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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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Note4Piano
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Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
42009
PIANO & CLAVIERS
Piano seul
14204
Piano, Voix et Guitare
8308
Piano, Voix
6465
Piano Facile
4340
Accompagnement Piano
1761
Instruments en Do
1241
Orgue
944
1 Piano, 4 mains
632
Piano grosses notes
337
Piano (partie séparée)
201
Piano Trio: piano, violon, violoncelle
195
Accordéon
183
2 Pianos, 4 mains
124
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
33
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
19
Ligne De Mélodie, Piano
17
2 Pianos, 8 mains
12
Clavier
11
Accordéon, Voix
5
Instrument seul et Orgue
3
Concertina
2
3 Pianos
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
2 Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
4110
Ligne De Mélodie, (Paroles) et Accords
2074
Guitare
1591
Basse electrique
959
Paroles et Accords
953
Ukulele
745
Guitare (partie séparée)
428
Ukulele Baryton
257
2 Guitares (duo)
144
4 Guitares (Quatuor)
70
Dulcimer
63
Mandoline
62
Piano, Guitare (duo)
54
Banjo
49
3 Guitares (trio)
34
Ensemble de guitares
32
2 Dulcimers (duo)
11
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
7
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
7
2 Ukuleles
6
Ensemble de Ukulélés
6
2 Mandolines (duo)
3
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
6501
Chorale 3 parties
2232
Chorale 2 parties
1733
Chorale TTBB
1456
Chorale SSAA
789
Voix seule
741
Chorale Unison
727
Voix duo, Piano
536
Voix Baryton, Piano
427
Voix duo
306
Chorale
256
Pack Instrumental pour Chorale
248
Voix Soprano, Piano
196
Voix Tenor, Piano
121
Voix Alto, Piano
120
Voix haute
102
Voix basse, Piano
51
Voix moyenne, Piano
46
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Voix Baryton
17
Soli, choeur mixte et accompagnement
17
Voix basse
15
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Chorale SATTBB, Clavier
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Chorale SSATBB
1
Chorale, Orgue
1
Instrumentations suivantes
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VENTS
Saxophone
16955
Saxophone (partie séparée)
14852
Saxophone Alto
8936
Quatuor de Saxophones: 4 saxophones
7693
Saxophone Tenor
7655
Saxophone Alto et Piano
5760
2 Saxophones (duo)
5397
Saxophone Tenor et Piano
4291
Saxophone Soprano et Piano
2565
Quintette de Saxophone: 5 saxophones
2241
3 Saxophones (trio)
2024
Flûte traversière et Piano
1877
Flûte, Hautbois, Clarinette, Basson
1526
Flûte traversière
1328
Clarinette
1244
Clarinette et Piano
1237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1170
Saxophone Soprano
1160
Saxophone Baryton, Piano
1113
Ensemble de saxophones
1020
Hautbois, Piano (duo)
1007
Quatuor de Clarinettes: 4 clarinettes
936
2 Flûtes traversières (duo)
840
2 Clarinettes (duo)
750
Saxophone, Clarinette (duo)
633
Hautbois (partie séparée)
396
Flûte, Clarinette (duo)
388
Quatuor de Flûtes : 4 flûtes
387
Clarinette (partie séparée)
381
Clarinette, Violon (duo)
347
Instruments en Mib
343
Ensemble de Clarinettes
301
Flûte à bec Soprano
293
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
270
Flûte, Saxophone (duo)
259
Hautbois, Basson (duo)
247
Hautbois
243
2 Hautbois (duo)
240
Saxophone Baryton
230
Flûte à bec Alto
219
Ensemble de Flûtes
218
3 Clarinettes (trio)
217
Hautbois, Clarinette (duo)
210
Flûte et Guitare
207
2 Saxophones, Piano
192
Quintette de Clarinettes: 5 clarinettes
190
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
150
Cor anglais, Piano
148
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte, Alto (duo)
145
Flûte, Trompette (duo)
128
Saxophone et Guitare
117
Flûte à Bec
116
Flûte, Violon, Piano
105
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
102
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
74
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
57
3 Flûtes à bec (trio)
52
Flûte, Hautbois (duo)
50
Flûte, Violoncelle
49
Hautbois, Violoncelle
48
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Cor Anglais
44
Saxophone et Harpe
44
Flûte, Clarinette et Basson
43
Saxophone, Basson (duo)
43
Ensemble De Flûte à bec
42
Flûte à bec Alto, Piano
42
Harmonica
40
2 Flûtes traversières, Piano
38
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
24
Ensemble à vent
22
Flûte, Violoncelle, Piano (trio)
22
Hautbois, violon (duo)
21
Flûte à bec Soprano, Piano
19
Saxophone et violoncelle
19
Piccolo
19
Piccolo, Piano
19
4 Hautbois
17
Flûte, Clarinette, Piano (trio)
