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FLUTE DE PA…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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329
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Piano seul
242
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173
Piano Facile
103
Piano, Voix et Guitare
26
Orgue
9
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
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3
Orgue, Trompette (duo)
3
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2
Clavecin
1
Orgue, Piano (duo)
1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
31
Guitare notes et tablatures
18
Ukulele
5
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
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VOIX
Chorale SATB
92
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65
Chorale 3 parties
40
Voix duo, Piano
38
Chorale Unison
32
Voix duo
14
Chorale TTBB
7
Chorale SSAA
5
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix seule
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
45
Clarinette
23
Flûte traversière et Piano
20
Flûte traversière
19
2 Saxophones (duo)
17
Saxophone Alto
17
Quatuor de Saxophones: 4 saxophones
16
Saxophone Tenor et Piano
16
Saxophone Alto et Piano
15
Clarinette et Piano
15
Hautbois, Piano (duo)
14
Saxophone Soprano et Piano
13
Flûte, Hautbois, Clarinette, Basson
12
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
5
2 Flûtes traversières (duo)
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
4
2 Clarinettes (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor anglais, Piano
2
Saxophone Soprano
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor
2
Hautbois
2
2 Hautbois (duo)
2
Flûte irlandaise
1
Flûte et Guitare
1
Cor Anglais
1
2 Saxophones, Piano
1
Hautbois, Flûte
1
Flûte, Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Saxophone Baryton, Piano
1
Flûte à Bec
1
Flûte à Bec, Piano
1
Flûte, Alto (duo)
1
Flûte, Violon
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trompette
19
Trombone et Piano
19
Trompette, Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor et Piano
10
2 Trombones (duo)
9
Trombone
9
2 Trompettes (duo)
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres
6
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Cor (duo)
5
Tuba
5
Ensemble de Trombones
4
Cor
4
Cor anglais, Piano
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
2
2 Tubas (duo)
2
2 Trombones, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon
43
Violon et Piano
28
Alto seul
16
Violon, Violoncelle (duo)
14
Violoncelle, Piano
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto (partie séparée)
9
Alto, Piano
9
2 Violoncelles (duo)
9
Violoncelle
8
Violoncelle (partie séparée)
7
2 Violons (duo)
6
Harpe
6
Piano Trio: Violon, Alto, Piano
6
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse, Piano (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Guitare (duo)
4
2 Altos (duo)
3
Contre Basse
3
2 Harpes (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto et Basson
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
40
Ensemble de cuivres
37
Orchestre à Cordes
21
Orchestre de chambre
18
Orchestre
8
Ensemble Jazz
5
2 Xylophones
4
Jazz combo
3
Cloches
2
Piano et Orchestre
2
Cajon
2
Ensemble de Percussions
1
Fanfare
1
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AUTRES
Vous avez sélectionné:
First Step
Orchestre
Partitions à imprimer
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1
That First Christmas Night (Accompaniment Track)
Orchestre
Composed by Stephen DeCesare. Christian, Contemporary Christian, Spiritual, Sacred, Christ…
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Composed by Stephen DeCesare. Christian, Contemporary Christian, Spiritual, Sacred, Christmas. Accompaniment. Published by Exultet Music (S0.27287). - Accompaniment - Christian,Contemporary Christian,Spiritual,Sacred,Christmas - Exultet Music
$3.99
3.67 €
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Orchestre
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Stephen DeCesare
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That First Christmas Night
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Exultet Music
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.12 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia DomÃnguez …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
$25.00
23.02 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
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Alicia Dominguez
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SheetMusicPlus
Symphony No 1 for Large Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.927974 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927974 Composed by Malcolm D Robertson. Contemporary. Score and parts. 115 pages. Mr Malcolm D Robertson #4756833. Published by Mr Malcolm D Robertson (A0.927974). The Symphony No 1, my first large scale work in symphonic form was composed directly into full score May-July 2019. It is in three movements: The Symphony is broadly tonal though modern in style.I Hymn - a broad expansive opening movementII Nocturne - a dark disturbed movement that inhabits the world of dreamsIII Passacaglia - which gradually drives itself towards an affirmative conclusion, only to sidestep to end in peaceful unease. The Symphony is a challenging work for the performers. Parts are available upon request.
$20.99
19.33 €
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Orchestre
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Malcolm D Robertson
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Symphony No 1 for Large Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Concerto for Trumpet and Orchestra (2014)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Trumpet and Orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.01 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.42 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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