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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Ala E
Non classifié
642
Piano & claviers
Piano seul
146
Piano, Voix
114
Piano, Voix et Guitare
77
Piano Facile
72
Piano grosses notes
55
Piano (partie séparée)
53
Orgue
47
Instruments en Do
10
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
4
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
1
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare (partie séparée)
89
Guitare notes et tablatures
24
Guitare
21
Basse electrique
8
Dulcimer
6
Banjo
5
Basse électrique (partie séparée)
5
Ligne De Mélodie, (Paroles) et Accords
5
Mandoline
4
Ensemble de guitares
2
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Orchestre à Plectres
1
3 Guitares (trio)
1
Ukulele
1
Paroles et Accords
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
256
Chorale 3 parties
45
Chorale SSAA
36
Chorale TTBB
26
Chorale 2 parties
25
Chorale Unison
9
Chorale SSAATTBB
6
Chorale
6
Chorale SSATB
5
Pack Instrumental pour Chorale
4
Chorale SSATTB
4
Voix basse, Piano
3
Chorale SSAATB
2
Voix Baryton, Piano
2
Voix haute
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Chorale SSAB, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone (partie séparée)
566
Clarinette (partie séparée)
279
Hautbois (partie séparée)
135
Flute (partie séparée)
129
Clarinette
32
Ensemble de Clarinettes
26
Flûte traversière
19
Saxophone Alto
18
2 Clarinettes (duo)
16
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette et Piano
15
Saxophone Tenor
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte à bec Soprano
13
2 Saxophones (duo)
12
Ensemble de Flûtes
8
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Quatuor de Saxophones: 4 saxophones
6
2 Flûtes traversières (duo)
6
3 Clarinettes (trio)
5
Saxophone Alto et Piano
5
Cor Anglais
4
Saxophone, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Saxophone
4
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
3
Flûte traversière, Basse continue
2
Clarinette Basse
2
Clarinette et Alto
2
Flûte, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte, Violoncelle
2
2 Flûte à bec (duo)
2
Hautbois, Basson (duo)
2
Flûte à Bec
2
Clarinette, Trombone (duo)
2
2 Hautbois (duo)
2
Flûte, Clarinette et Basson
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Flûte et Guitare
1
Saxophone Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Trio à cordes
1
Cor anglais, Piano
1
Instruments en Mib
1
+ 52 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
445
Trompette (partie séparée)
439
Cor (partie séparée)
146
Tuba (partie séparée)
97
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
13
Trombone
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor Anglais
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
4
Trompette, Piano
4
Cor
3
Euphonium (partie séparée)
3
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
Quatuor de cuivres: 4 trombones
2
3 Trombones (trio)
2
Cor et Piano
2
Trombone et Piano
2
2 Tubas (duo)
1
3 Tubas (trio)
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Ensemble de Cors
1
Tuba et Piano
1
Quatuor de Cuivres
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
+ 27 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
130
Violon (partie séparée)
105
Alto (partie séparée)
64
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon et Piano
28
Harpe
23
Violoncelle (partie séparée)
23
Violon, Violoncelle (duo)
17
Violoncelle
15
Violon
14
Alto, Piano
11
Violoncelle, Piano
10
Alto seul
7
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
2 Violons (duo)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Percussion (partie séparée)
185
Batterie (partie séparée)
70
Timbales (partie séparée)
42
Orchestre
30
Orchestre à Cordes
20
Fanfare
13
Batterie
10
Ensemble Jazz
8
Ensemble de cuivres
8
Orchestre de chambre
7
Cloches
5
Jazz combo
3
Xylophone (partie séparée)
2
Ensemble de Percussions
2
Vibraphone
2
Piano et Orchestre
1
Orchestre, Violon
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
E Ala E
Orchestre
Partitions à imprimer
30 partitions trouvées
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1
26
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
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Orchestre
#
AVANCÉ
#
Stuart Brown
#
1 solo cimbalom
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A Himalaya Concerto
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Stuart Brown Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #189260...
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Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
Mily Balakirev - Tarantella in B Major, Orchestrated by Arkady Leytush
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Orchestre
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Classique
#
Mily Alexeyevich Balakirev
#
Arkady Leytush
#
Mily Balakirev - Tarantella in
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008394 Composed by Mily Alexeyevich Balakirev. Arranged by Arkady Leytush. Romantic Period. Score and parts. 72 pages. Arkady ...
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Full Orchestra - SKU: A0.1008394 Composed by Mily Alexeyevich Balakirev. Arranged by Arkady Leytush. Romantic Period. Score and parts. 72 pages. Arkady Leytush #6209201. Published by Arkady Leytush (A0.1008394). Orchestra transcription dedicated in memory to great conductor E. F. Svetlanov.