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte à bec Tenor
16
Flûte, Violon et Violoncelle
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Hautbois, Piano (trio)
13
2 Clarinettes, Piano
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette Basse
10
Clarinette, Harpe (duo)
9
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
2 Clarinettes, Basson
8
Hautbois et alto (duo)
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte irlandaise
5
Flûte traversière, Orgue (duo)
5
Hautbois, Harpe
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec, Guitare (duo)
4
Flûte, Harpe et Violoncelle
3
Harmonica, Piano
3
Flûte, trombone et piano
3
Flûte, Clarinette, Violon (trio)
3
Cornemuse
2
Flûte, alto et harpe
2
Clarinette, Tuba
2
Flûte, Hautbois, Violon
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, trompette et piano
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
2 Hautbois et Cor anglais
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Melodica
1
Flûte, Violoncelle, Guitare
1
Clarinette, Saxophone, Piano
1
Clarinette, Contrebasse (duo)
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Instrumentations suivantes
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CUIVRES
Trombone
11708
Trombone (partie séparée)
11149
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7466
Trombone et Piano
4573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3148
2 Trombones (duo)
2143
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1545
Trompette
1412
Trompette, Trombone (duo)
1231
Quatuor de Cuivres
1153
Quatuor de cuivres: 4 trombones
1047
Trompette (partie séparée)
974
Trompette, Piano
871
Cor et Piano
680
Trompette, Saxophone (duo)
598
Cor
510
Trio de Cuivres
465
Ensemble de Trombones
416
Bass Clef Instruments
395
Instruments en Sib
389
2 Trompettes (duo)
359
3 Trombones (trio)
357
Tuba et Piano
333
Tuba
318
Euphonium, Piano (duo)
269
Cor (partie séparée)
265
Tuba (partie séparée)
224
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
158
Cor anglais, Piano
148
Ensemble de Trompettes
147
Trompette, Cor (duo)
124
Euphonium
116
Quatuor de cuivres: 4 cors
111
Trombone basse
103
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
Trombone, Violon (duo)
76
2 Tubas (duo)
69
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
40
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
3 Trompettes (trio)
34
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
2 Trombones, Piano
15
Tuba et Orgue
15
Trombone, Alto (duo)
14
Trompette, Violoncelle (duo)
14
2 Trompettes, Clavier (piano ou orgue)
13
Cor et Basson (duo)
13
3 Tubas (trio)
12
3 Cors (trio)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor, Tuba (duo)
6
Trombone et orchestre
6
Cor et Orgue
6
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Ensemble de Tubas
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
1
Trompette, Orchestre
1
Cornet et Piano
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3558
Violon et Piano
1770
Violon
1753
Violoncelle, Piano
1244
Alto, Piano
1049
Violoncelle
1035
Violon, Violoncelle (duo)
922
Harpe
872
Trio à Cordes: violon, alto, violoncelle
679
Alto seul
655
2 Violons (duo)
545
Violon, Alto (duo)
428
2 Violoncelles (duo)
425
Contrebasse (partie séparée)
365
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
2 Altos (duo)
303
Violon (partie séparée)
281
Contrebasse, Piano (duo)
246
Contre Basse
241
Alto (partie séparée)
196
Trio à Cordes: 2 violons, violoncelle
193
Piano Trio: Violon, Alto, Piano
126
Alto, Violoncelle (duo)
122
4 Violoncelles
113
Violon, Guitare (duo)
106
Trio à cordes: 3 violins
80
Violoncelle (partie séparée)
73
2 Harpes (duo)
61
2 Contrebasses (duo)
58
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Trio à cordes: 3 altos
42
Alto, Guitare (duo)
41
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Violon, Basson (duo)
35
Harpe, Violon (duo)
34
Harpe, Voix
31
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Ensemble d'Altos
21
Alto et Harpe
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Trio à cordes
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
2 Violons, Piano
7
4 Contrebasses
6
Violoncelle, Orchestre
6
Harpe, Violon, Violoncelle
6
Violon, Clarinette, Piano (trio)
6
3 Harpes
4
Harpe et Piano
3
Autoharp
3
3 Contrebasses
2
Violon, Basse continue
2
2 Violoncelles, Piano
2
Alto et orchestre
2
5 Harpes
2
Violon, Trompette et Piano
2
Harpe (partie séparée)
2
Harpe, Quatuor à cordes
1
4 Harpes
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
11240
Ensemble Jazz
3257
Orchestre
2425
Ensemble de cuivres
2164
