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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Famous One
Sheetmusicplus
Non classifié
1 798
Piano & claviers
Piano seul
551
Piano, Voix
409
Piano Facile
145
Piano, Voix et Guitare
75
Instruments en Do
51
Orgue
43
1 Piano, 4 mains
17
Accompagnement Piano
14
Piano Trio: piano, violon, violoncelle
14
Orgue, Trompette (duo)
10
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
1
2 Accordéons
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
62
Guitare
44
2 Guitares (duo)
28
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
13
Piano, Guitare (duo)
10
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Basse electrique
8
3 Guitares (trio)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
2 Ukuleles
1
Mandoline
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
179
Chorale 3 parties
84
Chorale 2 parties
60
Chorale TTBB
58
Voix Soprano, Piano
37
Chorale SSAA
31
Voix Baryton, Piano
30
Voix Tenor, Piano
26
Voix duo, Piano
26
Chorale Unison
21
Voix Alto, Piano
20
Voix duo
10
Voix haute
8
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix Soprano
1
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix basse
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone Alto et Piano
524
Saxophone Tenor et Piano
464
Quatuor de Saxophones: 4 saxophones
459
2 Saxophones (duo)
250
Quintette de Saxophone: 5 saxophones
201
Flûte traversière et Piano
142
Saxophone Alto
137
Saxophone Soprano et Piano
132
Clarinette et Piano
113
Flûte, Hautbois, Clarinette, Basson
105
Hautbois, Piano (duo)
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Clarinettes: 4 clarinettes
94
Saxophone Baryton, Piano
90
Saxophone Tenor
88
Saxophone (partie séparée)
87
Ensemble de saxophones
85
3 Saxophones (trio)
70
2 Flûtes traversières (duo)
65
Clarinette
65
Flûte traversière
52
2 Clarinettes (duo)
47
Saxophone, Clarinette (duo)
40
Quatuor de Flûtes : 4 flûtes
40
Ensemble de Clarinettes
36
Quintette de Clarinettes: 5 clarinettes
35
Flûte, Clarinette (duo)
31
Clarinette, Violon (duo)
29
Cor anglais, Piano
28
Hautbois, Basson (duo)
27
Hautbois (partie séparée)
27
Clarinette Basse, Piano
23
Clarinette, Trompette (duo)
23
Quintette de Flûte : 5 flûtes
20
2 Hautbois (duo)
19
Saxophone Soprano
18
Flûte, Violon
16
Hautbois, Clarinette (duo)
15
Hautbois, Violoncelle
14
Flûte, Saxophone (duo)
14
Clarinette et Alto
13
3 Clarinettes (trio)
12
Ensemble de Flûtes
12
Quatuor de Flûtes à bec
11
Flûte et Guitare
10
Flûte, Alto (duo)
10
Flûte, Trompette (duo)
10
Hautbois
9
Clarinette (partie séparée)
9
Saxophone Baryton
9
Hautbois, Flûte
8
Saxophone et Harpe
8
2 Flûte à bec (duo)
7
Trio de Flûtes: 3 flûtes
7
5 Flûtes à bec
7
Flûte, Violon, Piano
6
Flûte à bec Soprano
6
Flûte à Bec
5
Clarinette, Guitare (duo)
5
Flute (partie séparée)
4
2 Saxophones, Piano
4
3 Flûtes à bec (trio)
4
Clarinette, Basson (duo)
4
Piccolo, Piano
4
Hautbois, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Saxophone
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Cor anglais, Guitare (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec, Guitare (duo)
2
2 Clarinettes, Basson
2
Flûte à bec Tenor
2
Harmonica
2
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Flûte, Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
+ 88 instrumentations
Retracter
Cuivres
Trombone et Piano
505
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
379
Quatuor de Cuivres : 2 trompettes, trombone, tuba
274
Trombone
124
Quatuor de cuivres: 4 trombones
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
Ensemble de Trombones
78
Cor et Piano
73
Trompette
70
Trompette, Piano
67
2 Trombones (duo)
66
Trompette, Trombone (duo)
52
Quatuor de Cuivres
50
Euphonium, Piano (duo)
47
Trombone (partie séparée)
46
Ensemble de Trompettes
29
Trompette, Saxophone (duo)
28
Cor anglais, Piano
28
Tuba et Piano
28
2 Trompettes (duo)
26
Tuba
25
Trompette (partie séparée)
23
Cor
20
2 Cors (duo)
15
Quatuor de cuivres: 4 cors
12
Trompette, Cor (duo)
10
2 Tubas (duo)
9
3 Trombones (trio)
9
Ensemble de Cors
8
Trio de Cuivres
7
Trombone, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
4 Tubas
4
Trombone basse et Piano
4
3 Cors (trio)
3
