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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Echoes
Sheetmusicplus
Non classifié
116
Piano & claviers
Piano seul
160
Piano, Voix
154
Piano, Voix et Guitare
18
Piano Facile
13
Orgue
7
1 Piano, 4 mains
3
Accordéon
2
Piano grosses notes
1
2 Pianos, 4 mains
1
Ensemble d'Accordéons
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
3
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
2
4 Guitares (Quatuor)
1
Basse electrique
1
Guitare (partie séparée)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
41
Chorale Unison
14
Chorale 3 parties
13
Chorale 2 parties
11
Chorale TTBB
5
Chorale SSAA
3
Voix duo, Piano
3
Chorale
1
Voix Tenor, Piano
1
Voix duo
1
Chorale SSAB, Piano
1
+ 6 instrumentations
Retracter
Vents
Clarinette (partie séparée)
36
Saxophone (partie séparée)
31
Flute (partie séparée)
12
Flûte traversière
8
Hautbois (partie séparée)
7
Flûte traversière et Piano
7
2 Flûtes traversières (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor et Piano
4
Hautbois, Piano (duo)
4
2 Clarinettes (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Alto et Piano
3
2 Saxophones (duo)
3
Saxophone Soprano et Piano
3
Clarinette
3
Saxophone Alto
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Guitare (duo)
2
Saxophone Tenor
2
Flûte, Clarinette (duo)
2
Hautbois
2
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone Baryton, Piano
1
Flûte traversière, Orgue (duo)
1
2 Hautbois (duo)
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Ensemble de Clarinettes
1
Clarinette et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, alto et harpe
1
Ensemble de Flûtes
1
Piccolo
1
+ 30 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
26
Trompette (partie séparée)
19
Cor (partie séparée)
13
Tuba (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
5
Trompette, Piano
4
Trompette, violon (duo)
3
Trombone et Piano
3
Ensemble de Trombones
3
Cor et Piano
2
Trombone
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trio de Cuivres
1
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Tuba
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums (duo)
1
2 Trombones (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
11
Violon (partie séparée)
6
Contrebasse (partie séparée)
3
Harpe
3
Violon, Violoncelle (duo)
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violoncelle, Piano
2
2 Violons (duo)
2
Violon
2
Violoncelle
1
Alto seul
1
Alto, Piano
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
Violon, Alto (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Cloches
24
Percussion (partie séparée)
22
Orchestre
21
Orchestre à Cordes
8
Ensemble de cuivres
6
Timbales (partie séparée)
5
Percussion
4
Orchestre de chambre
3
Ensemble Jazz
3
Fanfare
2
Jazz combo
2
Timbales
1
Ensemble de Percussions
1
+ 9 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Echoes
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
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1
Echoes of the Past - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1386896 Composed by Gaetano Mal…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1386896 Composed by Gaetano Malaponti. 21st Century,Classical,Contemporary,Film/TV,Historic. 53 pages. Gaetano Malaponti #970779. Published by Gaetano Malaponti (A0.1386896). Composed in 5 parts for a documentary on Dinorwic Quarry in North Wales, Echoes of the Past is a haunting and nostalgic piece for wordless Choir and Orchestra.
$1.99
1.83 €
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Orchestre
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Gaetano Malaponti
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Echoes of the Past - Score Only
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Gaetano Malaponti
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SheetMusicPlus
Echoes From Beyond
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.703566 Composed by Eric Bingham…
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Full Orchestra - Level 3 - Digital Download SKU: A0.703566 Composed by Eric Bingham-Kumpf. Contemporary,Halloween. Score and parts. 36 pages. Eric Bingham-Kumpf #4347879. Published by Eric Bingham-Kumpf (A0.703566).
$20.00
18.44 €
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Orchestre
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Eric Bingham-Kumpf
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Echoes From Beyond
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Eric Bingham-Kumpf
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SheetMusicPlus
Ancient Echoes of Time: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016877_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016877_F1 Flute. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_F1). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ancient Echoes of Time: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016877_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016877_B1 Bassoon. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_B1). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ancient Echoes of Time: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016877_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016877_VC1 Cello. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_VC1). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ancient Echoes of Time: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016877_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016877_TMP Timpani. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_TMP). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ancient Echoes of Time: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016877_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016877_M1 Mallets. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016877_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016877_M1). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ancient Echoes of Time: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0005119 Score. Composed by D…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005119 Score. Composed by Douglas E. Wagner. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0005119. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005119). UPC: 038081496511.This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00)Concert/Contest; Festival.