$30.00
Messa in La Maggiore - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Uberto Pieroni
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Uberto Pieroni
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Messa in La Maggiore - Score O
#
Pubblicato da Ala Bianca Group e Universal Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.717630 Composed by Uberto Pieroni. Arranged by Uberto Pieroni. Classical,Multicultural,Sacred,Spiritual,World. Score ...
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Full Orchestra - Level 4 - SKU: A0.717630 Composed by Uberto Pieroni. Arranged by Uberto Pieroni. Classical,Multicultural,Sacred,Spiritual,World. Score and parts. 78 pages. Pubblicato da Ala Bianca Group e Universal Music Publishing #326041. Published by Pubblicato da Ala Bianca Group e Universal Music Publishing (A0.717630). Messa in La Maggiore per Coro misto e Orchestra.
$30.00
SYMPHONY in E MINOR FOURTH MOVEMENT
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Classique
#
Ted Moon
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SYMPHONY in E MINOR FOURTH MOV
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Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon
$5.00
SYMPHONY in E MINOR THIRD MOVEMENT
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
#
SYMPHONY in E MINOR THIRD MOVE
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Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon
$5.00
SYMPHONY in E MINOR SECOND MOVEMENT
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
#
SYMPHONY in E MINOR SECOND MOV
#
Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon
$5.00
SYMPHONY in E MINOR FIRST MOVEMENT
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
#
SYMPHONY in E MINOR FIRST MOVE
#
Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Set of Parts. Published by Alan Edgar Ted Moon
$5.00
SYMPHONY in E MINOR 4th MOVEMENT
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
#
SYMPHONY in E MINOR 4th MOVEME
#
Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon
$5.00
SYMPHONY in E MINOR 3rdMOVEMENT IMPROVED LAYOUT
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Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Ted Moon
#
SYMPHONY in E MINOR 3rdMOVEMEN
#
Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Intermediate. Score. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Intermediate. Score. Published by Alan Edgar Ted Moon
$5.00
Symphony in E minor, 1st Movement
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
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Symphony in E minor, 1st Movem
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Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon
$40.00
SYMPHONY in E minor 1st Movement
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ted Moon
#
SYMPHONY in E minor 1st Moveme
#
Alan Edgar Ted Moon
#
SheetMusicPlus
By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon ...
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By Ted Moon. For Orchestra. Romantic Period, 20th Century. Advanced Intermediate. Score. Published by Alan Edgar Ted Moon
$40.00
Love Will Forgive You Everything
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Orchestre
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FACILE
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Hanka Ordonowna
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Marek Czekala
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Love Will Forgive You Everythi
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages...
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Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793907. Published by Marek Czekala (A0.1194600). Love will forgive you everything - the song was written in 1933, the music was composed by Henryk Wars, and the words were written by Julian Tuwim (under the pseudonym Oldlen). The song was a hit in interwar Poland and remains so to this day. The song was written especially for the film The Spy in the Mask, which enjoyed a record attendance in cinemas. It was sung by Hanka Ordonówna and soon the song became her artistic showcase. Later, Ordonówna often resembled a song in the MaÅ‚e Qui Pro Quo theater. The piece performed by Ordonówna was recorded on the Syrena-Electro label, which was very popular at the time. The publisher's circulation reached tens of thousands of copies, and the discs with this recording were pressed for almost six years due to the constant interest in the song.MiÅ‚ość ci wszystko wybaczy – piosenka powstaÅ‚a w 1933 roku, do której muzykÄ™ skomponowaÅ‚ Henryk Wars, a sÅ‚owa napisaÅ‚ Julian Tuwim (pod ps. „Oldlenâ€). Piosenka byÅ‚a przebojem w miÄ™dzywojennej Polsce i pozostaje nim do dziÅ›. Utwór zostaÅ‚ napisany specjalnie na potrzeby filmu Szpieg w masce, cieszÄ…cego siÄ™ rekordowÄ… frekwencjÄ… w kinach. ZaÅ›piewaÅ‚a go w nim Hanka Ordonówna i wkrótce piosenka staÅ‚a siÄ™ jej artystycznÄ… wizytówkÄ…. W późniejszym czasie Ordonówna czÄ™sto przypominaÅ‚a piosenkÄ™ w teatrzyku MaÅ‚e Qui Pro Quo. Utwór w wykonaniu Ordonówny nagrany zostaÅ‚ na pÅ‚ytach bardzo popularnej wówczas wytwórni Syrena-Electro. NakÅ‚ad wydawnictwa osiÄ…gnÄ…Å‚ kilkadziesiÄ…t tysiÄ™cy egzemplarzy, a pÅ‚yty z tym nagraniem tÅ‚oczono przez blisko sześć lat z uwagi na niezmienne zainteresowanie piosenkÄ….Wikipedia.