3 Trompettes (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Euphoniums (duo)
3
Cor (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Orgue
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor anglais, Guitare (duo)
2
Trombone basse
2
Tuba (partie séparée)
2
Euphonium
1
Bass Clef Instruments
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cornet et orchestre
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
247
Violon et Piano
134
Alto, Piano
103
Violoncelle, Piano
97
Violon
95
Violoncelle
81
Violon, Violoncelle (duo)
58
Trio à Cordes: violon, alto, violoncelle
43
Violon, Alto (duo)
39
2 Violons (duo)
34
Alto seul
29
2 Violoncelles (duo)
24
2 Altos (duo)
19
Harpe
17
Contre Basse
16
Contrebasse, Piano (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon (partie séparée)
12
4 Violoncelles
11
Trio à Cordes: 2 violons, violoncelle
11
Alto (partie séparée)
10
Contrebasse (partie séparée)
10
Ensemble de Violons
9
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
7
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Harpe, Trombone (duo)
4
Violon, Guitare (duo)
4
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
3
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
357
Orchestre à Cordes
129
Ensemble de cuivres
119
Orchestre
82
Ensemble Jazz
76
Orchestre de chambre
71
Ensemble de Percussions
18
Cloches
15
Fanfare
15
Jazz combo
10
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Instrumentation Flexible
4
Xylophone, Piano
2
Xylophone
2
Batterie
1
Caisse Claire
1
2 Marimbas
1
2 Xylophones
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Famous One
SheetMusicPlus
Partitions à imprimer
82 partitions trouvées
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O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95
O Holy Art, A Tragic Opera in One Act, Full Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730450 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 214 pages. Jam...
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Full Orchestra - Level 5 - SKU: A0.730450 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 214 pages. James Nathaniel Holland #3537691. Published by James Nathaniel Holland (A0.730450). Full Score Only (Vocal Piano Score and Individual Instrument Parts sold separately). O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera. Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.
$15.95
Bruch Canzone for Cello and Orchestra Op.55
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Orchestre
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Classique
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Max Bruch
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MyMusicScores
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Bruch Canzone for Cello and Or
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MyMusicScores.com
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SheetMusicPlus
Full Orchestra - SKU: A0.736724 Composed by Max Bruch. Arranged by MyMusicScores.com. Romantic Period. Score and parts. 50 pages. MyMusicScores.com #389...
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Full Orchestra - SKU: A0.736724 Composed by Max Bruch. Arranged by MyMusicScores.com. Romantic Period. Score and parts. 50 pages. MyMusicScores.com #3896029. Published by MyMusicScores.com (A0.736724). Bruch composed Conzane for cello and orchestra in 1889, eight years after his famous, Kol Nedrei.
$19.99
Yours Is My Heart Alone
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Orchestre
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INTERMÉDIAIRE
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Opera
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Classique
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Franz Lehar, Fritz Loehner, Ha
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Tommaso D'Agostini
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Yours Is My Heart Alone
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Tommaso D'Agostini
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1274815 Composed by Franz Lehar, Fritz Loehner, Harry Smith, and Ludwig Herzer. Arranged by Tommaso D'Agostini. Class...