Orchestre à Cordes
1575
Fanfare
1027
Cloches
701
Orchestre de chambre
666
Jazz combo
660
Batterie
539
Xylophone
366
Ensemble de Percussions
290
Batterie (partie séparée)
233
Percussion (partie séparée)
225
Percussion
162
Xylophone, Piano
115
Marimba
70
2 Xylophones
55
Vibraphone
35
Timbales (partie séparée)
31
Quintette de Cuivres: autres combinaisons
16
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Caisse Claire
5
Orchestre, Violon
5
Quintette à Vent
4
2 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
3
Bongos
2
Marimba, Piano (duo)
2
Xylophone (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba ou Xylophone et Piano
2
Cajon
2
3 Marimbas
2
3 Percussions
1
Bodhran
1
Orchestre Symphonique
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
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2401
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.59 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
182.53 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.5 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.55 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.33 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.68 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.59 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
What The Lord Has Done For Me (Anthem) - Orchestration
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99
45.62 €
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Orchestre
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.81 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.64 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Elegy Sentimentale for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.38 €
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.59 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Wheel of Fortune
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.824328 Composed by Phillip Rawl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.824328 Composed by Phillip Rawle. Contemporary. Score and parts. 68 pages. Phillip Rawle #2036565. Published by Phillip Rawle (A0.824328). A modern piece for Orchestra. The middle section is in 12 tone form (tone row) but dispite this, is quite melodic. The twelve notes represent the twelve star signs.
$5.00
4.56 €
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Orchestre
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Phillip Rawle
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Wheel of Fortune
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Phillip Rawle
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
41.07 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Game Of Thrones
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205628 By Various. By Ramin Dj…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205628 By Various. By Ramin Djawadi. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 67 pages. FRC Music #803804. Published by FRC Music (A0.1205628). Ramin Djawadi: Game of Thrones for Choir and Orchestra (FULL SCORE) GAME OF THRONES                Music by RAMIN DJAWADI              Arranged by Flávio Régis Cunha  🎶 Calling all music maestros and orchestral enthusiasts! 🎶 Unleash the power of your instruments with the mesmerizing melodies of Westeros. Introducing the ultimate masterpiece for student, university, and professional orchestras: the sheet music of 'Game of Thrones' composed by the legendary Ramin Djawadi!🌟 Immerse your ensemble in the epic realm of dragons, intrigue, and destiny with this iconic soundtrack. From the thundering rhythm of the main theme to the hauntingly beautiful 'Light of the Seven,' this collection will transport your musicians and audience alike to the Seven Kingdoms.🎻 Elevate your performances to new heights as you recreate the spine-tingling moments of the Iron Throne saga. Whether you're rehearsing in the hallowed halls of academia or showcasing your virtuosity on grand stages, the 'Game of Thrones' sheet music will be your key to musical triumph.🌌 Ignite the passion of your players as they breathe life into each note, each crescendo, and each heart-pounding climax. With meticulously transcribed scores, this sheet music ensures an authentic rendition that captures the essence of the original soundtrack.🎉 Unite your orchestra with the power of unity and harmony that only music can bring. Let the soaring melodies of 'Game of Thrones' be the catalyst for creating unforgettable memories and forging unbreakable bonds among your fellow musicians.📣 Seize this opportunity to make your ensemble a legend in its own right! Order the 'Game of Thrones' sheet music now and embark on a musical odyssey that will resonate through the ages. Winter is here, and it's time to conquer the world of orchestral brilliance. Don't miss your cue! 🚀🎵INSTRUMENTATIONFLUTE 1. 2OBOE 1. 2CLARINET 1. 2. 3. IN BbBASSON 1. 2HORN 1. 2 IN FTRUMPET 1. 2. 3 IN Bb TROMBONE 1. 2BASS TROMBONETUBATIMPANIPERCUSSION 1. 2. 3  (Tenor Drum, Tom-tons, Gran Cassa, Susp.Cymbal)SATB CHOIR  HARPSICHORD (OPTIONAL PIANO)VIOLIN 1VIOLIN 2VIOLAVIOLONCELLODOUBLE BASSAdvanced Intermediate.Format: Concert, 9 x 12 inches.65 pages.