$9.00
8.3 €
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Orchestre
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Douglas E
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Festival.
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Ancient Echoes of Time: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1600 Pennsylvania Ave
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1486642 Composed by C. Foster P…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1486642 Composed by C. Foster Payne. Classical,Patriotic. 96 pages. FossPayneMusic #1063706. Published by FossPayneMusic (A0.1486642). Beneath the gilded dome and shadowed corridors of the White House, a ceaseless symphony of service plays out. This orchestral work is a tribute to the unsung heroes who orchestrate the nation’s heartbeat. From the solemn echoes of duty to the triumphant crescendos of achievement, experience through music the grandeur and complexity of governing a nation.
$69.99
64.52 €
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Orchestre
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C
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1600 Pennsylvania Ave
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FossPayneMusic
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SheetMusicPlus
Prayer
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1477436 By Celine Dion. By Core…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1477436 By Celine Dion. By Corey Hart. Arranged by Georg Wiesinger. Film/TV,Pop,Praise & Worship,Religious. 40 pages. Georg Wiesinger #1054840. Published by Georg Wiesinger (A0.1477436). Experience the Majestic Sound of The Prayer with your full Orchestra Arrangement by Georg Wiesinger.Transform your concert repertoire with an extraordinary arrangement of The Prayer, a song originally performed by the iconic Celine Dion and the legendary Andrea Bocelli. Written by the acclaimed team of David Foster, Carole Bayer Sager, Tony Renis, and Alberto Testa, this breathtaking piece has captivated audiences worldwide since its debut in the 1998 film Quest for Camelot.Wiesinger's arrangement is crafted for a full orchestra, complete with solo tenor and solo soprano, meticulously preserving the essence and grandeur of the original duet. It offers a sublime musical experience that echoes the beauty and emotional depth of Dion and Bocelli's performances, making it a perfect addition to your orchestra's repertoire.The Prayer has garnered prestigious accolades, including a Golden Globe Award for Best Original Song and nominations for both an Academy Award and a Grammy Award. It has touched the hearts of listeners, securing its place on adult contemporary charts and becoming a beloved choice for special occasions such as weddings, Christmas celebrations, and even memorial services.An opportunity to present a piece that has been praised by critics as gorgeous, affecting, and absolutely exquisite.Bring the magic of The Prayer to your next performance and leave your audience in awe. With its rich history and timeless appeal, this arrangement is sure to elevate your concert program to new heights. Instrumentation: 2/1/2/1 2/2/2/0 Perc. (4: Drum Set, Perc., Timpani, Mallets), Pno, Hrp., Solo Tenor, Solo Soprano, Full StringsOrder your copy of The Prayer orchestral arrangement today and offer your audience an unforgettable musical experience.
$105.00
96.8 €
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Orchestre
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Celine Dion
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Georg Wiesinger
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Prayer
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Georg Wiesinger
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.69 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
46.09 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
God Bless Us Everyone
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1430940 By Andrea Bocelli. By A…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1430940 By Andrea Bocelli. By Alan Silvestri and Glen Ballard. Arranged by John Langley / Studio Orchestrations. Christian,Christmas,Film/TV,Holiday,Religious. 122 pages. Www.studio-orchestrations.com #1011447. Published by www.studio-orchestrations.com (A0.1430940). THIS ORCHESTRATION IS A TONE [2 Steps] LOWER THAN THE ORIGINAL SOUNDTRACKA Christmas Carol (2009) from Walt Disney Pictures with Jim Carrey in the role of Scrooge is a magnificent and much loved masterpiece, an instant holiday classic. With a cast including Gary Oldman, Colin Firth, Bob Hoskins and Cary Elwes. The song echoes the last words of Tiny Tim and the crowning song sung by Andrea Bocelli, but written by film music legend Alan Silvestri (Back to the future, Polar Express among many others) builds on that phrase as its opening line to create a joyful epic anthem.This version requires a tenor or soprano soloist with the option of SATB chorus, and emulates the original soundtrack but set in a lower key since few singers necessarily have the vocal capacity of Bocelli to ping out a routine top B. A version will be available on this site in the original higher key for the braver subscriber.We commend this song (and arrangement) to any event organisers of a large scale Christmas or church orchestral event, or a film concert any time of year. It is a magnificent modern classic.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets2 Basoons4 Horns3 Trumpets3 Trombones1 TubaTimpani3 Percussion[Cymbals / Tubular Bells / Triangle / Glockenspiel]HarpPianoTenor or Soprano SoloistSATB Chorus [Optional]Strings Do browse the Studio Orchestrations publisher link for other similar orchestral and ensemble titles.