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Full Orchestra - Level 3 - SKU: A0.1274815 Composed by Franz Lehar, Fritz Loehner, Harry Smith, and Ludwig Herzer. Arranged by Tommaso D'Agostini. Classical,Opera. Score and Parts. 50 pages. Tommaso D'Agostini #866969. Published by Tommaso D'Agostini (A0.1274815). Yours Is My Heart Alone, the famous aria from the 1929 operetta The Land of Smiles (Das Land des Lächelns) for Tenor and Orchestra by Franz Lehar (1870 - 1948), arranged for Symphony Orchestra by Tommaso D'Agostini (2003 - ).The piece is in the original key of D-flat major, and can be performed with or without the Tenor soloist.Both score and parts are included.
$89.00
Hail, Holy Queen Enthroned Above
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Orchestre
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Melchior Ludolf Herold
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Joshua Choe
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Hail, Holy Queen Enthroned Abo
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - SKU: A0.1080306 Composed by Melchior Ludolf Herold. Arranged by Joshua Choe. Classical,Sacred. Score and parts. 26 pages. JMJ Arrangeme...
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Full Orchestra - SKU: A0.1080306 Composed by Melchior Ludolf Herold. Arranged by Joshua Choe. Classical,Sacred. Score and parts. 26 pages. JMJ Arrangements #684523. Published by JMJ Arrangements (A0.1080306). Honor the Blessed Virgin Mary with this arrangement of the Marian favorite Hail, Holy Queen Enthroned Above, which is also famous for being in the movie Sister Act. This can also be used as an accompaniment for choirs.
$34.99
The Wizard And I
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Stephen Schwartz
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The Wizard And I
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1474100 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Contemporary,Film/TV...
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Full Orchestra - Level 4 - SKU: A0.1474100 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Contemporary,Film/TV,Halloween,Musical/Show. 144 pages. Www.studio-orchestrations.com #1051734. Published by www.studio-orchestrations.com (A0.1474100). This song is just one of so many fantastic powerful female vocalist songs in the Broadway and West End smash hit musical WICKED composed by Stephen Schwartz, a clever prequel story to The Wizard of Oz. The song encapsulates the excitement of the principal character Elphaba (who later we find infamously and misleadingly becomes the Wicked Witch of the West) at the prospect - as a young wizarding student - of meeting and being recognised as a talentd young witch by the Great Wizard of Oz himself.Made famous by the great Idina Menzel this song (and this orchestration) offer the opportunity for a dramatic, full bodied and spectacular feature solo in any concert of show and film music.Instrumentation:2 Flutes (2nd dbl. Piccolo)OboeCor Anglais2 Clarinets2 Bassoons4 Horns2 Trumpets3 TrombonesTimpani2 Percussionists [Finger Cym./Mark Tree/Vibes/Glock./Xylo./Tub.Bells)HarpPiano(Optional 2nd Keyboard)Electric GuitarBass GuitarDrum KitFemale Vocal SoloistStringsLook out for other similar titles (including As long as you're mine and Popular also from Wicked) for sale by arrangers John Langley and Paul Campbell at www.studio-orchestrations.com.
$140.00
Popular
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Schwartz
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Popular
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Comedy,Film/TV,Hallo...
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Full Orchestra - Level 4 - SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Comedy,Film/TV,Halloween,Musical/Show. 128 pages. Www.studio-orchestrations.com #1051065. Published by www.studio-orchestrations.com (A0.1473266). Popular is a comedy song (made famous and 'popular' by Kristen Chenoweth) taken from the Tony award winning Broadway musical WICKED, written by Stephen Schwartz. It subsequently opened in London's West End to great acclaim and in numerous theatres across the world. It is the prequel to the ever popular WIZARD of OZ and the origins of how the two main witches evolved into their infamous Good and Wicked personas. The central roles were created brilliantly by Idina Menzel and Kristen Chenoweth creating an enduring modern classic. This orchestration follows the key and structure of the original show with solo voice and concert orchestra:Instrumentation:2 Flutes2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2-3 Percussion [Mark Tree/Triangle/Wood Block/Tambourine/Finger Cyms./Glockenspiel/Xylophone/Vibraphone]HarpPiano(Optional 2nd Keyboard)Electric GuitarBass GuitarDrum KitStrings Look out for other similar orchestrations by John Langley and Paul Campbell at www.Studio-Orchestrations.com.