$59.99
54.75 €
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Orchestre
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Various
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Flavio Regis Cunha
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Game Of Thrones
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FRC Music
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.33 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Game Of Thrones
Orchestre
Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or …
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Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or Ensemble, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, Drums, Xylophone, Percussion Ensemble, Guitar, Recorder, Flexemble, school ensemble, school orchestra, youth music - Easy/Beginner - Digital Download By Ramin Djawadi. Arranged by Susie Winkworth winkmusic.co.uk. Score, Set of Parts. 58 pages. Published by winkmusic.co.uk
The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For Flexemble - perfect for school groups and education projects where the instrumentation needs to be flexible, you can mix and match so that everyone can join in.<br> <br> *NOW WITH HORN IN F*<br> <br> Descant Recorder/Flute 1: Intermediate<br> Descant Recorder/Flute 2: Easy (B, A, G only)<br> Oboe: Fairly easy<br> Clarinet 1 in Bb: Intermediate<br> Clarinet 2: Easy<br> Alto Sax 1: Intermediate<br> Alto Sax 2: Easy<br> Horn in F: Fairly easy<br> Trumpet: Fairly easy<br> Guitar: notated and chord parts, fairly easy<br> Keyboard: Fairly easy<br> Percussion: bass or low drum, glockenspiel, cymbals<br> Violin 1: Intermediate<br> Violin 2: Easy/Intermediate<br> Violin 3/Viola: Easy (no low 2nd fingers)<br> Cello: Easy/Intermediate<br> Bass: Fairly easy<br> Easy Violin: open strings only<br> Easy Cello: open strings and 1st fingers only<br> <br> Teacher Guide Piano<br> Teacher Guide Treble Clef in C<br> Teacher Guide Treble Clef in Bb<br> Teacher Guide Cello<br> Core Score<br> Full Score<br> <br> Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For Flexemble - perfect for school groups and education projects where the instrumentation needs to be flexible, you can mix and match so that everyone can join in.<br> <br> *NOW WITH HORN IN F*<br> <br> Descant Recorder/Flute 1: Intermediate<br> Descant Recorder/Flute 2: Easy (B, A, G only)<br> Oboe: Fairly easy<br> Clarinet 1 in Bb: Intermediate<br> Clarinet 2: Easy<br> Alto Sax 1: Intermediate<br> Alto Sax 2: Easy<br> Horn in F: Fairly easy<br> Trumpet: Fairly easy<br> Guitar: notated and chord parts, fairly easy<br> Keyboard: Fairly easy<br> Percussion: bass or low drum, glockenspiel, cymbals<br> Violin 1: Intermediate<br> Violin 2: Easy/Intermediate<br> Violin 3/Viola: Easy (no low 2nd fingers)<br> Cello: Easy/Intermediate<br> Bass: Fairly easy<br> Easy Violin: open strings only<br> Easy Cello: open strings and 1st fingers only<br> <br> Teacher Guide Piano<br> Teacher Guide Treble Clef in C<br> Teacher Guide Treble Clef in Bb<br> Teacher Guide Cello<br> Core Score<br> Full Score<br> <br> Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
31.94 €
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Orchestre
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Ramin Djawadi
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Susie Winkworth winkmusic
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Game Of Thrones
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SheetMusicPlus
Concerto for Arpeggione and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976526 Composed by Dov Rosensch…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976526 Composed by Dov Rosenschein. 20th Century,Contemporary. Score and parts. 73 pages. Joshua Rosenschein #2332429. Published by Joshua Rosenschein (A0.976526). A concerto for orchestra and a long forgotten instrument, formally called the guitarre d'Amore, a cross between a cello and a guitar.
