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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Far Away
Non classifié
174
Piano & claviers
Piano seul
205
Piano, Voix et Guitare
107
Piano, Voix
82
Piano Facile
39
Instruments en Do
27
Orgue
19
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
81
Ligne De Mélodie, (Paroles) et Accords
31
Guitare
21
Paroles et Accords
18
Ukulele
12
Basse electrique
10
Banjo
2
Guitare (partie séparée)
1
4 Guitares (Quatuor)
1
Dulcimer
1
Basse électrique (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
81
Chorale 3 parties
22
Chorale 2 parties
12
Chorale
8
Chorale TTBB
8
Voix seule
7
Chorale SSAA
7
Voix duo
5
Chorale Unison
4
Voix duo, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix, Guitare
1
Pack Instrumental pour Chorale
1
+ 11 instrumentations
Retracter
Vents
Clarinette
17
Flûte traversière
16
Saxophone
12
Saxophone Tenor
12
Saxophone Alto
10
Flûte traversière et Piano
9
Clarinette et Piano
8
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
6
Clarinette (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Clarinettes
4
Saxophone Soprano
4
Saxophone Tenor et Piano
4
Flute (partie séparée)
4
Hautbois (partie séparée)
3
Instruments en Mib
3
Saxophone Alto et Piano
3
2 Saxophones (duo)
3
2 Flûtes traversières (duo)
3
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette Basse, Piano
2
Saxophone Soprano et Piano
2
2 Clarinettes (duo)
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
Hautbois, Guitare (duo)
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Violon (duo)
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Flûte, Saxophone (duo)
1
+ 41 instrumentations
Retracter
Cuivres
Trompette
13
Trombone
13
Trompette (partie séparée)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
6
Trombone et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone (partie séparée)
6
Tuba (partie séparée)
3
Instruments en Sib
3
Cor et Piano
3
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Bass Clef Instruments
2
Trompette, Piano
2
Quatuor de Cuivres
1
Tuba et Orgue
1
2 Trombones (duo)
1
Tuba
1
2 Trompettes (duo)
1
Tuba et Piano
1
Trombone basse et Piano
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
20
Violon
15
Violoncelle
12
Harpe
9
Alto seul
7
Violoncelle, Piano
7
Alto, Piano
6
2 Violons (duo)
4
2 Altos (duo)
3
Harpe, Voix
2
Violon, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Quatuor à cordes: 4 violons
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Contre Basse
1
2 Violoncelles (duo)
1
4 Violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Fanfare
1 398
Orchestre d'harmonie
86
Orchestre
20
Batterie
11
Ensemble de cuivres
10
Ensemble Jazz
5
Orchestre de chambre
5
Orchestre à Cordes
4
Jazz combo
4
Ensemble de Percussions
3
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Cloches
2
Quatuor à Vent : 4 instruments à vents
2
Caisse Claire
1
Percussion
1
+ 11 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Far Away
Orchestre
Partitions à imprimer
20 partitions trouvées
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1
Away in a Manger (Mueller) - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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James R
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Fritz Stanley
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Worship
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Away in a Manger
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MicStanley
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SheetMusicPlus
Full Orchestra - Level 3 - Composed by James R. Murray, John T. McFarland, and Mueller. Arranged by Fritz Stanley. Christian, Christmas, Praise &...
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Full Orchestra - Level 3 - Composed by James R. Murray, John T. McFarland, and Mueller. Arranged by Fritz Stanley. Christian, Christmas, Praise & Worship. Score and parts. 23 pages. MicStanley #3629243. Published by MicStanley
$25.00
Lindisfarne (for Windband)
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Orchestre
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INTERMÉDIAIRE
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Kane McLean
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Sven M
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Lindisfarne
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Kane McLean
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1475442 By Kane McLean. By Kane McLean. Arranged by Sven M. Hellinghausen. 21st Century,Celtic,Christian,Film/TV,Iris...