$140.00
Colditz March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert Farnon & His Orchestra
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Kevin Riley
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Colditz March
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and ...
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Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).
$60.00
Symphony No.3
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Orchestre
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INTERMÉDIAIRE
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Joseph Pugh This familiar form
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Joseph Pugh
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Symphony No.3
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.855280 Composed by Joseph Pugh. 20th Century,Contemporary,Wedding. Score and parts. 36 pages. Joseph Pugh #6525523. P...
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Full Orchestra - Level 3 - SKU: A0.855280 Composed by Joseph Pugh. 20th Century,Contemporary,Wedding. Score and parts. 36 pages. Joseph Pugh #6525523. Published by Joseph Pugh (A0.855280). This is the 1st movement of Symphony No. 3 ,In Your Stillness, By Joseph Pugh This familiar form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to be written under the specific title were by the Irish composer John Field, generally viewed as the father of the Romantic nocturne that characteristically features a cantabile melody over an arpeggiated, even guitar-like accompaniment. However, the most famous exponent of the form was Frédéric Chopin, who wrote 21 of them. Your Symphony will enjoy playing this Melancholy Nocturne by, Joseph Pugh. Download it today at a reduced price.
$35.00
Diamonds Are Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Don Black and John Barry
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Diamonds Are Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1276342 Composed by Don Black and John Barry. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broad...
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Full Orchestra - Level 4 - SKU: A0.1276342 Composed by Don Black and John Barry. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Film/TV,Musical/Show,Standards,Thriller. Score and Parts. 113 pages. Www.studio-orchestrations.com #868077. Published by www.studio-orchestrations.com (A0.1276342). One of the greatest Bond songs, actually movie title songs, ever written, composed by British music legends John Barry and Don Black. This arrangement follows the version made famous by Shirley Bassey for the soundtrack of the movie, and employs a full symphony orchestra plus rhythm section. Even if your performance has a smaller line-up than scored this orchestration will still work well and be a spectacle in any concert of film music and/or great vocal anthems.Instrumentation:Vocal Soloist2 Flutes2 Oboes2 Clarinets2 Bassoons4 French Horns3 Trumpets3 Trombones1 Tuba1 Timpani2 Percussionists[Wind Chimes / Xylophone /Glockenspiel / (Optional) Vibraphone]HarpPianoGuitarBass GuitarDrum KitStrings.
$120.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Adagio
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Orchestre
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AVANCÉ
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Classique
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Remo Giazotto and Tomaso Giova
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Benjamin Desef
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Adagio
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Benjamin Desef
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1227820 Composed by Remo Giazotto and Tomaso Giovanni Albinoni. Arranged by Benjamin Desef. Classical. Score and Part...
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Full Orchestra - Level 5 - SKU: A0.1227820 Composed by Remo Giazotto and Tomaso Giovanni Albinoni. Arranged by Benjamin Desef. Classical. Score and Parts. 63 pages. Benjamin Desef #823783. Published by Benjamin Desef (A0.1227820). This is a full-length arrangement of Giazotto's famous Adagio, originally for Strings and Organ, now for a large symphonic wind orchestra. The instrumentation tries to capture the delicate, ethereal character that permeats the piece; but in the majestic sections, the full orchestra can shine.Since there is no wind instrument that has a range comparable to the violin, the cadenza is split into various parts that seamlessly overlap and, if skillfully executed, blend perfectly in a single musical experience.Instrumentation: Piccolo, Flute, Oboe, Cor Anglais, 3 Clarinets in B, Bass Clarinet in B, 2 Alto Saxphones in Eb, Tenor Saxophone, Bariton Saxophone, Bassoon, 3 Horns in F, 3 Trumpets in B, Cornet in B, 2 Trombones, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tubular Bells, Glockenspiel, Suspended Cymbals, Vibraphone, Double Bass (5 strings recommended).PDF includes a score in C and a transposed score.
