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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Ben
Non classifié
3 598
Piano & claviers
Piano seul
2 988
Piano, Voix
2 149
Piano, Voix et Guitare
1 566
Piano Facile
993
Instruments en Do
334
Orgue
207
Accompagnement Piano
193
Piano Trio: piano, violon, violoncelle
166
Accordéon
74
1 Piano, 4 mains
64
Piano grosses notes
61
2 Pianos, 4 mains
48
Piano Quatuor: piano, 2 violons, violoncelle
41
Orgue, Trompette (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano (partie séparée)
8
Orgue, Piano (duo)
6
Clavier
4
Ligne De Mélodie, Piano
4
Accordéon, Voix
4
Clavecin
3
Fake Book
1
2 Accordéons
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
882
Guitare
451
Ligne De Mélodie, (Paroles) et Accords
373
Paroles et Accords
137
Basse electrique
109
Ukulele
88
2 Guitares (duo)
78
4 Guitares (Quatuor)
21
Guitare (partie séparée)
19
Dulcimer
16
Mandoline
15
Piano, Guitare (duo)
12
Banjo
8
Basse électrique (partie séparée)
6
Ensemble de guitares
6
3 Guitares (trio)
6
Partitions De Groupes
4
Ukulele Baryton
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 285
Chorale 3 parties
395
Chorale TTBB
276
Chorale 2 parties
212
Chorale SSAA
153
Voix seule
113
Chorale
101
Chorale Unison
66
Voix Soprano, Piano
49
Voix Alto, Piano
47
Voix haute
46
Voix Baryton, Piano
41
Voix duo, Piano
39
Voix Tenor, Piano
39
Voix Tenor
30
Voix duo
30
Voix Soprano
25
Voix basse, Piano
20
Pack Instrumental pour Chorale
17
Voix moyenne, Piano
12
Voix Mezzo-Soprano, Piano
7
Chorale SSAATTBB
7
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
3
Chorale SSAB a cappella
3
Voix basse
2
Chorale SSATB
2
Voix, Guitare
2
Voix haute, Piano
1
Chorale SSAB, Piano
1
+ 25 instrumentations
Retracter
Vents
Flûte traversière
559
2 Saxophones (duo)
526
Saxophone Alto
439
Flûte traversière et Piano
436
Saxophone Alto et Piano
408
Clarinette
397
2 Flûtes traversières (duo)
370
Clarinette et Piano
361
Saxophone Tenor et Piano
266
2 Clarinettes (duo)
263
Saxophone
260
Saxophone (partie séparée)
254
Hautbois, Piano (duo)
253
Quatuor de Saxophones: 4 saxophones
251
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
245
Flûte, Hautbois, Clarinette, Basson
240
Saxophone Tenor
211
Flûte, Clarinette (duo)
166
Hautbois (partie séparée)
152
Quatuor de Clarinettes: 4 clarinettes
130
2 Saxophones, Piano
108
Saxophone Soprano et Piano
90
Quintette de Saxophone: 5 saxophones
88
Hautbois
87
Clarinette (partie séparée)
81
3 Saxophones (trio)
64
Quatuor de Flûtes : 4 flûtes
63
Flute (partie séparée)
51
Saxophone Soprano
50
2 Hautbois (duo)
40
Flûte et Guitare
38
3 Clarinettes (trio)
37
Saxophone Baryton, Piano
34
Flûte à Bec
33
Hautbois, Basson (duo)
31
Quintette de Clarinettes: 5 clarinettes
27
Ensemble de saxophones
26
2 Flûte à bec (duo)
26
Ensemble de Clarinettes
24
Harmonica
24
Flûte à bec Soprano
23
Quatuor de Flûtes à bec
22
Trio de Flûtes: 3 flûtes
22
Flûte, Violon
20
Saxophone Baryton
19
2 Flûtes traversières, Piano
19
Flûte, Hautbois, Clarinette (trio)
16
Ensemble de Flûtes
16
Hautbois, Clarinette (duo)
15
Cor anglais, Piano
15
Ocarina
14
Clarinette Basse, Piano
13
Flûte, Clarinette et Basson
13
Flûte à bec Alto
13
Saxophone, Clarinette (duo)
12
Instruments en Mib
11
Flûte à bec Soprano, Piano
11
Flûte, Violon, Piano
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Basson (duo)
10
Flûte, Hautbois, Basson
9
Flûte à bec Alto, Piano
9
Flûte, Hautbois (duo)
9
2 Clarinettes, Piano
9
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
8
Cor Anglais
7
Hautbois, Violoncelle
7
Quintette de Flûte : 5 flûtes
7
Clarinette Basse
7
3 Hautbois
7
Clarinette, Guitare (duo)
7
Flûte, Clarinette, Piano (trio)
7
Ensemble De Flûte à bec
6
Flûte, Alto (duo)
6
Hautbois, Flûte
6
3 Flûtes à bec (trio)
5
Clarinette et Alto
5
Flûte, Trompette (duo)
5
Flûte, Saxophone (duo)
5
Flûte, Violoncelle
5
Piccolo
5
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto, Basse continue
4
4 Hautbois
4
Flute, harpe et violon
3
Flûte à bec Tenor
3
Flûte à Bec, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Hautbois, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Trombone (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Violon, Violoncelle et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Trombone (duo)
2
Flûte, Violon et Violoncelle
2
Hautbois, violon (duo)
2
Flûte, Hautbois, Violon
1