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Full Orchestra - Level 3 - SKU: A0.1475442 By Kane McLean. By Kane McLean. Arranged by Sven M. Hellinghausen. 21st Century,Celtic,Christian,Film/TV,Irish,Patriotic. 42 pages. Kane McLean #1052993. Published by Kane McLean (A0.1475442). The first part of Kane McLean's windband dilogy Vikings musically describes the Viking attack on the Lindisfarne monastery in Northumberland on June 8, 793It describes the monastery, mystically located in the north of England on Holy Island, not knowing that a Viking ship is already lurking a little away on the sea... It describes the attack of the Vikings as well as the scenario afterwards, with the musical monastery theme and the Viking theme intertwined merge and musically reflect the coexistence of good and evil as necessary for a whole.
$35.00
So Far Away
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Orchestre
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INTERMÉDIAIRE
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Comédie Musicale
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Rock
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Carole King
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Daryl McKenzie
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So Far Away
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - By Carole King. By Carole King. Arranged by Daryl McKenzie. Broadway, Musical/Show, Pop, Rock. 54 pages. Daryl McKenzie #...
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Full Orchestra - Level 3 - By Carole King. By Carole King. Arranged by Daryl McKenzie. Broadway, Musical/Show, Pop, Rock. 54 pages. Daryl McKenzie #829769. Published by Daryl McKenzie
$99.99
So Far Away
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Orchestre
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FACILE
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Carole King
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Doug Wamble
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So Far Away
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Doug Wamble
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1233472 By Carole King. By Carole King. Arranged by Doug Wamble. Folk,Pop,Singer/Songwriter. Score and Parts. 39 page...
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Full Orchestra - Level 2 - SKU: A0.1233472 By Carole King. By Carole King. Arranged by Doug Wamble. Folk,Pop,Singer/Songwriter. Score and Parts. 39 pages. Doug Wamble #829051. Published by Doug Wamble (A0.1233472). Lush arrangement for voice in the original key, acoustic guitar and piano, string and wind ensemble.
$74.99
Longe de Jesus (Far Away From Jesus)
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Orchestre
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INTERMÉDIAIRE
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P
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Moisés Soares Melo
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Longe de Jesus
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Moisés Soares Melo
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.923141 Composed by P.L.M. Arranged by Moisés Soares Melo. Contemporary,Praise & Worship,Spiritual,Traditional. Sco...
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Full Orchestra - Level 3 - SKU: A0.923141 Composed by P.L.M. Arranged by Moisés Soares Melo. Contemporary,Praise & Worship,Spiritual,Traditional. Score and parts. 55 pages. Moisés Soares Melo #529006. Published by Moisés Soares Melo (A0.923141). Arragement for orchestra.
$50.00
Dwelling in Beulah Land (Far away the noise of strife) / Olhando para Cristo - for orchestra
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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C
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Eugenio Gall
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Dwelling in Beulah Land
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Eugenio Gall
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.932811 Composed by C. Austin Miles. Arranged by Eugenio Gall. Christian,Praise & Worship,Sacred. Score and parts. 29 ...
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Full Orchestra - Level 3 - SKU: A0.932811 Composed by C. Austin Miles. Arranged by Eugenio Gall. Christian,Praise & Worship,Sacred. Score and parts. 29 pages. Eugenio Gall #6491017. Published by Eugenio Gall (A0.932811). This is an arrangement for orchestra with a small prelude and harmonization of the hymn according to the figurations developed in the prelude. For use in church services to the congregational chant.
$29.99
The Quiet
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Orchestre
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Chaya Czernowin
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The Quiet
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Ti...
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Orchestra - SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).
$21.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Tar Valon
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Tim Yarham
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Tar Valon
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True Art is Angsty
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1005068 Composed by Tim Yarham. Contemporary. Score and parts. 80 pages. True Art is Angsty #4853475. Published by Tr...
