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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Step
Non classifié
338
Piano & claviers
Piano seul
249
Piano, Voix
174
Piano Facile
104
Piano, Voix et Guitare
31
Instruments en Do
9
Orgue
9
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
18
Ukulele
5
Basse electrique
3
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
113
Chorale 2 parties
64
Chorale 3 parties
43
Voix duo, Piano
38
Chorale Unison
32
Voix duo
14
Chorale TTBB
7
Chorale SSAA
5
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix seule
1
Chorale SSAATTBB
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
45
Clarinette
20
Flûte traversière et Piano
20
Clarinette et Piano
19
Flûte traversière
18
Saxophone Tenor et Piano
17
2 Saxophones (duo)
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto
17
Saxophone Alto et Piano
16
Hautbois, Piano (duo)
14
Saxophone Soprano et Piano
14
Flûte, Hautbois, Clarinette, Basson
13
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
5
Hautbois (partie séparée)
5
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
4
Flûte à bec Soprano
4
Saxophone Tenor
4
Quintette de Flûte : 5 flûtes
4
2 Clarinettes (duo)
4
Flûte à bec Alto
2
Cor anglais, Piano
2
Flûte, Clarinette et Basson
2
Hautbois
2
3 Clarinettes (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois (duo)
2
Ensemble de saxophones
2
2 Saxophones, Piano
1
Saxophone (partie séparée)
1
Flute (partie séparée)
1
Ensemble De Flûte à bec
1
Hautbois, Basson (duo)
1
Ocarina
1
Flûte, Violoncelle
1
Flûte à Bec, Piano
1
Flûte à Bec
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
Saxophone Baryton, Piano
1
Flûte, Alto (duo)
1
Flûte et Guitare
1
Hautbois, Flûte
1
3 Saxophones (trio)
1
Cor Anglais
1
Flûte irlandaise
1
+ 47 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone et Piano
20
Trompette, Piano
19
Trompette
17
Cor et Piano
11
2 Trombones (duo)
10
Trombone
9
2 Trompettes (duo)
8
Euphonium, Piano (duo)
7
Quatuor de Cuivres
6
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Cor (duo)
5
Tuba
5
Ensemble de Trombones
4
Cor
4
2 Cors (duo)
2
Ensemble de Trompettes
2
Cor anglais, Piano
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
2 Trombones, Piano
1
Cor Anglais
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
44
Violon et Piano
29
Violon, Violoncelle (duo)
28
Alto seul
18
Violoncelle
15
Violoncelle, Piano
13
2 Violoncelles (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto, Piano
10
Alto (partie séparée)
7
Violon, Alto (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Piano Trio: Violon, Alto, Piano
6
Harpe
6
2 Violons (duo)
6
Contrebasse, Piano (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
Violon, Guitare (duo)
4
2 Altos (duo)
3
Alto, Violoncelle (duo)
3
Contre Basse
3
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
Alto et Basson
1
Violoncelle, Basse continue
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
43
Ensemble de cuivres
38
Orchestre à Cordes
21
Orchestre de chambre
18
Orchestre
10
Ensemble Jazz
5
2 Xylophones
4
Jazz combo
3
Cajon
2
Cloches
2
Piano et Orchestre
2
Ensemble de Percussions
1
Fanfare
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
First Step
Orchestre
Partitions à imprimer
10 partitions trouvées
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1
Easy On Me
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Orchestre
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FACILE
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Adele
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Paul Lorenz
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Easy On Me
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock...
