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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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FILM - TV
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Non classifié
371
PIANO & CLAVIERS
Piano seul
155
Piano Facile
83
Piano, Voix
43
Piano, Voix et Guitare
20
Instruments en Do
19
Accordéon
10
1 Piano, 4 mains
9
2 Accordéons
7
Accompagnement Piano
5
Orgue
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
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GUITARES
Guitare notes et tablatures
31
Guitare
24
Piano, Guitare (duo)
15
Ukulele
12
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
4
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Basse electrique
1
2 Ukuleles
1
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VOIX
Chorale SATB
52
Chorale 3 parties
43
Chorale 2 parties
39
Chorale TTBB
23
Voix duo, Piano
17
Chorale Unison
10
Chorale SSAA
5
Voix Soprano, Piano
3
Voix duo
2
Voix haute
1
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VENTS
Flûte traversière et Piano
69
Clarinette et Piano
49
Saxophone Alto et Piano
46
Saxophone Tenor et Piano
46
Hautbois, Piano (duo)
44
Quatuor de Saxophones: 4 saxophones
39
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Soprano et Piano
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte, Hautbois, Clarinette, Basson
28
Quintette de Saxophone: 5 saxophones
23
Clarinette
21
Quintette de Clarinettes: 5 clarinettes
19
Saxophone Baryton, Piano
18
Quatuor de Flûtes : 4 flûtes
17
2 Saxophones (duo)
17
Ensemble de Clarinettes
16
2 Flûtes traversières (duo)
15
Cor anglais, Piano
13
Clarinette Basse, Piano
12
2 Clarinettes (duo)
12
3 Saxophones (trio)
9
3 Clarinettes (trio)
9
Ensemble de saxophones
9
Flûte traversière
8
Ensemble de Flûtes
7
Flûte, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Saxophone et Harpe
4
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Flûte, Violon
4
Clarinette, Harpe (duo)
3
Flûte et Guitare
3
Clarinette, Violon (duo)
3
Hautbois (partie séparée)
2
Flûte à bec Soprano
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone, Clarinette (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Basson (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Guitare (duo)
1
Clarinette et Alto
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Hautbois, Violoncelle
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Hautbois, Harpe
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
Harmonica
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
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CUIVRES
Trombone et Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Quatuor de cuivres: 4 trombones
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trompette
31
Cor et Piano
27
Trompette, Piano
25
Quatuor de cuivres: 4 cors
20
Euphonium, Piano (duo)
20
Cor anglais, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Quatuor de Cuivres
11
Ensemble de Trompettes
7
Ensemble de Trombones
7
2 Trompettes (duo)
6
2 Trombones (duo)
4
Cor et Harpe
3
Trompette, Cor (duo)
3
Trompette, Harpe
3
2 Euphoniums et 2 Tubas
2
Trompette, Trombone (duo)
2
Tuba et Orgue
2
Tuba
2
2 Cors (duo)
2
Trio de Cuivres
1
Tuba et Piano
1
Trompette, Basson (duo)
1
3 Cors (trio)
1
4 Tubas
1
Trombone (partie séparée)
1
Trompette, Violoncelle (duo)
1
3 Trompettes (trio)
1
Trombone
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor
1
Clarinette, Cor (duo)
1
Euphonium, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon et Piano
72
Alto, Piano
55
Violoncelle, Piano
49
Violon
30
Harpe
17
2 Violons (duo)
15
2 Harpes (duo)
13
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Flûte (duo)
5
Trio à cordes: 3 violins
5
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
Violoncelle
4
Alto et Harpe
3
Alto seul
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Violon (partie séparée)
2
2 Altos (duo)
2
Ensemble de Violons
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
1
Violoncelle, Orchestre
1
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
55
Orchestre à Cordes
53
Ensemble de cuivres
21
Orchestre
16
Cloches
8
Orchestre de chambre
7
Jazz combo
2
Ensemble Jazz
2
Vibraphone
1
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AUTRES
Vous avez sélectionné:
Famous Folk
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Partitions à imprimer
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Santa Lucia - Folk Neapolitan Italian Song - singer and string orchestra and piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.772378 Composed by Folk Neapoli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.772378 Composed by Folk Neapolitan. Arranged by Amir Awad. Folk,Romantic Period,Standards,World. Score and parts. 12 pages. Amir Awad #3510409. Published by Amir Awad (A0.772378). Santa Luciais a famous folk Italian Neapolitan songArranged for Singer and string orchestra (quartet) and piano.
