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PULVER Lev: Two Fragments from "Bar Kokhba" for Soprano, Tenor and Orchestra (Full score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868932 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868932 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 38 pages. Really Good Music, LLC. #5000199. Published by Really Good Music, LLC. (A0.868932). The publication of the scores of two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Bar Kokhba (1938) is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). They have been realized and edited by Sergei LEONOV. The text in Yiddish was written by Samuil (Shmuel) Halkin. Duet of Dina and Bar Kokhba and Song of Pnina Arum mayn kop definitely are among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Bar Kokhba.
$50.00
46.06 €
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Orchestre
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: Two Fragments from "Bar Kokhba" for Soprano, Tenor and Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
Ikarus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
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Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
16.57 €
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Orchestre
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Prairiesong: 3rd F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_H3 3rd F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_H3 3rd F Horn. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_H3). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
#
Carl Strommen
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Prairiesong: 3rd F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_VC1 Cello. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_VC1). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
#
Carl Strommen
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Prairiesong: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: 4th F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_H4 4th F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_H4 4th F Horn. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_H4). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
#
Carl Strommen
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Prairiesong: 4th F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_B1 Bassoon. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_B1). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
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Carl Strommen
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Prairiesong: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_TMP Timpani. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_TMP). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
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Carl Strommen
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Prairiesong: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_F1 Flute. Composed by Carl Strommen. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_F1). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
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Carl Strommen
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Prairiesong: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prairiesong: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014689_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014689_M1 Mallets. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014689_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014689_M1). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$3.00
2.76 €
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Orchestre
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Carl Strommen
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Prairiesong: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sieben Fragmente für Orchester
Orchestre
Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Comp…
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Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99
31.31 €
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Orchestre
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Aribert Reimann
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Sieben Fragmente für Orchester
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Schott Music - Digital
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SheetMusicPlus
PULVER Lev: "Duet of Dina and Bar Kokhba" from "Bar Kokhba" for Soprano, Tenor and Orchestra (Full s
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868927 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868927 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 55 pages. Really Good Music, LLC. #5000189. Published by Really Good Music, LLC. (A0.868927). The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Duet of Dina and Bar Kokhba is one of the three surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Bar Kokhba (1938). It is a duet of two main characters of the play, Dinah (Pnina) and Bar Kokhba. The text in Yiddish was written by Samuil (Shmuel) Halkin. The ranges of the solo voices are F#4–A5 and D#3–A4. Duet is definitely one of the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of the Duet.
$65.00
59.88 €
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Orchestre
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Duet of Dina and Bar Kokhba" from "Bar Kokhba" for Soprano, Tenor and Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: "The Oath" from "Shulamis", a duet for Soprano, Tenor (Baritone) and Orchestra (Full sco
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.868921 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868921 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 52 pages. Really Good Music, LLC. #4883797. Published by Really Good Music, LLC. (A0.868921). The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. The Oath is one of the two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937). It is a duet of two main characters of the play, Shulamis and Avessalom. The ranges of the solo voices are C#4–G#5 and F#3–F#4. The Oath is definitely one of the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of The Oath.
$60.00
55.27 €
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Orchestre
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "The Oath" from "Shulamis", a duet for Soprano, Tenor
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Really Good Music, LLC.
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SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
50.67 €
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Orchestre
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
AN HOMAGE TO UKRAINE, for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zl…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zlatanou. Contemporary. 36 pages. Marilena Zlatanou #760301. Published by Marilena Zlatanou (A0.1160033). Composed on the backdrop of the Russian Invasion of Ukraine and inspired by the tragically still current writings of Lesya Ukrainka, (Laryssa Kossatch, 1871–1913). In this piece the composer is extending and futher developing the musical material of her existing composition for a cappella SATB choir: A LAMENT FOR UKRAINE (2022), on Ukrainka's poetry, this time for Symphony Orchestra. Towards the end of this piece fragments of the Ukrainian National Anthem are also incorporated as an homage to the spirit and the hopes of the brave resistance of the Ukrainians. My intention is to provide a musical reminder to this tragic event of our time... Duration: ca 6'40''. The pdf file provided contains both the full score and the parts. The mp3 file is made straight from the sibelius score. The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit webiste www.zlatanou.netÂ
$50.00
46.06 €
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Orchestre
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Marilena Zlatanou
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AN HOMAGE TO UKRAINE, for Symphony Orchestra
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Marilena Zlatanou
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SheetMusicPlus
Horseshoe Curve
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
36.84 €
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Orchestre
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Arizona Centennial Overture - Orchestra Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.84 €
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Orchestre
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Sy Brandon
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Arizona Centennial Overture - Orchestra Version
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Sy Brandon
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SheetMusicPlus
Easter Prelude for Orchestra - He is Risen!
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.932807 Composed by Eugenio Gall…
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Full Orchestra - Level 3 - Digital Download SKU: A0.932807 Composed by Eugenio Gall. Christian,Contemporary,Easter,Praise & Worship. Score and parts. 31 pages. Eugenio Gall #6441631. Published by Eugenio Gall (A0.932807). Prelúdio de Páscoa - Ele Ressuscitou / Easter Prelude - He is Risen!a small prelude for church orchestra based on fragments of the hymn Christ the Lord is Risen Today .
$29.99
27.63 €
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Orchestre
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Eugenio Gall
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Easter Prelude for Orchestra - He is Risen!
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Eugenio Gall
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.91 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.03 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.03 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.03 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 17 pages. Musik Fabrik Music Publishing #691154. Published by Musik Fabrik Music Publishing (A0.1086964). Scored for Pic31CA2clbs2/4121/timp/hp/strings. This piece is an unused movement, probably a first draft of ‘La Passion’, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). This anguished but beautiful piece was never performed during Debussy’s lifetime. This item is the score only. The parts are on rental from the publisher.
$13.95
12.85 €
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Orchestre
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Claude Debussy/Robert Orledge
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La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gregory Sullivan Isaacs: Quiet Night for piano and orchestra - score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533285 Composed by Gregory Sull…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533285 Composed by Gregory Sullivan Isaacs. 20th Century,Christmas,Contemporary,Sacred. Score and parts. 11 pages. Musik Fabrik Music Publishing #2331287. Published by Musik Fabrik Music Publishing (A0.533285). A minimalist piece for Christmas! Written for Jeffrey Biegle and recorded on his Steinway Piano Christmas album, the piece uses fragments of Silent Night to create an impression of a calm, cold, still night. The orchestration is 1120/2220/timp/1perc/hp/strings
$11.95
11.01 €
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Orchestre
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Quiet Night for piano and orchestra - score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Prairiesong: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0003005 Score. Composed by C…
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Full Orchestra - Digital Download SKU: AX.00-PR-0003005 Score. Composed by Carl Strommen. Instructional. Score. 40 pages. Alfred Music - Digital Sheet Music #00-PR-0003005. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003005). UPC: 654979070849.There are many opportunities to feature your fine soloists throughout this energetic work. All the technical passages fall nicely under the fingers. Beautiful melodic fragments shift from section to section offering everyone a chance to shine and generous cross-cueing guarantees a successful performance. Pure energy! (6:40).
$10.00
9.21 €
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Orchestre
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Carl Strommen
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Prairiesong: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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