$150.00
138.29 €
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Orchestre
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Andrea Bocelli
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God Bless Us Everyone
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www.studio-orchestrations.com
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SheetMusicPlus
Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James Nathaniel Holland #3569503. Published by James Nathaniel Holland (A0.730459). (Duration: 26 minutes) One the most gorgeous classical music concertos of our century waiting for its violin virtuoso to champion it… writes the Milan American Music Society Offered here the full score in concert pitch and all individual parts. Instrumentation: picc, fl12, ob12, cl in A, 12, Bcl, Bsn 12, hrn 1234, Bb tpt 12, trm 12, tba, tim, perc. (bass drum, calabasa, tri., susp. and crash cym, sm. gong. and snare), harp, soloist, strings. Echoes of Elgar, R. Strauss, and Vaughn Williams. The concerto begins majestically with the section entitled (the mountains), then transforms into an African type melody (Costa Rica coffee dreams), then a beautiful sentimental melody (sentimental love) and a rousing scherzo (carnival). Reduced piano score with violin part sold separately. YouTube presentation with orchestra at: https://www.youtube.com/watch?v=j6YqKEvfVIU James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$63.25
58.31 €
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Orchestre
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James Nathaniel Holland
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Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Concert Overture for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1281182 Composed by Joachim Raf…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281182 Composed by Joachim Raff. Arranged by Edited and typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 178 pages. Trevor Denyer #872524. Published by Trevor Denyer (A0.1281182). The music of Joachim Raff was, rightly, very popular in his lifetime but is rather (unjustly) ignored more recently.This concert overture has echoes of Brahms and Dvorak in its writing and is full of lyrical, expressive themes that strike a chord with those who overcome their prejudice. The orchestration is mostly rewarding and enjoyable to perform.
$40.00
36.88 €
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Orchestre
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Joachim Raff
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Concert Overture for Orchestra
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Trevor Denyer
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SheetMusicPlus
Romance for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.924859 Composed by Stanley M. Hoffman. 20…
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Full Orchestra - Digital Download SKU: A0.924859 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 138 pages. Stanleymhoffman.com #3913667. Published by stanleymhoffman.com (A0.924859). This work is the composer's undergraduate thesis in music composition for the Boston Conservatory of Music (now The Boston Conservatory at Berklee). Written in an unabashedly Neo-Romantic style, the piece features echoes of Bruckner's simple triadic themes. Duration: 10:00.
$35.00
32.27 €
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Orchestre
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Stanley M
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Romance for Orchestra
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stanleymhoffman.com
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SheetMusicPlus
Shchedryk
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1354844 Composed by Mykola Leon…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1354844 Composed by Mykola Leontovych. Arranged by Ben Clapton. Christmas,Classical,Folk. 37 pages. Ben Clapton #939547. Published by Ben Clapton (A0.1354844). Discover the enchanting rendition of the Ukrainian folk song 'Shchedryk' by Ben Clapton, now available for SATB Choir and orchestra at Joyful Noise Music Studio. With a beautifully crafted orchestral introduction, this arrangement brings a fresh perspective to this beloved classic.Originally performed by the Metropolitan Symphony Orchestra, Perth, alongside the Echoes of Ukraine choir, this adaptation retains the authenticity of the original Cyrillic lyrics while offering a convenient transliteration for ease of singing. Dive into the heartfelt harmonies and cultural resonance of 'Shchedryk,' a timeless piece that beautifully merges tradition with innovation.Ideal for choral groups seeking a unique addition to their repertoire or orchestras aiming to evoke emotions through music, this arrangement invites performers to explore the beauty and depth of Ukrainian folk melodies. Experience the charm of 'Shchedryk' through Ben Clapton's skillful arrangement—a musical journey that honors tradition while embracing contemporary expression..
$30.00
27.66 €
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Orchestre
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Mykola Leontovych
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Ben Clapton
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Shchedryk
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Ben Clapton
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
23 €
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Orchestre
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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