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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Five Fun
Non classifié
173
Piano & claviers
Piano seul
105
Piano Facile
59
Orgue
37
Piano, Voix
31
Piano, Voix et Guitare
15
Piano grosses notes
6
Orgue, Trompette (duo)
3
1 Piano, 4 mains
3
Instruments en Do
2
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
Accompagnement Piano
1
1 Piano, 6 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Ukulele
11
4 Guitares (Quatuor)
3
Guitare
2
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele Baryton
2
Dulcimer
1
Basse electrique
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
10
Chorale SSAA
5
Chorale TTBB
5
Chorale Unison
4
Chorale 2 parties
4
Voix Baryton, Piano
2
Chorale
1
Voix moyenne, Piano
1
Voix haute
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Saxophones: 4 saxophones
13
2 Clarinettes (duo)
13
Saxophone, Clarinette (duo)
13
Saxophone Tenor et Piano
9
2 Flûtes traversières (duo)
9
Clarinette, Violon (duo)
9
Quintette de Saxophone: 5 saxophones
9
Clarinette et Piano
9
Flûte traversière et Piano
7
Clarinette, Trompette (duo)
7
Saxophone Alto et Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Piano (duo)
6
Flûte à bec Soprano
6
Flûte, Clarinette (duo)
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Flûte, Alto (duo)
5
Clarinette et Alto
5
2 Hautbois (duo)
5
Saxophone Soprano et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Violon
5
2 Flûte à bec (duo)
4
Clarinette Basse, Piano
4
Hautbois, Flûte
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
5 Flûtes à bec
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Saxophone (duo)
3
Flûte à Bec
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
3
3 Clarinettes (trio)
2
Clarinette
2
Saxophone Alto
2
3 Flûtes à bec (trio)
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de saxophones
1
Flûte traversière
1
Flûte irlandaise
1
Ensemble de Flûtes
1
Saxophone Tenor
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Ensemble de Clarinettes
1
Clarinette Basse
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette, Saxophone (duo)
10
2 Trompettes (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
4
Trombone et Piano
4
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Trompette, Piano
3
Cor anglais, Piano
3
3 Trompettes (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
1
4 Tubas
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Piano
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon
8
Violon, Violoncelle (duo)
8
2 Altos (duo)
8
2 Harpes (duo)
7
Alto, Piano
7
Harpe
6
Violoncelle, Piano
6
Violon et Piano
6
Violon, Alto (duo)
6
2 Violons (duo)
5
2 Violoncelles (duo)
5
Trio à cordes: 3 violins
3
Violoncelle
2
Trio à cordes: 3 altos
2
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
66
Orchestre à Cordes
12
Ensemble de cuivres
9
Orchestre
7
Ensemble Jazz
5
Ensemble de Percussions
5
Ensemble d'École
4
Batterie
4
Cloches
4
Orchestre de chambre
3
Fanfare
1
Vibraphone
1
Jazz combo
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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expert
avec audio
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Crtitères actifs :
Five Fun
Orchestre
Partitions à imprimer
7 partitions trouvées
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1
TrialFive
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Orchestre
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FACILE
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Contemporain
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Tracy Dean McCallum
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Tracy Dean McCallum
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TrialFive
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Tracy Dean McCallum
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1477816 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century. 56 pages. Trac...
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Full Orchestra - Level 2 - SKU: A0.1477816 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century. 56 pages. Tracy Dean McCallum #1055196. Published by Tracy Dean McCallum (A0.1477816). https://tracymccallum.com/ Genre: Given Tracy Dean McCallum's interest in Rush and creating arrangements, Trial Five could be: Progressive Rock: This genre aligns with Rush's style, featuring complex time signatures, intricate instrumentation, and conceptual themes. Fusion: This genre blends elements of rock with jazz, funk, or other styles, creating a unique and dynamic soundscape. Modern Classical: McCallum might have taken a classical piece and arranged it for a contemporary rock or jazz ensemble.
$7.77
Kid's Play: A Fun Suite for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Timothy Lee Miller
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Kid's Play: A Fun Suite for Or
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TLM Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1018253 Composed by Timothy Lee Miller. Children,Classical,Contemporary. Score and parts. 260 pages. TLM Music Publis...
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Full Orchestra - Level 3 - SKU: A0.1018253 Composed by Timothy Lee Miller. Children,Classical,Contemporary. Score and parts. 260 pages. TLM Music Publishing #623852. Published by TLM Music Publishing (A0.1018253). A fun suite of five pieces that describe scenes from a day in the life of children: I. School Day, II. Joy and Innocence, III. On The Playground, IV. And So To Sleep, V. Fun and Frolic.
$69.99
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Bridge Over Troubled Water
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Orchestre
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INTERMÉDIAIRE
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Simon And Garfunkel
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Kevin Riley
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Bridge Over Troubled Water
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1102019 By Simon And Garfunkel. By Paul Simon. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 58 pages. ...
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Full Orchestra - Level 3 - SKU: A0.1102019 By Simon And Garfunkel. By Paul Simon. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 58 pages. Kevin Riley #705412. Published by Kevin Riley (A0.1102019). Bridge over Troubled Water is a song by the American folk duo Simon & Garfunkel, released in January 1970 as the second single from their fifth studio album, Bridge over Troubled Water (1970). It was composed by Paul Simon and produced by Simon & Garfunkel and Roy Halee. Bridge over Troubled Water features lead vocals by Art Garfunkel and a piano accompaniment influenced by gospel music, with a Wall of Sound-style production. It was the last song recorded for the album, but the first completed.[5] The instrumentation, provided by the Wrecking Crew, was recorded in California, while Simon and Garfunkel's vocals were recorded in New York. Simon felt Garfunkel should sing solo, an invitation Garfunkel initially declined.Session musician Larry Knechtel performs piano, with Joe Osborn playing bass guitar and Hal Blaine on drums. The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year. It is Simon & Garfunkel's most successful single, and it is often considered their signature song; it topped the US Billboard Hot 100 chart for six weeks, and also reached number one in the United Kingdom, Canada, France and New Zealand. It reached the top five in eight other countries, eventually selling over six million copies worldwide. It became one of the most performed songs of the 20th century, covered by over 50 artists, including Elvis Presley, Aretha Franklin and Johnny Cash. It is ranked number 66 on Rolling Stone's 500 Greatest Songs of All Time.
$70.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
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