$5.00
4.62 €
#
Orchestre
#
Folk Neapolitan
#
Amir Awad
#
Santa Lucia - Folk Neapolitan Italian Song - singer and string orchestra and piano
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Amir Awad
#
SheetMusicPlus
'Three symphonic rachenitsas'
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1015015 Composed by Vasil Belez…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1015015 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 52 pages. Vasil Belezhkov #4836357. Published by Vasil Belezhkov (A0.1015015). Rachenitsa is the name of arguaby the most famous Bulgarian folklore dance. It's written in 7/8 time signature (2+2+3). My composition consists three parts representing different folklore regions (Thrace, Dobrudzha, Shopluk) and are to be played without rest between them. I wrot this composition for the 19th 'International competition for symphonic composition in 7/8' (Sofia, BULGARIA, 2019), and after qualifying for the final stage I won the Award of the Public eventualy. I'll upload later in YouTube the live performance of the Sofia Philharmonic.NB. Since I don't know how to upload the set of parts - if you purchase the score just send me here vasil_belezhkov@mail.bg a screenshot of your payment and I'll send you the entire '.rar' for free.
$49.99
46.23 €
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Orchestre
#
Vasil Belezhkov
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'Three symphonic rachenitsas'
#
Vasil Belezhkov
#
SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
147.96 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.52 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Trumbull Sketches
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
55.48 €
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Orchestre
#
Kyle Wernke
#
Trumbull Sketches
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Kyle Wernke Publishing
#
SheetMusicPlus
Goin' Home
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvor…
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Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvorak and William Arms Fisher. Arranged by Felix Linsmeier. Classical,Folk,Romantic Period,Sacred,Spiritual. Score and parts. 31 pages. Felix Linsmeier #591388. Published by Felix Linsmeier (A0.985729). The famous theme from the Largo of the Symphony No. 9 was adapted into the spiritual-like song Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvořák's pupil William Arms Fisher, who wrote the lyrics in 1922. This arrangement is based on Dvořák's original orchestration of the Largo as well as the cuts and changes made by Fisher for his piano edition. This orchestration is perfectly compatible with Fisher's piano score, which the singer may use. The instrumentation is 2.2(II=corA.).2.2 - 3.2.3.1 - timp - strings + solo singer (preferably baritone) In the UK, the theme gained traction among the general public after its use in an advert for the Hovis bakery. In 1981, Don Williams would record a different song written to the melody, by Roger Cook. The resulting composition, Miracles, would peak at number 4 on the Billboard country singles chart that July, and also reach number 32 on the adult contemporary chart.
$75.00
69.35 €
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Orchestre
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Antonin Dvorak and William Arms Fisher
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Felix Linsmeier
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Goin' Home
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Felix Linsmeier
#
SheetMusicPlus
Simple Gifts
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1352514 Composed by Shaker melo…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1352514 Composed by Shaker melody and Traditional. Arranged by James Topp. Folk,Religious,Traditional. 58 pages. James Topp #937329. Published by James Topp (A0.1352514). A flexible arrangement for school orchestra of the famous Shaker tune also known as Lord of the Dance. The main parts are aimed at around UK Grade 2-3 standard but there are easier parts for strings and wind also included.
$19.95
18.45 €
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Orchestre
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Shaker melody and Traditional
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James Topp
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Simple Gifts
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James Topp
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SheetMusicPlus
Hallelujah
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1275398 By Andrea Bocelli. By L…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1275398 By Andrea Bocelli. By Leonard Cohen. Arranged by Tommaso D'Agostini. 20th Century,Film/TV,Folk,Pop,Singer/Songwriter. Score and Parts. 47 pages. Tommaso D'Agostini #867326. Published by Tommaso D'Agostini (A0.1275398). Hallelujah, the famous song written by Leonard Cohen (1934 - 2016) and featured in the Dreamworks Motion Picture Shrek (2001), arranged for Symphony Orchestra by Tommaso D'Agostini (2003 - ).The piece is in the original key of C major, and can be performed with or without the soloist.Both score and parts are included.
$89.00
82.3 €
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Orchestre
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Andrea Bocelli
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Tommaso D'Agostini
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Hallelujah
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Tommaso D'Agostini
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SheetMusicPlus
HABANERA from "Carmen" - L'amour est un oiseau rebelle
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1041955 Composed by Georges Biz…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1041955 Composed by Georges Bizet. Arranged by Marc GARETTO. Classical,Folk,Opera,Romantic Period. Score and parts. 48 pages. Marc GARETTO - Harmonie Editions #646743. Published by Marc GARETTO - Harmonie Editions (A0.1041955). HABANERA from the world famous Opera : Carmen Adapted for modern Full Orchestra (instrumental version) Instrumentation : Flute 1 / Flute 2 / Oboe 1+2 / Clarinet 1 / Clarinet 2 / Alto Sax / Bassoon / Bass Clarinet Horn / Trumpet 1 / Trumpet 2 / Trombone 1+2 / Tuba Triangle / Tambourine / Piano (opt.) Violin 1 / Violin 2 / Viola / Cello / Contrabass Free additionnal world parts on request by e-mail Parties supplémentaires gratuites, demande par e-mail contact@harmonie-editions.com Arranged for Modern Full Orchestra Durée / Duration : 3'50'' Niveau / Grade : 2,5/5 Tonalité / Key : Ré mineur puis Majeur / D minor then major.