$35.99
32.85 €
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Orchestre
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Dov Rosenschein
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Concerto for Arpeggione and Orchestra
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Joshua Rosenschein
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.5 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Forgotten Moments for Symphony Orchestra (Keith Terrett Hollywood Film Cue Series)
Orchestre
Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, …
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Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, European. Score, Set of Parts. 36 pages. Published by Music for all Occasions
A little original reflective/melancholic work entitled ''Forgotten Moments'' for Symphony Orchestra. Part of my Hollywood Film Music Cue series.<br> <br> If there are any film producer's/director's out there looking for music for a film, I have many more examples. E-mail me your requirements:keithterrett@gmail.com<br> <br> Some of my favourite film composers include:<br> <br> Bernard Herrmann, John Barry, Vangelis, John Williams, Ennio Morricone, Hans Zimmer, Jerry Goldsmith, John Carpenter and of course James Horner Franz Waxman & Erich Korngold!<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.A little original reflective/melancholic work entitled ''Forgotten Moments'' for Symphony Orchestra. Part of my Hollywood Film Music Cue series.<br> <br> If there are any film producer's/director's out there looking for music for a film, I have many more examples. E-mail me your requirements:keithterrett@gmail.com<br> <br> Some of my favourite film composers include:<br> <br> Bernard Herrmann, John Barry, Vangelis, John Williams, Ennio Morricone, Hans Zimmer, Jerry Goldsmith, John Carpenter and of course James Horner Franz Waxman & Erich Korngold!<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$30.00
27.38 €
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Orchestre
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Keith Terrett
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Forgotten Moments for Symphony Orchestra
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
41.07 €
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Orchestre
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Various
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Randy Calistri-Yeh
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Fantasie-Legende for Trombone and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.903541 Composed by Axel Jørg…
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Full Orchestra - Level 4 - Digital Download SKU: A0.903541 Composed by Axel Jørgensen. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and parts. 46 pages. Gordon Cherry #509664. Published by Gordon Cherry (A0.903541). Fantasie-Legende for Trombone and Orchestra by early 20th Century Danish composer Axel Jørgensen was forgotten for quite a while but has been rediscovered, edited, and recorded (with piano accompaniment) by noted Danish Trombonist and educator Niels-Ole Bo Johansen. The work is in a late-Romantic style with hints of impressionism, about 4 minutes in length, and is appropriate for advanced intermediate level performers (range is up to a high B). The instrumentation is for Full Score, Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, 2 Trumpets, Timpani, and Strings. The version with piano accompaniment has been beautifully recorded by the editor, Niels-Ole Bo Johanssen from his CD, The French Connection.
$75.00
68.45 €
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Orchestre
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Axel Jørgensen
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Niels-Ole Bo Johansen
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Fantasie-Legende for Trombone and Orchestra
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Gordon Cherry
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SheetMusicPlus
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