therese Brenet
#
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.21 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.84 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Ich Kenn Nichts
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.546411 By Xavier Naidoo. By Mic…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.546411 By Xavier Naidoo. By Michael Herberger, Robert F. Diggs, and Xavier Naidoo. Arranged by Paul Lorenz. Contest,Festival,Pop,Praise & Worship,Spiritual,Wedding. Score and parts. 60 pages. Paul Lorenz #156450. Published by Paul Lorenz (A0.546411). Ich kenne nichts was so schön ist wie du von Xavier Naidoo für Chor und Orchester Noten Download Partitur und alle Einzelstimmen.
$159.99
148.72 €
#
Orchestre
#
Xavier Naidoo
#
Paul Lorenz
#
Ich Kenn Nichts
#
Paul Lorenz
#
SheetMusicPlus
Schumann Kinderszenen op. 15 for orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schu…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132 pages. R C Coleman #6620457. Published by R C Coleman (A0.1017422). Robert Schumman´s Kinderszenen op. 15R. C. Coleman orchestra transcriptionVon femden Länder und Menschen(Of foreign lands and people /Gens et pays étrangers)Curiose Geschichte(A curious story / Curieuse histoire)Hasche-Mann(Blind man´s bluff / Colin-maillard)Bittendes Kind(Pleading child / L'enfant suppliant)Glückes genug(Happy enough / Bonheur parfait)Wichtige Begebenheit(An important event / Un évènement important)Träumerei(Dreaming / Rêverie)Am Camin(At the fireside / Au coin du feu)Ritter vom Steckenpferd(Knight of the wooded horse / Cavalier sur le cheval de bois)Fast zu ernst(Almost too serious / Presque trop sérieusement)Fürchtenmachen(Frightening / Croquemitaine)Kind im Einsclummern(Child falling sleep / L'enfant s'endort)Der Dichter spricht(The poet speaks / Le poète parle)
$75.00
69.72 €
#
Orchestre
#
Robert Schumann
#
R
#
Schumann Kinderszenen op. 15 for orchestra
#
R C Coleman
#
SheetMusicPlus
ProEpimetheus
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1022049 Composed by Fredrik Sch…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1022049 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score and parts. 68 pages. Fredrik Schwenk #6319875. Published by Fredrik Schwenk (A0.1022049). Pro*Epimetheus, symphonic metamorphoses for large orchestra, was commissioned by the Halle Opera and premiered on December 5, 1999 at the Georg Friedrich Händel Halle in Halle an der Saale. Other items on the program were Prométhée, Le Poème du feu, op. 60 by Alexander Scriabin and Eine Alpensymphonie, op. 64 by Richard Strauss. The Halle Opera Orchestra played under the direction of GMD Roger Epple.
$25.00
23.24 €
#
Orchestre
#
Fredrik Schwenk
#
ProEpimetheus
#
Fredrik Schwenk
#
SheetMusicPlus
TE DEUM - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINT…
(+)
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
23.23 €
#
Orchestre
#
LORENZO ONDARRA QUINTANA
#
TE DEUM - Score Only
#
OE OFICINA
#
SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
(+)
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.85 €
#
Orchestre
#
LORENZO ONDARRA QUINTANA
#
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
#
OE OFICINA
#
SheetMusicPlus
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1367543 Composed by Francis Pou…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00
92.95 €
#
Orchestre
#
Francis Poulenc
#
A
#
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
#
Arkady Leytush
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