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Full Orchestra - Level 2 - SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock,Soul. 39 pages. Paul Lorenz #1071020. Published by Paul Lorenz (A0.1494427). Adele Easy On Me Orchestral Version by Paul Lorenz – Sheet Music for a Breathtaking Crossover Masterpiece Discover the extraordinary orchestral arrangement of Adele’s iconic hit Easy On Me by the renowned composer and arranger Paul Lorenz. This exclusive sheet music offers musicians and ensembles the chance to perform a piece that blends the emotional depth of Adele’s original song with the grandeur and sophistication of a full orchestra. Whether you are a professional musician or part of an ensemble, this sheet music is designed to elevate your performance and captivate your audience. A Unique Orchestral Experience Paul Lorenz, known for his collaborations with the London Symphony Orchestra, has created a version of Easy On Me that is both powerful and moving. The arrangement captures the soul of Adele’s lyrics and melodies while introducing rich, orchestral textures that add a new dimension to the song. This sheet music allows you to bring that same majestic sound to your own performances, whether in a concert hall, studio, or classroom setting. What You’ll Find in This Sheet Music Complete Orchestral Score: The sheet music includes a full score, meticulously arranged to ensure that every instrument shines. Each part is crafted with precision, allowing musicians to deliver a flawless performance.Individual Parts for All Instruments: From strings to woodwinds, brass, and percussion, every section of the orchestra is represented. The individual parts are easy to follow, making it simple for musicians of all levels to perform together.Detailed Performance Notes: Paul Lorenz has included insights and tips on how to best bring out the emotion and dynamics of the piece. These notes are invaluable for conductors and musicians looking to deliver a performance that resonates with their audience. Why Choose Paul Lorenz’s Orchestral Arrangement? This sheet music is more than just notes on a page; it’s a gateway to an unforgettable musical experience. Paul Lorenz’s arrangement of Easy On Me has been praised for its innovative approach to orchestral music, combining classical techniques with contemporary elements. By choosing this sheet music, you’re not only adding a stunning piece to your repertoire but also embracing a composition that bridges the gap between pop and classical music. Perfect for Concerts, Recitals, and Special Performances This orchestral version of Easy On Me is ideal for a wide range of performances. Whether you’re planning a concert, a recital, or a special event, this piece will leave a lasting impression on your audience. Its universal appeal makes it suitable for diverse audiences, ensuring that everyone in attendance will be moved by the performance. Get Your Copy Today Don’t miss out on the opportunity to perform this beautiful and powerful orchestral arrangement of Easy On Me. Purchase your copy of Paul Lorenz’s sheet music today and take the first step towards an unforgettable performance. Available in digital and print formats, this sheet music is ready to be part of your next musical journey.
$149.90
That First Christmas Night (Accompaniment Track)
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Orchestre
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Noël
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Stephen DeCesare
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That First Christmas Night
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Exultet Music
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SheetMusicPlus
Composed by Stephen DeCesare. Christian, Contemporary Christian, Spiritual, Sacred, Christmas. Accompaniment. Published by Exultet Music (S0.27287). - Accompani...
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Composed by Stephen DeCesare. Christian, Contemporary Christian, Spiritual, Sacred, Christmas. Accompaniment. Published by Exultet Music (S0.27287). - Accompaniment - Christian,Contemporary Christian,Spiritual,Sacred,Christmas - Exultet Music
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Restaurador / Renovator "
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Alicia Dominguez
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Clas...
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Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
$25.00
Symphony No 1 for Large Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Symphony No 1 for Large Orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.927974 Composed by Malcolm D Robertson. Contemporary. Score and parts. 115 pages. Mr Malcolm D Robertson #4756833. Pu...
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Full Orchestra - Level 5 - SKU: A0.927974 Composed by Malcolm D Robertson. Contemporary. Score and parts. 115 pages. Mr Malcolm D Robertson #4756833. Published by Mr Malcolm D Robertson (A0.927974). The Symphony No 1, my first large scale work in symphonic form was composed directly into full score May-July 2019. It is in three movements: The Symphony is broadly tonal though modern in style.I Hymn - a broad expansive opening movementII Nocturne - a dark disturbed movement that inhabits the world of dreamsIII Passacaglia - which gradually drives itself towards an affirmative conclusion, only to sidestep to end in peaceful unease. The Symphony is a challenging work for the performers. Parts are available upon request.
$20.99
Raindrops Keep Fallin' On My Head
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Orchestre
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INTERMÉDIAIRE
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B
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Kevin Riley
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Raindrops Keep Fallin' On My H
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1495107 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. 45 pages....
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Full Orchestra - Level 3 - SKU: A0.1495107 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. 45 pages. Kevin Riley #1071671. Published by Kevin Riley (A0.1495107). Raindrops Keep Fallin' on My Head is a song written by Burt Bacharach and Hal David for the 1969 film Butch Cassidy and the Sundance Kid.The uplifting lyrics describe somebody who overcomes his troubles and worries by realising that it won't be long till happiness steps up to greet me.The single by B. J. Thomas reached No. 1 on charts in the United States, Canada and Norway, and reached No. 38 on the UK Singles Chart. It topped the Billboard Hot 100for four weeks in January 1970 and was also the first American No. 1 hit of the 1970s. The song also spent seven weeks atop the Billboard Adult Contemporary chart.Billboard ranked it as the No. 4 song of 1970. According to Billboard magazine, it had sold over 2 million copies by March 14, 1970, with eight-track and cassette versions also climbing the charts. It won an Oscar for Best Original Song.[5] Bacharach also won Best Original Score.
$70.00
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Concerto for Trumpet and Orchestra (2014)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Trumpet and Orche
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 ...
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Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
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