$80.00
73.98 €
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Orchestre
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Georges Bizet
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Marc GARETTO
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HABANERA from "Carmen" - L'amour est un oiseau rebelle
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
1861 Overture - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1111995 By Dillon M. DeRosa. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1111995 By Dillon M. DeRosa. By Dillon M. DeRosa. Arranged by Dillon M. DeRosa. Classical,Folk,Historic,March,Patriotic. 110 pages. DeRosa Studios #714175. Published by DeRosa Studios (A0.1111995). 1861 Overture – Full Orchestral Score is based on the story of the American Civil War and the freedom of the slaves. The composition is modeled after Tchaikovsky’s 1812 Overture using themes from the American Civil War. Commissioned by Andy Rakich for use in the “Checkmate Lincolnites†video series on his famous “Atun-Shei Films†YouTube channel.
$69.99
64.72 €
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Orchestre
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Dillon M
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Dillon M
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1861 Overture - Score Only
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DeRosa Studios
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SheetMusicPlus
The Gettysburg Address w. Narrator
Orchestre
Full Orchestra - Digital Download SKU: A0.995192 Composed by Richard Chiarappa. Con…
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Full Orchestra - Digital Download SKU: A0.995192 Composed by Richard Chiarappa. Contemporary,Folk,Instructional,Patriotic. Score and parts. 44 pages. Richard J. Chiarappa #4796755. Published by Richard J. Chiarappa (A0.995192). President Lincoln's famous speech can be narrated by anyone; an administrator, a teacher, a local politician, or a special guest. The piece is a little over four minutes in length.
$60.00
55.48 €
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Orchestre
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Richard Chiarappa
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The Gettysburg Address w. Narrator
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Richard J. Chiarappa
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SheetMusicPlus
Tu Vuò Fà L'americano
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1091680 By Renato Carosone. By …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1091680 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Adrian Varela. 20th Century,Classical,Folk,Multicultural,World. Score and parts. 18 pages. Adrian Varela #695835. Published by Adrian Varela (A0.1091680). Famous Italian tune 'Tu Vuò Fà L'americano' for full orchestra. Perfect as a banger or encore. FULLSCORE ONLY - ORCHESTRAL PARTS SOLD SEPARATELY.
$49.99
46.23 €
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Orchestre
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Renato Carosone
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Adrian Varela
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Tu Vuò Fà L'americano
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Adrian Varela
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SheetMusicPlus
España Cañí - Pasodoble - Espana Cani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Mar…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,March,Multicultural,World. Score and Parts. 51 pages. Pablo Guerrero-MartÃn #809346. Published by Pablo Guerrero-MartÃn (A0.1211732). España cañà (meaning Gypsy Spain in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide.Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as the paso doble song as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games.
$49.99
46.23 €
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Orchestre
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Pascual Marquina Narro
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Pablo Guerrero-MartÃn
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España Cañí - Pasodoble - Espana Cani
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Pablo Guerrero-MartÃn
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SheetMusicPlus
La Leggenda del Piave (Il Piave mormorava)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.865267 Composed by E. A. Mario.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.865267 Composed by E. A. Mario. Arranged by Stefano Pagotto. Folk,Holiday,Patriotic,World. Score and parts. 38 pages. Stefano Pagotto #2343443. Published by Stefano Pagotto (A0.865267). Arrangement for little symphonic orchestra of a famous Italian patriotic hymn.
$40.00
36.99 €
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Orchestre
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E
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Stefano Pagotto
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La Leggenda del Piave
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Stefano Pagotto
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SheetMusicPlus
America (My Country Tis of Thee)
Orchestre
Full Orchestra - Digital Download SKU: A0.759547 Composed by Paul Carey. Arranged b…
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Full Orchestra - Digital Download SKU: A0.759547 Composed by Paul Carey. Arranged by Mark Lansom. Christian,Folk,Holiday,Patriotic. Score and parts. 32 pages. Mark Lansom #3454475. Published by Mark Lansom (A0.759547). A generally embellishment-free version of the famous America (My Country Tis of Thee). Arranged for full symphony orchestra 3*23*3*-4331-Timps-Perc-Harp-Strings. Also available by the same arranger, the same music with the words God Save The Queen written at the top. the British (etc.) National Anthem, for use in Proms-type concerts, sporting and civic ceremonies, and, of course, Royal occasions.Score and parts.
$35.00
32.37 €
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Orchestre
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Paul Carey
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Mark Lansom
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America
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Mark Lansom
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SheetMusicPlus
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