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Full Orchestra - Level 3 - SKU: A0.1005068 Composed by Tim Yarham. Contemporary. Score and parts. 80 pages. True Art is Angsty #4853475. Published by True Art is Angsty (A0.1005068). Tar Valon (10'33) is an original composition for orchestra inspired by the world of Robert Jordan's Wheel of Time. The island of Tar Valon is home to the Aes Sedai, mysterious and magical women who wield the One Power, allowing them to perform feats of magic unmatched in the world. The city on the island is renowned for the White Tower, a sight of majesty and fear. As well as the magic, Tar Valon is home to Warders, specially trained men who will fight for their Aes Sedai to the death and beyond. Tar Valon is a work that will grasp an audience's imagination and carry them far away into a world of wonder and excitement.
$25.00
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Bound For South Australia Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Bound For South Australia Orch
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750896 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 38 p...
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Full Orchestra - Level 3 - SKU: A0.750896 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 38 pages. BJE Music #4366486. Published by BJE Music (A0.750896). In South Australia, I was born Heave away, haul away South Australia round Cape Horn We’re bound for South AustraliaHeave away, you rolling king Heave away, haul away Heave away, oh hear me sing We’re bound for South AustraliaBound for South Australia or South Australia is a sea shanty used by the wool traders who worked the clipper ships between Australian ports and London. This traditional tune is well known as a farewell song, sung at the docks as the big ships were leaving.The song has two distinct parts: The Shanty and Halyard. This is a short arrangement for full orchestra. I also used this tune in my Australian Folksong Medley No. 2 for concert band/Brass Band and Orchestra. If you use this arrangement, let me know how it goes.Parts inlcude Piano, Accordion and Guitar.Grade = 3 Duration = 2:35 mins The MP3 was recorded with NotePerformer 3. There is also a Concert Band version of the same arrangement at this site.
$20.00
Good Luck, Babe!
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Orchestre
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AVANCÉ
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Chappell Roan
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Unknown
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Good Luck, Babe!
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Clem & Jun Bascar
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1487683 By Chappell Roan. By Daniel Nigro, Justin Tranter, and Kayleigh Rose Amstutz. Arranged by Unknown. 21st Centu...
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Full Orchestra - Level 5 - SKU: A0.1487683 By Chappell Roan. By Daniel Nigro, Justin Tranter, and Kayleigh Rose Amstutz. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival. 43 pages. Clem & Jun Bascar #1064616. Published by Clem & Jun Bascar (A0.1487683). Wow song for someone going away or departing to other place. A song of farewell and well wishes for somebody.
$49.99
Speechless
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Naomi Scott
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Felix Linsmeier
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Speechless
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadw...
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Full Orchestra - Level 4 - SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 37 pages. Felix Linsmeier #1042209. Published by Felix Linsmeier (A0.1463485). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!These are the instrumental parts only, purchase the full score here:.
$49.99
Speechless - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Naomi Scott
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Felix Linsmeier
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Speechless - Score Only
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Felix Linsmeier
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadw...
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Full Orchestra - Level 4 - SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 16 pages. Felix Linsmeier #1042200. Published by Felix Linsmeier (A0.1463479). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!This is the score only, purchase the parts here:.
$29.99
Jerome Kern: Long Ago (And Far Away) (complete set of parts) - orchestra/band (Rhythm)
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Orchestre
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INTERMÉDIAIRE
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Comédie Musicale
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Jerome Kern
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Virtualsheetmusic
Instantly printable sheet music by Jerome Kern for orchestra/band (Rhythm) of MEDIUM skill level. / broadway,concert
Instantly printable sheet music by Jerome Kern for orchestra/band (Rhythm) of MEDIUM skill level. / broadway,concert
$19.99
Jerome Kern: Long Ago (And Far Away) (COMPLETE) for orchestra
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Orchestre
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INTERMÉDIAIRE
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Jerome Kern
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Virtualsheetmusic
Instantly downloadable sheet music by Jerome Kern for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Jerome Kern for orchestra of MEDIUM skill level.
$36.99
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
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Far Away