Hautbois et alto (duo)
1
Hautbois, Violoncelle et Piano
1
Saxophone et Guitare
1
Flûte traversière, Basse continue
1
Hautbois, Basson et Piano
1
Flûte et Quatuor à Cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Guitare
1
Harmonica, Piano
1
Ensemble de Hautbois
1
Piccolo, Piano
1
+ 107 instrumentations
Retracter
Cuivres
Trompette
554
Trombone
395
Trompette, Piano
369
Trompette, Trombone (duo)
307
2 Trompettes (duo)
267
Trombone et Piano
265
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
228
Cor
198
2 Trombones (duo)
195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
161
Cor et Piano
152
Trompette (partie séparée)
134
Trombone (partie séparée)
123
Quatuor de Cuivres: 2 trompettes, Cor, trombone
110
Tuba
104
Tuba et Piano
76
Quatuor de Cuivres
48
Euphonium
42
Tuba (partie séparée)
34
Cor (partie séparée)
33
Quatuor de cuivres: 4 trombones
30
2 Cors (duo)
25
2 Trompettes, Clavier (piano ou orgue)
17
Trompette, Cor (duo)
16
Cor anglais, Piano
15
Euphonium, Piano (duo)
15
Quatuor de cuivres: 4 cors
13
Trompette, Trombone, Piano
13
Bass Clef Instruments
12
Trompette, Saxophone (duo)
10
4 Tubas
10
2 Tubas (duo)
10
Instruments en Sib
10
Ensemble de Trombones
7
Cor Anglais
7
Trio de Cuivres
7
3 Trombones (trio)
7
Tuba ou Euphonium ou Saxhorn
6
Ensemble de Cors
5
3 Trompettes (trio)
5
Quatuor de cuivres: 4 trompettes
5
2 Cors, Piano
4
Instruments en Fa
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
Ensemble de Trompettes
3
Trombone basse et Piano
3
Tuba et Orgue
3
Trompette, Tuba (duo)
2
3 Cors (trio)
2
4 Euphoniums
2
3 Tubas (trio)
2
Cor, Violoncelle (duo)
2
2 Trombones, Piano
2
Ensemble de Tubas
1
Trombone, Orgue
1
Cor et Basson (duo)
1
2 Euphoniums et 2 Tubas
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Trombone et orchestre
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
837
Violon et Piano
611
Violon
540
Violoncelle, Piano
488
Violoncelle
460
2 Violons (duo)
337
Alto, Piano
327
Alto seul
306
Violon, Violoncelle (duo)
306
2 Violoncelles (duo)
298
2 Altos (duo)
181
Violon, Alto (duo)
136
Trio à Cordes: violon, alto, violoncelle
110
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Harpe
101
Contre Basse
78
Piano Trio: Violon, Alto, Piano
78
Alto (partie séparée)
67
Violon (partie séparée)
60
Trio à Cordes: 2 violons, violoncelle
40
Contrebasse, Piano (duo)
34
Contrebasse (partie séparée)
33
Violoncelle (partie séparée)
28
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
17
Violoncelle , Guitare (duo)
16
2 Violons, Piano
15
Violon, Guitare (duo)
14
4 Violoncelles
13
2 Violoncelles, Piano
13
Trio à Cordes: 3 violoncelles
12
Harpe, Voix
11
Trio à Cordes: 2 violons, alto
11
Harpe, Flûte (duo)
8
Trio à cordes
7
Violoncelle, Contrebasse (duo)
7
Alto, Guitare (duo)
5
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
4
Harpe, Violon (duo)
4
Violon, Basson (duo)
4
2 Altos, Piano
4
Quatuor à cordes: 4 violons
4
2 Harpes (duo)
3
Harpe et Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
2
Violoncelle, Orgue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basse continue
2
Violon, Orgue
2
3 Harpes
2
Violon, Clarinette, Piano (trio)
2
5 Harpes
2
Ensemble de Violons
1
Violoncelle, Basse continue
1
3 Contrebasses
1
Flûte, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Harpe (partie séparée)
1
Alto et Harpe
1
Ensemble d'Altos
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
595
Ensemble Jazz
326
Orchestre à Cordes
252
Orchestre
237
Batterie
202
Ensemble de cuivres
117
Cloches
90
Fanfare
90
Orchestre de chambre
74
Jazz combo
52
Percussion
44
Percussion (partie séparée)
39
Ensemble de Percussions
37
Marimba
24
Batterie (partie séparée)
15
Timbales
10
Timbales (partie séparée)
9
Xylophone
8
Caisse Claire
7
Vibraphone
6
Xylophone, Piano
2
Big band
2
Ensemble d'École
1
Quintette à Vent
1
Orchestre, Violon
1
2 Xylophones
1
Cajon
1
Quintette de Cuivres: autres combinaisons
1
3 Marimbas
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
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FLUTE DE PA…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
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237 partitions trouvées
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226
One Sows for the Benefit of Another Age - Orchestra
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Kyle Vanderburg
#
One Sows for the Benefit of An