$50.00
Prairie Overture (Downloadable Additional Orchestral Score)
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Orchestre
#
Robert Ward
#
Prairie Overture
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Full orchestra - Youth Orchestra - SKU: MQ.7.0031-E Composed by Robert Ward. 45 pages. Galaxy Music Corporation - Digital #7.0031-E. Published by Galaxy...
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Full orchestra - Youth Orchestra - SKU: MQ.7.0031-E Composed by Robert Ward. 45 pages. Galaxy Music Corporation - Digital #7.0031-E. Published by Galaxy Music Corporation - Digital (MQ.7.0031-E).
$33.10
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
La Passerella Di Addio
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. S...
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Full Orchestra - Level 4 - SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
Coleção OGI: Orquestra Grupo Instrumental
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Orchestre
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FACILE
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Marcelo Torca
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Marcelo Torca
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Coleção OGI: Orq
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Marcelo Torca
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and part...
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Full Orchestra - Level 2 - SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909). Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais. Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo. Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes. As Grades fornecidas, são ideias de formação de conjuntos e como organizar. Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rÃtmicas. Nos exercÃcios de Harmonizando, com inÃcio na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som. Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuÃdo em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as caracterÃsticas mais de orquestra e não somente de um conjunto. Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo. Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua caracterÃstica sonora. Há várias opções de organização e possibilidades.
$20.00
TE DEUM - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published ...
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Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published ...
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Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Brian Harris
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Brian Harris
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Mozart - Symphony No. 25 in G
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HMS Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1428234 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical. 10 pages. HMS Music #100902...
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Full Orchestra - Level 4 - SKU: A0.1428234 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical. 10 pages. HMS Music #1009025. Published by HMS Music (A0.1428234). ___________________________________________________Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)Sinfonie in g K. 183 (K.6: 173 dB)These parts may be used with Barenreiter and other original editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts.Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
$5.99
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Brian Harris
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Brian Harris
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Mozart - Symphony No. 25 in G
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Bandroom.com Publications
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts...
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Full Orchestra - Level 4 - SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts. 10 pages. Bandroom.com Publications #804059. Published by Bandroom.com Publications (A0.1205869). ___________________________________________________ Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4) Sinfonie in g K. 183 (K.6: 173 dB)Works with Barenreiter and other editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts..Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
$7.00
A Christmas Carol (main Title) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Alan Silvestri
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A Christmas Carol
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1357762 Composed by Alan Silvestri. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Children,Christmas,Film/...
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Full Orchestra - Level 4 - SKU: A0.1357762 Composed by Alan Silvestri. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Children,Christmas,Film/TV. 79 pages. Luca Boscolo e Marco De Lazzari #942265. Published by Luca Boscolo e Marco De Lazzari (A0.1357762). An orchestral trascription of A Christmas Carol - Main TItle by Alan Silvestri.Organic:- Violin 1, 2- Cello 1, 2- Double Bass- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet in Bb 1, 2- Bassoon 1, 2- French Horn in F 1, 2- Trumpet in Bb 1, 2- Trombone 1, 2- Bass Trombone- Bass Tube in F- Glockenspiel- Tubolar Bells- Timpani- Percussions (triangle, sleigh bells, tambourine, wind chimes, cymbals...)- Snare Drum- Bass Drum- Arp- Choir SATB.
$90.00
Exercícios Orquestrais - Modos Gregos
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Orchestre
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FACILE
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Toshi Senda
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Exercícios Orquestrais
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Toshi Senda
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1308041 Composed by Toshi Senda. 21st Century,Classical,Contemporary,Latin,Multicultural,World. 53 pages. Toshi Senda...
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Full Orchestra - Level 2 - SKU: A0.1308041 Composed by Toshi Senda. 21st Century,Classical,Contemporary,Latin,Multicultural,World. 53 pages. Toshi Senda #897322. Published by Toshi Senda (A0.1308041). ExercÃcios orquestrais para escalas, arpejos e percepção dos 7 modos gregos.Orchestral exercises for scales, arpeggios and perception of the 7 Greek modes.Instrumentos / Instruments:- Flautim / Piccolo- Flauta Transversal / Flute- Clarinete / Clarinet- Alto Sax- Tenor Sax- BarÃtono Sax- Fagote / Bassoon- Trompa em F / Horn in F- Saxotrompa / Saxohorn- Trompete / Trumpet- Trombone- Tuba- Violinos I e II- Viola- Contrabaixo / Double Bass
$50.00
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
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