$49.99
Bethlehem
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Orchestre
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Lloyd Larson
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Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 60 p...
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(Orchestra) - SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5971ODP. Published by Hope Publishing - Digital (H1.C5971ODP). Words by William H. Neidlinger & Phillips Brooks. Matthew 1:23 - Luke 2.Original anthem words by William H. Neidlinger & Phillips Brooks The 19th-century poet, Philips Brooks, was inspired on his journey to the Holy Land when he travelled to the town of Bethlehem one Christmas Eve. It became the basis of his famous poem, O Little Town of Bethlehem, for which Lloyd Larson has crafted a new melody in this charming choral anthem. The text also draws from William Neidlinger's The Birthday of a King. This setting comes from Lloyd's cantata Were You There on That Christmas Night (code no. 8611). Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-Flat, Horn in F (or Clarinet), 2 Trombones (or Baritone T. C. ), Tuba, Percussion 1 & 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.
$89.95
Rhapsody in Blue
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Orchestre
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AVANCÉ
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George Gershwin
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Rhapsody in Blue
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Arianna Cunningham
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,S...
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Full Orchestra - Level 5 - SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,Standards. 206 pages. Arianna Cunningham #944147. Published by Arianna Cunningham (A0.1359676). As many of you know, Rhapsody in Blue is one of George Gershwin's most famous and iconic pieces of music history, if not, of all time! But in case you guys don't know, there are actually 3 different versions of the same piece Gershwin wrote.These 3 versions include: The original Jazz Band 1924 version, 1927 version, and the most iconic well-known full symphony orchestra 1942 version that everyone plays nowadays. Not only that, but in the 1942 version, the extended part of the Shuffle Theme, as well as the extended Piano Cadenzas have been cut for duration time.So, in honor of Gershwin's Legacy, I've put together a special arrangement written for a full orchestra, and it even includes tons of heavy influences taken mostly from the 1924 version, even taking influences from different live performances that are inspired.These changes include the following:Adding back in the extended shuffle theme and Piano CadenzasAdded a Harp Part to make the arrangement a little Phil Spitalny Hour Of Charm-esque flavor to it.Brought back in the Bari Sax and Orchestral Piano parts, even though they sort of look different from the original score.Swapped a few solo/soli sections here and there while still keeping some of the 1924/42 elements (for instance the 2 Violin Soli, or Low Instruments Soli) in tact.You obviously get the idea.A huge thanks to one of my newest and closest friends who also have arranging experiences Darren Rodney for helping me put this incredible arrangement together!
$35.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Be My Love
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Orchestre
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AVANCÉ
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Contemporain
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Nicholas Brodszky
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Alexander Timofeev
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Be My Love
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Alexander Timofeev
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexa...
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Full Orchestra - Level 5 - SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexander Timofeev #6514483. Published by Alexander Timofeev (A0.966133). This arrangement for tenor and orchestra of Be My Love by Nicholas Brodszky and Sammy Cahn was inspired by the famous recording (1950) sung by Mario Lanza. It is one of the closest arrangements for tenor and orchestra to this version of Be My Love. Full Score, and Parts are included. The arrangement is scored for tenor solo and full orchestra: 2-2-2-2, 4-3-3-1, timp, perc., piano, harp, strings. There are also optional parts: mixed choir (SATB), guitar, bass guitar - these parts are in the Lanza recording, so they are also included in this arrangement. The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (4), Trumpets in Bb (3), Trombones (3), Tuba (1), Timpani, Percussion (2), Piano (1), Harp (1), Tenor Soloist (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4), Mixed Choir - SATB (24), Guitar (1), Bass guitar (1). If more string parts or choir parts are needed, please purchase two or more copies of this arrangement.