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NoteForge
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
#
Contemporain
#
Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ofer Ben-Amots
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Enchanted Landscapes, A Sympho
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The Composer's Own Press
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Publis...
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Full Orchestra - Level 4 - SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestre
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AVANCÉ
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Classique
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Isaac Albeniz
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A
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Albeniz/Leytush – &ldquo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #6...
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Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
GO FORTH TO GREET Choral Benediction based on Act 3 Chorus from Wagner's DIE MEISTERSINGER
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Paul Ferington
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GO FORTH TO GREET Choral Bened
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.982371 Composed by Richard Wagner. Arranged by Paul Ferington. Romantic Period,Sacred. Score and parts. 19 pages. Pau...
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Full Orchestra - Level 4 - SKU: A0.982371 Composed by Richard Wagner. Arranged by Paul Ferington. Romantic Period,Sacred. Score and parts. 19 pages. Paul K Ferington #6605401. Published by Paul K Ferington (A0.982371). An elegant and powerful Choral Benediction based on an Act 3 Chorus from Wagner's DIE MEISTERSINGER; set includes Choral Score, Organ Score, and Orchestra parts for an inspiring and uplifting congregational send off. (1:30) Some divisi recommended within voice parts. .
$10.95
Forever Reign
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Orchestre
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FACILE
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Musique Sacrée
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Jason Ingram and Reuben Morgan
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Scott Harris
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Forever Reign
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Scott Harris Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.489936 Composed by Jason Ingram and Reuben Morgan. Arranged by Scott Harris. Contemporary,Easter,Praise & Worship,Sac...
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Full Orchestra - Level 2 - SKU: A0.489936 Composed by Jason Ingram and Reuben Morgan. Arranged by Scott Harris. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. Score and Parts. 69 pages. Scott Harris Music #106040. Published by Scott Harris Music (A0.489936). Full Orchestra with Rhythm Section accompaniment to my SATB Choir arrangement of this beloved worship song! *NOTE: The SATB Choir part is on the score ONLY (for reference) and NOT included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with rehearsal piano) available at Sheet Music Direct and Sheet Music Plus.* This arrangement was based on an early recording of this title found on an EP called Fellowship Songs, Volume One produced by Fellowship Bible Church in Brentwood, TN where this song was introduced in the States and first sung in corporate worship. Instrumentation:-SATB choir-Flutes-Oboe-Clarinets-Horns-Trumpet 1-3-Trombone 1-2-Trombone 3/Tuba-Percussion-Timpani-Rhythm Section-Violin 1-2-Viola-Cello-String Bass/Cello 2. Approximate Performance time: 5:03For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at ScottHarrisMusic.com.
$59.99
Piano Concerto No.1 - Ruben Dimitrashuk (Op.6 No.3)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ruben Dimitrashuk
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Ruben Dimitrashuk
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Piano Concerto No.1 - Ruben Di
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Ruben Dimitrashuk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370809 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical,Contest,Festival,Traditi...
