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1
Flower Drum Song From Feng Yang
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Orchestre
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FACILE
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Huang Ruo
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Jack Chao Heng Zhang
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Flower Drum Song From Feng Yan
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Jack Chao Heng Zhang
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1489533 Composed by Huang Ruo. Arranged by Jack Chao Heng Zhang. Classical,Historic,Multicultural,Standards,Tradition...
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Full Orchestra - Level 2 - SKU: A0.1489533 Composed by Huang Ruo. Arranged by Jack Chao Heng Zhang. Classical,Historic,Multicultural,Standards,Traditional,World. 38 pages. Jack Chao Heng Zhang #1066397. Published by Jack Chao Heng Zhang (A0.1489533). Fengyang Flower Drum is a folk song from Anhui Province, China. It was very popular in the Ming and Qing Dynasties. This song is a folk ditty. One of the lyrics describes the plight of residents in Fengyang County, Anhui Province in the early Ming Dynasty, and insinuates that Zhu Yuanzhang failed to take care of the people in his hometown, making them unable to settle down and live in their hometown. The string part of this adapted version is derived from the arrangement by composer Bob Phillips, and the wind and percussion parts are configured according to the characteristics of traditional Chinese music, making it a complete symphonic work. Also, I was trying to add saxophone section into my orchestration to enhance and support the middle timbre of the orchestra, because the saxophone has a deeper sound to across the strings and woodwinds smoothly.This adapted version is suitable for students with beginning level in orchestra performance, allowing students to feel the charm of symphonic music with simple techniques, and experience traditional Chinese culture and history.
$49.99
TE DEUM - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published ...
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Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published ...
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Full Orchestra - SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
Khe Sanh
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Walker
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Brett A Foster (BF Music)
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Khe Sanh
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. ...
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Full Orchestra - Level 3 - SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. Published by Brett A Foster (A0.1025682). Khe Sanh is a song by Australian rock band Cold Chisel, released as a 45 rpm single in May 1978, and named after the district capital of Hư�ng Hóa District, Quảng Tr� Province, Vietnam. This arrangement works well as just a pop orchestral work with no vocals, but I have provided the optional TTB vocals, keyboard and rock band parts to use if you are looking for something extra special for a performance feature. There are also optional parts for a saxophones section which will enhance the pop feel and support the horns and woodwinds. Written by pianist Don Walker, Khe Sanh concerns an Australian Vietnam veteran dealing with his return to civilian life. Khe Sanh is one of the most popular songs ever recorded by an Australian act and one generally seen as a resonant symbol of the Australian culture. Don Walker has said the song was inspired by a number of people, including, the guy from the next farm, who came back from Vietnam, severely changed for the worst, and Adelaide guitarist Rick Morris.
$69.00
La Califfa
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Orchestre
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INTERMÉDIAIRE
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Ennio Morricone
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Kevin Riley
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La Califfa
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin ...
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Full Orchestra - Level 3 - SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #706884. Published by Kevin Riley (A0.1103613). N the Emilia province of Italy, out of solidarity with the workers fired from another failed company, the workers occupy the factory of self-made industrialist Annibale Doberdò. In dealing with the situation, he starts negotiations. An employee, the beautiful and fiery Irene, nicknamed Califfa, whose worker-husband was killed during a demonstration, meets with Doberdò. He wants to induce the strikers back to work and they show uncertainty between the directives of their union and the incitements to violence by extremists. Irene becomes Doberdò's lover and asks the workers to listen to the industrialist's proposals for renewal of working terms and worker participation in the factory management. The riots, however, continue. The industrialist's stance is badly received by other employers. While he returns from yet another meeting with his lover, Doberdò is killed by assassins.
$60.00
Illyria
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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M Calvert
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Illyria
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Martin Calvert
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1022851 Composed by M Calvert. 20th Century,Contemporary,Film/TV. Score and parts. 42 pages. Martin Calvert #3453116....
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Full Orchestra - Level 4 - SKU: A0.1022851 Composed by M Calvert. 20th Century,Contemporary,Film/TV. Score and parts. 42 pages. Martin Calvert #3453116. Published by Martin Calvert (A0.1022851). The term Illyria has been used in several different historical and mythological events. The inspiration for this piece dates to 165BC. The Romans defeated Gentius, the last king of Illyria, at Scodra (in present-day Albania) in 168 BC and captured him, bringing him to Rome in 165 BC. Four client-republics were set up, which were in fact ruled by Rome. Later, the region was directly governed by Rome and organised as a province, with Scodra as its capital. The music reflects the conflict and dissonant nature of the time.
$34.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestre
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AVANCÉ
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pag...
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Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
Symphonic Dance Nr I
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Edmond Doko
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Arian Avrazi & Edmond Doko
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Symphonic Dance Nr I
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Edmond Doko
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1512806 By Edmond Doko. By Arian Avrazi. Arranged by Arian Avrazi & Edmond Doko. 20th Century,21st Century. 99 pages....
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Full Orchestra - Level 4 - SKU: A0.1512806 By Edmond Doko. By Arian Avrazi. Arranged by Arian Avrazi & Edmond Doko. 20th Century,21st Century. 99 pages. Edmond Doko #1087762. Published by Edmond Doko (A0.1512806). Symphonic Dance No. I is a composition of 1980, when the composer was studying at the composition department in University of Arts,Tirana-Albania and reworked and arranged in 2024. The morphology of Symphonic Dance No. I is built on homophonic folk themes of the northern provinces with the pentatonic modes of the south. It stands out for its dynamism, surprising contrasts, musical language where traditional modes are interwoven harmoniously with orchestral colors.
$99.99
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