$79.99
EL Choclo
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Fabrizio Mocata
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Fabrizio Mocata
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EL Choclo
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Fabrizio Mocata pianist
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1142467 By Fabrizio Mocata. By Angel Villoldo. Arranged by Fabrizio Mocata. Classical,Film/TV,Latin. Score and parts....
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Full Orchestra - Level 4 - SKU: A0.1142467 By Fabrizio Mocata. By Angel Villoldo. Arranged by Fabrizio Mocata. Classical,Film/TV,Latin. Score and parts. 42 pages. Fabrizio Mocata pianist #742834. Published by Fabrizio Mocata pianist (A0.1142467). One of the most famous tango arranged for Full Orchestra plus piano and opz. Bandoneon. Full score and single parts included.
$30.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestre
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AVANCÉ
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pag...
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Full Orchestra - Level 5 - SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
Meadowlark
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Orchestre
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AVANCÉ
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Stephen Schwartz
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Meadowlark
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1275879 Composed by Stephen Schwartz. Arranged by John Langley (at Studio Orchestrations). Broadway,Contemporary,Film...
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Full Orchestra - Level 5 - SKU: A0.1275879 Composed by Stephen Schwartz. Arranged by John Langley (at Studio Orchestrations). Broadway,Contemporary,Film/TV,Musical/Show. Score and Parts. 187 pages. Www.studio-orchestrations.com #867658. Published by www.studio-orchestrations.com (A0.1275879). This solo vocal / symphonic version of this wonderful iconic Stephen Schwartz song follows the recorded version made famous by the great Broadway leading lady Liz Callaway.  This orchestral version has a slightly fuller instrumentation than the aforementioned version, is a tour de force for any singer and a dramatic addition to any program of 'songs from shows'.Suitable for a professional or advanced intermediate ensemble.INSTRUMENTATION: 2 FlutesOboeCor Anglais2 Clarinets2 Bassoons 4 French Horns3 Trumpets3 Trombones 1 Tuba TimpaniPercussion [Wind chimes/Suspended Cymbal/Clash Cymbals/Glockenspiel] DrumsBass guitarHarpPiano (Solo)StringsYou might be interested in my orchestration of When You Beleive also by Stephen Schwartzhttps://www.sheetmusicplus.com/title/when-you-believe-digital-sheet-music/22556821.
$110.00
Festive Minor
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Orchestre
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Contemporain
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Gerry Mulligan
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Myrick Crampton
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Festive Minor
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MDC Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - SKU: A0.981489 Composed by Gerry Mulligan. Arranged by...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - SKU: A0.981489 Composed by Gerry Mulligan. Arranged by Myrick Crampton. Contemporary. Score and parts. 30 pages. MDC Music LLC #6448285. Published by MDC Music LLC (A0.981489). An arrangement based on the famous Chet Baker, Gerry Mulligan partnership. Solo room for any instrument.
$12.99
Line For Lyons
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Contemporain
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Gerry Mulligan
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Myrick Crampton
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Line For Lyons
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MDC Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - SKU: A0.981488 Composed by Gerry Mulligan. Arranged by...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - SKU: A0.981488 Composed by Gerry Mulligan. Arranged by Myrick Crampton. Contemporary. Score and parts. 50 pages. MDC Music LLC #6448287. Published by MDC Music LLC (A0.981488). Swinging arrangement of the famous Chet Baker, Gerry Mulligan tune. Solo room for the bari.
$12.99
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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INTERMÉDIAIRE
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S
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A
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
E. Satie – Heures Séculaires et Instantanées, 1914
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Classique
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Arkady Leytush
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Arkady Leytush
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E. Satie – Heures S&eacu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady...
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Full Orchestra - Level 3 - SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
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