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Full Orchestra - Level 4 - SKU: A0.1370809 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical,Contest,Festival,Traditional. 25 pages. Ruben Dimitrashuk #955149. Published by Ruben Dimitrashuk (A0.1370809). This is the first movement of Piano Concerto No.1 - Ruben Dimitrashuk (Op.6 No.3) in E minor. It is constructed in Sonata Form (Introduction, Exposition, Development, Recapitulation) and is about 5 1/2 minutes in length.
$9.99
Ben
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Orchestre
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INTERMÉDIAIRE
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Michael Jackson
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Kevin Riley
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Ben
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.540665 By Michael Jackson. By Don Black and Walter Scharf. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score a...
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Full Orchestra - Level 3 - SKU: A0.540665 By Michael Jackson. By Don Black and Walter Scharf. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and parts. 30 pages. Kevin Riley #150799. Published by Kevin Riley (A0.540665). Ben is a song written by Don Black and Walter Scharf for the 1972 film of the same name (a spin-off to the 1971 killer rat film Willard). It was performed by Lee Montgomery in the film and by Michael Jackson over the closing credits. Jackson's single, recorded for the Motown label in 1972, spent one week at the top of the Billboard Hot 100, making it Jackson's first number one single in the US as a solo artist.[1] Billboard ranked it as the number 20 song for 1972. It also reached number 1 on the ARIA Charts, spending eight weeks at the top spot. The song also later reached a peak of number 7 on the UK Singles Chart. In 2004, the song appeared in The Ultimate Collection. Ben won a Golden Globe for Best Song. It was nominated for an Academy Award for Best Original Song in 1973, losing to The Morning After by Maureen McGovern from The Poseidon Adventure. Jackson lip-synced to the song at the Oscars ceremony, possibly as his vocal range had shifted since its recording.
$50.00
Nocturno, Op. 7 for Horn Solo and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franz Strauss
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Benjamin Coy
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Nocturno, Op. 7 for Horn Solo
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.745063 Composed by Franz Strauss. Arranged by Benjamin Coy. 20th Century,Romantic Period. Score and Parts. 57 pages. ...
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Full Orchestra - Level 4 - SKU: A0.745063 Composed by Franz Strauss. Arranged by Benjamin Coy. 20th Century,Romantic Period. Score and Parts. 57 pages. Gordon Cherry #353062. Published by Gordon Cherry (A0.745063). Nocturno, Op. 7 is one of several works for Horn that Franz Strauss wrote for himself to perform as soloist with various orchestras during his long and illustrious career. The overriding feeling of this work is the beauty of tone and lyricism. It is in an ABA form and works particularly well for Horn in F with a range to high A-flat. Benjamin Coy has beautifully arranged this glorious work of 6 minutes in length for Horn Solo and Orchestra. The Nocturno with Horn Solo arranged by Mr. Coy is also available with Wind Ensemble accompaniment.
$91.50
Nocturno, Op. 7 for Solo Trombone and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franz Strauss
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Benjamin Coy
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Nocturno, Op. 7 for Solo Tromb
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.792816 Composed by Franz Strauss. Arranged by Benjamin Coy. 20th Century,Romantic Period. Score and parts. 49 pages. ...
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Full Orchestra - Level 4 - SKU: A0.792816 Composed by Franz Strauss. Arranged by Benjamin Coy. 20th Century,Romantic Period. Score and parts. 49 pages. Gordon Cherry #6655861. Published by Gordon Cherry (A0.792816). Nocturno, Op. 7 is one of several works for Horn that Franz Strauss wrote for himself to perform as soloist with various orchestras during his long and illustrious career.The overriding feeling of this work is the beauty of tone and lyricism. It is in an ABA form and works particularly well for Tenor Trombone with a range to high D-flat.Benjamin Coy has beautifully arranged this glorious work of 6 minutes in length for Solo Trombone and Orchestra.The Nocturno with solo Trombone arranged by Mr. Coy is also available with Wind Ensemble accompaniment.
$85.00
Sieben Fragmente für Orchester
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Orchestre
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Aribert Reimann
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Sieben Fragmente für Orch
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, S...
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Orchestra - SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99
Promises and Warnings About Wisdom - for alto solo and orchestra - Part 1 of 2 (piano version and in
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Promises and Warnings About Wi
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.938532 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 18 pages. Christopher Schwinger #27613. ...
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Full Orchestra - Level 4 - SKU: A0.938532 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 18 pages. Christopher Schwinger #27613. Published by Christopher Schwinger (A0.938532). The 10th Christian vocal solo I've written, about the ultimate benefit to wisdom/virtue, acknowledging the hard realities of life such as others' hurtfulness and anxiety. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from G below middle C (the top of the bass clef staff, below the treble clef staff) to E at the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, violin, viola (at least 2 players because of divisi measures), cello (again at least 2 players), and string bass. (The total cost for the orchestral version is $46.).
$23.00
Asturias Leyenda - Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Andrew Middleton
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Asturias Leyenda - Orchestra
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Andrew Middleton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1413746 Composed by Isaac Albeniz. Arranged by Andrew Middleton. 19th Century,Romantic Period. 95 pages. Andrew Middl...
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Full Orchestra - Level 4 - SKU: A0.1413746 Composed by Isaac Albeniz. Arranged by Andrew Middleton. 19th Century,Romantic Period. 95 pages. Andrew Middleton #995530. Published by Andrew Middleton (A0.1413746). Asturias, Leyendda from Suite Espanola Op. 47 is one of the Isaac Albeniz's most notable works. This piece opens in a brisk tempo, similar to a toccata. A slower, more reflective middle section conjure's up images of Spain and the Mediterranean, before returning to the quick opening section. This arrangement for orchestra (2222 4331 Timp. Perc. Hp. Strings) is ideal for the intermediate advanced orchestra.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Â Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$39.99
Schumann Kinderszenen op. 15 for orchestra
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Orchestre
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AVANCÉ
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Classique
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Robert Schumann
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R
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Schumann Kinderszenen op. 15 f
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R C Coleman
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132 pages. R C Cole...
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Full Orchestra - Level 5 - SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132 pages. R C Coleman #6620457. Published by R C Coleman (A0.1017422). Robert Schumman´s Kinderszenen op. 15R. C. Coleman orchestra transcriptionVon femden Länder und Menschen(Of foreign lands and people /Gens et pays étrangers)Curiose Geschichte(A curious story / Curieuse histoire)Hasche-Mann(Blind man´s bluff / Colin-maillard)Bittendes Kind(Pleading child / L'enfant suppliant)Glückes genug(Happy enough / Bonheur parfait)Wichtige Begebenheit(An important event / Un évènement important)Träumerei(Dreaming / Rêverie)Am Camin(At the fireside / Au coin du feu)Ritter vom Steckenpferd(Knight of the wooded horse / Cavalier sur le cheval de bois)Fast zu ernst(Almost too serious / Presque trop sérieusement)Fürchtenmachen(Frightening / Croquemitaine)Kind im Einsclummern(Child falling sleep / L'enfant s'endort)Der Dichter spricht(The poet speaks / Le poète parle)
$75.00
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
I. Albeniz -"La Vega", Symphonic Poem, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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A
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I. Albeniz -"La Vega", Symphon
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published ...
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Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published by Arkady Leytush (A0.1378418). Albeniz completed only La Vega (on 26 January 1897) and the first 16 bars of Generalife. The score was written in piano solo format, and La Vega was later orchestrated. The orchestral version of La Vega was never published however, but the composer decided to publish the piano solo version after discarding the last three pages and writing a new, more developed version of the entire piece, with a reprise of the opening A section taking the place of the three discarded pages. This new expanded version was completed on 14 February 1897 and published that year. The piece lasts approximately 14 minutes. «La Vega» is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
On the Night Before Christmas (Full orchestra version)
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Orchestre
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INTERMÉDIAIRE
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Eric Benjamin
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On the Night Before Christmas
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Eric Benjamin
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1465428 By Eric Benjamin. By Eric Benjamin. 20th Century,Christmas,Classical. 94 pages. Eric Benjamin #1044130. Publi...
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Full Orchestra - Level 3 - SKU: A0.1465428 By Eric Benjamin. By Eric Benjamin. 20th Century,Christmas,Classical. 94 pages. Eric Benjamin #1044130. Published by Eric Benjamin (A0.1465428). A setting for narrator and large orchestra (2+1 2+1 2+1 2/4231 cel. harp tym+2 strgs) of the classic Christmas poem by Clement Moore. Duration is 6 mins. Lyrical and poignant, it is easily playable by groups at all levels. Also available in versions for chamber orchestra, band and chamber groups.
$100.00
TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Nan Avant
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performance.
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TRIBUTUM: FOR CELTIC BAGBPIPES
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Nan Avant
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by...
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Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by Nan Avant (A0.976183). TRIBUTUM for Celtic Bagpipes and Full Orchestra is an award winning concert work. The original composition which is also listed on Sheet Music Plus, was commissioned for Celtic Bagpipes and Chamber Orchestra. Tributum pays homage to the great music of Ireland and Scotland, with lyrical and memorable themes throughout creating a dialogue between the chamber orchestra and the traditional pipes of Ireland, the Uilleann Pipes and the Great Highland Bagpipes. In ‘Tributum,’ Avant masterfully blends ethnic Celtic instruments with symphony orchestra to create a wonderfully moving work. Her majestic melodies and lush orchestrations transport the listener to the British Isles – it is an aural voyage worth taking.~ Hummie Mann, two time Emmy Award -winning composerUS Premier: March 24, 2013, NW Sinfonia Orchestra David Sabee conducting produced by Burmer Music LLC International Premier Canada: January 23, 2016 Edmonton Symphony Orchestra with the Royal Canadian Artillery Pipes and Drums and Brass Quintet conducted by Lucas Waldin. PRO: ASCAPThe MP3 and YouTube video are both from the Chamber Orchestra performance by the NW Sinfonia Orchestra under the direction of David Sabee, a production by Burmer Music LLC https://burmermusic.com/ and performed in Seattle at Benaroya, Nordstrom Hall, 2013. Contact: Nan Avant http://www.nanavant.net/Email: njavant@gmail.comPlease notify the composer when Tributum is to be performed and she will aim to attend the performance.
$152.00
Il teatro fa bene
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Claudio Rosati
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Il teatro fa bene
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Claudio Rosati
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.835322 Composed by Claudio Rosati. 20th Century,Broadway,Contemporary. Score and parts. 26 pages. Claudio Rosati #513...
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Full Orchestra - Level 4 - SKU: A0.835322 Composed by Claudio Rosati. 20th Century,Broadway,Contemporary. Score and parts. 26 pages. Claudio Rosati #513315. Published by Claudio Rosati (A0.835322). My wife Annalisa directed a theatrical piece titled Il teatro fa bene written by Rosario Galli, and I wrote for her the soundtracks.
$11.99
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score and parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Two Scenes from &q
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Sco...
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Full Orchestra - Level 4 - SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 72 pages. Really Good Music, LLC. #4837469. Published by Really Good Music, LLC. (A0.868922). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$90.00
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Two Scenes from &q
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868920 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Sco...
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Full Orchestra - Level 4 - SKU: A0.868920 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 36 pages. Really Good Music, LLC. #4837467. Published by Really Good Music, LLC. (A0.868920). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$50.00
Just Around The Riverbend
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Orchestre
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INTERMÉDIAIRE
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Film Walt Disney
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Alan Menken and Stephen Schwar
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Joseph Perkins
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Just Around The Riverbend
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1255458 Composed by Alan Menken and Stephen Schwartz. Arranged by Joseph Perkins. Children,Contemporary,Film/TV,Pop. ...
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Full Orchestra - Level 3 - SKU: A0.1255458 Composed by Alan Menken and Stephen Schwartz. Arranged by Joseph Perkins. Children,Contemporary,Film/TV,Pop. Score and Parts. 68 pages. Joseph Perkins #848959. Published by Joseph Perkins (A0.1255458). From the Disney animated film, PocahontasThis arrangement can be used as string orchestra arrangement (with piano and Percussion) or with addition of winds up to full orchestra. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone II. Baritone Saxophone doubles Trombone III.
$49.99
Albeniz/Leytush: "Azulejos", - full orchestra
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Orchestre
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AVANCÉ
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Issac Albeniz
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Arkady Leytush
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Albeniz/Leytush: "Azulejo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1008358 Composed by Issac Albeniz. Arranged by Arkady Leytush. 20th Century,Romantic Period,Standards,World. Score an...
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Full Orchestra - Level 5 - SKU: A0.1008358 Composed by Issac Albeniz. Arranged by Arkady Leytush. 20th Century,Romantic Period,Standards,World. Score and parts. 39 pages. Arkady Leytush #4777939. Published by Arkady Leytush (A0.1008358). This virtuoso piano work has been expanded using the full orchestra palette to exploit the beautiful colors that Albeniz utilizes in a late Romantic style.
$40.00
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